TON UP for North East actress and entertainer Helen Russell 

A North East icon will celebrate her 100th birthday with the launch of her new book of poetry at The Word, South Shields.

Helen is one of the few surviving ENSA (Entertainments National Service Association) members from WW2 – the elite troupe who entertained military personnel. She joined ENSA at 15-year-old and toured the UK singing and dancing.

Helen was born in London on May 30th 1924 near the London Palladium. “I was bitten by the showbiz bug as a young girl and fortunately I could sing and dance well, so I was able to follow my dreams”.

Helen started her career aged eight and at 14 performed in her first professional pantomime, Dick Whittington, at the Winter Gardens in Morecambe.

During the war Helen married Colin Hillcote, who ran a dance hall in Belfast. “It was an exciting time there, too”. At the end of the war the couple returned to South Shields, Colin’s home town, and she has been an adopted Sand-dancer since 1946.  

In the 1950s Helen was singing at church events and played many roles as member of the South Shields Amateur Operatic Society. A friend who performed in working men’s clubs heard Helen sing and invited her to step up on stage.

“From there I became an artist in my own right, singing and dancing throughout the region” she said.

“We didn’t have a phone in the house so I’d take calls on the local public telephone box to tell me where I was playing that night! Sometimes it meant getting a bus to Newcastle and then catching another to Stanley in County Durham, or Ashington in Northumberland, then heading back after 10pm – all the time humping my guitar and other equipment. I had no helpers!”

“When guitar groups became popular in the 60s I had to stop dancing on stage because of all the leads and wires. That’s when I took up the guitar and later started writing my own songs.”

In 1965 a Vaux beers television advert came calling and a number of variety shows were filmed at Tyne Tees Television, including a double act with Bill Pertwee of Dad’s Army fame and working with Dick Emery. She was a contemporary of North East legends Bobby Thompson, Bobby Pattinson and Dick Irwin, all of whom she knew well and regularly worked with.

Her TV and film appearances include When the Boat Comes in, Supergran, Catherine Cookson adaptations, Highway (during which she sang with Harry Secombe), Emmerdale, The Fast Show and Billy Elliot.

On stage, Helen’s credits include performing in her self-penned plays Off the Shelf and Keep Calm and Carry On. She was also an original Dirty Duster, a play which transferred to Newcastle Theatre Royal and sold out twice. Helen was still performing in the Dirty Dusting tour until the age of 90!

She was also part of the hugely popular Angels of the North variety group with the two other original Dirty Dusters – Jean Southern and the late Gwen Doran. Their shows, mostly of original material, were self-written and performed to sell-out audiences all over the region.

Regular successful contributions to BBC Radio 4’s Poetry Corner sparked Helen’s creativity, she started writing in the 1970s and returned to poetry during the Covid lockdown.

Her new book of poems “Oh! Life is a Joy” will be launched at a free event in The Word, South Shields Market Place at 1pm Thursday, May 30th.

There will also be an ’in conversation’ with Helen to mark her remarkable life and career. All profits from the book will be donated to cancer charities. Helen successfully fought off breast cancer a decade ago.

 Alikivi   May 2024

STATS FANTASTIC – seven years & counting

After 500 posts and over 370,000 views, WordPress (who run this blog) have sent their congratulations to the North East culture site after completing its seventh year, aye seven years, can’t believe how quickly time has gone.

From the first post in February 2017, the free site – without any ads, pop ups or clickbait – has gone from strength to strength picking up views not only here in the UK but worldwide, including USA, Japan, Brazil, Sweden, Ireland, Australia and European countries Spain, Italy, France and Germany.

First up were metal bands Fist, Mythra, Raven, Satan, Venom and Tygers of Pan Tang followed by music memories from bands including Beckett, Angelic Upstarts, White Heat, Lindisfarne, Lorraine Crosby, Wildhearts, Dance Class, Kane Gang and Southbound.

Searching the site, you’ll find interviews with authors and photographers, there’s also stories from recording studios Guardian and Impulse.

As well as theatre producer Leah Bell and TV actress Lesley Saint-John, by far the most popular post at 15,000, there are stories from roadies, radio presenters and TV production teams.

During the 2020 covid lockdowns people looked for something new to read so their views added to the regular readers, resulting in monthly numbers of 7,000 with a high of 9,700.

Now the site gets a steady monthly count of 4-5,000, I must say a big thanks to everyone who reads the posts – much appreciated.

How long will it last? Well, the phone’s still ringing and stories keep dropping in my inbox, so I’ll keep gaan until the juice runs out.

Alikivi   February 2024

WOR BELLA HITS LONDON – the incredible story of heroic North East women footballers during WW1.

Catherine Dryden as ‘Wor Bella’.

Wor Bella, a tribute to the heroic North East women who played football during World War 1 is transferring to London. The play will be staged at the Bread and Roses Theatre, Clapham, before coming back up North to the prestigious 1200-seat Newcastle Theatre Royal in April. The play features a to-camera cameo by former Newcastle United footballer Alan Shearer.

Wor Bella is named after the show’s lead character Bella Reay who played centre forward for Blyth Spartans Ladies and scored 33 goals in 30 matches. She was the “Alan Shearer of her day”.

Wor Bella will star Catherine Dryden, who is currently performing with Jimmy Nail at Newcastle’s Live Theatre. Catherine, who hails from Chester le Street, is a RADA graduate and has toured number one venues nationally with The Pitman Painters and The Play That Goes Wrong.

Catherine explained “The play is a tribute to the million-plus women who stepped into exhausting and dangerous industrial work when men were conscripted in 1916”.

“They were selfless people who not only saved the war effort but raised money to support injured soldiers, widows, orphans and other charities by playing football.”

She continued “Factory teams of munitionettes formed on Teesside, County Durham, Wearside, Tyneside and Northumberland to raise money for wartime charities. I’m delighted to be playing “Wor Bella.” 

It was an incredible time for women’s football, Blyth Spartans Ladies played Bolcklow Vaughan (Middlesbrough) in front of 18,000 people at the inaugural 1918 Munitionettes Cup final at St James’ Park, Newcastle, and later 22,000 at Ayresome Park, Middlesbrough.

“Unfortunately, the FA scandalously banned women’s football in December 1921. It wasn’t unbanned until 1971!” added Catherine.

Written by Ed Waugh, (Dirty Dusting, Waiting For Gateaux and Alf Ramsay Knew My Grandfather – all co-written with Trevor Wood and the self-penned Hadaway Harry).

Ed added “We’ve had tremendous support for our talks from the likes of history societies, WI’s, U3As, libraries, football clubs and cultural groups. The response has been incredible.”

The play toured the North East in 2022 and received a number of reviews….
“A rollercoaster ride of laughter and euphoria to sadness and anger… mesmerising” said The Journal.
 

Kyle Crook, Blyth Phoenix Theatre Operational Manager, added “Rave reviews with both staff and customers. A must see!” and Katy Taylor, Artistic Director at Hexham Queen’s Hall Arts Centre “Brilliant…went down a storm with the audience”.

Any groups interested in hearing a talk are asked to contact Ed via the official website > http://www.worbella.co.uk

For Theatre Royal tickets google > ‘Theatre Royal Wor Bella’ for London tickets visit > www.worbella.co.uk

Alikivi   February 2024

A GEORDIE EVENING with Ray Laidlaw, Carol Malia & Ed Waugh

Ray Laidlaw, Carol Malia & Ed Waugh.

Marden High school in North Shields will host an evening of stories told by three Geordie voices. Founding member of Lindisfarne, Ray Laidlaw, BBC local news reader Carol Malia and international playwright Ed Waugh. Each have a connection to Monkhouse Primary, North Shields, so it’s fitting that all proceeds from the event go to the school.

As well as finding international fame with Lindisfarne, North Shields lad Ray Laidlaw is producer of Geordie institutions Sunday for Sammy and Christmas in the Cathedral. Ray was recently part of the creative team that won a Royal Television Society Award for the brilliant BBC 4 documentary, The Alan Hull Story.

Born in Tynemouth, Carol was a former Marden High school pupil. A regular on our TV screens since 1997, Carol has lots of funny stories to tell, a real Geordie institution.

Ed Waugh has produced 21 professional plays including Dirty Dusting (co-written with Trevor Wood). In January it’ll be performed at Whitley Bay Playhouse and his self-penned play Wor Bella will grace London and Newcastle Theatre Royal in April. Ed also writes comedy sketches for Sunday for Sammy and Christmas at the Cathedral.

Ed Waugh said “In April 2022 my lovely daughter in law Rachelle died aged 34. The school has been brilliantly supportive of my two grandchildren who have attended Monkhouse Primary. It’s an excellent school which thrives on developing the children and giving them new experiences either via extra-curricular activities like football, gardening and archery to name just a few examples, or encouraging them in school time to be active in the arts. I just wanted to do something as a thank you. Both Ray and Carol immediately said yes, which was brilliant of them. It’ll be a great night.”

The event will be held on Wednesday, February 28, 2024 @ 7.30pm at Marden High School, Hartington Road, North Shields, NE30 3RZ.

Tickets are only £10 and available from >

Alikivi   November 2023

YOU NEED TO SAY SORRY –  new play by writer, actor & theatre producer Alison Stanley

“This play looks at domestic violence, coercive relationships and the perils of on-line dating in older people. When computers are relatively new to you it can be difficult to negotiate the etiquette of ‘facey’ (Facebook) and ‘the gram’ (Instagram)” explained Alison.  

Alison Stanley

“We live in a digital age where meeting and talking on-line is the norm. Everyone seems to have an on-line presence due to the explosion of social media. We talk to people virtually every day and this can be good in combatting social isolation but do we really know who we are talking to on-line and should we be taking information on social media as gospel?”

Alison got the idea to write the play after listening to a group of older ladies…

“They were talking about chatting to people they had never spoke to for donkey’s years – maybe there’s actually a good reason for that! I found it fascinating how they took everything at face value. This produced some great comedic results but also got me thinking about how dangerous this could actually be”. 

More research revealed that older people will put up with unacceptable behaviour much longer than their younger counterparts….

Sometimes they never complain as they have come from a ‘you make your bed, you lie in it’ era and don’t want to be seen as a failure. The production has comedic moments and that sounds quite odd given the subject matter”.

“The play starts where two main characters are having their first meeting after a spell of on-line flirtation. Their chat revolving around family and virtual situations is funny and relatable. This is in direct contrast to the darker moments we see as their relationship develops”.

Rod Glen

The roles are being played by myself and Rod Glenn (American Assassin, Emmerdale). I’m really excited about it and Rod will do an amazing job of bringing his character to life”.

‘You Need to Say Sorry’ is on at Laurels, Whitley Bay 7.30pm 14-25 November 2023.

“Laurels is a fantastic little gem of a theatre. It’s an amazing fringe venue that brings theatre into the heart of the community and gives a platform to underrepresented voices”.

Contact the official website for tickets:

THEATRE | Laurels Whitley Bay

Alikivi    October 2023

THREE HUNDRED AND FIFTY THOUSAND

The site has over 350,000 hits on a blog which when it first went live in 2017 I thought would be read by half a dozen people a day. To mark the occasion here’s snippets from the first few posts which gave the site a solid start and built to around 1,000 reads per week.

If you’ve read the blog a big thanks for your support – much appreciated. If you haven’t, why not give it a go there’s hundreds of great interviews featured, you might be surprised.

“The kids were hungry for this noise, anger, excitement and a do it yourself attitude. It was definitely getting to me, getting in my blood, this raw and visceral sound was becoming addictive. The term New Wave of British Heavy Metal had been coined by then, and yeah it really was a new wave and you’ve gotta go with it… and we did” Brian Ross.

“We jumped on a ferry to do some gigs in Holland. We took this thing around Europe and by then the whole British Heavy Metal scene was red hot so it was one mad scene of gig here, gig there, some stories you can’t tell. When you’ve played the Royal Standard in Walthamstow in front of fifty people and they aren’t interested, then you get out here where they are running after your car, sign my booby and all that, that’s gonna turn anybodys head…and it did” Lou Taylor.

“I remember Joe Strummer saying we’re coming to your gig tonight do you mind if I bring Iggy Pop? We said ‘aye go on then’. The gig was in New York we walked on stage, the lights blazed on and Mensi screamed “We’re the Angelic Upstarts, We’re from England, 1,2,3,4” as I strummed my guitar there was an almighty bang, it all went dark then nothing. There was a huge power cut. They couldn’t get it sorted out so we jumped off stage and went to the bar at the back where The Clash were standing and I ordered a Jack and Coke and said to Iggy Pop “It’ll be sorted in a minute, this sort of thing happens to us all the time” Mond Cowie.

“Creative process for me is always different, some are instant, some are like pulling teeth and it goes on for years, literally. You never can tell. Just have to have a good memory really. Lately I’ve been able to do a single album, a double album and now a triple album. Mind you I’m not planning to buy a yacht or anything on the proceeds!” Bernie Torme

“I remember Bordello doing a showcase for CBS. We really went for it, putting our heart and soul into it you know. A guy called Dave Novek came along to have a look at us, we really laid it on in a good studio. But we found out that we ‘weren’t quite what they were looking for’. A couple of weeks later he signed Sigue Sigue Sputnik!’ Go figure!” Steve Dawson

“I remember getting a call around 1981 from NEAT records owner Dave Woods he asked me if NEAT could include our song ‘Flying High’ on a compilation they were producing called ‘Lead Weight’. Well of course I said yes when he listed the other bands who were going to be on – Fist, Venom, Raven just those three names were enough, they were THE Heavy Metal bands from the North East and to be in their company was fantastic for Warrior. Yes really proud of that”  Dave Dawson.

“1983 saw Cloven Hoof touring throughout the length and breadth of the UK, earning ourselves a sizable underground cult following. In the summer of that year the band recorded a four-track session for the Tommy Vance Friday Rock Show on Radio One and on the strength of the bands popularity Tyneside based NEAT Records signed us to record our first album. Things were starting to happen for the band, we were really in the mix” Lee Payne.

Check the About page above for a full list of features and interviews.

Alikivi  October 2023

CRAMLINGTON TRAIN WRECKERS LIVE EVENT

During the 1926 General Strike miners in Cramlington derailed a train of Flying Scotsman carriages pulled by the Merry Hampton engine.

The miners thought the train on the Edinburgh to London mainline was full of blacklegs undermining the strike, unfortunately for them it was a passenger train, no one was killed with only one person injured.

Was it workers defending their jobs and communities, or terrorists? Eight Northumberland miners were sentenced to 48 years for their involvement.

To explain the near 100 year old story an event is booked on Tuesday, October 24 @ 2pm & 7pm, Tyneside Irish Centre, Newcastle.

This will include an illustrated talk by playwright Ed Waugh (Wor Bella, Hadaway Harry, Carrying David), recitations and songs plus a showing of the brilliant 30-minute BBC film (1970) The Cramlington Train Wreckers which features interviews with the surviving four “train wreckers”. It is a historical document and anyone interested in Geordie social history should not miss this.

The joint production between Westoe Miners Banner Group and Wisecrack Productions aims to tell the incredible story of The Cramlington Train Wreckers.

Tickets only £4 via eventbrite

2pm

7pm

Alikivi   September 2023

WRITTEN IN THE STARS with author Gordon Parker

Gordon was born in Newcastle in 1940 ‘But I spent 22 years in Blyth before moving to Seaton Delaval’.

He was a big sci fi fan in his teenage years ‘I devoured any sci fi books or short stories. Time travel always fascinated me and astronomy was my fanatical hobby’.

‘My favourite novels of all time are ‘One Flew Over the Cuckoos Nest’ by Ken Kesey, ‘Catch 22’ by Joseph Heller which I’ve read about seven times, and met him a few months before he died’.

What drew you towards writing?

‘I always had an ambition to write but kept dismissing it as an unachievable pipe dream. I remember ‘Lassie’ films in the 1950’s and was envious of the people who wrote the scripts and could influence the feeling of the audience. I can never remember wanting to be an actor, just to write the words’.

‘Later I struggled with writers like F Scott Fitzgerald and Salinger but admired their ability with words and characters and plot’.

‘I enjoyed the short stories of Ambrose Bierce especially ‘An Occurrence at Owl Creek Bridge’. It has an amazing twist at the end, something I love’.

What do you consider your best work?

‘I think my first novel ‘The Darkness of the Morning’ gave me the greatest satisfaction and became a best seller. I now live a couple of miles from the site of the Hartley pit disaster that occurred in 1862 when 204 men and boys perished. The oldest was 70, the youngest 7’.

‘An old saying came to mind ‘It’s an ill wind that blows nobody any good’. I wanted to bring to life a host of fictional characters so the readers might be familiar with their lives, and their deaths would be all the more poignant. Also a smattering of good that came out of all the sorrow’.

What are you working on now?

‘My choice of subject is pretty eclectic. It depends on what suddenly fizzes in my mind. My latest novel, just published in softback and Kindle is called ‘The Priest and the Whistleblower’ and involves a Newcastle based detective sergeant, Jack Shaftoe – far removed from Vera!’

‘Having just finished my latest I’m back to searching for a subject and a plot. There’s a hint in me to write another historical novel, again based locally involving an armaments magnate and stretching from Victoria’s jubilee to about 1920 and takes in WW1’.

Alikivi   September 2023

THE CRACK – with writer Rob Meddes

The Crack is a free culture magazine and website providing a valuable service to the North East. Reviews of books, film, stage and music are packed into each monthly edition.

To find out more about the people behind the magazine I got in touch with one of the writers, Rob Meddes.

‘Reading takes up a lot of my spare time now. I review between two and three new novels each month for The Crack. I also love old films, particularly black and white film noirs made between the 1940s and mid-1950s – The Maltese Falcon, The Postman Always Rings Twice, Double Indemnity’.

‘I never set out to be a writer, but stumbled into it through luck more than anything else. I was born in Newcastle and lived here all my life. I’m now 57. I didn’t go to university but on leaving school I did a Youth Training Scheme on computer programming’.

‘I got a job as a programmer but the company I worked for went bust – hopefully not because of my efforts. Then got a job as a civil servant, working at the big site at Longbenton for around four years. I became frustrated at having to do the same thing every day so thought I’d leave and go back to college. The aim? To become an artist’.

‘I did ‘A’ level art and then the Art Foundation course. I was accepted on the Fine Art course at Northumbria University but figured I didn’t want to do another three or more years of that because I really needed a job’.

‘I wrote to loads of different companies to ask if they would take me on, maybe in an admin capacity. The one company that got back to me was The Crack. I did a bit of everything at first – including selling adverts – before moving more onto the writing side of things. That was in 1994 and I’ve been here ever since’.

What changes have you seen since you started at The Crack?

‘What has actually changed most for me is how the magazine is put together. When I started there was no internet, certainly not in our office. Every image in the magazine had to be physically scanned in. Now they’re all digital’.

Have you seem many cultural changes in Newcastle since joining the team?

It’s Gateshead not Newcastle that has seen some of the most compelling big ticket items – Baltic, Sage Gateshead, Angel of the North, The Millennium Bridge. But Tyneside as a whole seems to have become more of a destination for people outside the area who want to sample cultural life in the region’.

What can you see for the cultural future of Tyneside?

‘After 13 years of Tory backed austerity, particularly for the arts, many of our cultural icons are struggling. We’ve already seen The Side Gallery close and The Tyneside Cinema has started to crowdfund. And they’re just the tip of the iceberg’.

‘But often in straightened times, art – in its myriad forms – manages to find a way to bubble to the fore. What hasn’t changed is people’s capacity to get out of the house and go and see stuff, whatever that stuff might be’.

For further info contact the official website:

Art – What’s On | The Crack Magazine

Alikivi    September 2023

NORTHERN CROWN – new album by Durham duo, Lowfeye

Original cinematic soundscape musician and producer Alan Rowland and songwriter Carol Nichol have released a new album Northern Crown.

“It’s a mammoth task trying to mix on our equipment set up in a box room at home, it’s D.I.Y. – it’s low fi”.

A toxic mix of Stooges/Springfield/Velvet Underground gave birth to 2017s Pow and 2021s Poor Little Rich Girl. Both sparked with creative energy leaving their third album big shoes to fill.

To find out if they’ve got the right size and same passion I caught up with Carol in old favourite the Centurion Bar in Newcastle’s Central Station. 

“Thing is it’s sad to see storytelling becoming censored in the arts you see it even with comedians now, that is what the album is about. We’re having a go basically”.

“The track ‘Little Vultures’ and the lyric ‘drowning statues’ deals with the people who want to wipe out history instead of preserving it. Just Stop Oil protesters throwing a tin of soup over a Van Gogh painting. What’s that about? He died in poverty”

“They’re targeting big sports events and slowing traffic down stopping people getting to work on time. They’re targeting the wrong people. It’s about the killing of culture. We should rejoice in our culture and celebrate it. You had to laugh when people wanted ‘Delilah’ by Tom Jones banned!”

The album has 11 tracks building slowly and throwing in a surprise or two.

“We’ve got a strong running order and a very diverse range of tracks. The song ‘Bubblewrap’ has a go at middle class privilege, the arts are dominated by them. Not only acting but music, they want you to sing about utopia, sunshine and everything’s alright out there”

“We are banned by the BBC for ‘Snowflake Generation’ which was on our last album, although it was played on Amazing radio in USA and here in the North East on the Keith Newman show on Northumberland Radio”.

“We’ve got the cinematic track ‘Chinatown’ with its 60s Latin vibe and then ‘Starlight’ which gets dark, a woman is in a boot of a car and is going over a cliff – it’s a bit Thelma & Louise.”.

“The track ‘Kiss of Life’ is a dig at politicians during lockdown they had their raucous parties when people couldn’t kiss their loved ones goodbye”.

“Neil Tunstall came in and recorded some bass on ‘Creatures’. A song about man’s cruelty to animals which I hate, again it’s us having a go about what’s going on around us. There’s a lot more grit in this album”.

“On this album we have kept to the cinematic music by including two soundtracks, one is a loose ballsy swagger for maybe a film soundtrack that hasn’t been made yet!”

Film being a theme right through this album. British actor Albert Finney is pictured on the front cover, a still from one of my favourite films ‘Saturday Night, Sunday Morning’.

“My mum got me into the gritty, working class, kitchen sink dramas, films like ‘Get Carter’. The reason why I chose Albert Finney is that he grew up working class and made it big in Hollywood films and turned down a Golden Globe and an O.B.E. He wasn’t interested in all that – he was the real deal.”

“It’s a sort of celebration of working class heroes like Michael Caine, Gary Oldman, these people wouldn’t get into the acting business now, it’s saturated with the privileged, the middle class who pay their way into the industry. We need the working class ethic back in music and acting again.

“Savage Silence’ was my mother’s poem which I used in a song. I dedicate the album to her as a thank you for influencing me into being creative and introducing me to the golden age of 60s, 70s film and music which I adore. Also to remain true to your creative passion as music is an art, and not to sell out to the manufactured mainstream and the masses”. 

“I really enjoy putting it all together, we love the process, we’re looking at writing new stuff now. We’ve also had two more TV syncs from our soundtracks ‘Bury My Skin’ and ‘One Drop’ used in the second series of Warner Brothers Swedish TV drama ‘Partisan’. (Series 1 & 2 available to view on All 4).

What can we expect from the fourth album?

“Well I don’t write Adam and Eve type Ed Sheeran stuff I don’t think I’ve ever wrote a song with lyrics like ‘I love ya’ baby!”

Alikivi    August 2023

For further info or to buy a copy on CD contact Lowfeye on their social media page: 

 Facebook

Link to previous Lowfeye interview:

A FISTFULL OF MELODIES : Durham band Lowfeye | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)