RIGHT PLACE, RIGHT TIME?

A lot is made of being in the right place at the right time to help bring success. But you can’t get past the sheer amount of hard work put in, every time giving 100% and never complaining. There is no substitute for rehearsal and when the opportunity presents itself you’ve got to be ready to take it. A snapshot of a story taken from Sting’s autobiography Broken Music hits the mark. This all happened within a few heady months during 1978.

The Police went out on a UK tour to open for Spirit led by guitarist Randy California. They won over a hippy audience and released their single Roxanne. Their record company A&M fully supported the record but money wasn’t rolling in yet.

To pay rent on his London flat Wallsend born Sting was still filming a few adverts and bit part in films. The Great Rock n Roll Swindle was one, although his scene ended up on the cutting room floor. ‘I was grateful, however, for the 125 quid at the end of the day’ said Sting.

He also went for a part in Quadrophenia filmed in Brighton. ‘I know that they’re seeing half of London for this role, but somehow I know it’s mine’.

After finishing on the film set in Brighton the record company hired a private car to whisk Sting off to Gatwick airport and jump on a flight to Manchester, finally arriving at the BBC TV studios where The Police were due to appear on the Old Grey Whistle Test. Sting remembers ‘It’s still raining when we land in Manchester. Yet another car and driver waiting to take me to the studio, where we have a sound check. The performance tonight is live’.

After a successful TV appearance a tour of the east coast of America was booked. Second night of the tour The Police are in Poughkeepsie theatre with only six people in the audience. Do they cancel? No. Sting brings the audience down to the front and introduces each other. Then ‘give a blistering set we will ever manage, encore after encore’.

The audience are invited back stage where it turns out three of them are DJ’s. The next day Roxanne makes its debut on USA radio. Within a couple years The Police are one of the biggest bands in the world. Now how did fellow Tynesider Mark Knopfler and Dire Straits knock them off their perch?

Alikivi   January 2025

LOOKING FOR AMERICA with American Jazz Guitarist & Composer, Jon Dalton.

Sometimes a piece of music drops and fits neatly onto your latest playlist.

In the past week I’ve been listening to Jackson Browne and Buffalo Springfield after watching a documentary about the musicians who lived in Laurel Canyon on the American west coast during ‘60s/’70s.

Recently, Los Angeles based musician Jon Dalton sent a link to his latest track ‘Out of the River’ featuring vocals by Sheila Ellis.

Dalton first appeared on the blog in October 2017 talking about his journey from Bristol playing in rock band Gold, then moving to California as a professional musician signing to Innervision Records.

I got in touch with Jon and asked him how did the song come about ?

I was sitting around late one night doodling on my guitar – something I do a lot – and it occurred to me, with all that’s been going on this year, now might be a good time to write about how that’s affected my view of the world.

What were you looking to say in the lyrics ?

I hadn’t written a song with lyrics for decades – I mostly write jazz instrumentals – but this one seemed almost to write itself.

Some might see that as the land speaking through them or perhaps it’s a collection of memories and experiences that one day well up and form a cogent whole.

America has certainly seen its share of turmoil recently coupled with much division and fear but that isn’t my America. I have roots in this country going back a long way. Long before the US was even a country the land was here.

Even though I grew up in the UK and didn’t set foot in America until I was in my mid 30’s, I felt a connection to the land the instant I arrived and that’s never gone away.

For me, it was always a foregone conclusion that I would eventually ‘return’. I sense that connection everywhere I go from oceans to deserts to the mountains and rivers, it’s always there and I’m always home.

I’m sure others have similar feelings about their countries of origin. This is a song that tries to explore and explain that connection.

How did you end up working with Sheila ?

I met Sheila Ellis several years back while we were both working in a volunteer jazz band playing for seniors in L.A. County. We hit it off instantly. Sheila seems to just get what I’m trying to say musically which is a tall order since I often don’t get it myself.

Sheila is a brilliant vocalist, she has a deep knowledge of jazz and other genres. Originally from L.A. she also lived and worked in Paris plus New York and London – her husband and our shared producer Richard E is originally from the UK.

She’s also an actress and performance artist who has appeared in places like the prestigious Getty Centre here in Los Angeles.

Richard and Sheila are the core group members of Annabel (lee) who have recorded albums on the UK Ninja Tune label – which won the 2015 Dead Albatross Music Prize – and more recently here in the US on the Youngbloods label.

Who else worked on the song ?

The final piece of the puzzle was my friend UK organist John-Paul Gard. I knew with his extensive knowledge of the instrument, he’d be able to convey the exact sentiment I was trying to express, and he nailed it from 5000 miles away.

With the USA Presidential election only hours away what are your feelings about the future?

Whatever is happening right now and whatever is around the corner, in this song I wanted to express the sense of strength and permanence I get from being surrounded by nature, though we could arguably take better care of it.

We may create what seem like big problems for ourselves but, for the land, it just sits and watches and waits.

Listen to ‘Out of the River’ at:

https://jondalton.bandcamp.com/track/out-of-the-river

https://annabel-lee.bandcamp.com/

Interview by Alikivi  October 2020.