BANJO IN BOGOTA – in conversation with Tyneside storyteller & folk musician Tony Wilson

Tyne Dock in South Shields was an interesting part of the town to live, with its churches, terraced houses and huge industrial Victorian arches next to the river. It was in the early 80s when a lot of the old housing stock was being demolished and in Porchester Street I watched Ascendency being filmed. Julie Covington of hit TV show Rock Follies was the star, not long after that The Machine Gunners was set in Porchester and filmed for BBC TV.

‘Up to when I was 7 year old I lived in Porchester Street. It’s not there now but St Mary’s Church around the corner is where I used to sing in the choir and the scouts’ said Tony.

‘Now I live on the Lawe Top beside the roman fort. It’s almost aspirational for someone who comes from Tyne Dock to wind up being a skuetender’ (native to the Lawe Top).

‘I’m proud of coming from South Shields and when you were young trips to the fort were absolutely mind blowing. The area it’s in is incredible, with the whole vista of the river and parks and beach nearby – we’re lucky here’.

Being a former Tyne Docker now Skuetender he’s not wrong there. Tony featured on the site back in May 2018 talking about storytelling and songwriting and what music means to him.

‘I turned back to folk singing in 2017 after the government education cuts made it too expensive for schools to have extra-curricular practitioners, like me, to come in. Before that I was storytelling in schools for 20 years covering hundreds of issues such as the steelworks when I was in Ebbw Vale, the Romans here in South Shields, the coal industry and iron stone mining in Teesside and Northumberland. It was an extremely successful time’.

‘Storytelling is very important, its communication, social history, emotional control, drama, its use of vocabulary. For me it was learning how to be a performer and developing stamina to be able to do four hour sets a day, then drive 100 miles to go to a hotel, get up next day and do it again’.

‘Cities like Manchester, Oxford, Cambridge, all over the UK. I’d stay in these areas year after year for a fortnight at a time and, unlike a music tour where you could be in Aberdeen one day and Bournemouth the next, I’d plan easy distances to plan a route back home – loved the life.’

‘Then around 2009 I got an email. The message was ‘would you like to tell stories in Argentina?’ I wasn’t sure it was kosher at first but I received a phone call a few weeks later confirming it was. I was given contacts of previous storytellers who recommended it’.

‘Me and my wife went out and ended up over the years going to about 15 countries for six weeks at a time. They were international schools where the kids had already learnt English but mostly from American cartoon shows and they wanted them to hear colloquial language, more English. With my accent, I knew I would have to speak a bit slower – and there’s nothing worse than a posh Geordie!’

‘When we were in a Spanish speaking country, for the youngest ones, you’d have someone to explain the context of the story and then I’d still tell the story in English. Half of their lessons were in English, to make it an immersive experience’.

‘To accompany the lessons it was helpful to use British sign language, or borrow a guitar. I always took a banjo with me as it was such a different instrument for them to hear. Once the banjo was broken en-route and we found the only banjo repairman in Bogota in Colombia’.

‘It was hard work getting up at 5am, into a taxi for a two hour drive to tell stories to 3-400 children in ampitheatres – but what an experience! The last time we went over was Peru in 2016. We’d been to Uruguay, China, South Korea, all over – loved it. Sometimes I look back and think how did that happen – you’ve got to seize every opportunity’.

‘I’ve been songwriting for years and always have a songwriting project on the go. I write about 15 songs per year. Ideas can come from a book, a documentary or what someone says in a street… then I do a lot of research and add some ‘meat’ to the story. Songwriting can possess and obsess you’.

‘Recently I wrote a number of songs about Iron Stone Mining, the workers and how dangerous it was working there, although I do try to stay away from disaster. It’s not all ‘Grim up North’.

‘A friend of mine gave me a diary about his distant relation who had been captured by the Portugese and transported to Portchester Castle in Hampshire! Having lived in Porchester Street I didn’t know about this place. The songs can take you anywhere!’

‘I wrote a song with local playwright Tom Kelly about ‘the seven lads of Jarrow’ who, in the 1830s worked in the mines under diabolical conditions so tried to form a union with union organiser Tomas Hepburn. They ended up being brought up on jumped up charges – 10 were captured 3 escaped. 7 ended up in a kangaroo court and were transported to Australia never to return. It’s such an emotional subject’.

‘In 2019 I was planning to write autobiographical songs, one was about the day they tarmacked the cobbles in Porchester Street and as kids we could roller skate across the street. Another was the times walking through Tyne Dock arches with my dad and me being on his shoulders. Or another about my sister playing with her friends in the backyard in Porchester Street – then covid came along’.

‘I didn’t want to write about the pandemic or what happened around it, like being scared or having a feeling of waiting for death to come. I wrote nothing about that. I just wanted to write about the one’s I love and keep sane’.

‘All the performances I did in South America and all of the daily storytelling work I did in schools I now channel into what I present now as a musician. I still do regular open mics, folk club spots and am a paid guest in clubs and festivals throughout the UK’.

‘I love performing, it’s like an out of body experience. I’m not hippy dippy, mystical or spiritual but enjoy giving people enjoyment, sharing moments with people…and it beats the hell out of singing in the bathroom!’

Tony has placed all of the stories, CPD and instructional DVDs for parents and children on You Tube at ‘Tony Wilson Storyteller.

For further information contact the official website > http://www.tonywilsonfolksinger.co.uk

Alikivi   September 2024

OPENING SCENE new solo album from Richard E.

Richard E is an American (L.A.) based composer/producer for recording artist Annabel (lee). In November 2023 he talked about being brought up in North East England and watching bands at Newcastle City Hall.

I still miss the people, pubs and beautiful countryside of the North East!” said Richard (link to interview below).

He also talked about his solo album featuring David J, founding member and bassist with UK post-punk masters Bauhaus. David J appears on four songs including stand out track Satellite Night “he got the vibe spot on” and Mike Garson (David Bowie’s pianist) on The Great Showing.

If you haven’t heard Bauhaus why not tune in to feel the apocalyptic power of ‘In the Flat Field’ with vocalist Pete Murphy spitting lyrics like Leonard Cohen on speed.

I first heard Bauhaus in 1984 after loaning their album from the sound and vision department of my local library. From that day on music tastes entered a dark and enigmatic phase, but let’s get back to the solo album Richard released in 2023….


Opening Scene’ in the cinematic/theatrical sense felt right for the title of my first solo album, where I begin to tell my own story. The phrase also conjures up the idea of a society that is becoming wiser and more enlightened” explained Richard.

After the release a number of positive reviews from mags and webzines dropped into Richard’s inbox….

“It’s doing quite well, just found out the album has entered the NACC (North American College & Community Radio) Top 200 Chart at #164!” added Richard.

Echoes and Dust said “Richard E comes up with nine coherent, fluid musical pieces that have so much to offer. Eventually, with Opening Scene Richard E created an album that promises so much more to come.”  

This from RocDaFuqOut… “Through his post-punk roots and contemporary sounds and influences, Richard E has created his own masterfully introspective pandemic record. A seamless and effortlessly fluid record that blends rock, post punk, electronica, and psychedelic influences into one harmonious whole.”  

First single ‘To the Moon’ put a shine on the album.

Click Roll Boom said…“Psychedelic and transfixing, ‘To the Moon’ immerses the listener in a dreamy, hypnotic soundscape. A truly mesmerizing auditory journey, featuring soft, gentle guitars, subtly percussive drums, well-placed keys that add a sparkling touch, and occasional electrifying, yet still tranquil, moments”

Pan M 360 said…“The track feels a bit like the more exploratory work of The Beatles but under a more new wave lens. A love letter to chilled-out psychedelia”.

Richard added…I hope the album creates enough interest for the live band to be booked for some serious gigs. I’m really looking forward to presenting the songs live! I’ve got an amazing group of musicians on board, including guitarist Eric Klerks from the Captain Beefheart Magic Band, and jazz guitarist Jon Dalton, who started out playing rock music”. 

For further info contact >

https://furtherout.bandcamp.com/album/opening-scene

‘Opening Scene’ album stream and buy links > https://kud.li/FUR017

interview from November 2023 >

TO THE MOON with L.A. composer/producer Richard E | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

Alikivi   February 2024

LOCKDOWN – new heavy metal album by Thunderstick

Released on 20 October 2023 Lockdown is the new studio album since Something Wicked This Way Comes in 2017.

Drummer Barry Graham Purkis, AKA Thunderstick, best known for being a member of Samson who were part of the New Wave Of British Heavy Metal scene (1979-83). Samson played in the UK and the US and released one of the first NWOBHM albums in 1979.

The new album features brand-new material plus never released compositions written by Purkis in the 1980s.

“I believe that it’s been worth the wait. I’m so lucky to have found the musicians that I now work with especially Raven of whom I consider to be one of the finest rock singers that I’ve the good fortune to listen to. She is the real deal both in terms of voice and stagecraft. The next chapter in our story is now ready for the writing.”

Thunderstick are renowned for their female-fronted power rock. Raven Blackwing took time out from rehearsals for their forthcoming gigs……

‘I’m very excited about the album which is my first with the band. I always struggle a little being in the recording studio as I actually don’t like the sound of my own voice. Although my colleagues and friends would probably tell you different!’

‘It’s something I’ve always been paranoid about since childhood. I’ve learnt to appreciate the power I have as well as my range but it’s not the ‘pretty’ voice I dreamed of as a child!

‘I do however love the whole process. We had great fun in the studio but of course there are parts of the album that were actually having to be done from our home studios due to lockdown. The opportunity to just play around with stuff as and when needed was awesome’.

‘You’d suddenly wake in the night with a harmony part going round your head or lyrics and could get it down to send across and build the song from there’.

‘I know Mr Stick (Barry) had the hard job because as stuff was recorded remotely he then had to try and bring it all together’.


How do you think the album turned out? Are you happy with it or could you have worked on it more?


‘I think as a musician you always think there could be some improvement but I am so proud of what we have achieved. The album sleeve is beautiful, the imagery within really encapsulated each song. Also to have had the opportunity to write a couple of the tracks was beyond what I could have envisaged happening’.

‘I like the diversity on the album. I’m happy with it. it’s been a long time coming’.

Are you taking it out on the road?

‘We’ve got gigs lined up for next year, Mearfest, Hard Rock Hell and Poland again but unfortunately not sure we will be able to do a tour as such. Although certainly wouldn’t rule it out’.

‘We are currently all getting together to create our new show. There are several numbers from the album that will be added. I can’t wait to see which songs become fan favourites and hopefully a few of these will be what we’ve chosen.’

‘Due to lockdown a lot of gigs we had in the diary had to fall by the wayside but we’re excited with the new album coming out that we are now getting back out there’.

‘I’m loving being out with the boys! I can’t wait to make the show bigger and better for this album. There’s new costumes coming and new shocks!’

‘I’ve been in the band about four and half years now, which just seems to have flown by. I very much look forward to seeing all our Thunderstick friends at a venue soon’.  

The album also features a number of guest appearances from former Thunderstick guitarists, Dave Kilford and Vinny Konrad, ex-Iron Maiden guitarist, Terry Wapram, Dave John Ross from NWOBHM band, More and solo heavy metal guitarist, Marius Danielson.

Thunderstick 2023 line-up: Raven Blackwing – vocals, Pete Pinto and Dave Butters – guitars, Rex Thunderbolt – bass, and Barry Graham Purkis – drums.

Lockdown is released by Roulette Records on 20th October 2023, in CD format and on all the main digital platforms.

Order from: http://www.rouletterecords.co.uk/ or contact the band on social media.

A live DVD of the band’s appearance in Lublin, Poland last April is also scheduled for release towards the end of the year.

Alikivi  October 2023

ALL BUT GONE with Lyin Rampant vocalist Stewartie Adams

Lyin Rampant originally formed in 1983 when Stewartie teamed up with former Heavy Pettin’ guitarist Eddie Trainer.

They released an album Up and Cumin’ in 1987 on Prism records. Last year the album was re-released by Renaissance Records, USA.

(Further info in interviews with Stewartie 10 & 19 March 2022, links below. Lyin Rampant 2023 are Stewartie, Eddie Trainer, Davey Harkness, Doug Jagger).

Video clip of new track ‘All But Gone’ (Trainer/Adams).

“We are currently working in conjunction with Shock City Promotions/Glasgow. We would like to give a huge thank you to them for adding us to these upcoming shows”.

Stewartie explained “Starting in September we are looking forward to working with our old friends Heavy Pettin’ on their 40th anniversary tour. On the 28th we’re at Edinburgh Bannermans and the Classic Grand, Glasgow on 30th”.

“Then we are on the bill at the Winterstorm Rock Fest in Troon in November. The festival runs from 23rd -25th.

We haven’t played there before so we are excited about being on stage with all the other great talent performing this year, including headliners MSG, Graham Bonnet, Uli Jon Roth then there is our old pal Doogie White, to name just a few”.

This past year you’ve had some personal problems, how are you holding up ?

“We are currently working away in the rehearsal studio for these shows. This will be my first time working again with Lyin Rampant after all these years due to the personal commitments so this will be a big challenge for me”.

“I would like to thank my great friend Eddie Trainer (guitar) and the others in the band for all their support and encouragement getting me back into it again.

This should be a lot of fun as Eddie and myself have not been on stage together for about 33yrs … the Lyin will roar once more!”

Alikivi   August 2023

TARTAN SPIRIT with former Tytan & Lyin’ Rampant vocalist/guitarist Stewartie Adams | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

DONE DEAL IN AMERICA with ex TYTAN & LYIN’ RAMPANT VOCALIST STEWARTIE ADAMS | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

LOVER, FIGHTER, HELLRAISER The Rise & Fall of Phil Lynott 1949-1986

Phil Lynott, Thin Lizzy, Black Rose tour 1979 Newcastle City Hall. pic Paul White.

Phil Lynott played the cool, sexy, rock star. The hot shot gunslinger with studded wrist band and clenched fist. The Rocker. But he was dead by 36. What happened in the last few years of his life?  

Thin Lizzy had been around since the early seventies releasing a number of successful singles including Whisky in the Jar, Rosalie and Waiting for an Alibi, and top 30 chart albums including Black Rose, Renegade and the imperious, Live and Dangerous.

The double album produced by Tony Visconti (Bolan/Bowie/Morrissey) in 1978 reached number 2, staying in the UK charts for over a year. Many critics label the record as one of the greatest live albums.

Although I never saw them in concert, I was in the Newcastle audience when they appeared live on Channel Four’s music show The Tube on 28th January 1983.

I remember watching a blistering version of Cold Sweat from the Thunder and Lightning album. The boys were back in town and at the top of their game. Or so I thought.

In comparison, I later watched a videotape of the show and thought the dressing room interview with Lynott was awkward and dull, he looked fragile. Was this the beginning of the slow decline for the Irish rock legend?

The TV show was only the second appearance of new guitarist John Sykes, formerly of Whitley Bay heavy metal band, Tygers of Pan Tang. His first gig was a few days earlier on BBC’s Sight & Sound concert – talk about being hoyed in at the deep end!

Lynott was more than happy with Sykes. He could see a new future for Lizzy. Cold Sweat entered the UK charts and another TV slot was scheduled for Top of the Pops.

But the band were dropped from the running order after a drunken Lynott was reported to have told the producer to ‘fuck off’ – twice.

Morale was low and cracks appeared amongst the team. Lizzy found themselves slowly falling apart through health and personal reasons. Eventually a split was announced.

1983 UK tour dates

So what was left ? The Thunder and Lightning UK tour included two dates at Newcastle City Hall, with a night at London’s Hammersmith Odeon and a reunion of past Lizzy guitarists, Brian Robertson, Gary Moore and Eric Bell.

“It was chaos” said Bell. “A mess if you listened to what was being played. It was a turning point in my life, after that I never wanted to hear those songs again. I suppose it was a good way of burying Thin Lizzy forever”.

Roadie for the band Peter Eustace explained “On the crew we all thought Phil was scared of success. Once you’ve arrived where do you go? And all you know is that these young guns are breathing down your neck”.

The future, well the ‘80s, belonged to the new chart soundz ! from the likes of Depeche Mode and Duran Duran. While a rejuvenated Queen, and soon to be Irish legends, U2, both benefited from Live Aid. Meanwhile, Lizzy struggled to play a few more dates in Ireland and Japan.

Their last UK show was headlining the Reading festival in August ‘83. The curtain came down on their final live performance in Nuremburg, Germany on 4th September, sharing a bill with Saxon, Motorhead and Whitesnake.

Fellow Irishman and Boomtown Rat songwriter Bob Geldof said “Phil couldn’t imagine a life not in leather trousers, with a limousine taking him to work every day”.

In 1984 a zoned out Lynott appeared on ITV’s Breakfast Show talking about his new band, Grand Slam, but also about his problems as a heroin addict.

He resolved to work hard, in rehearsals he drilled the band for eight hours a day earning him the nickname ‘Sergeant Rock’. Had the thunder returned?  

The band toured extensively throughout the UK and what seemed like victory soon turned into disaster as no major label offered them a recording contract. The industry was backing off.

In 1985 old friend Huey Lewis – from the News – spent time with Lynott recording in a San Francisco studio, but the old swagger wasn’t there. A delicate and tired Lynott only managed a couple of vocal tracks.

Although he did manage a UK chart hit in June ‘85 with Out in the Fields when he paired up with another old friend and former Lizzy guitarist Gary Moore. Cutting out management, Lynott made a direct deal with the label and received £5,000 in cash for being on the record.

But his darkest days were ahead with long days and weeks spent at his London home in dressing gown and slippers not answering calls or seeing friends.

Then out of the blue a charity concert was arranged to be played in front of a world-wide TV audience, it was made for the return of Thin Lizzy.

Live Aid saw The Who, Black Sabbath and Led Zeppelin reforming for a one off gig. But Lynott wasn’t asked. Did fellow Irishman and organiser Bob Geldof stay away knowing of his problems?

Co-organiser, songwriter & former Lizzy touring guitarist, Midge Ure said…

”To our dying shame neither Bob nor I even thought about asking Phil to put Lizzy together for Live Aid. If he had been in a healthy state that could have been the Queen moment for them – ‘The Boys are Back in Town’ – at Wembley? Jesus, can you imagine?“

“Why didn’t we do it? Was it that psychologically we had already given Phil up as gone? It’s something that will stay with me for the rest of my life’.

There were rumours that Lynott was to play Jimi Hendrix in a biopic of the guitarists life, but nothing came of it. In the studio he was working on recording solo material.

Phil Lynott’s final public appearance was in December 1985 when he travelled to Tyne Tees TV studio in Newcastle to record a Christmas special for pop programme Razzmatazz, he performed his solo single Nineteen.

Ironically the presenter was David ‘Kid’ Jensen, the DJ who had championed the band in the early seventies. Also on the programme were Slade, who Lizzy had opened for back in the early days. Back when the fight was being won.

At home Lynott was visited by hangers on, pushers and gofers. He ended up surrounded by people, but very alone. In court on a drugs charge he was called ‘a drugs victim and a trajedy’ by his own solicitor. His close friends wondered where did he go? The musician, the poet, the man they loved.

Sadly, on 4th January 1986, Phil Lynott died of kidney, liver and heart failure. One of his close friends said “Phil didn’t die of a heart attack, he died of a lifestyle”.

Alikivi   July 2023

Research:

Phil Lynott: The Rocker by Mark Putterford.

Cowboy Song: The authorised biography of Philip Lynott by Graeme Thomson.

Thin Lizzy official website.

THE HISTORY OF ROADRUNNER RECORDS – with Film Maker Bill Saxton

Launched in Holland in 1981 and focused on releasing  Heavy Metal records, the label then expanded and opened offices around the world including UK, USA, Germany, Japan and Australia.

A documentary about the company is currently in production, the idea for the project started during lockdown when 34 year old Bill and his friend from Leeds started a podcast called Temple of Bleh.

The idea for the podcast was for the pair of us to reconnect with heavy music in a more meaningful way explained Bill.

This would be done through projects such as The Hunt for the Secret Channel 4 Metalhead, then we finally arrived at looking at The History of Roadrunner Records.

Being a metal guy of my age, I noticed a thread that connected my favourite bands – Trivium, Killswitch Engage, Sepultura, then the likes of Mercyful Fate and Type O Negative. So I toyed with the idea of a book on the subject.

After writing a brief report on the topic for the podcast, by complete chance, I crossed paths with former PR for Roadrunner UK, Michelle Kerr. She told me she’d like to see the finished product.

This was a sign to take this project to an academically accurate standard – so as not to look a complete twat in front of Michelle, who had kindly taken an interest.

I spent about a month creating a monster spreadsheet, detailing every original Roadrunner release since its formation in 1981 – conventional wisdom says Roadrunner formed in 1980, this is a lie.

After finishing this, I set about contacting every band, with mixed success, for a Zoom interview – which would be put up on the Temple of Bleh podcast and You Tube channel.

Then the idea was to roll them up into three documentaries of 60-75 mins each and detailing the three core ‘eras’ of the record label – 1981-1986, 1987-2001 and 2002-2012 explained Bill.

Andreas Kisser of Sepultura, pic Bill Saxton, 4th November 2022, at KK’s Steel Mill, Wolverhampton.

Research can always bring up a number of unusual stories, and Bill found a few about Roadrunner.

A good story I found is that Roadrunner’s first Gold single wasn’t metal at all – it was a 1995 gabba song called I Wanna Be a Hippie by Technohead. 

Also, in this period Roadrunner was trying to edge away from heavy metal, and in the UK specifically were trying its hand at Britpop.

If you were to ask Franz Ferdinand singer Alex Kapranos who first signed him, he’d say Roadrunner, with his early outfit The Karelia.

Another story is the range of artists Roadrunner licensed to Europe from the rest of the world. There are albums from Sinead O’Connor and Cliff Richard bearing the Roadrunner label.

Bill emphasised that the main point of the documentary is to illustrate that once upon a time, death metal hit the top of the Billboard charts, and had a seat at the table with the perceived top industry ‘players’.

It’s important to my generation to understand exactly how that came about. Who better to ask than those responsible at Roadrunner Records.

It’s also insanely convenient that you can’t answer the ‘how’ question without showcasing the stories and legacies of the key artists on the label such as Mercyful Fate, Type O Negative, and Slipknot – as well as the less mainstream bands like Deicide, Gruntruck and Blue Mountain.

Madball being interviewed, pic by TheFinalCut, 7th February 2023, at Manchester Club Academy.

After six months, 150 hours of interviews, one mini and one full documentary complete, Bill was contacted by Mrs X – who would prefer to remain anonymous.

She favoured the project so much she came up with the finance to form a production company and elevate the quality to broadcast standard.

Big thanks to our Mrs X where would I be without her! said Bill. So far I’ve filmed 32 interviews for the project, across six countries, both artist and Roadrunner personnel alike. I’ve still got a lot to go before I can call this thing even close to complete.

Bands from North East UK are represented by stories from Battleaxe and Dark Heart. It’s a dense mix of music business learnings, interwoven with rock n roll regalia.

As it stands at this moment, ‘The History of Roadrunner Records’ has no distributor or broadcaster interest as yet– so this will likely be hitting YouTube.

The documentary is being exclusively filmed in the UK and I’m managing the time with my day job, so I can’t put a final deadline on the production. I’m considering crowdfunding to quicken it up.

For more info or if you dealt with the Roadrunner label contact Bill at templeofbleh@gmail.com or @HistoryOfRoadrunnerRecords on Instagram.

Alikivi   July 2023

THE GOOD, THE BAD, THE MOUTH OF THE TYNE FESTIVAL 6-9th JULY 2023.

Siouxsie at the Mouth of the Tyne Festival 2023

I still get some freelance camera work and this job was at a four day event set in a fantastic location inside the grounds of Tynemouth Priory & Castle where the river Tyne meets the North Sea.

First day a smooth load in and five camera set up with three operators and two remote to feed the large video screens, after a few tweaks the set up was ready to go live.

The return of headliners The Proclaimers, they were canny back in 2019, stage time called and the Reid brothers marched on towards the sun and a full crowd, not a bad place to work.

Of course they played Letter From America and 500 miles, they make the camera job easier for framing when they’re planted next to the mic. Think it might be different for Siouxsie tomorrow – and it was.

Opening band LYR were mere lambs to the slaughter as a sold out sunny Friday evening saw Siouxsie casting spells and spinning her web in the perfect goth setting of the Priory, Castle ruins and graveyard.

The Ice Queen majestically skipped around stage singing Spellbound, Cities in Dust and Arabian Knights. Played last, and not on the set list, was a triumphant Hong Kong Garden. Letting the crowd know she went for a dip in the North Sea earlier in the day brought a cheer and more love from the goth hordes.

Set list for Siouxsie at the Mouth of the Tyne festival 2023.

Camera set up 4pm on Saturday in place for the openers from 6.30pm, former Housemartin/Beautiful South vocalist Paul Heaton & special guest on at 8.15pm. Cameras went undercover on a soggy evening.

Trouble in the crowd was just handbags, and the rain never dampened the Saturday night sing a-long. Heaton’s songs are great little stories, and a nice touch when introducing band members he told the crowd what football team they supported!

The show ended with four encores, yes that was four, and a sparkly finish, compared to barely an hour on stage from Gabrielle on Sunday.

It was a long filming day with early camera set up from 10am for six acts and over six hours video screening scheduled. Gates opened 11.45am and saw Newcastle band Clear Blood first on at 12noon.

Gabrielle sauntered on stage for 5pm, but after a few songs disappeared for 15mins leaving her backing vocalists singing random pop hits. What’s this about? A costume change? No, when she returned just a few more songs and no encore.

After enjoying the show the crowd looked deflated – was that it? And who thought of booking a Thin Lizzy-lite rock band to go on before her? As tight as they were, maybe a better fit would of been Friday before Siouxsie.

Thankfully, earlier in the afternoon the suited and booted Big Red & the Grinners landed on stage, tuned in and turned on the crowd to their brand of blistering banjobillypop – and saved the day, excelling from their 2019 performance with Big Red observing the Priory ruins ‘I see you still haven’t repaired the windows’.

With sold out shows another successful event organised and delivered by North Tyneside Council. See ya next year.

Alikivi   July 2023

SLADE in the SEVENTIES – with author, Darren Johnson

I was encouraged by the reaction to my Sweet book and began work on one about Suzi Quatro, another big ‘70s icon that I’ve always been a huge fan of. However, the first band I truly fell in love with was Slade said author Darren Johnson.

Originally from the North West, Darren moved to London in 1990 where he spent over twenty years working full time in politics…

My professional background was in politics and campaigning so I’d written a lot about current affairs and had various articles published in the national press – from tackling climate change to building more council housing.

After stepping back from politics Darren moved out of the capital and in 2016 based himself in Hastings, East Sussex.

When I no longer had an endless cycle of meetings to attend, one of the things I was determined to do was go to more live gigs. I started writing a regular blog, reviewing gigs and albums, the music writing grew from there. You can say I came to music writing fairly late in life.

Who are you listening to now ?

I still love all my classic rock – from glam to prog to metal and everything in between. I’ve been really getting into Barclay James Harvest lately and snapping up loads of their albums on Ebay.

I also listen to a lot of folk, too. it all depends on my mood. Newer bands I’ve been impressed with include Scarlet Rebels, Buzzard Buzzard Buzzard and Toledo Steel.

What inspired you to write about SLADE ?

Early on during lockdown I woke up after dreaming that I’d written a book about glam rock band The Sweet. I felt really proud of myself for all of half a second until I realised it was just a dream.

It did plant an idea in my head though, and later that morning emailed Stephen Lambe at Sonicbond Publishing to see if he was interested – and he was.

The Sweet in the 1970s was released in 2021. In their Decades series Sonicbond Publishing have released a number of extensively researched music books from different authors, bands include Curved Air, Uriah Heep and Alice Cooper.

I was a little kid back in the early ‘70s and while I remember them from that time, it wasn’t until Slade had their comeback in the early 1980s that I really got into them.

I was a young teenager by then and the Slade revival came at the right time for me. As soon as the single ‘We’ll Bring The House Down’ came out I was hooked.

A true Geordie hero was Chas Chandler, he was enormously important to the band’s success. After he stopped working with Jimi Hendrix he became their manager and producer.

Chas Chandler was born in Newcastle in 1938 and was founder member and bassist with The Animals. He owned recording studios and labels, and was influential in bringing the 10,000 seater Arena to Newcastle.

(Link below to a snapshot of the life of Chas Chandler in Home Newcastle, posted 8th July 2019).

Unlike with Hendrix, who enjoyed almost instant success with Chandler, it was a long hard slog for Slade. They didn’t have their first hit ‘Get Down and Get With It’ until 1971, two years after Chandler began managing them.

Chas’s role in helping define not only the trademark sound of Slade but the trademark sound of glam should not be under-estimated.

When it came to recording ‘Get Down’, Chandler had the genius idea of adding foot-stomping and hand-claps to toughen up the sound.

That sound became as intrinsic to glam rock as the moment Marc Bolan put glitter on his cheeks that same year. It was a sound that other producers of the era like Phil Wainman, Mike Chapman and Mike Leander would follow.

When researching the book did you come across anything unexpected?

I was familiar with Slade’s history and was well aware of the struggles they faced in the second half of the 1970s as the glam scene faded from fashion and were no longer flavour of the month.

But until I spent time in the British Library trawling through back issues of Sounds, Melody Maker and NME, I didn’t realise how vitriolic some of the music journalists where. One Sounds reviewer wrote that if he had written songs as bad as Slade, he’d commit suicide.

But once Slade had their comeback after a spectacular performance at Reading festival in 1980 – where they stepped in at the last minute after Ozzy Osbourne pulled out – the very same papers were raving about Slade once again.

What do the members of Slade think about the book ?

I’ve interviewed both Don Powell and Jim Lea in recent years and insights from those interviews appear in the book. Along with archive material from reviews, interviews and news stories, plus reflections from individual Slade fans. I will try and make sure Noddy, Dave, Jim and Don all get a copy of the book though!

Have you any plans for another book ?

I ended up writing three books in just over two years so made a decision to wait until this one came out before thinking about any more.

Writing and researching is a hugely rewarding and enjoyable process for me but I didn’t want it to become like a conveyor belt. I thought it would be sensible to let this one come out before I started another. I’ve had various ideas but not made any firm commitments yet.

In the meantime I’ve been writing various things for my blog and doing some PR work for a number of artists. I handled the tour publicity for the recent Lust For Life Tour which brought together Glen Matlock, Clem Burke, Katie Puckrik and others to celebrate Iggy Pop’s classic album with a series of gigs, which was a brilliant thing to work on.

Are you going to any gigs soon ?

I’m seeing Francis Rossi doing one of his talk shows in Hastings soon and I’ve also got tickets for Iggy Pop and Blondie at Crystal Palace in July.

Check the Amazon official website to purchase Slade in the 1970s release date 26th May 2023.

Read Darren’s music blog at:

https://darrensmusicblog.com/

For more information about Sonicbond publishing:

https://www.sonicbondpublishing.co.uk/

Contact Darren Johnson Writing, Music PR, Campaigns & Communications Support at Crowflies Communications

@crowfliescomms 

Chas Chandler : HOME NEWCASTLE – snapshot from the life of musician, manager and record producer Chas Chandler 1938-96. | ALIKIVI : NORTH EAST UK (garyalikivi.com)

Alikivi  April 2023

DEATH MARCH of the BLUE BONNETS – in conversation with author John Orton

Former Tynesider John Orton is author of three previous books which have featured on this blog, The Five Stone Steps, Blitz Pams, and A Chill Wind off the Tyne which are all set in the 1900s to the 1940s, but his new book goes back further.

“Shields has a rich history, I always had an inkling that I might find some tales worth telling from way back in the mists of time. It was by chance that I read a newspaper article about the Dunbar death march”. (Dunbar is on the North East UK coast 30 mile east of Scotland’s capital, Edinburgh).

In 1650 Oliver Cromwell defeated the Scots at the battle of Dunbar but was left holding thousands of prisoners. His own troops had almost run out of supplies so he forced the Scots on a march from Dunbar to Durham with no food or water, hundreds died and some were interned in Durham Cathedral.

What caught my eye though was the 1500 that survived, most were shipped to the New World, but 40 were sent to South Shields to work in salt pans.

The new book tells of the fortunes of five highlanders taken on by two of Shields salt-pann owners who lived along the banks of the river Tyne.

Can you tell me about the plot and what happens to the five Scots lads in Shields ?

It’s a bit difficult to do without giving out any spoilers, but one of my old friends from South Shields Grammar Technical School in the 1960s Bob Colls, who went on to become a Professor of Cultural History at De Montfort University and authored a book about George Orwell, has given an excellent summary of the new book:

‘It’s a rattling yarn that takes on the life and times of poor Tyneside fishers, fish wives, keel-men and panners.

If you like a salty tale – love in the sand dunes, sweat in the salt houses, riding-the-stang and dodging the press gang, you’ll enjoy this book. If you are interested in how the poor lived in 1650 – by their wits, mainly – you’ll learn something too.’

Was salt making important to the town and what sort of life did salt workers lead?

Making salt by boiling sea water was practised in both North and South Shields form the 1300s. It probably started to help fishers to preserve their fish, by the 1600s it was a major industry.

The sea water that flowed into the Tyne at high tide passed through pipes into wells, then it was pumped into iron panns that were 20 ft long, 14 ft wide and up to 14 inches deep. Coal would be carried from keels (boats) into the salt-house where panns were heated over a furnace.  

In all it was a dangerous and hard job as workers would stoke fires, pump waters, and carry newly formed salt into the sheds where the salt dried out to be weighed and measured by excise men.

A Shields pann would produce highest quality white salt that was in demand not just from local fishers, but for shipping to the rest of England. In the 1600s there were more than 150 panns producing the ‘white gold’ and pann owners made fortunes.

Keelmen Playing at Cards (reproduced by permission of Durham County Record Office, Mackenzie and Dent, Histories of Northumberland Durham and Newcastle (Newcastle vol 1 294a) – 183

‘Weel may the keel row’ is a song known to many older Tynesiders. Do the keelmen come into the story?

Wye aye they do! The City of Newcastle had a royal monopoly over trade on the Tyne, which was a dangerous river to navigate in the days of sail, so most ship’s master’s preferred to moor their vessels near to the river mouth, and transported their cargo to and from Newcastle by keels – keels were boats 42 ft long and 19 foot wide.

At the stern, the skipper steered the boat with a long oar called a swape, and two bullies (crewmen) and a boy propelled the keel with an even longer oar.

Coal was a major export, and the keels would carry coals to the colliers waiting at the mouth of the Tyne. The keelmen were mostly from Scotland and wore blue bonnets, the young lassies would fall for them – dimples and all.

In research did you come across any unusual stories ?

To be honest Gary it was all strange to me, but here are two. One-eyed seamen were a common sight in the ale-houses of Shields. To find the latitude of a ship, a device known as a Jacob’s Cross was used – a long stick with a cross piece was held to the eye with one end to the sun and one to the horizon – the markings on the stick gave the latitude.

Gazing for long periods at the sun lead to blindness.

Another I came across was the story of the Royal Navy who always laid in wait for ships returning from voyages to board the vessel and press gang the crew.

To beat this many ships would anchor a few mile away and make a swift swap and discharge their able-bodied crewmen and take on in their place boys aged under 10, plus one-legged or one-armed unfit old seamen, just enough to carry the ship to a mooring place.

When is the book released and where can people buy it?

It’s out now on Amazon as a paperback and kindle, and on sale at The Word library shop in South Shields.

Alikivi  July 2022

SUMMER MUSIC ON THE TYNE

Mouth of the Tyne Festival, Tynemouth Priory 2022 pic. Paul Appleby

Well that wasn’t a bad place to do some filming. The past couple of years I’ve not been ‘on the tools’ doing as much camera work as I used to but this month was working on two video screen camera set up’s with the first at Mouth of the Tyne Festival at Tynemouth Priory where Keane headlined to a sell-out crowd (2019 pre covid was The Proclaimers and Rik Astley) plus at South Shields Bents Park on Sunday 10th July was Beth Macari supporting Will Young to an estimated 20,000+ crowd.

Will Young at Bent’s Park, South Shields pic. Lee Davison

Both were captured by stunning drone shots which pictured the scale of the events held next to the coastline and on the North and South of the Tyne, plus the huge audiences soaking up the music and sun on a blistering hot summer weekend.

Lee Davison was at Shields (with his pics making The Shields Gazette) and professional photographer Paul Appleby was at Tynemouth.

Keane at Tynemouth Priory pic. Paul Appleby

Check out Paul’s work at:

https://www.facebook.com/PaulApplebyPhotography

Alikivi   July 2022