WordPress, who run this publishing site have a statistics page where all the viewing numbers, countries, dates and comments are gathered and crunched. A new addition to the stats is the percentages from what device the site is being read from – currently it’s mobile 63%, desktop 32% and tablet 5%. We are entering nerdsville territory so some people’s eyes will glaze over but stick with it, the stats can bring up some interesting surprises.
I remember back in 2017 posting an interview with former Angelic Upstarts guitarist Mond Cowie and noticing views from the Bahamas – who’da thought punk would invade the tropical paradise!
The site kicked off in February 2017 with first year views of 15,478 quickly rising to 79,850 in 2020 with most people staying at home during the Covid pandemic. It was March of that year that hit the highest monthly views with 9,700.
2021 reached 77,259 with a high of 8,400 in February that year with a small dip back to a total of 51,482 in 2022. This year has experienced a sharp upturn in numbers, so after eight years you can say ‘it’s daein’ canny’. For non Geordies and Mackems that means ‘it’s doing fine thank you very much’.
2024 has hit over 53,000 views with nearly 3,000 this month. December readers from the UK and USA are high with an unexpected spike in numbers from Belgium. So, yep its daein’ canny. All the best for 2025!
I listen to all styles of music it’s been a constant through my life. Even when you’re sad there are tunes that can pick you up. I’ve seen bands like Crass the more abrasive side of punk but I love the power pop as well. I may be a big punk rock fan but also love ABBA… explained Radio Northumberland presenter Keith Newman. We talked about his passion for music and the special moments when you are a teenager blown away watching your first concerts and meeting a band.
Thanks to local historian Steve Elwood for the advert taken from the Evening Chronicle.
It was May 79 and The Dickies were doing a signing session in HMV, Newcastle. Banana Splits was their latest single and they were signing copies. I nicked off school to get there it seemed like everybody else had the same idea cos it was rammed with queues of kids to see the band.
HMV had a big window at the front and with all the pressure of the kids pressed up against it, it smashed into the shop – and me with it.
Police were called, the kids scattered – I never got me autographs. But it was on the telly and my mother saw it and I got knacked. Years later when interviewing Stan Lee from The Dickies I mentioned the HMV incident and he couldn’t believe I was there. We got on great after that.
Actually, the first band I saw was The Dickies at Newcastle Mayfair, most anticipated gig was first time for the Ramones at Newcastle City Hall.
Keith on stage with the Village Idiots.
In 1980 we formed a punk band called The Village Idiots, we rehearsed in a portacabin in Leazes Park, Newcastle. We played three gigs in all, shouting and screaming, we couldn’t play – it was just noize.
Our first gig was on a bill with four other bands playing for the patients in Prudhoe Mental Hospital. Before going on we were interviewed live for Hospital radio. When I told the interviewer the name of the band his face dropped and quickly cut us off. Subsequently we were banned off the radio – a very punk thing to do.
We opened for Total Chaos at The Garage in Newcastle it was a real punk venue. Total Chaos were a proper band and we were on with them – couldn’t believe it! Thing is I remember we were bad but now I get some people saying yeah I was at that gig and The Village Idiots were great. I say no we weren’t. We were crap. Really we were.
It’s a strange thing…three gigs and immortality…we’re down in folklore! There’s even a photograph of us in the book about North East bands Closest Thing to Heaven. After the Idiots I joined a band called Damian – and they could play. Very goth, Iggy Pop – Lou Reed sounding – we also had two female backing singers.
I also run a PR company called Highlights PR and how I got started in radio was through a business contact. Ultra Radio were based in Ashington and I asked to be punk DJ. That went well until the licence ran out so myself and another DJ, Stewart Allen, formed Radio Northumberland 15 years ago.
It’s only on the internet at the minute although plans are to go DAB next year plus we’ve just moved into a new studio in Alnwick. We’re always looking for some sponsorship to help with the costs – anybody out there just get in touch.
The show New Wave with Newman has built up a decent following. It’s live every Monday night where I play Ramones, Undertones, Skids those types of bands. 1979 was my favourite year for music.
The show also showcases a lot of local bands, its great to see their development, Slalom D from Sunderland have done really well after releasing two albums and playing Rebellion Festival in Blackpool.
The show not only gives me the chance to play the music I love but to meet my heroes. The first interview I did was Jake Burns from Stiff Little Fingers, then The Dickies – I even took Stan Lee shopping in Newcastle for a new ipad.
Keith and Marky Ramone.
But the one that got me really nervous was with Marky Ramone. I found he was doing a DJ set in Newcastle. He was so cool and recorded a few spoken intro’s that I used on my show ‘Hi this is Marky Ramone from the Ramones and this is ‘Sheena is a Punk Rocker’. Fantastic.
I first saw them in 1980 at Newcastle City Hall and bought the t-shirt from the gig which I never took off. I remember next day I was going to a corner shop in Forest Hall to get me ma’s tabs – yep we could in those days – and I could see a coach outside. As I got near it pulled away.
I went in the shop and the assistant said ‘eeh see those lads on your t-shirt – they’ve just been in here. They were Americans asking for milk and cookies’. I couldn’t believe it I ran outside but the coach was away up the street.
For years I wondered if it really was them so when I talked to Marky I asked him about it and he told me Johnny Ramone had OCD and after every gig he had to have milk and cookies.
I also interviewed CJ Ramone on zoom and that was interesting how he talked about the legal wranglings about getting a percentage of the merchandise. Another Ramone drummer I talked to was Ritchie, I arranged to meet him before soundcheck and we caught up in an Italian restaurant. He was really nice we chatted for an hour. The kitchen staff and waitress were Ramones fans so they came over – yeah it was great he was really easy going and signed my albums.
Thing is I’ve interviewed Skids, Undertones and Baz Warne from The Stranglers – just loads of these supposed to be nasty punks – when they were all really nice to talk to. Martin Metcalfe from Goodbye Mr McKenzie was the latest. I rate them as a good band.
What does music mean to me? I just love music. I do the radio, I do the Tyne Idols Bus Tour, I do a lot of PR work with bands like Eddie and the Hot Rods and music festivals – that’s me bread and butter. Yes, music has been important in my life not just for relaxation but for work.
It’s also good to see when friendships are formed through the radio show. We have listeners in Scotland, Teesside and Cumbria, and strangely the most popular area is Sunderland. There are listeners now in USA and Canada – probably folk who used to live in the North East.
There are a lot of shows on Radio Northumberland where you hear the authentic Geordie voice which a lot of listeners like. Yes we’re really grateful to the people who tune in.
‘There’s been nationally recognised music scenes in Liverpool, Manchester, Sheffield, Glasgow and Bristol but there hasn’t been one in the North East. So, I thought there’s a story to be told’.
Retired former Nissan worker Ian Fawdon decided to write a book about his passion. ‘Too Far North’ features over 30 interviews with musicians talking about what it means to be a musician from the North East.
‘I started talking to musicians like The Kane Gang and Lindisfarne drummer Ray Laidlaw, they were all fantastic to interview. White Heat frontman Bob Smeaton was a great storyteller and I found the Heavy Metal section really inspiring’.
‘John Gallagher from Raven and John Roach from Mythra were so enthusiastic – after all these years. When I met Robb Weir from Tygers of Pan Tang I took their first single to the interview I bought in 1980 to get autographed. Robb was more shocked than me!’
‘I start off looking at the 60s and The Animals. I talked to people from then, it was a really vibrant scene. Then I look at the folk scene and Lindisfarne, then punk and New Wave of British Heavy Metal. Then the Kitchenware record label and Sunderland bands Field Music and the Futureheads and finish off by bringing it up to date with Nadine Shah’.
‘Did I come across any unexpected stories? When putting this book together good management really stood out it really made a difference. Tom Noble at Tygers of Pan Tang went to MCA and got them a four album deal. Fist got an album deal but didn’t do as well’.
‘I talked to Keith Armstrong, owner of Kitchenware Records a really interesting guy. Until they came along there was only one choice for bands and that was to go to London. Kitchenware thought no, you don’t have to move we can do it up here. That for me was a refreshing attitude’.
‘They had four bands – Prefab Sprout, Kane Gang, Hurrah and Martin Stephenson and the Daintees. Keith got them all really good deals. Kitchenware still managed the bands but were licensed to the major companies’.
‘Prefab Sprout had already recorded a single and were selling them in HMV when Keith heard them. He went to CBS for Prefab and they asked him how much he wanted. ‘£100,000’ he replied. They made a quick phone call to their boss and agreed the price. He said he had ‘no idea where that number came from!’
‘He later went on to Editors and Jake Bugg. Keith could spot talent and he always hoped that each band recognised that he was doing his best for them’.
Lindisfarne at Newcastle City Hall.
‘Further interviews with Keith revealed that around 1982 there wasn’t much happening in Newcastle. ‘There was me and a couple of mates looking to start something. There was Viz, Trent House bar and a club called World Head Quarters. We wanted to put bands on in the town, there was plenty Heavy Metal gigs but nothing else’.
‘We got a few bands from Scotland like Aztec Camera and a few other nights started up. Our favourite band was New Order so we thought of getting them’. They phoned the manager up and he demanded cash on arrival, which they agreed to. Tickets sold quickly so they transferred the gig to Newcastle Mayfair, that sold out and set them up’.
‘The New Order gig money was enough to record singles in a London studio for Hurrah, and Martin Stephenson and the Daintees. One day Keith Armstrong, who was manager at Newcastle HMV, had Martin Stephenson’s Daintees busking outside the shop. But they were getting some grief so Keith asked them to play inside. He liked some of the tunes – that’s where he asked them about going down to London to record’.
‘Just every now and again you get people from the North East who have that drive, that ambition, and Keith was like that. He was just a young lad at the time, in his early 20s and a manager of a record shop’ said Ian.
‘Keith told me that he got hold of Malcom Gerrie who was the top boss at The Tube and said to him ‘you’re not doing much on the North East why not do something on Kitchenware?’ It wasn’t long till a segment on Kitchenware records was broadcast on The Tube. Keith was pushy with enough belief in the North East. He’s still active now and has Soul Kitchen Recordings and gets young talent from the North East to put records out’.
‘If you are looking for a sad story in the book I did an interview where I did feel sorry for those concerned. There is a lot of tales of woe. One of the bands in the punk section were from Durham, called Neon. I really liked them, they were so arty and interesting and played a lot in the North East. One of the famous gigs at the Guildhall in Newcastle was with Angelic Upstarts and Punishment of Luxury where a massive fight broke out’.
‘Punishment got signed by United Artists who were also sniffing around Neon. In an interview Tim Jones (vocals, Neon) told me there was a guy called Martin Rushent (Buzzcocks, Stranglers, Human League). He was a big name producer starting up a new label. He asked Neon to ‘come down to our independent label and we’ll put your single out give you plenty of attention’.
‘They went with them and started touring but the van was breaking down, the PA was knackered, there was just no money. They went to the studio where Martin was recording XTC and told him about the situation, he replied ‘What do you expect me to do about it?’
The band were devastated and not long after split up. Tim was shocked at the treatment and said ‘at first someone gave us the dream, then just dropped us. How could he treat a bunch of 18 year old kids like that? It seems we got picked up then they got bored of us’.
‘You want a funny story? Maybe not comical but the book has a number of incidents that occur around musicians and gigs. This one included top Hollywood film director Spike Lee’.
‘Believe it or not Spike has a brother who is a massive Prefab Sprout fan. A few year ago Spike wanted to develop a fairy tale animation based on the music of Paddy McAloon. Everything was going alright until they met in London and Spike had changed his mind because he had fallen out with his brother’.
‘Hurrah got the gig supporting U2 and found themselves in a big venue in Birmingham where they didn’t understand the scale. Their little curly guitar leads wouldn’t stretch across the huge stage’.
‘They also told me they didn’t play the game. After gigs they didn’t go in the green room to rub shoulders with other bands and music biz people. They’d stay in their dressing room turn the light off and shout at each other while throwing their rider about, which was usually fruit. At one gig The Edge and Larry from U2 opened the door to someone shouting ‘bananas’!’
‘I spoke to Brian Bond and he told me Punishment of Luxury were on a European tour and the last gig was in Holland. The stage manager said why not do something special? So, on their last song Jellyfish he got a bucket of raw fish and threw it at the audience – who threw it straight back all over the guitars and amps. Brian said it was the worst thing he had done on stage he couldn’t believe he had done it and had to apologise to the band’.
Ian adds ‘I wrote the 400 odd page book in a positive fashion, I didn’t include stories about drugs and not everyone’s favourite is in but I favoured the North East bands, always loved them and saw plenty when I was younger’.
‘Too Far North’ on Tyne Bridge Publishing is out now for further information contact >
A wave of steel is planned this autumn as standard bearers of the New Wave of British Heavy Metal North East Division, Tygers of Pan Tang, map out a series of live European dates.
They include October – Belgium (4th), Germany (5th) and Netherlands (6th) and November – Barnsley, UK (7th) then crossing the border on Friday 8th to play the Classic Grand in Glasgow with Scotland’s very own granite plated rock band Lyin’ Rampant opening.
Rampant lead vocalist Stewartie Adams is looking forward to the gig…
“It should be a great show we’re all up for it and looking forward to a great night with the Tygers. It’s the first time opening for them.”
“We’re back in the studio in Glasgow to work on some new material to add to our set…so we’ll be ready to rock. We’ve had a much needed break after the Graham Bonnet tour. We made great friends with Graham and his band. They were a joy to work with. It was a blast”.
The legendary Tygers then march back down to Tyneside to celebrate a homecoming return in the seaside town of Whitley Bay on Saturday 9th November 2024. The show is being promoted by the local town council to celebrate over 45 years of the Tygers.
Whitley Bay was the headquarters of the original four Tygers. They had a residence at local club Mingles where they honed the tunes that would make up most of their first album ‘Wild Cat’.
The Tygers most recent album ‘Live Blood’, released on Mighty Music, features songs from across their career including tracks that were first played in Mingles.
Support on the night will come from Shannon Pearl, a North East neo-folk band that was specially chosen by the Tygers.
“I’ve lived in the area for most of my life and being invited to play at the prestigious Whitley Bay Playhouse has long been a dream of mine” guitarist Robb Weir commented.
“I think the current band will really enjoy visiting where it all started. It promises to be one helluva night”.
Wrapping up the autumn dates is a visit to Grimsby (10th) and finally Marseille, France at the South Troopers Festival (16th).
VainGloriousUK are collectively known as Chas Groovy.
“There’s been some amazing music created in the North East which has never received the recognition that it deserved and there is always an emphasis on musicians from the southern end of the country” said Chas.
“Being mostly Hartlepool based we were well aware of bands like The White Negroes – who were immense in Hartlepool in the early 90’s – also Jimmy McKenna and Wendells Parlour”.
In the ‘80s Dave Emerson bought a video camera and started making recordings of local gigs. Dave realised that some of the videos he had might be worth sharing and the VainGloriousUK You Tube Channel was created.
Chas explains “We chose the name VainGloriousUK because all the North East groups went for glory but ultimately for some it was in vain. However, we realised later that the dictionary definition says that vainglorious means someone who is boastful, which is not what we mean at all!”
“We began seeking out, tidying up and uploading historic – and sometimes hysterical – video footage of music associated with the North East”.
Since the early 70’s there had been local TV shows such as The Geordie Scene and Alright Now. Many of these shows still exist in TV archives and bit by bit some interesting videos fell into their lap.
“The VainGloriousUK channel currently has up to 170 videos uploaded and its playlists also link to interesting videos from other sources”.
One of the sources was the late music journalist and broadcaster Ian Penman.
“Ian had undertaken work for Tyne Tees TV and, lucky for us, he kept a personal copy of many of the things he was involved in. It took a bit of arm twisting but eventually Ian let us use some of them”.
“One of these was the appearance of Brian Johnson’s first group Geordie. Recently we learned that our copy appears to be the only one still in existence when we were contacted about it being used in a forthcoming documentary about Brian” said Chas.
The collective had found a hidden treasure trove of recorded music so they created a website companion to the You Tube channel.
“This would enable us to tell the stories of the groups and artists and provide direct links to their specific videos, and most importantly, provide examples of their music to listen to with the opportunity for this to be purchased”.
“CDBaby, Spotify, Soundcloud, all of these companies charge a percentage for their services whereas 100% of any income goes directly to our artists. What we are doing is focusing on a particular geographical area which we passionately believe has been a hot bed of great music, we are doing it for fun – and the odd pat on the back”.
“Most musicians are flattered that we care so much about their music, some are a bit wary about how their historical musical legacy may now be viewed – what you thought was important at 16 is not the same when you are 56!”
Top of the hit list to trace was a band called The Mynd. Eventually contact was made with former keyboard player Billy Surgeoner, who was persuaded to put The Mynd music on to VainGloriousUK.
“Bit by bit that’s how it worked, we learn about an interesting artist, do a bit of homework and sometimes it works out nicely”.
“We would love to find the performance on Tyne Tees TV’s Northern Life programme from early 1977 by Newcastle group Last Exit singing ‘Don’t Give Up Your Day Time Job’ – whose lead singer went on to have a successful career in The Police”.
Early 70’s Newcastle glam/folk group Sandgate have been added to VainGloriousUK, including their appearance on the Geordie Scene.
“With Sandgate there is a great omission. The band comprised of two main line-ups, the first was formed and led by songwriter Fred Wheatley and they made some recordings. Then when Fred left the group the remaining chaps made further recordings which are the ones we have. We would love to locate Fred Wheatley and get our hands on the early Sandgate recordings”.
Vainglorious also have software available that can make a good job of reconstruction and remastering.
“Sandgate had two albums worth of really good recordings, they noticed that our efforts had improved them sonically”.
Songwriter Steve Thompson, who has featured on this site, has had his work uploaded onto VainGloriosuUK leading to Cherry Red Records releasing it.
“Also, partly as a result of our pestering regarding making the music of mid 70’s group FOGG available again, their original record company has re-released their original album plus a second album of their singles”.
“We’re always on the lookout for interesting artists with a body of recordings. We’re open to ideas for future video uploads so if anyone has an interesting video, we would love to hear from them”.
After 500 posts and over 370,000 views, WordPress (who run this blog) have sent their congratulations to the North East culture site after completing its seventh year, aye seven years, can’t believe how quickly time has gone.
From the first post in February 2017, the free site – without any ads, pop ups or clickbait – has gone from strength to strength picking up views not only here in the UK but worldwide, including USA, Japan, Brazil, Sweden, Ireland, Australia and European countries Spain, Italy, France and Germany.
First up were metal bands Fist, Mythra, Raven, Satan, Venom and Tygers of Pan Tang followed by music memories from bands including Beckett, Angelic Upstarts, White Heat, Lindisfarne, Lorraine Crosby, Wildhearts, Dance Class, Kane Gang and Southbound.
Searching the site, you’ll find interviews with authors and photographers, there’s also stories from recording studios Guardian and Impulse.
As well as theatre producer Leah Bell and TV actress Lesley Saint-John, by far the most popular post at 15,000, there are stories from roadies, radio presenters and TV production teams.
During the 2020 covid lockdowns people looked for something new to read so their views added to the regular readers, resulting in monthly numbers of 7,000 with a high of 9,700.
Now the site gets a steady monthly count of 4-5,000, I must say a big thanks to everyone who reads the posts – much appreciated.
How long will it last? Well, the phone’s still ringing and stories keep dropping in my inbox, so I’ll keep gaan until the juice runs out.
First rumble of thunder out of Whitley Bay was way back when their first single was recorded at the legendary Neat records in Wallsend. Now after nearly half a century the NWOBHM flag bearers Tygers of Pan Tang are not ready to throw the towel in just yet as they prepare to unleash a live album.
Vocalist Jack Meille explained“Recording a live album after all this time? I never thought I would experience it but with the Tygers I have learnt that the impossible is possible. ‘Live Blood’ captures all the energy we deliver while playing our favourite songs live and raw!”
Recorded in summer 2023 at The Patriot in Wales, with guitarist Robb Weir, vocalist Jack Meille, drummer Craig Ellis, guitarist Francesco Marras and bass player Huw Holding, the set includes Euthanasia, Love Don’t Stay, Paris By Air and Love Potion No.9 from their first albums plus Edge of the World, Fire on the Horizon and A New Heartbeat from the latest album ‘Bloodlines’.
‘Live Blood’ will be released on April 26th 2024 via Mighty Music. The double LP includes three exclusive bonus tracks, it’s also available on CD and digital formats. Pre-orders and full track listing are available here.
Robb Weir added“Every time we play a show we’re asked when are we going to record a new live album. Our live show adds a new dimension to the old songs and allows us to stretch out a bit on the newer numbers”.
The album will be preceded by two singles – the live favourite Gangland from their legendary album ‘Spellbound’ and Keeping Me Alive from ‘Ambush’.
The end of 2023 is nearly upon us as I post the last blog of the year and coincidentally the 500th since starting in 2017. As well as wishing a great Christmas and New Year it’s a BIG thanks to everyone who took the time out to add their story to the site and all the readers around the world who have made it a success.
I’d also like to mention the recent plaque awarded to The Tube placed on Newcastle’s City Road where the Tyne Tees TV studio used to be. Many North East musicians were inspired by the live music show, Toy Dolls, Kane Gang, Tygers of Pan Tang and Dance Class to name a few got to play live. Plus behind the scenes some of the production staff were Geordies adding an extra Tyneside flavour to the programme.
The influence that The Tube had on me and many other people in the North East can’t be underestimated, so we give a salute to the ground breaking, never to be forgotten, legendary Tube and all who sailed in her.
Finally to close the book on this year it’s over and out from me with al’ the best for 2024!
The site has over 350,000 hits on a blog which when it first went live in 2017 I thought would be read by half a dozen people a day. To mark the occasion here’s snippets from the first few posts which gave the site a solid start and built to around 1,000 reads per week.
If you’ve read the blog a big thanks for your support – much appreciated. If you haven’t, why not give it a go there’s hundreds of great interviews featured, you might be surprised.
“The kids were hungry for this noise, anger, excitement and a do it yourself attitude. It was definitely getting to me, getting in my blood, this raw and visceral sound was becoming addictive. The term New Wave of British Heavy Metal had been coined by then, and yeah it really was a new wave and you’ve gotta go with it… and we did” Brian Ross.
“We jumped on a ferry to do some gigs in Holland. We took this thing around Europe and by then the whole British Heavy Metal scene was red hot so it was one mad scene of gig here, gig there, some stories you can’t tell. When you’ve played the Royal Standard in Walthamstow in front of fifty people and they aren’t interested, then you get out here where they are running after your car, sign my booby and all that, that’s gonna turn anybodys head…and it did” Lou Taylor.
“I remember Joe Strummer saying we’re coming to your gig tonight do you mind if I bring Iggy Pop? We said ‘aye go on then’. The gig was in New York we walked on stage, the lights blazed on and Mensi screamed “We’re the Angelic Upstarts, We’re from England, 1,2,3,4” as I strummed my guitar there was an almighty bang, it all went dark then nothing. There was a huge power cut. They couldn’t get it sorted out so we jumped off stage and went to the bar at the back where The Clash were standing and I ordered a Jack and Coke and said to Iggy Pop “It’ll be sorted in a minute, this sort of thing happens to us all the time” Mond Cowie.
“Creative process for me is always different, some are instant, some are like pulling teeth and it goes on for years, literally. You never can tell. Just have to have a good memory really. Lately I’ve been able to do a single album, a double album and now a triple album. Mind you I’m not planning to buy a yacht or anything on the proceeds!”Bernie Torme
“I remember Bordello doing a showcase for CBS. We really went for it, putting our heart and soul into it you know. A guy called Dave Novek came along to have a look at us, we really laid it on in a good studio. But we found out that we ‘weren’t quite what they were looking for’. A couple of weeks later he signed Sigue Sigue Sputnik!’ Go figure!” Steve Dawson
“I remember getting a call around 1981 from NEAT records owner Dave Woods he asked me if NEAT could include our song ‘Flying High’ on a compilation they were producing called ‘Lead Weight’. Well of course I said yes when he listed the other bands who were going to be on – Fist, Venom, Raven just those three names were enough, they were THE Heavy Metal bands from the North East and to be in their company was fantastic for Warrior. Yes really proud of that” Dave Dawson.
“1983 saw Cloven Hoof touring throughout the length and breadth of the UK, earning ourselves a sizable underground cult following. In the summer of that year the band recorded a four-track session for the Tommy Vance Friday Rock Show on Radio One and on the strength of the bands popularity Tyneside based NEAT Records signed us to record our first album. Things were starting to happen for the band, we were really in the mix” Lee Payne.
Check the About page above for a full list of features and interviews.
A book about the Newcastle music scene in the 70s & 80s ‘Closest Thing to Heaven’ featured in a post back in December 2020 (link below).
Pages full of black and white photos of bands, venues, posters and flyers were put together by Mick Fielding and Simon McKay. I got in touch with Simon and asked him about working on the book.
“Working on this book took me back to my most enjoyed gigs in 1980-81 at Newcastle University, Polytechnic Union Buildings, Spectro Arts and the Guildhall. It was wonderful to be reminded of all that. Hopefully, it will stir some good memories for readers too”.
“Closest Thing to Heaven’ is a book evoking simpler times. I thought all I saw then was lost, but Mick and I did find photos of that time”.
“I was reminded that these bands, these times, seemed to come and go in an instant. It was fascinating to revisit it all and reconnect with the excitement of a glorious era and, of course, the hungry optimism of my own youth”.
“The bands that I loved; the bands that I thought would be huge. Sobering, that few got further than Stockton. But those nights spent waiting for bands to come on, watching them play, just being there and connecting with people was such a pleasure”.
Some North East musicians who featured in the book got in touch and talked about their memories of the photos.
‘My old band Sneeze (1969-1971) is pictured – at least the lead vocalist Rod Foggon is. Sneeze were regular performers at the Mayfair in the lifetime of the band supporting some top bands of the era’ saidRoger Smith, author of music blog ‘Ready Steady Gone’.
‘A young Jimmy Nail was a Sneeze fan back then and mentions the band and one of its popular covers in his autobiography. He also refers to the ‘mighty Sneeze’ in a post on Ready Steady Gone. Coincidentally a picture of Jimmy Nail’s band The Prize Guys is next to the Sneeze pic in the book’.
Dance Class frontman Dave Taggart looks back at their picture…
’This is a still from the eponymous Tyne Tees Television’s live music show The Tube. When? I would say 1983 as we played a new song from the forthcoming second album’.
‘On that show were Steve Strange, Southern Death Cult – who later became The Cult – and The Stranglers. We finished the show and had our own fan base in the audience which created a great buzz’.
‘We were green as grass. For instance, every act had to supply their own PA system. We faced our speakers out to the audience which was totally unnecessary as it was for TV and The Stranglers just had a massive monitor system for themselves as they were seasoned performers and knew the score! But what an experience’.
‘We had a gig that night at one of the University Hall’s in Newcastle, Kid Jensen was DJ’ing and presenting added Dave.
He said on his radio show he had ‘just witnessed a band who performed not only on The Tube but also for a massive student audience and they are destined for great things’. What a damn shame’.
‘But that second album I was talking about, we have just got it back after all these years and its being remastered and we are thinking about putting it out on vinyl, CD and Apple tunes’.
The book is available direct from Tyne Bridge Publishing:
ALIKIVI : NORTH EAST UK CULTURE 