CLASS ACT in conversation with Newcastle actor, writer & theatre producer Leah Bell

We’re sitting in the Centurion bar at Newcastle’s Central Station where I first met Leah back in 2021 where she talked about learning her craft in North East workingmen’s clubs from the age of 15, working with Bobby Thompson, touring with Ken Dodd in the ‘70s and appearing in panto with David Jason.

Now, after nearly 60 years in the business I was interested to find out just how did you survive in the arts?

This industry has always been tough for working class. I do promotion and acting, I’ve been writing with Alison (Stanley who featured in previous post) I’m busy all the time. When you’ve asked me is there weeks when I have nothing on, well no, I’m always busy.

Like when I started a production company in Jersey about 30 year ago. We would do plays or musicals but if we went on tour I would always play a role in it keeping an eye on things making sure there were no issues. You take on a couple of roles. That’s how I survive.

You can never say I’ll be working 52 weeks a year. But there was a time you’d wonder where you’ll be for summer season. I remember going to Jersey in March and not coming back till October. Whereas now it’s I wonder if I’ll get a summer season.

Some people take shows out to Europe. My niece Hariet has her own production company and she does a lot of work abroad. Although you’ve got to be careful who you work for.

In the 1970s I took a contract for South Africa when apartheid was in full flight. When I look back, I didn’t understand what apartheid was all about then. You couldn’t pick your phone up and read about it.

It was a total culture shock at 19 year old – like wow here we are in Durban. Then I ended up working in Rhodesia – it’s not called that now. The agent asked me to drive from Rhodesia to Cape Town – a very long way and I did it by myself. My mother didn’t know. I look back and think how did I do that and why!

Comedy and singing musical theatre was what I was doing on the Crazy Horse saloon circuit. It was quite unique for a female to be performing on stage, plus there were plenty other English acts going out. I think some British guys had bought into the Crazy Horse clubs and subsequently tapped into the UK club market.

Back then there were hundreds of entertainers plus it was a real show it wasn’t just a few singers getting up we had all the costumes and gear for a proper show.But as I’ve said back then you couldn’t pick your phone up and read about apartheid. I mean, I lived in Benwell all me life.

I remember flying back home and me ma’ and da’ met me at Newcastle airport. ‘I’m home at last’ I said as I flung myself at them ‘You must be the only lass who’s happy to be in Benwell’ said me Da.

I travelled a fair bit. I went to Australia twice a year for six years in the 80s. I just loved their lifestyle. I also performed at the American military bases in Germany. I remember the agent John Rae from Spennymoor here in the North East organised one tour. There were a few of us and he drove us around in a mini bus. He had all the responsibility and the things we done he must have wanted to kill us sometimes.

All this experience of understanding an audience has helped when I’m putting a show together. You see the show differently from actors who only see it from their point of view.

I remember doing Catherine Cookson’s ‘The Cinder Path’. I had Nicky Cochrane in it who played Steve McDonalds brother in Coronation Street. He was playing Ginger Slater, essentially the baddie. I gave myself a character called the fishwife who kept the story going and throwing a few laughs in as it was heavy going.

One show we were doing a matinee at Billingham Forum. I was waiting with Nicky to go on stage for our scene when he turned to me ‘Leah, this is a tough crowd’. I replied ‘Farringdon Social Club was a tough crowd this is a walk over’.  A bunch of pensioners on the front row who might nod off would not present a problem.

Club audiences had a reputation for being tough but that was only because they weren’t there prepared to put up with anything. You had to be good. You had to know your stuff. That’s been a great backbone for work that I do now. How to read an audience. They’ve paid their money and tickets can be pricey for a whole family so you have a responsibility. That crowd need to be entertained.

I was brought up in variety but now I only do one variety show a year that’s the Silver Bells Christmas variety show for three nights at the Phoenix Theatre in Blyth. Looking around there were a lot of young people coming up but their take on variety was different from mine. I was old school. I’m not saying it was better in my day just different. So, I thought to keep working I’d just change what I’m doing. I’m going to step up. I went and done panto as well that led me to acting which I really enjoyed.

For the Blyth variety show we do sketches and a few gags a typical show I really enjoy it. I use the pantomime cast so there’s a lot of us on stage and this year it’s with Tommy Cannon who is a good friend. The poster said Cannon & Bell but when it was done large the Bell looked like Ball!

Tommy and his wife were up recently and we got watching some of the old TV shows like Wheeltappers and Shunters Club and yes it was a laugh but we were saying we wouldn’t dare say that type of joke now. Time has moved on. And so it should.

What am I doing now? ‘Dirty Dusting’ written by Ed Waugh is on tour in October. We’ve got my good friend Chrissy Rock (Benidorm) in it with Vanessa Karon and Paul Dunn. Can you believe the show still sells out. It was originally performed over 20 years ago. First time I did it was 12 years ago and it’s been on tour at least twice a year every year.

From late November through December, we have ‘Sleeping Beauty’ panto at Consett Empire with Marcus Collins from X Factor then next year Alison Stanley and I have ‘Tit’s Up’ going out on tour. That play is about the relationship between three ladies as they wait in the Oncology department in hospital.

It’s sharp, it’s funny, we wrote it together. Some of the shows funnier bits are added on the spur of the moment and Alison tells me to write them down for the next show cos ‘you might forget it’. My character is nosey she wants to know everybody’s business, she thinks she’s gone for a day out.

We’ve just done a short tour and it’s done well at the box office. On the first performance me and Alison were nervous because some ladies from the Cancer Society were in the audience.

Mentally and physicaly I feel better now than when I was 40. I’m 72 now but I’ve always been energetic and kept busy and turn up early for work. I’m happy to have made the move from variety to acting. The world has moved on and so it should. Would I ever retire? No chance.

Alikivi   October 2025

Link to July 2021 interview >>>

TAKE A BOW – writer, actress & theatre producer, Leah Bell | ALIKIVI : NORTH EAST UK CULTURE

HANDS OFF – with former South Shields singer & songwriter Vincent J.Edwards

Now living in Ulm southern Germany, Vinny Edwards (Back Where We Started From, Love Hit Me, I Can’t Turn Back Time) spends time watching the sunset over the river Danube while recalling his youth living in South Shields.

In the music video for his song Hands Off are photographs of Vinny and his mates heading home after a night out at local club The Majestic, South Shields.

“They were fun nights listening to great dance music. We’d also pop in for a couple of pints in The Marine pub on Ocean Road near to where I was born. Most of the lads in the picture were around 17 year old and worked in the shipyards.” recalls Vinny.

The single was recorded by Vinny and the Survivors however a previous band he was in called The Invictors are pictured in the video playing in La Strada club, South Shields in 1963.

“The Invictors played every Sunday lunchtime. The atmosphere was like a posh workingmen’s club”.

Hands Off is a change from Vinny Edwards usual output of pop and Northern soul. 

“It was a sort of protest song – the Government, war, politics, the same rubbish news as people are protesting about today really. I wrote and recorded the song in the late 70s at PYE studios. The single was released in the UK on PYE records. It also got a European release on the Hans label and was in Germany, Belgium and Holland. Yeh happy days, loved that time. I’ve still got roots in South Shields. My brother has an allotment in Westoe. He sends me photos. They have great sunsets as well”.

Link to ‘Hands Off’ >>> https://www.youtube.com/watch?v=lYluCqVg4wA

Alikivi   September 2025

SUNDERLAND SOLIDARITY in conversation with artist Rob MacDonald

55 year old artist and stonemason Rob MacDonald originally from Rugby in the Midlands has lived in Catalonia, Spain for the last 15 years working on community art installations. His latest project is in Sunderland.

About 10 years ago I came across a story about International Brigades in the Spanish Civil War (1936-39) who came from the UK. It was really interesting especially finding a guy who was on a ship coming from the UK with the same name as me. It piqued my interest so at first I decided I was going to make a sculpture of this guy explained Rob.

Rob in Sunderland City Hall with brochure of the monument in Catalonia, Spain. (pic. Alikivi Sept 2025)

I’d already worked on a few projects and exhibitions in Barcelona so I met with local contacts Alan Warren and Sonia Garangou, teachers and lead historian on the Ciudad de Barcelona. Together we developed a community art history project in the coastal town of Malgrat de mar 40 miles north of Barcelona.  

As we talked about the history it became obvious that this wasn’t just about Rob McDonald on that ship it was about all of the International Brigade volunteers and how it related to politics and fascism today. We agreed that it needed to be a community led project because the memory of the Spanish Civil War is a sensitive issue. We didn’t want to go off and just make something ourselves.

The big question about it in Spain is the historic memory, the political left want to talk about it, republicans want to talk about it, but there are questions remaining like where are the unmarked graves? In Catalonia they realise how important the International Brigade volunteers were. In the end the backbone of the idea was to build a monument.

The first monument was opened on May 30th 2022 at Malgrat de mar. It is actively being added to every year, it’s a living monument. When working on it the figures were made in a series of workshops with local people. Some worked on them for 2 minutes others stayed for over an hour as I told them about the stories. I also went into schools and the students took away the information and learned more about the International Brigades.

There are loads of levels to the project – art projects, exhibitions and performances. It’s been really successful. Also, every year in May there is an event held at the monument where the Mayor and all the dignitaries of the town attend. All political parties support the project. There is a broad support, the first 30,000 euros for this monument were crowd funded.

Now we are based in Sunderland college. I have found a lot of pride here, people get behind the area, not just the football team but the shipbuilding history.

Normally around towns you see monuments of kings and queens and people you don’t know. But it isn’t working class history the sculpture is not done by the people and the community are never asked. It gets decided by someone in an office somewhere. The community don’t engage with it. The participation living monument is about community engagement. That is what we are interested in.

I’ve talked to people about working class struggle and the arts. We built up this idea that monuments and public spaces are part of the struggle for working class people’s dignity, history and rights – it’s all tied together. And the symbolism of sculpture is important because it talks to the community about who they are and who they are not.

Sunderland City Hall (pic Alikivi Sept 2025)

There are amazing stories of Sunderland being involved in the International Brigades. One ship bound for Spain in the civil war had on board two unemployed shipworkers from the city. Some of the ships were built here and the captains were from the city. There were men from here who risked their lives to help feed people in a foreign conflict.

Part of the project is not only to expose the history but find it as well because people from the city will be related to some of the Brigade volunteers. We need to build up those connections.

We are at a critical point in the project we are networking with people to make this monument happen. It’s important that people are involved in the process of making it. We are in talks with Culture and local Council – organisations we are looking to partner with and make links to get support.

There are a couple of areas where we would like for a monument – Mowbray and Barnes Park are nice and this new development down here (we are in City Hall) but there may be other suggestions.

The history of the Brigades might be tucked away in a cupboard here in the City Hall when really it should be in an exhibition for the community to see. You know they were brave people, heroes really, and this is an important part of social history that needs to be told.

Alikivi    September 2025

For more information contact >>> https://solidaritypark.com/solidarity-sunderland/

I CAN’T TURN BACK TIME with Vincent J. Edwards

South Shields born Vinny Edwards has featured on this site a few times. Type his name in the search bar for previous write ups about his time in the music biz including international chart hit Back Where We Started From which reached #2 in the USA and #8 in the UK. Recently he got in touch and told me another story about one of his songs.

I was living in a flat in Wandsworth in London when I wrote and recorded I Can’t Turn Back Time in 1967. It was my second solo single for United Artists after The Answers broke up. We recorded the A and B side The Lively One at Olympic studios within three hours can you believe!

The B side was used for a commercial for Texaco petrol in the UK and USA. I Can’t Turn Back Time was played mostly on the pirate radio stations London and Caroline. I believe it charted on both stations it also broke into some Northern Soul charts.

In America it was released under the name Tim Love on the Ascot label so I would not be confused with the American actor Vince Edwards who played Dr Ben Casey in the TV series. It was just after this I changed my name to J Vincent Edwards. The ‘J’ I took from Jarra or Jarrow if you were posh.

Later there were two more records on United Artists – County Durham Dream and Aquarius then along came the musical ‘Hair’ and a new record company CBS. They were crazy happy days for a 22year old lad from South Shields’ Ocean Road school.

Link to the American release on the Ascot record label of ‘I Can’t Turn Back Time’

>>> https://youtu.be/79W6RtoJjDM?si=IGSL09KbaSvNN57v

Alikivi   September 2025

THE WORD IS HALDANE

Former Shields Gazette graphic artist David Haldane established himself as one of the top cartoonists in the world. Blyth born David, now 70, worked for the Gazette from 1977 to 1983, he currently creates cartoons for The Observer and Private Eye and had his work regularly produced in Punch, The Express, Mirror, Guardian, Telegraph, Daily Mail and the Sunday Times. He also contributed sketches to the original TV series Spitting Image.

However, it is for producing cartoons for The Times from 2005 until 2017 that David made his mark, transforming him into one of the best cartoonists in the world.

South Shields playwright Ed Waugh has been asked to host an evening in conversation with David at The Word in South Shields on Wednesday September 24th at 1pm. He said:  “I’ve known David for 20 years or so and he’s both very sharp and very funny. You have to be to create top-class satirical cartoons every day, often at very short notice, for national newspaper front pages.”

He added: “David’s career stories are both deep and hilarious. It will be a fantastic event for people who want a laugh and those who want to find out about some of the stories behind the many thousands of tremendous cartoons David has created and had published.”  

The event follows his sold-out illustrated talks at the prestigious Lit & Phil in Newcastle and Blyth Library. The talk on Wednesday, September 24 at 1pm is part of The Word’s WRITE Festival. 

Tickets for In Conversation With David Haldane at The Word cost only £3 and can be bought on line >>> https://theworduk.org/whats-on/top-cartoonist-david-haldane-in-conversation-with-ed-waugh/ or via (0191) 4271818.

Link to previous interview with David in June 2025 >>>

COMIC STRIP PRESENTS Northumberland cartoonist David Haldane | ALIKIVI : NORTH EAST UK CULTURE 

RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley

Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.

In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.

It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?

Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.

Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.

An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.

The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.

I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.

I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.

I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.

I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.

And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.

That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.

In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.

Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.

My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.

Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.

I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.

Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.

Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!

Alikivi   August 2025

Links to previous interviews >>>

DREAM CATCHER – in conversation with writer & performer Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

DREAM CATCHER #2 in conversation with Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

COME AGAIN in conversation with writer & actor, Alison Stanley part 1/2 | ALIKIVI : NORTH EAST UK CULTURE

NOTHING LIKE SHOW BUSINESS in conversation with writer & actor Alison Stanley 2/2 | ALIKIVI : NORTH EAST UK CULTURE

YOU NEED TO SAY SORRY – new play by writer & actor, Alison Stanley | ALIKIVI : NORTH EAST UK CULTURE

SURVING IN THE ARTS in conversation with North East actor Jamie Brown

Jamie in ‘Hadaway Harry’. Photo credit Von Fox Promotions

Meeting up with contributors I’ve asked the usual questions of who, where, what, why and when. For a band you might not listen to their music, but we still want to know if they were signed? What venues did they play? Did they release any records? And yes, some did appear on Top of the Pops and the legendary live music show The Tube broadcast from Newcastle.

However, occasionally I throw in a question that is relevant for working class people in a creative business. How many times do you hear working class voices on stage or TV?

Wisecrack Productions, a North East based theatre company, have produced a number of plays documenting working class history – helping in their own little way. Earlier this year I met up with actor Jamie Brown who has starred in some of the plays and asked him – how do you survive in the arts?

I work with two theatre companies. I’m company director for Theatre Space North East based in Sunderland. It’s about cultivating creativity within the community. We do theatre tours and plays in the parks through summer seasons.

Also work with 1623 Theatre Company. 1623 was the year the Shakespeare plays were published. The work centres around taking inspiration from Shakespeare and people’s everyday lives and making new work from it.

When I came back to the North East as a professional actor I was cast in The Machine Gunners at The Customs House, South Shields with an actor called Donald McBride who was a few decades my senior. He said with a twinkle in his eye and a wink ”You’ll be around a long time you will, just keep your head down and be nae botha”.

There is something in just doing your job, doing it well and knowing your role within that room. As a younger actor there is a lot to be said for that.

As I’ve plied my trade in the area for the best part of 20 years one of the things I tell students when I go to do talks at project days is there are two types of people in the world. There are those that plant seeds and there are those that just go around picking flowers.

There are two types of actor, some pick flowers while others like to get their hands dirty and plant seeds. I think you need to be doing both. But you’ve got no insurance that anything is gonna grow if you’re not the person starting it off. So, you’ve got to rely on yourself to put things in place and bring things to life.

There are some actors who want to travel the country or travel the world but for me it was about having a sense of place, a sense of community, bringing stories to life about that place, for the people from that place.

There’s a lot to be said about shared experience and shared history and values you have around you. Also, you can’t just wait for people to knock on your door, you’ve got to be doing stuff in the meantime.

There is or was a perception that when I came out of drama school someone would put out a casting call, you’d apply, go for an audition but it wouldn’t always happen. There’s a lot of in house casting, a lot of casting people who they know because it’s a high risk business and they want to take as few as risks as possible. They would prefer employing people who they can work with and who will do a good job. As a young up and coming artist sometimes that’s not you because you haven’t had the opportunity to work.

Being on the other side of the table I completely understand it but as a young actor seeing the same people get cast in the same sort of things it is frustrating and you think if that was only my chance. But don’t give up, chances do come and you’ve got to be ready to take them and not kicking up a fuss or overstepping your role.

An actor who has a creative brain has aspirations to direct, but are you the right director in that room and in that moment? Overstepping can be a bit fractious as well. You have to know your role within the room and its boundaries.

You might want to be an established theatre director in the future but if you are being employed as an actor by all means contribute your ideas when it is appropriate or when they are asked for, they are welcomed, but if you overstep you are going to realise very quickly you are not somebody who understands that particular hat you need to wear in that room. It can rub people up the wrong way.

What projects have I been working on? Well last year we done As You Like It outside Durham Cathedral on the green then St Peters Church, Sunderland and the Anglo Saxon farm at Bede’s World in Jarrow. This year we are planning more inside and out doors shows at places relevant to the story we are doing. We’re really excited about it.

Alikivi   2025

Link to previous posts >>> HADAWAY HARRY – in conversation with actor Jamie Brown | ALIKIVI : NORTH EAST UK CULTURE

SOUL MAN – in conversation with North East actor Jamie Brown | ALIKIVI : NORTH EAST UK CULTURE

ART FOR ART’S SAKE in conversation with animator Sheila Graber

Meeting up with contributors to this site I’ve asked how they survive in the arts. Some talk of persistence and others simply being obsessed by it. I think to give yourself a good chance you’ve got to be prepared to work on it day in day out basically 24/7/365 days a year.

85 year old Sheila featured on this site in June 2018 where she talked about spending her life in art – so she was the perfect person to ask.

Surviving in the arts is for me going with the flow. I believe in my Mam’s saying ‘Every day in every way in everyday I’m getting better and better’ particularly when you are feeling crap or when things have gone wrong. In the arts you need this saying because there are times when things just don’t happen for you. Tempered with that my Dad used to say ‘worse things happen at sea’! So never, never, give up. Keep positive and keep going.

After attending Art College Sheila then went to Birmingham School for Training Art Teachers in 1961.

That was the best thing to happen to me. I was shown that everyone is an artist in their own way and it’s your job as an art teacher to bring it out. It’s about giving something positive to people in their lives.

I first taught art in comprehensive schools in South Shields and by 1970 I was divorced and had time to play so bought a super 8 cine camera. Play is very important plus having a messy room or studio where no one tidies up after you!

My first messy place was at home in South Shields working at a desk looking out onto our little garden. Later it was a studio in the Pilot Office overlooking the river Tyne. Then by the mid 70s I got a break in animation.

I was contacted by an agent for World TV who sold the short films I made globally. She later commissioned me to animate 10×10 minute ‘Just So Stories’. The actual process of animation can take a long time to produce minutes on video so the only way I could produce this was to give up teaching – which I did in 1980.

Sheila animating Frame by Frame for World TV and her Mam crocheting for a local shop – a true cottage industry.

Sheila also works with various charities, the last post features Anna Malia and North East Animal Rights, how did you get involved with them?

When I lived in Ireland I saw an incident, not to go into it here too much as it’s really upsetting, but there was a field of cows and a calf that broke free from the herd. It was about how it was dealt with by the farmer that really affected me. I thought if I get the chance I would do something for you – for that calf.

I heard a song by North East musician Jen Stevens, loved it, and thought that would really work with images. I asked Jen if I could use it and she said yes. We put it out and Anna Malia from North East Animal Rights got in touch and we took it from there.

Link to Jen Stevens song & video >>> https://www.youtube.com/watch?v=HMDkdZ3TaEk

Sheila is currently working on a book about George McVay, a little known artist who lived from 1902-1967. Former Shields Gazette journalist Janis Blower is in the process of editing it.

George was a very good photographer which accounts for the very large detail in his pictures. His style of painting was very photographic. When I was 8 my mam bought a set of his prints that the Gazette had commissioned and I loved looking at them like kids look at ipads now. For a long time I done plasticene models of them.

All his life he drew some amazing illustrations of Shields and surrounding areas. Some people may recognise his black and white drawings, very clear, very precise everything from the old Town Hall to the piers, the river and the Groyne. In the book Janis Blower will be adding underneath a description and history of George’s picture.

In his early days I gather he worked at Readhead Shipyard, he was studying planning, design and engineering. His Dad was mayors secretary at South Shields Town Hall and was a good photographer. It’s thought he said to his son that he should work in the Town Hall and he eventually did, he was employed in the ratings department.

Out of the goodness of his heart he’s done drawings for presentations at the town hall. There are some amazing manuscripts, whatever was required he could do it even when people leave. He also done commissions for the Shields Gazette.

The Shields museum have some in their store. He has stuff in the Hancock and Discovery museum, Newcastle. He did a showing at the Laing Art Gallery and down in London but all track of that is lost. Unfortunately, nobody has given him the recognition that he deserves.

What I’ve found over the years is that he and I have followed parallel tracks. We have both done a lot of work for charity and both drawn the most popular buildings and views in Shields because we love the place.

To contact Sheila check out her official site at >>>

Products — SHEILA GRABER ART

Alikivi  July 2025

MEAT IS MURDER – with North East Animal Rights founder Anna Malia

The title of this post is taken from the song and album by The Smiths released in 1985. In the title track songwriter and vocalist Morrisey delivers some powerful lyrics –

‘Kitchen aromas aren’t very homely. It’s not comforting, cheery or kind. 

It’s sizzling blood and the unholy stench 

Of murder

It’s not natural, normal or kind. The flesh you so fancifully fry 

The meat in your mouth. As you savour the flavour 

Of murder’.

In interviews Morrisey is outspoken about a number of topics including politics, royalty and animal rights.

‘Yes I’m aware of the song and Morrisey but I’m not a Smiths fan.’

said South Shields born Anna who worked in education for 32 years and in a secondary school for over 20.

‘I was lucky to be able to leave my paid work a few years ago and now do this full time. No one day is the same, I can be in the middle of typing up an article when a call comes in and have to drop everything. I wouldn’t have it any other way as I feel fulfilled with my work – but wish we didn’t have to do it as that would mean a world where animals are not used.’

Anna set up North East Animal Rights who campaign and educate about veganism and animal rights. They have around 30 members with branches in Newcastle and Teesside.

‘It’s quite large for an independent regional Animal Rights group. Some of the group also volunteer for a local wildlife rescue. It’s hard to work out how much of a difference you actually make. But when you rescue an animal, that animal becomes the most important person in front of you and you know you definitely have made a difference.’

When did you become aware of how we treat animals?

‘I was 14 in a biology lesson in school when I was expected to dissect fertilised eggs with chickens at different stages of development. I was absolutely horrified seeing these dead baby chicks who had been deliberately bred and then killed. My parents were equally horrified when I told them I wanted to be vegetarian. I hadn’t even heard of veganism then and didn’t understand that I was still contributing to the suffering of cows and hens.’ 

‘I was already considered different in school before I went vegetarian so just made my school life a whole lot worse. I didn’t know what else I could do to help animals. Then I saw an article in a newspaper about people trying to stop a bull run in Spain. So, I sent a postcard and letter to the Mayor of Pamplona where the bull run takes place.’

What is the hardest part of being a vegan?

‘One of the hardest things is other people, the lifestyle is easy – it just becomes something which everyone seems to have an opinion on regardless of whether we want it or not. And families and close friends are the worst!’

‘It’s all water off a duck’s back now, but it’s amazing how many people suddenly become obsessed with your health when they didn’t care before you told them you are vegan!’

‘A lot of people think being vegan is just about the food, but it’s about so much more – it’s a whole lifestyle – and you look at things in a different light when you become vegan.’ 

‘You walk down a street you see adverts for meat – we see the process and the animal. You look forward to Christmas – we dread it because we see an increase in animal slaughter. You see an advert for a reindeer event and don’t flicker – we see captive animals who shouldn’t be there. You look forward to Easter and we see rabbits and chickens used. You see cute chicks in egg hatching programmes, we see and deal with what happens and the casual disregard for them.’

‘We got told to stop ‘forcing our views on others’ but others views are constantly forced on us in most aspects of our lives. You look forward to going on holiday, we do too, but we are always conscious of how vegans are perceived abroad and also have to deal with cultural issues where animals are used differently to in the UK.

‘For most of my adult life I thought being vegetarian was enough then I came across some graphic footage on TV and photos in a magazine of what happens in an average UK farm – I realised I was still part of the problem. I essentially went vegan overnight and signed up to Animal Aid’s November vegan pledge and never went back.’ 

What are the group currently working on?

‘We get a lot of contacts about animal related issues and it’s great to be able to help. We rely on the public quite a lot to be our eyes and ears.’

‘We get people asking about who to speak to about dog cruelty or breeding animals. They contact us in relation to mobile zoos in schools or about their vegan child in school. A lot of issues are those which the RSPCA should investigate but cannot always due to lack of resources and having to prioritise.’

‘At any one time we have two or three investigations going on. They are complex and time consuming but we learn a lot from them. One of the biggest pieces of ongoing work is the South Tyneside Councils Animal Protection Charter.’

‘This came about because of a local issue we had with camels being used in a Christmas parade along King Street, South Shields. It had been going for around 6 years. After meeting with the leadership we eventually convinced them to drop the camels in 2020.’

‘We continued working with them afterwards and created a charter which is available for use in other councils across the UK. The council do an amazing job promoting the work within it and really work hard to engage residents with local animal-related issues, like those around seabirds.’ 

What does the future hold for North East Animal Rights?

‘I speak at a variety of schools and events and this year I’ve been invited to speak at the National Animal Rights March in London and a local event in Saltburn. I don’t find public speaking easy but it’s easier when you are passionate about your subject.’

‘I’m a deputy co-ordinator for North East Animal Save who are a group who run vigils at slaughterhouses – yes, it is as grim as it sounds, but unfortunately while people continue to eat animals it’s a necessary part of our work.’

‘My work is very full on my poor husband sees me fleetingly most days but understands the importance of what I do and is very supportive – he’s also a member of NEAR.’

‘But I’m a positive person – rather than looking at how far we still have to go, I look at how far we have come. When I was a child I had no idea what being vegan meant but I know from going into schools not only do children know what it means now but there are also vegan children there – that’s progress.’

For further information contact the group at >>>

Facebook @northeastanimalrights

Instagram @northeastanimalrights

TikTok @northeastanimalrights 

Bluesky @neanimalrights.bsky.social

Threads @northeastanimalrights

North East Animal Rights – YouTube

Alikivi    June 2025 

THE HUNTER BECOMES THE HUNTED in conversation with South Shields born Lynne Graham from Northumberland Hunt Watch

In April this year the work of hunt saboteurs featured on this site, this latest post again looks at tackling illegal foxhunting but this time using a different approach.

‘First time I witnessed a hunt I was shocked by its enormity. It was a deeply emotional experience nothing could have prepared me for it. The following week I witnessed a fox killed by hounds. That day I made a promise – I vowed to get justice for that fox. It’s his memory that drives me on.’

To find out more about the work of the Northumberland Hunt Watch I sat down with Lynne in the Littlehaven Hotel, South Shields where she started off by telling me she has always loved animals.

‘Since I was a child. My earliest memory, of being anti-hunt, dates back to school I was 10 year old. During an English class debate the teacher asked me to argue in favour of foxhunting. I was horrified and refused point-blank. Despite never having witnessed a hunt in my life I always felt an empathy for the hunted fox.’

Tynedale hunt near Corbridge, Northumberland.

In 2002 Scotland banned foxhunting, England and Wales followed in 2004.

‘I thought that was the end of it. However, just because an activity is criminalised doesn’t mean it ceases to exist. Through social media I realised it was still happening on a massive scale. I was aware of the foxes out there alone with nobody to help them. I felt compelled to take action.’

‘I founded Northumberland Hunt Watch in 2020. Prior to this, I already had 5 years experience monitoring hunts. There wasn’t an anti-hunt presence in Northumberland at that time, leaving all the hunts in the area unchecked. There are some pockets of deeply engrained hunt culture in Northumberland, operating in some very rural and isolated locations.’

‘For these hunts it’s very much a way of life. They have a cultural pride in hunting, and strongly resist any attempts at criminalisation. The hunt community is a very tight community. They hunt together, socialise together, conduct business together and support one another.’ 

‘There are many different reasons why people foxhunt. Foxhunting has nothing to do with pest control or managing fox numbers. The hunts want foxes in the area to hunt which conflicts with the pest control argument. For some hunters it’s for the thrill of the hunt or the thrill of the kill. That is very difficult to understand.’

‘There are farmers and landowners involved in the hunt, who grant permission to access the land. Without this land there would be no foxhunting. For the riders who subscribe to the hunt, following hounds provides the freedom to ride over land that would otherwise be out of bounds. The fox is not restricted to boundary lines, so the hounds and riders are free to ride where the fox goes.’ 

‘The car support who follow the hunt mainly consist of elderly men. To them it’s a day out to socialise. They turn up with their binoculars, sandwiches and flasks having a good natter, they enjoy watching the hound’s work. I often talk to the members of the hunt to gain a better understanding of why they do what they do. We can’t expect to change something unless we fully understand it.’

‘We’ve talked about what we call ‘clean boot hunting’ a humane and lawful activity, which follows the scent of a human runner rather than a fox. With clean boot hunting they can still have everything they have now. The jobs will still be there, they can still have their socials and get together, their balls, their meets so they can still have their sherry and a bit hokey cokey, just don’t kill a fox. I think they fear their way of life will fall apart without hunting the fox.’

‘But humane hunting would be far more sustainable. Currently hunts claim to be trail hunting, which would involve hounds following a trail of artificial scent instead of a live fox. Unfortunately, trail hunting in my experience is just a cover for foxhunting.’

Have you a vision of what you want the group to be?

‘Yes, when I set the group up I thought I’m going to do this my way, I’m not going to war with them. I’m going to win hearts and minds. For me it was all about a love of wildlife, and a hatred of foxhunting and not a hatred of the people. I strive to end foxhunting for good so I knew that we needed to be taken seriously by the hunts and the police.’

‘I aimed to create a professional group with a credible image, as far removed from the negative stereotype as possible. We refer to ourselves as volunteers or wildlife guardians, rather than sabs, protesters, or activists.  We don’t wear masks and we have a dress code. We’re conscious of how we come across to all the people we meet.’

‘Some people are just out for a dog walk in the countryside, families with kids, older people. Last thing we want to do is scare people, we want to be approachable. We’re always polite and respectful and get on with the farmers.’

Lynn with the West Percy hounds.

‘We absolutely love the hounds they are such lovely sweet animals, we would never do anything to put them at risk, and our hunts know that. We often pop along to their hound shows in the summer some we are made more welcome than others.’

‘We aimed to build relationships and establish trust in the community and we have. All of our hunts know who we are and they know our names. We engage in polite conversations, some team members live in hunt areas, so it’s not uncommon to exchange waves. Our approach has earnt us respect and fear in equal measures!’

‘Our overall aim is to make the countryside a safer place for wildlife. On a day to day basis we aim to be a visible deterrent, to prevent hunting and on most occasions we are. We rarely need to intervene as our presence is often enough of a deterrent. Our hunts will often try to avoid hunting when we are there, and certainly avoid hunting in front of us.’

‘Last year at a hunt I was filming when the hounds picked up a scent and chased a fox toward me. The whip panicked and stopped them all “Lynne, can you see me stopping the hounds? Have you got it on video that I’m stopping the hounds?” I replied, “Yes, I have, thank you.” The fox made his way to safety.’  

‘In the long term we aim for prosecutions as this is the only way to end foxhunting for good. To achieve prosecutions then we need to be professional and credible.’

Outreach stall in Morpeth with Lynn, Judy, Amanda & Lynne

How much work is involved in the group?

‘A lot. We work very hard and put a lot of work in. I take this very seriously and am very committed to what I do. During the season we are out 2-3 times a week, despite working and other commitments. I would be out every day if I could. The fieldwork we do is just the tip of the iceberg. We do much more behind the scenes. Personally, I work on foxhunting every day of the week.’

‘I have taught myself a great deal over the years and always have my nose in a foxhunting book. I am also concluding a PhD in Criminology specialising in foxhunting with hounds. I have invested significant effort into this because I want to bring the issue of foxhunting criminality to a wider audience.’

Lynne & Judy leaving a successful Tynedale meet.

‘The lady who assists me in running the group, Judy, is a former police officer, so between us we have an in-depth knowledge of hunting and the law. We both work very hard on this, preparing cases and evidence for the police especially.’ 

‘Out of season we hold outreach stalls in hunt towns where we talk to the local community about our work. This has enabled us to lay the foundations for a positive brand identity while building up good relationships, trust, and respect within the community. We want the community to feel comfortable having us in their area trusting us to perform our job professionally.’

Have you experienced any threatening situations?

Violence and aggression from any of our hunts is exceptionally rare. We have had very few minor incidents in 5 years, most of which were dealt with swiftly, either by the police or the hunt themselves.’

‘Following one minor incident at one of our hunts I reported it to the chairman, he dealt with it, and we received an apology, so it was resolved sensibly and that was the end of it.  There were no more incidents.’

‘We cover all the Northumberland Hunts from the Scottish border down to the Durham border, although Tynedale is our main hunt who we monitor regularly and have done for 5 years. They were a bit of a nightmare at first but they soon leant that it didn’t get them anywhere. They are very polite towards us now and we have built a good relationship with them. We are there to do a job which we do well and without getting into altercations.’

‘With all of our hunts we established clear expectations for behaviour from the outset ensuring that our conduct was respectful and polite. Over the years we have built a good rapport with most of them exchanging polite greetings “good morning, gentlemen” and in return “good morning, ladies.”

We never engage in name-calling or squabbles because throwing insults is not a stepping stone to positive change. This means that we can focus on what is truly important—the foxes. It might make someone feel better after calling someone names but it doesn’t achieve anything for the fox.’

‘The hunts also have a code of conduct regarding their behaviour towards us too. We have an unwritten rule between us we don’t call them ‘hunt scum’ and they don’t ride their horses at us, so this works well. This mutual respect means any of our team can be monitoring a hunt alone, in some isolated locations without any problems. Our approach saves lives.’

‘At one of our hunts we intervened between the fox and hounds, rating the hounds back so the fox could escape. This was in front of the hunt master and he said “thank you for helping” so we replied “no problem we’ll come back and help again next week.”

‘When we monitor hunts we focus on listening and observing, avoiding verbal confrontations is for creating a safe environment for the foxes allowing them a safe passage to escape. Foxes don’t know we are there to help them so we need to create a safe environment otherwise they would just see us as part of the pack. If there is chaos they could easily be scared back toward the hounds, we are very conscious of that. We often see foxes fleeing past us to safety. Silence is golden. It saves lives.’

How frustrating is it knowing fox hunting is illegal and it still goes on?

‘Very frustrating but there is a wide range of reasons why it continues. Weaknesses in the Hunting Act is a key issue, and also how it has been interpreted. This has provided loopholes for foxhunts to circumnavigate the law. There are so many issues that we will need an entire article to discus that alone. In a nutshell trail hunting has ensured that it is extremely difficult to prove them guilty and beyond all reasonable doubt. Consequently, trail hunting operates exactly as it was intended.’

‘We are committed to ensure that we have the best chance possible. Our behaviour will also come into question so we always act lawfully. Foxhunting is a low-level offence so if we break the law we lose the moral high ground and cannot expect the police to enforce one law while ignoring another. We have to be seen to be credible witnesses to make any progress.’  

‘Because of how we operate we have built a good relationship with the rural crime team who we submit our footage to. We have had several incidents sent to the Crown Prosecution Service for review, and the police have acted swiftly in gathering the evidence.‘

Drone footage was captured of the Tyndale Hunt hunting a fox on 3 October 2024. This was submitted to the police. More information about this case can be found on the Northumberland Hunt Watch Facebook and You Tube pages.

TYNEDALE DRONE FOOTAGE 3RD OCTOBER 2024

How important are anti-hunt groups?

‘There are some excellent groups across the country that have worked hard to end foxhunting, bring hunts in court or raise awareness, such as Beds and Bucks Sabs, 3 Counties Sabs, Cheshire Monitors, and West Midlands Sabs, to name a few.’

‘However, not everyone who joins a cause has genuine motivations, and the less credible groups can undermine the work of those who are genuinely committed and doing good work. It’s about quality rather than quantity, so finding people with the right attitude can be difficult.’

Lynne recording West Percy Hunt at Ingram Valley.

What have you found out about yourself since starting this group five years ago?

‘I have found that I am stronger and more resilient than I ever thought possible. If you have genuine intentions and committed to doing your best job for wildlife then you can make a difference. A middle-aged woman with a vision took on ten hunts, most of which were untouched and located in some of the most isolated rural areas of the country. I was subsequently joined by other middle-aged women to create a hardworking and professional group that has made a significant impact on hunting in this area. Never underestimate the power of middle-aged women on a mission!’

If you are interested in the work of NHW or would like to volunteer contact >>>

Tel: 07375 896 463

Northumberlandhuntwatch@gmail.com

Facebook : Northumberland Hunt Watch

www.northumberlandhuntwatch.co.uk

Alikivi   June 2025