The music world has always had its fair share of myths, legends and hell raising antics. The time Ozzy bit the head off a dove or was it a bat? Well both actually. According to reports one was in a record company office the other was live on stage. He also snorted a line of ants. The list is endless for the Oz.
I came across a gaffer tape incident involving a music journalist and Killing Joke, as I was trying to find out who the journalist was, where and when it happened – if it did! I read a few other short stories with North East connections
This one taken from the 1993 book ‘Our Story’ by Bruce Foxton and Rick Buckler from The Jam.
‘The Vapours profited greatly from Bruce and The Jam. They became regular touring companions which lay them open to the usual barrage of pranks and abuses. While on stage, Paul, Rick and Bruce took great pleasure in taping their personal effects to the roof of their dressing room. But the main butt of jokes was Vapours tour manager, Tony Newman’.
‘He was once dispatched with instructions to purchase copies of each weeks Melody Maker, Sounds and New Musical Express. The unfortunate soul came in for some gleeful ribbing when he returned with 16 copies, one for each member of the party. ‘Plonker!’ cite Rick and Bruce in unison.
The headline band decided Mr Newman, who is remembered as looking like a natural victim in the Woody Allen mode, had ‘spent far too long trying to ingratiate himself with us’. He was promptly gaffer taped to a chair outside the Swan Hotel in Newcastle’.
Also taken from the same book…’It was still Paul who suffered from the worst excesses of fandom. On one occasion his sartorial elegance nearly cost him his life. Having taken to wearing the long, college scarf featured in many latter day photo sessions, he had probably never considered the garment a possible lethal weapon’.
‘Stepping out of a doorway in Newcastle, two enthusiastic fans made a grab for the scarf from either side of him. Consequently, Paul found the breath being sucked out of him as he tried to ward off his admirers. It was a neat analogy for his state of mind’.
The band appeared on the first episode of live music show The Tube filmed in Newcastle and broadcast on Channel 4. ‘Of all The Jam’s television appearances this one, which took place on 5th November 1982, was arguably the most important. The announcement of the split had become public knowledge just a few days previously’.
In ‘Ska’d For Life’ by Specials bassist Horace Panter he talks about recording and playing live…’There’s a kind of etiquette at rock gigs. The audience at say, Newcastle Mayfair, will behave in a certain way towards different bands. The security staff will know their limits and the crowd will be aware of this. You behave yourself, you have fun. You misbehave, and something else happens – generally something you don’t like. These are unwritten rules. This is why venues like Newcastle Mayfair keep putting on shows. There is a system. It works’.
He recalls the mayhem surrounding a gig on the American tour in Palo Alto.
’Frank has a stand up row with the PA crew, and Neville has had enough and wades in with his fists. He then grabs a mike stand and hurls it at half a dozen guys that are still having a go at Frank by the monitor desk. Fists fly, but it’s soon over, and we retire to the dressing room, where Jerry and Terry destroy furniture, fixtures and fittings’.
‘Nev has lost a tooth and has a nasty gash over his right eye. Rico leaves, never to return. We get back to the hotel in subdued mood only to find reception closed and the crew without their room keys’.
‘This is ‘bar room blues band’ country and I don’t want to sound egotistical, but I can’t help feeling that we are achieving nothing playing here in the suburbs. It reminds me of my days in ‘Breaker’ playing workingmen’s clubs in Sunderland and dreaming of a record contract. It doesn’t work. Two more gigs and we’re out of here. The novelty has worn off. It’s now a slog’.
‘When recording ‘More Specials’ in 1980 at Horizon Studios I got a call from the office in London. They had received a letter from the mother of a teenage boy who had been in some kind of accident. He was in intensive care in Gateshead’.
‘The letter said that the lad was a mad keen Specials fan, and a message of encouragement would help enormously. I said I’d see what I could do, but the vibe at the studio was not conducive to brotherly love, and the plight of a distraught mother seemed to be a different universe compared to the ‘I don’t see why Dammers says his songs are better than mine’ and ‘we should make decisions as a band and not have one person calling the shots’ that sort of rubbish that people were starting to come out with’.
‘After a couple of weeks, I eventually got a cassette of rough mixes together and wrote a few lines of encouragement. A while late I got a letter back from the mother in Gateshead, thanking me for sending the tape, but she had buried her son a fortnight previously. The tape had arrived too late’.
‘This had a deep impact upon me and made me question an awful lot about who I was and what I was doing with my life. I was part of the most influential pop group of the day, I was doing what I had only been able to dream about a few years ago’.
If you’ve got a story to add just get in touch.
Alikivi March 2025
Research >>>
‘Ska’d for Life’ – a personal journey with the Specials by Horace Panter (2007)
‘Our Story’ by Bruce Foxton & Rick Buckler (1993)
ALIKIVI UK : NORTH EAST MUSIC & CULTURE 