Month: January 2026

FUGUE STATE debut single from South Shields band Class Gymnast

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Class Gymnast are Jon Melvin (Vocals), Mark Cliff (Drums), Jordon Ridley (Bass), Andrew Yates (Guitars) and John Dempsey-Curry (Guitar).

“We’re mainly South Shields lads, although I suppose our spiritual home is Sunderland – we’ve rehearsed at The Bunker on and off for the best part of two decades” said guitarist John Dempsey-Curry.

What are your hopes for this single?

“I’ll be honest, it’s just nice to get some music out there. We started this ‘project’ in 2019 as a way of playing some older songs and ended up writing and recording new music. Right when we started trying to do anything of substance, the pandemic happened and we had to slow right down. We’re not fast at the best of times, but we ended up writing and recording around one song a year, and never really doing anything with it. This is us finally committing to something.” 

How long have the band been playing music for?

“We’ve all been playing together in some form for a while. Three of us were in a band called The Volts in 2000 for a couple of years. Four of us were in The Broken Things back in the early 2000s. A few of us started a band called Maps Are Fiction / The Dead Generosities in the 2010s. A couple of us are in the going concern The Union Choir. I believe The Broken Things may be making a brief comeback as part of a charity gig alongside some other bands of that time shortly, which will be exciting.”

What do you think about the state of live music today?

“We’re all in our 40s and most of us have kid(s) so getting out to see gigs is hard. Playing them even harder. I know from other folks I’ve seen posting pictures (on social media) that there’s still a thriving small band scene, so I know there’s a scene out there, but it does feel very much like there’s a lack of venues dedicated to this kind of thing like there was ‘in my day’. I’m very probably wrong on that though!

Have the band planned any gigs soon?

“On the live music front we are playing the Ship Isis in Sunderland on 31st January with two other bands – American Wrestling and Becca Rubin.”

Produced by Martin Trollope – aka Harbourmaster – ‘Fugue State’ the debut single released 26/1/2026 and same day music video premiering on You Tube at 6pm. Pre-orders on Apple music 19/1/2026.

Alikivi   January 2026

CRAMLINGTON TRAIN WRECKERS – returns to Newcastle Theatre Royal

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After a sold out stage tour in 2024 Cramlington Train Wreckers is back. The inspiring story of working class solidarity will be staged at Newcastle Theatre Royal on Sunday 12th July 2026 to commemorate the 100th anniversary of the national strike in 1926.

The strike was the biggest rupture in society since the English civil war. Miners were asked to take a pay cut to ‘improve productivity’ – really just to maintain the profits of the bosses. North East actor Micky Cochrane played one of the main roles on the tour and is revisiting the play at Theatre Royal.

“The audiences were really good in ‘24. Lots of bums on seats and a great response. A lot of people come with high expectations for Ed’s plays and love what he does.”

Written by Ed Waugh (Wor Bella, Carrying David, Hadaway Harry) the story of the striking miners who accidently derailed the famous Flying Scotsman train in Northumberland is told by former actor and director Russell Floyd (The Bill, Eastenders), and after a very successful Carrying David and Billy Elliott the musical, the afore mentioned Micky Cochrane.

“I had worked with Russell on Carrying David and The Great Joe Wilson. I know how he works and what he brings out of actors. We work really well together.“

“I also won the North-East Culture Awards Performing Artist of the Year. It was a great reward for the fantastic plays and big roles I played last year” said Micky.

Also starring is Alex Tahnee who was in Romeo & Juliet and Alice in Wonderland “I knew Alex. She was great. The play has lots of information so we had to be on it. We had to help each other out”

“I had heard of the Cramlington Train Wreckers but I didn’t know the full story and main players so it was another chance to learn more about the history of the area.” explained Micky.

Tickets for Cramlington Train Wreckers at Newcastle Theatre Royal on Sunday 12th July 2026 available from >>>

The Cramlington Train Wreckers | Newcastle Theatre Royal

Alikivi  January 2026

CENTENARY – New show at The Glasshouse, Gateshead

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May 4, 2026, marks the centenary of the first full day of the 1926 General Strike where millions of British workers withdrew their labour and challenged the establishment. They believed a better world was possible.

To mark this historical event the same team that brought successful plays Wor Bella, Carrying David and Hadaway Harry are staging Centenary at the Glasshouse.

“We have a great team and the show will be fantastic. We did a very popular show about four years ago called ‘Boris Out’, and look what happened to him!” said playwright and Theatre producer Ed Waugh

“One hundred years ago millions of workers and their families went on strike. A General Strike poses the question of state power, the 1 per cent – the privileged Establishment or the working class – those who actually create the wealth in society.” 

“Despite the heroism and sacrifice of the trade union rank and file, the union leaders in the TUC realised the question of state power was at stake – the Russian Revolution nine years earlier had sent shockwaves throughout the world. These TUC cowards sold out the strike unconditionally after only nine days.”

Ed added “Their pusillanimity led to a carnival of reaction against the trade unions and workers by the Tory government. The miners continued their strike for another six months but were starved back to work. We haven’t had a general strike in this country since. But we’ve been close”. 

“We have to learn the lessons of 1926 for the next time, which is on the horizon. The 1926 General Strike was a hugely important period in working class history.”

‘Centenary’ will include songs, comedy, stand up and recitations to celebrate the nine day strike. A big addition are musicians Paul Weller (The Jam) Alan Hull (Lindisfarne), Tom Robinson and Paul Simmonds (The Men They Couldn’t Hang) have personally given permission for their music to be played at the show.

“We are delighted to have been given personal permission from these great songwriters. It will be an evening of brilliant musical and comedic entertainment and inspiration.” added Ed.

Tickets are available for ‘Centenary’ at The Glasshouse, Gateshead at 4pm or 8pm on Monday May 4th 2026.

Home | The Glasshouse International Centre for Music

www.wisecrackproductions.co.uk

Alikivi   January 2026

THROUGH LANDS OF GHOSTS – New album from Durham based musician Foster Neville

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Neville’s music has attracted attention from the BBC and the specialist music press. Stuart Maconie featured him on BBC 6 Music’s Freak Zone, Electronic Sound magazine praised his debut album The Edge of Destruction which established Consett born Neville (53) as a distinctive voice in contemporary British music. The critically acclaimed debut featured on this site in July 2023.

THE EDGE OF DESTRUCTION – new album by Durham musician, Foster Neville | ALIKIVI : NORTH EAST UK CULTURE

“I’m hoping to build upon the success of the previous two albums, which certainly found an audience, at the same time this album has a different approach. I like the idea of doing something slightly out of the ordinary each time” explained Foster.

What or who was your inspiration when you were young? “As a child I’d a neighbour who had an old 78 gramophone. I still remember the smell of the thorn needles. That was my first musical experience, it seemed like another world with its own smells and sounds. My dad who like a lot of other men in the 1970s took up guitar so I recall him playing.”

“My first record I bought from Woolworths in Durham as a child was Mike Oldfield’s Blue Peter. My dad played Tubular Bells around the house so I’d have heard that and Oxygène by Jean-Michel Jarre. So, Oldfield and Jarre would be my earliest exposure to modern music.”

“Having played guitar myself for many years when I began making this kind of music I remembered Jarre and Oldfield but also discovered I had in my record collection the likes of Terry Riley, Hans-Joachim Roedelius and Michael Rother without really having ever joined up the dots of who these people were or what they were doing.” 

Is music in your family? “Not at all. My grandfather was in the navy and played the accordian, he always told me as a child that if I wanted to be popular at parties I should learn to play the piano. My father had a few attempts at playing the guitar which didn’t work out, but it did mean there was a guitar around the house when I was growing up.”

“It’s important to remember, this period in time and in the north east, most families were not affluent enough to have the luxury of a musical instrument in the house let alone a musical education.” 

Are you planning any live dates? “The nature of this album makes live dates challenging, I’m against the electronic approach that works with pre-recorded loops and is effectively only live mixing rather than a live show. In the case of this album a live show would mean running several old Windows 98 computers at once, working over the top of them and hoping the results resembled the album, but would in fact be a re-creation.”

“There’s certainly a half way house and I’ve done a few small scale live experiments with other material to test the waters which proved effective musically – which is the main thing, so you can expect more live works in the future.” 

Produced by Ciarán Cahill (Van Morrison, Elvis Costello) and John Pilgrim and featuring an appreciation by writer and filmmaker Iain Sinclair ‘Through Lands of Ghosts’ will be released 16th January 2026 on Subexotic.

Alikivi    January 2026

RIGHT PLACE, RIGHT TIME?

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A lot is made of being in the right place at the right time to help bring success. But you can’t get past the sheer amount of hard work put in, every time giving 100% and never complaining. There is no substitute for rehearsal and when the opportunity presents itself you’ve got to be ready to take it. A snapshot of a story taken from Sting’s autobiography Broken Music hits the mark. This all happened within a few heady months during 1978.

The Police went out on a UK tour to open for Spirit led by guitarist Randy California. They won over a hippy audience and released their single Roxanne. Their record company A&M fully supported the record but money wasn’t rolling in yet.

To pay rent on his London flat Wallsend born Sting was still filming a few adverts and bit part in films. The Great Rock n Roll Swindle was one, although his scene ended up on the cutting room floor. ‘I was grateful, however, for the 125 quid at the end of the day’ said Sting.

He also went for a part in Quadrophenia filmed in Brighton. ‘I know that they’re seeing half of London for this role, but somehow I know it’s mine’.

After finishing on the film set in Brighton the record company hired a private car to whisk Sting off to Gatwick airport and jump on a flight to Manchester, finally arriving at the BBC TV studios where The Police were due to appear on the Old Grey Whistle Test. Sting remembers ‘It’s still raining when we land in Manchester. Yet another car and driver waiting to take me to the studio, where we have a sound check. The performance tonight is live’.

After a successful TV appearance a tour of the east coast of America was booked. Second night of the tour The Police are in Poughkeepsie theatre with only six people in the audience. Do they cancel? No. Sting brings the audience down to the front and introduces each other. Then ‘give a blistering set we will ever manage, encore after encore’.

The audience are invited back stage where it turns out three of them are DJ’s. The next day Roxanne makes its debut on USA radio. Within a couple years The Police are one of the biggest bands in the world. Now how did fellow Tynesider Mark Knopfler and Dire Straits knock them off their perch?

Alikivi   January 2025