NUTS & BOLTS in conversation with Tyneside songwriter John Heston

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(John Heston in the Littlehaven Hotel, South Shields Feb. 2026. Pic. Alikivi.)

I’ve known John since 1970s living in South Shields and going to Tyne Dock youth club where rock music was blasted out of the disco.

‘Yeah, I was a bit of a rocker then. The first band I got a ticket for was Scorpions at Newcastle City Hall. I went on my own, I was only 11 – I’m 57 now. I had no concept of what a gig would be like’ said John.

‘When the band were on stage, I noticed something different. Was it an extra member? I didn’t recognise some of the songs. When they finished, I walked out when a bouncer on the doors stopped me “Hey son you not hanging around for the main band?” ‘I’d only watched the support band who happened to be Tygers of Pan Tang from Whitley Bay!’

‘Harry Hill the drummer of rock band Fist, his mother lived near me when I was a kid. When he used to come to see her, he’d drive into the street. A few times I would run over to get his autograph cos the band had just released a single. I met him years later he was really nice. We had a laugh when I told him about it. “What! You were that little squirt who used to come over all the time?”

‘Buddys nightclub in the town had an under 18’s disco and what caught me ear was bands like Stiff Little Fingers, The Jam and The Clash. Alternative Ulster from the Fingers blew us away. Unfortunately, as I was just getting into them these bands were starting to split up! I was a curse, too late for the party’.

One day in 1985 I was in Newcastle record shopping when I was surprised coming across a band busking at the Grey’s Monument. I wasn’t sure at first but it was The Clash.

‘Yeah, I’d been up Newcastle that day but missed them. The busking dates and locations were unannounced. I did meet Mick Jones’ band Big Audio Dynamite at the Mayfair – they handed out cans of Red Stripe. But we missed the last bus so had to walk home afterwards. About 10 mile!’

‘I’ve met Joe Strummer when he was on his solo tour. Had a smoke and drink with him backstage at Newcastle Uni. They say never meet your heroes but glad I did cos he talked patiently to us and answered our questions. I like that, open and relaxed not like now paying for a meet and greet.’

Since being a teenager John has been attracted to music.

‘I was never one who wanted to sound like Jimi Hendrix. The guitar was a songwriting tool for me. I remember when I was around 12 walking in the West Park, South Shields and this loud noise was coming from a distance. I followed the sound which led to a hut. I opened the door and there was a band inside rehearsing. It just hit me. I immediately thought I wouldn’t mind doing that.’

‘It was songs I was interested in, not just the guitar, I wondered how did they put them together? I was interested in the nuts and bolts of the song.’

We talked about great 80s music TV programmes like The Tube which I was lucky to get free tickets for to be in the studio audience. Watching rock bands like Thin Lizzy, Judas Priest and Gary Moore was great but this was the time that The Alarm, The Cult, Killing Joke and Big Country were making a different noise.

‘The first Big Country album really helped me learning guitar. It was a big influence.’

Previous interviews have revealed a family member who used to sing in the clubs or a granny who had a piano in the front room – but not in John’s case.

‘Me mam says I don’t know where it has come from cos there is no history in our family of any musical talent. I think it was just the generation I grew up in. I thought being in a band was beyond me. The punk attitude of going out to just do it made it more possible.’

‘Thing was there was no money around. I only had a cheap guitar from a shop in South Shields called Second Hand Rose. The scratch plate was made from the perspex from a bus shelter window. I don’t know what the strings were made of – possibly chicken wire – but they toughened my fingers up.’

‘It was just getting the feel of playing guitar along to records. I got a book out the library which showed me a few chords. I never got a proper guitar until I was 18. As I say writing songs was what I wanted to do and I started looking around to work on this with somebody.’

(Cloud 10, Laygate 1995 with John on the left pic. Alikivi)

‘I had a mate, Paul Stephenson, who wrote lyrics so we worked on them with some music for about two years. His brothers were a guitarist and drummer and we contacted Neil Newton to come in on bass so formed a band called Cloud 10. We found rehearsal rooms in South Shields this was around ’94.’

‘There was a good scene in Shields then. Plenty of bands like The Calm, January Blue, The Fad, Lemongrass and Nosh at venues like The Vic, the Amphitheatre and I remember playing a showcase gig for community radio station Seven FM at Temple Park Leisure Centre.’

‘After a few gigs we were getting noticed and a guy called Danilo Moscardini, who had a music page in the Sunday Sun newspaper, got in touch after hearing our demo tape. He managed Sunderland band Kenickie at the time who had a few hits. The singer/guitarist Lauren Lavern works on the BBC TV One show now. But after initial interest from record companies it faded away and me and Neil went our own way, forming a band called Speedster’

‘Pre-internet it was adverts in local music shops ‘looking for drummer’ that took ages. Then Neil left to join The Chasers with ex Wildheart Danny Mccormack and I joined The Last Men on Earth with Chris Wraith, Martin Payton and Wayne Burgess. We played around the pubs doing a mix of our own songs with a few covers which earned us enough money to buy new equipment and book in studio time.’

(The Last Men on Earth with Chris Wraith, John Heston, Martin Payton, Wayne Burgess).

‘We were playing a few days a week around the North East and we got down to Camden in London. Again, this band fizzled out and me and drummer Martin Payton talked about getting something together.’

‘As Panic Report (Richy Harbison – keyboards, guitar & vocals, Steve Moore – bass & vocals) we went a similar route as Last Men on Earth by playing originals mixed with covers. From this we got ourselves a decent recorder where we got a few tracks down on CD. Obviously not as good a sound as studio but we spent more time on the tracks and didn’t worry about looking at the clock ticking. Studios are expensive.’

‘We did eventually book into a pro studio and have recorded two CD’s with our new one ‘Kingston to Coventry’ (pic below) which we are releasing on vinyl in a few months. The master tracks are sent away and the wheels are in motion. We will be arranging a launch party in the summer.’

‘For gigging the Panic Report have supported Toyah and Bad Manners at Newcastle Academy. We have played at Stone Valley festival (Bad Manners, From the Jam, Cast, The Professionals with Paul Cook, Bob Geldof). When I was 16 and people said you would have been in a band playing gigs alongside these people I wouldn’t have believed them.’

‘Although not long ago we done a gig down Bishop Aukland with only ten people in the audience, but you still play and just get on with it and enjoy it. We love what we are doing.’

‘A gig I enjoyed was when Angelic Upstarts supported us at Mensi’s 60th birthday at his pub the Alexandria in Jarrow. It was unbelievable. We couldn’t believe it when the big man asked us. Mensi wanted to go on before us then relax before the whole gig finished. It was a great night. The place was rammed’.

‘We’re playing on the Mensifest soon. The organisers are looking to get a festival in remembrance of the Upstarts singer who sadly died a couple of year ago. The gig will be at the Unionist Club, South Shields. There will be about seven bands on with Crashed Out headlining. The tickets are going well the organiser is hoping to make it an annual event.’

‘We’re more or less busy through the year with festival dates and there’s promoters still getting in touch to arrange more.’

Since he was a teenager playing music has been in John’s blood and being able to still be doing what he love’s for over 40 years, he says is a privilege.

‘I’ve done around 700 gigs since starting and I’m ready to keep going’.

‘Kingston to Coventry’ available on vinyl this summer. Check The Panic Report social media for details.

Southside Promotions present ‘Mensifest’ on 21st February 2026 at The Unionist Club, South Shields. Line up featuring Crashed Out, Red London, The Fauves, The Panic Report and more. Tickets £15. On the door £20.

Alikivi   February 2026

FUGUE STATE debut single from South Shields band Class Gymnast

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Class Gymnast are Jon Melvin (Vocals), Mark Cliff (Drums), Jordon Ridley (Bass), Andrew Yates (Guitars) and John Dempsey-Curry (Guitar).

“We’re mainly South Shields lads, although I suppose our spiritual home is Sunderland – we’ve rehearsed at The Bunker on and off for the best part of two decades” said guitarist John Dempsey-Curry.

What are your hopes for this single?

“I’ll be honest, it’s just nice to get some music out there. We started this ‘project’ in 2019 as a way of playing some older songs and ended up writing and recording new music. Right when we started trying to do anything of substance, the pandemic happened and we had to slow right down. We’re not fast at the best of times, but we ended up writing and recording around one song a year, and never really doing anything with it. This is us finally committing to something.” 

How long have the band been playing music for?

“We’ve all been playing together in some form for a while. Three of us were in a band called The Volts in 2000 for a couple of years. Four of us were in The Broken Things back in the early 2000s. A few of us started a band called Maps Are Fiction / The Dead Generosities in the 2010s. A couple of us are in the going concern The Union Choir. I believe The Broken Things may be making a brief comeback as part of a charity gig alongside some other bands of that time shortly, which will be exciting.”

What do you think about the state of live music today?

“We’re all in our 40s and most of us have kid(s) so getting out to see gigs is hard. Playing them even harder. I know from other folks I’ve seen posting pictures (on social media) that there’s still a thriving small band scene, so I know there’s a scene out there, but it does feel very much like there’s a lack of venues dedicated to this kind of thing like there was ‘in my day’. I’m very probably wrong on that though!

Have the band planned any gigs soon?

“On the live music front we are playing the Ship Isis in Sunderland on 31st January with two other bands – American Wrestling and Becca Rubin.”

Produced by Martin Trollope – aka Harbourmaster – ‘Fugue State’ the debut single released 26/1/2026 and same day music video premiering on You Tube at 6pm. Pre-orders on Apple music 19/1/2026.

Alikivi   January 2026

CRAMLINGTON TRAIN WRECKERS – returns to Newcastle Theatre Royal

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After a sold out stage tour in 2024 Cramlington Train Wreckers is back. The inspiring story of working class solidarity will be staged at Newcastle Theatre Royal on Sunday 12th July 2026 to commemorate the 100th anniversary of the national strike in 1926.

The strike was the biggest rupture in society since the English civil war. Miners were asked to take a pay cut to ‘improve productivity’ – really just to maintain the profits of the bosses. North East actor Micky Cochrane played one of the main roles on the tour and is revisiting the play at Theatre Royal.

“The audiences were really good in ‘24. Lots of bums on seats and a great response. A lot of people come with high expectations for Ed’s plays and love what he does.”

Written by Ed Waugh (Wor Bella, Carrying David, Hadaway Harry) the story of the striking miners who accidently derailed the famous Flying Scotsman train in Northumberland is told by former actor and director Russell Floyd (The Bill, Eastenders), and after a very successful Carrying David and Billy Elliott the musical, the afore mentioned Micky Cochrane.

“I had worked with Russell on Carrying David and The Great Joe Wilson. I know how he works and what he brings out of actors. We work really well together.“

“I also won the North-East Culture Awards Performing Artist of the Year. It was a great reward for the fantastic plays and big roles I played last year” said Micky.

Also starring is Alex Tahnee who was in Romeo & Juliet and Alice in Wonderland “I knew Alex. She was great. The play has lots of information so we had to be on it. We had to help each other out”

“I had heard of the Cramlington Train Wreckers but I didn’t know the full story and main players so it was another chance to learn more about the history of the area.” explained Micky.

Tickets for Cramlington Train Wreckers at Newcastle Theatre Royal on Sunday 12th July 2026 available from >>>

The Cramlington Train Wreckers | Newcastle Theatre Royal

Alikivi  January 2026

CENTENARY – New show at The Glasshouse, Gateshead

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May 4, 2026, marks the centenary of the first full day of the 1926 General Strike where millions of British workers withdrew their labour and challenged the establishment. They believed a better world was possible.

To mark this historical event the same team that brought successful plays Wor Bella, Carrying David and Hadaway Harry are staging Centenary at the Glasshouse.

“We have a great team and the show will be fantastic. We did a very popular show about four years ago called ‘Boris Out’, and look what happened to him!” said playwright and Theatre producer Ed Waugh

“One hundred years ago millions of workers and their families went on strike. A General Strike poses the question of state power, the 1 per cent – the privileged Establishment or the working class – those who actually create the wealth in society.” 

“Despite the heroism and sacrifice of the trade union rank and file, the union leaders in the TUC realised the question of state power was at stake – the Russian Revolution nine years earlier had sent shockwaves throughout the world. These TUC cowards sold out the strike unconditionally after only nine days.”

Ed added “Their pusillanimity led to a carnival of reaction against the trade unions and workers by the Tory government. The miners continued their strike for another six months but were starved back to work. We haven’t had a general strike in this country since. But we’ve been close”. 

“We have to learn the lessons of 1926 for the next time, which is on the horizon. The 1926 General Strike was a hugely important period in working class history.”

‘Centenary’ will include songs, comedy, stand up and recitations to celebrate the nine day strike. A big addition are musicians Paul Weller (The Jam) Alan Hull (Lindisfarne), Tom Robinson and Paul Simmonds (The Men They Couldn’t Hang) have personally given permission for their music to be played at the show.

“We are delighted to have been given personal permission from these great songwriters. It will be an evening of brilliant musical and comedic entertainment and inspiration.” added Ed.

Tickets are available for ‘Centenary’ at The Glasshouse, Gateshead at 4pm or 8pm on Monday May 4th 2026.

Home | The Glasshouse International Centre for Music

www.wisecrackproductions.co.uk

Alikivi   January 2026

THROUGH LANDS OF GHOSTS – New album from Durham based musician Foster Neville

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Neville’s music has attracted attention from the BBC and the specialist music press. Stuart Maconie featured him on BBC 6 Music’s Freak Zone, Electronic Sound magazine praised his debut album The Edge of Destruction which established Consett born Neville (53) as a distinctive voice in contemporary British music. The critically acclaimed debut featured on this site in July 2023.

THE EDGE OF DESTRUCTION – new album by Durham musician, Foster Neville | ALIKIVI : NORTH EAST UK CULTURE

“I’m hoping to build upon the success of the previous two albums, which certainly found an audience, at the same time this album has a different approach. I like the idea of doing something slightly out of the ordinary each time” explained Foster.

What or who was your inspiration when you were young? “As a child I’d a neighbour who had an old 78 gramophone. I still remember the smell of the thorn needles. That was my first musical experience, it seemed like another world with its own smells and sounds. My dad who like a lot of other men in the 1970s took up guitar so I recall him playing.”

“My first record I bought from Woolworths in Durham as a child was Mike Oldfield’s Blue Peter. My dad played Tubular Bells around the house so I’d have heard that and Oxygène by Jean-Michel Jarre. So, Oldfield and Jarre would be my earliest exposure to modern music.”

“Having played guitar myself for many years when I began making this kind of music I remembered Jarre and Oldfield but also discovered I had in my record collection the likes of Terry Riley, Hans-Joachim Roedelius and Michael Rother without really having ever joined up the dots of who these people were or what they were doing.” 

Is music in your family? “Not at all. My grandfather was in the navy and played the accordian, he always told me as a child that if I wanted to be popular at parties I should learn to play the piano. My father had a few attempts at playing the guitar which didn’t work out, but it did mean there was a guitar around the house when I was growing up.”

“It’s important to remember, this period in time and in the north east, most families were not affluent enough to have the luxury of a musical instrument in the house let alone a musical education.” 

Are you planning any live dates? “The nature of this album makes live dates challenging, I’m against the electronic approach that works with pre-recorded loops and is effectively only live mixing rather than a live show. In the case of this album a live show would mean running several old Windows 98 computers at once, working over the top of them and hoping the results resembled the album, but would in fact be a re-creation.”

“There’s certainly a half way house and I’ve done a few small scale live experiments with other material to test the waters which proved effective musically – which is the main thing, so you can expect more live works in the future.” 

Produced by Ciarán Cahill (Van Morrison, Elvis Costello) and John Pilgrim and featuring an appreciation by writer and filmmaker Iain Sinclair ‘Through Lands of Ghosts’ will be released 16th January 2026 on Subexotic.

Alikivi    January 2026

RIGHT PLACE, RIGHT TIME?

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A lot is made of being in the right place at the right time to help bring success. But you can’t get past the sheer amount of hard work put in, every time giving 100% and never complaining. There is no substitute for rehearsal and when the opportunity presents itself you’ve got to be ready to take it. A snapshot of a story taken from Sting’s autobiography Broken Music hits the mark. This all happened within a few heady months during 1978.

The Police went out on a UK tour to open for Spirit led by guitarist Randy California. They won over a hippy audience and released their single Roxanne. Their record company A&M fully supported the record but money wasn’t rolling in yet.

To pay rent on his London flat Wallsend born Sting was still filming a few adverts and bit part in films. The Great Rock n Roll Swindle was one, although his scene ended up on the cutting room floor. ‘I was grateful, however, for the 125 quid at the end of the day’ said Sting.

He also went for a part in Quadrophenia filmed in Brighton. ‘I know that they’re seeing half of London for this role, but somehow I know it’s mine’.

After finishing on the film set in Brighton the record company hired a private car to whisk Sting off to Gatwick airport and jump on a flight to Manchester, finally arriving at the BBC TV studios where The Police were due to appear on the Old Grey Whistle Test. Sting remembers ‘It’s still raining when we land in Manchester. Yet another car and driver waiting to take me to the studio, where we have a sound check. The performance tonight is live’.

After a successful TV appearance a tour of the east coast of America was booked. Second night of the tour The Police are in Poughkeepsie theatre with only six people in the audience. Do they cancel? No. Sting brings the audience down to the front and introduces each other. Then ‘give a blistering set we will ever manage, encore after encore’.

The audience are invited back stage where it turns out three of them are DJ’s. The next day Roxanne makes its debut on USA radio. Within a couple years The Police are one of the biggest bands in the world. Now how did fellow Tynesider Mark Knopfler and Dire Straits knock them off their perch?

Alikivi   January 2025

LISTEN TO THE MUSIC in conversation with North Shields singer & songwriter Terry Gorman

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Singer/songwriter Terry Gorman Nov.25 pic. Alikivi

Now based in North Shields, Terry Gorman was born in Colne, Lancashire and has been playing guitar for over 50 years. Music has taken the 66 year old around the UK and Europe including Ireland, Amsterdam and Lanzarote.

I’ve done thousands of gigs maybe more than anyone you’ve met! said Terry after he had taken a short ferry journey over the river Tyne from North Shields to South Shields. We met in The Customs House for a cuppa and talked about music.

In North Shields there’s a nice music scene going on. We currently run a monthly ‘Songwriter Circle’ event every month in The Engine Room on Tanners Bank. It’s ran by myself and a few friends Steve McVay, Larry Page, Steve Rudd and Lyndon Phyliskirk.

You see live performance of singer songwriters all playing original songs. We encourage all levels of talent leading to paid gigs and possible festival spots. It’s been very successful so far and has been going since June said Terry.

Have I ever held down a proper job? I tried working 20 hours a week but found it hard working for idiotic managers. I thought I could earn enough money playing guitar and singing. I wasn’t interested in chasing fame.

I liked Ralph McTell, Alan Hull, James Taylor people like that telling a story. I watched Lindisfarne who were ordinary blokes, really down to earth but well known at the same time – that was for me. It was all about the music.

My introduction to music was my grandparents who had a piano in the front room. A lot of people did. I was around 10 year old when I picked up a guitar. It was a Hofner with a scratch plate. A Catholic priest who was a friend of the family knew I loved singing and writing poetry so he gave me his acoustic as he was off to the missions in Africa.

I lived in Brampton, Cumbria until I was 8 year old that’s where I saw the first singer who made an impact on me. It was Elvis when he sang on our black and white TV although I couldn’t make out the words or what he was singing about. The Beatles and Stones were good but I really liked storytellers, folk music where you could hear the words. I love lyrics.

Then I heard Lindisfarne and Isaac Guillory who made a G chord sound interesting. My first public gig performing was as a teenager in Durham I think, I was nervous and pretended to be confident.

Terry supporting the Devan Allman band at Newcastle Cluny.

North East venues Terry has played over the years include Bents Park and Amphitheatre in South Shields, Sunderland Empire, in Newcastle he performed at the Live Theatre, Journal Tyne Theatre and The Cluny. He also played in Durham City Hall and Gala Theatre, Washington Arts Centre and Darlington Arts Centre.

I won a songwriting competition in 1990 and thought it would lead to bigger things. A lot of radio play came off the back of that and a slot at the Cambridge Folk Festival and a headline at Dungeon Ghylls Music Festival in Cumbria. Again, I thought that would lead to more so I kept plodding along.

I played support to the Levellers at Tan Hill, Yorkshire, the highest venue in England. It went great playing my own songs, really grabbed the crowd by the scruff of the neck and went down well with an encore. The Levellers didn’t like that so I wasn’t asked back! Opening for Ralph McTell was a good gig and I’ve worked with Prelude a lot, I liked your interview with the singer Brian Hume earlier this year.

Terry supporting The Levellers at Tan Hill, Yorkshire.

I remember I played at a festival on the Isle of Bute, Scotland. I was the only one who wasn’t signed to a record company or connected to a famous band. There was Steve Daggett from Lindisfarne, Baz Warne out of the Stranglers, Martin Stephenson who was popular in the 1980s and others out of bands like The Pogues. I thought what am I doing here? I didn’t get signed but really, I never felt out of my depth.

I’ve wrote a few songs about getting knocked down and fighting back. When on stage I wouldn’t introduce the songs as if they were about depression or mental health. They are more about the power inside of you. It’s about dusting yourself off and going again.

I’ve recorded in Newcastle studios like The Cluny. Archie Brown from the Young Bucks was sound engineer. Then I went to Trinity Heights ran by Fred Purser. He was great, a really good lad, he used to be in North East bands Penetration and Tygers of Pan Tang.

What am I doing now? Well, it’s keeping the work rate up. In the last 12 months I released a single, ‘Only News Today,’ two albums and six professional music videos.

For 2026 I’ve got a folk album ready. One of the songs is ‘The Silent Shipyard’ about the closing of the shipyards and mines, all of the industry we have lost. I want a male voice choir on that one with a brass band and violins. Another song is ‘Beacon in the Dark’ about the whaling ships we had on the Tyne.

An idea floating about is a rock opera about John Lennon who was shot and killed in New York in 1980. In ‘Sgt Pepper Survived’ John Lennon gets shot and survives, lies in a coma for many years, wakes up and reveals his thoughts about world events today.

One scene is him sitting in a bar talking to Eric Clapton and Jimi Hendrix – yes, he lives as well. Lennon is also interviewed on stage where he is asked what he thinks about today’s shows like X-Factor, bands like Oasis and social media Spotify, Facebook and Instagram. I’m always thinking of these ideas.

If I have any advice to young musicians, it’s that if you enjoy your music, you’ve made it. If you don’t best just pack in and go do something else.

Listen to Terry Gorman here >>> https://www.youtube.com/watch?v=WWySntpYOxo

Alikivi   December 2025

BAD EGGS – with Anna Malia founder of North East Animal Rights

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Sadly, some schools are still using egg-hatching programmes as a misguided way to educate children on life cycles of animals or using them as a treat to the children in their care explained Anna.

As more and more schools realise the problems these awful programmes cause, the companies who exploit these live young animals have extended their business model to include care homes where they aim to use them in so-called enrichment activities for residents.

Anna added…Despite the companies saying they will take back and home all unwanted chicks and ducklings produced from these programmes, the reality is very different. Even in the small print of the contracts they say that hirers have to be realistic about the fact that ‘some’ will end up as food and males will be culled.

Male chicks turn into very noisy cockerels and every year rescues are swamped with both male and female chicks and ducklings who are abandoned once they grow out of their useful ‘cute’ stage.

Our local wildlife and domestic animal rescue centre ‘Pawz For Thought’ who are based in Sunderland, are inundated every year with abandoned chicks from egg-hatching programmes.  

A spokesperson for Pawz said “Every year we are inundated with calls from concerned parents of pupils who aredoing hatching projects. School hatching projects are often presented as education, but the reality is far from kind.”

“Chicks are hatched in the name of learning, yet the process has become a form of lazy teaching. For a few weeks, children view these animals as entertainment—then the chicks are handed away, this teaches young people that living beings are disposable and exist for our pleasure.”

“Every year, we are asked to take in chicks to save them from being culled. Around half of all chicks hatched are cockerels, and there are simply no homes for them. They face a terrible fate.”

“Schools often believe they are rehoming them to willing parents, but with no follow-up, many unwanted cockerels eventually end up dumped once they mature. This cycle of suffering must stop.” 

Anna said…As part of their Animal Protection Charter, South Tyneside Council have contacted all of their schools and asked them not to use these programmes. They confirmed recently that none of their primary schools will book these programmes again making them an ‘egg-hatching programme free borough’!

Cllr Judith Taylor Chair of the Animal Protection Charter Working Group at South Tyneside Council said “South Tyneside Council is committed to the highest standards of animal welfare. We have taken decisive action by contacting all our schools to urge them not to use egg-hatching programmes.”

“We believe there are far more compassionate and educational ways to teach children about life cycles, and we encourage all educational settings to consider the welfare of animals in their care.”

Anna added…These programmes bear no resemblance to the actual life cycle of chicks and ducklings – they are not hatched in sterile metal and plastic incubators for a start. They do not have the warmth and love from their mother and of course they don’t show students where the birds end up and how they are slaughtered for food. 

What are we doing now? We are currently campaigning across the North East and also have a group working in the North West and a group in the West Midlands coming on board. We want schools and care homes to know the misery these programmes cause.

We are also encouraging people to contact their MP and the Education Secretary to ask them to update the curriculum to remove the suggestion of egg-hatching programmes as an educational tool.  

Thank you to South Shields artist Sheila Graber for the animation.

For further information about the work of North East Animal Rights contact >>>

Facebook @northeastanimalrights

Instagram @northeastanimalrights

TikTok @northeastanimalrights 

Bluesky @neanimalrights.bsky.social

Threads @northeastanimalrights

North East Animal Rights – YouTube

https://linktr.ee/northeastanimalrights

Alikivi   November 2025

RETURN TO MEMPHIS – new single from Teesside Rhythm & Blues singer & songwriter Emma Wilson

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Emma at BBC Radio 2 with Cerys Mathews December 2023

Magazine front covers, BBC Radio 2, awards, tours, record releases – this past few year Emma has been prolific. In 2023 she released ‘Memphis Calling’ recorded in Sam Phillips studio in Memphis, USA, earlier this year she talked about her third album ‘A Spoonful of Willie Dixon’. Recently she got in touch about her latest single…

I’m stablemates with American band Chris Wyze and the Tellers. We’re both signed for distribution with ‘Select-O-Hits’ in Memphis. Chris found out I was in Tennessee for a few days in September so asked me to co-write and sing a duet with him. We recorded ‘Hearts Blue Christmas’ at Royal Studios in Memphis with the Hi Rhythm Section.

At the end of the recording session producer Boo Mitchell said ‘We have an hour left“. Chris turned to me and said ‘Do you want to do anything?’ I’ve previously recorded with pianist Charles Hodges (who is part of the Hi Rhythm Section) on my record ‘Memphis Calling’ and we have a good friendship and work well together.

I asked Charles if he knew the song “What are you doing New Years Eve”? The track was written by Frank Loesser in 1947. I think I must have first heard the Lena Horne’s 1966 version as my Mum played a lot of her music when I was little.

Charles strolled over and started playing it so beautifully on the grand piano. That piano has been in the same position at Royal studios for decades. Goodness knows how many iconic songs it has featured on!

Charles and I spent about ten minutes getting a key to suit and having a run through, then he called Steve Potts to play some lovely light drums and then we taped it.

L to R – Charles Hodges, Steve Potts, Hubbie Turner, Emma Wilson, Boo Mitchell, Lina Beach, Chris Wyze and Leroy Hodges at Royal Studio, Willie Mitchell Boulevard, Memphis on 25 September 2025.

Along with promoting the single now Emma is already looking forward to 2026…Recently I won the UK Blues Challenge at Marshall Studios which means I go to Memphis in January to represent the UK in the International Blues Challenge and for the European Blues Challenge I go to Poland.

‘What Are You Doing New Years Eve’ is out on 21st November 2025 as digital download and a very limited run of CDs which are available from the official website >>>

Emma Wilson – award winning rhythm & blues singer from the UK

Alikivi   November 2025

SHIELDS CLOSEST ENCOUNTER

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As requested, readers of this site have contributed stories featuring supernatural phenomena. Researcher & Historian, and regular contributor to the site Dan Green, got in touch to pass on an interesting story he came across.

Report in The Shields Gazette 2013.

A visit to South Shields by three unexplained lights in the sky in October 1967 seemed to be very convincing as it was witnessed and recorded by policemen. But what occurred the previous year might be an even better UFO episode.

It began when a Shields resident agreed to tell her story to local newspaper The Shields Gazette in 2013 on the proviso that her identity was kept anonymous.

It was a cold night in late autumn, a black starless sky between 10-10.30pm when she and half a dozen of her girlfriends, all teens, were walking home from Harton village past Harton cemetery when they noticed a huge circular ‘flying saucer’ hovering approximately 20’ above the ground, coloured lights pulsated underneath with a humming noise.

It suddenly shot up into the air to a height of about 60-70’ staying stationary for a while then swooping down over the cemetery. Three times it repeated this climbing and ascending motion until it finally shot up into the sky disappearing in an instant.

The shaken girls stood there motionless and speechless and never said a word as they continued home. Little did they know that it appears that on the same night the unidentified aerial phenomena was also seen and witnessed by a Mr Alton, then aged 20, and his wife.

The object was first spotted as they were walking to their home near the old Westoe Colliery. It wandered slowly around the sky towards Tyne Dock where the following year the three lights above the flats were witnessed.

Disappearing from their view it was next seen 10 minutes later suddenly flying almost directly over Mr Alton. They could hear a soft humming sound as the black circular shaped craft blocked out the stars. A circular white light was centrally located on the underbelly of the craft, around the circumference was an aurora of soft, colourful light. It then flew off towards South Shields Town Hall nearby.

Mr Alton estimated it to be travelling at about 15mph and was at least 40’ diameter. They watched for about two minutes as it skimmed above the Westoe Road rooftops.

I recently contacted Mr Alton now 79 and living in Whitburn, to see if he was still clear with his story and indeed he is – there is no doubt in my mind that he is telling the absolute truth and in accurate detail.

Was this the same UFO witnessed on the same night as seen by the girls in Harton? Two remarkable close encounters begging the question, why was South Shields being visited by UFO’s during 1966 and 1967?

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025