CRIMINAL MIND with Cullercoats author Glynis Drew

Glynis was born in Cullercoats, a small fishing village on the North East Coast of England.

‘Where I spent a happy, carefree childhood. Cullercoats Bay was, literally, at the end of my street, and the village had a real community feel – it still does. Now aged 63, I haven’t moved too far from where I grew up.’

Her creative writing journey began at the age of eight.

‘In reality, I was copying the themes and formats of children’s authors. At the age of 11, I was still making notes for my first full-length story book – Five at Mystery Camp!’

‘Leaving school, I wanted to do something other than sit behind a desk – so with the qualifications I had, I was encouraged to spend the next 45 years working behind a desk! I also took on part-time work all within the Cullercoats or North Shields area. I was a barmaid, had a go at working as a housekeeper and one job was cleaning a local morgue. The smell was one of bleach and cleaning products but the atmosphere was spooky and spine tingling. I dreaded every shift – my imagination sometimes does get the better of me.’

Who inspired you to start writing?

‘Growing up, I would spend a lot of time in Cullercoats library, and my first real interest in reading came from Enid Blyton mystery stories. By the time I joined Marden High School in North Shields, it seemed my natural reading progression was to jump from Enid Blyton’s Malory Towers series to James Herbet – The Rats – a huge leap in genre. My imagination was ignited, and my storytelling went up a few notches!’

‘I created my DCI Caron Dell crime fiction novels in 2005, and have written several short stories – none of which are published. I began taking things more seriously when my daughter, Beth, a singer-songwriter, wrote a piece called Stay Young. Something about that song lit a fire in me—and that spark become the basis for my first novel.’

‘To date, I have written and self-published two books from my DCI Caron Dell series: Dying to Stay Young and Where is January Blue?’ 

Have you surprised yourself?

‘I am surprised at how engrossed I have become in my research, whilst developing personality profiles, locations, and murder! Autopsies were an eye-opener, too!’

‘I’m learning something new each time I delve into the world of DCI Caron Dell – she is a stalwart for justice. And, I’m totally bowled over by the interest and support I’ve received, not just from family and friends, but from people I haven’t even met. So, a huge thank you – genuinely, I value everyone’s support.’

 How was your debut book received?

‘My first book Dying to Stay Young, has good reviews on Amazon and five-star reviews in Goodreads. I am delighted by the feedback. Another huge thanks to those who have taken the time to read my books and to those who have left a review.’

‘At the beginning of March 26, Cullercoats Library hosted an event for me to talk about my DCI Dell novels. The venue was very fitting. Providing more detail about DCI Caron Dell and having a face-to-face discussion has encouraged me to continue my storytelling. For my first event, I was grateful for a full room and an engaged audience.’

While researching have you come across any unusual stories?

‘Not unusual, but more surprising. Whilst listening to Professor David Wilson, a Criminology expert, I was shocked by the low number of convictions for crimes against vulnerable groups. With one statistic flooring me – 2% of abuse against women crimes actually lead to a conviction.’

‘Obviously, there is more to the stats, but what is worth noting is that not all crimes are reported, so what is the real percentage? Is it higher or lower? I don’t think we’ll ever know for certain. My interest was piqued, and my hunger to write psychological thrillers grew.’

Would you like to see any of your books adapted for the stage or TV?

‘Absolutely, that would be utopia!’

For further information and upcoming releases contact the official website >>>

 Drews Fiction

Alikivi   March 2026

RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley

Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.

In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.

It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?

Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.

Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.

An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.

The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.

I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.

I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.

I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.

I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.

And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.

That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.

In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.

Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.

My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.

Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.

I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.

Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.

Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!

Alikivi   August 2025

Links to previous interviews >>>

DREAM CATCHER – in conversation with writer & performer Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

DREAM CATCHER #2 in conversation with Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

COME AGAIN in conversation with writer & actor, Alison Stanley part 1/2 | ALIKIVI : NORTH EAST UK CULTURE

NOTHING LIKE SHOW BUSINESS in conversation with writer & actor Alison Stanley 2/2 | ALIKIVI : NORTH EAST UK CULTURE

YOU NEED TO SAY SORRY – new play by writer & actor, Alison Stanley | ALIKIVI : NORTH EAST UK CULTURE