folk-music | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

Since starting in February 2017 hundreds of stories have been posted on this site. The last few months has seen a mix from the navy, radio, folk singers and a magician. Here’s a taste.

First up is Tyneside comedian & magician Robert Reed…

‘Being an outcast gave me more time to focus on myself, to perfect my act. I’m glad I never fitted in at school, cos this has worked out well for me in the long run’.

‘A person to take me under his wing was a teacher called Mr Obee at St Joseph’s. Every break time we would talk about magic and jokes, he would loan me magic books, then he would show me a different trick each time which I would perform for the other kids’.

‘His motto was ‘work hard and be nice’ which I’ve always followed. It was helpful propaganda about putting the hard work in. He told me that every hour you aren’t working on your dream someone else out there is’.

‘I stopped sleeping 8 hours a day and cut it to 6 so I could get extra hours at work. It became all about maximising the time I could work it out. I became obsessed with it, it’s the most important thing in my life – I want to be entertaining people’.

Full interview > READ ALL ABOUT IT – in conversation with Tyneside comedian & magician Robert Reed | ALIKIVI UK : NORTH EAST CULTURE

Northumberland Radio presenter Keith Newman talked about his passion for music…

‘The show not only gives me the chance to play the music I love but to meet my heroes. The one that got me really nervous was with Marky Ramone. I first saw the Ramones in 1980 at Newcastle City Hall and bought the t-shirt from the gig which I never took off’.

‘Next day I was going to a corner shop to get me ma’s tabs – yep we could in those days – and I could see a coach outside. As I got near it pulled away. I went in the shop and the assistant said ‘eeh see those lads on your t-shirt – they’ve just been in here. They were Americans asking for milk and cookies’. I couldn’t believe it I ran outside but the coach was away up the street’.

‘For years I wondered if it really was them so when I talked to Marky I asked him about it and he told me Johnny Ramone had OCD and after every gig he had to have milk and cookies’.

Full interview > HEY HO LETS GO RADIO – in conversation with radio presenter Keith Newman | ALIKIVI UK : NORTH EAST CULTURE

Another story came from Tyneside based Karen Taylor who remembers her time in the Royal Navy…

’The Falklands war was on when I was based at HMS Vernon in Portsmouth in 1982. I remember when the first ship was hit on 4th May. We were in a disco and everybody was up dancing when the music suddenly stopped and an announcement was made’.

‘I knew one of the chef’s whose ship was one of the first hit and sunk. He told me afterwards they were getting in the lifeboat and someone shouted ‘that’s typical, it was a really good scran tonight’. The Navy use humour to get out of any situation’.

‘The fact of not knowing who was alive or dead brought on a lot of mental health problems after that war. It must have been really scary what they went through’.

Full interview > IN THE NAVY – in conversation with former WREN Karen Taylor | ALIKIVI UK : NORTH EAST CULTURE

This from Wearside folk song collector Eileen Richardson…

‘The first song I found was The Old Wife’s Lament to the Keel Men of the Wear and it was all around historical events about the keel men and it was written in dialect. That set me on the road to researching the history that went with the song’.

‘There a lot of songs about death and tragedy, mining disasters and shipwrecks but there are songs that tell light hearted stories. The Durham Militia pokes fun at things, it’s like the 1800s version of Dad’s Army, with lyrics like ‘You’ll march away like heroes – just to make the lasses stare’ and suggesting that the only battles they will fight will be in the pub’.

Full interview > FOLK GATHERING in conversation with Wearside folk song collector Eileen Richardson | ALIKIVI UK : NORTH EAST CULTURE

Tyneside songwriter Rosie Anderson dropped in to tell a few stories. Here’s one…

‘I can’t just decide to sit down and write a song – some people do and I applaud them for the discipline but I have to wait until they come’.

‘When I was a kid I lived at Chapel House Estate in the west end of Newcastle. One night me, my mother and a friend went for a walk. This woman came out of her house in her dressing gown, she wasn’t in control of herself, didn’t know what time or day it was. I had never seen that behaviour in an adult before. Now I believe she was having a nervous breakdown’.

‘That always stayed in my head and another one was about 30 years ago I went on a blind date in Newcastle with this very nice bloke. He said I need to tell you something before we go any further… ‘When I was working in Canada I had a nervous breakdown in the car park of a Burger King’. It was hard to concentrate on anything else after that’.

‘But I remembered those incidents and those people are lodged in my heart for their own traumas. They gave me the song’.

Full interview > LISTEN TO YOUR HEART in conversation with Tyneside songwriter Rosie Anderson | ALIKIVI UK : NORTH EAST CULTURE

Tyneside storyteller & folk singer Tony Wilson talked being a professional musician and how far it’s taken him…

‘Around 2009 I got an email. The message was ‘would you like to tell stories in Argentina?’ I wasn’t sure it was kosher at first but I received a phone call a few weeks later confirming it was. I was given contacts of previous storytellers who recommended it’.

‘Me and my wife went out and ended up over the years going to about 15 countries for six weeks at a time. They were international schools where the kids had already learnt English but mostly from American cartoon shows and they wanted them to hear colloquial language, more English. With my accent, I knew I would have to speak a bit slower – and there’s nothing worse than a posh Geordie!’

‘To accompany the lessons it was helpful to use British sign language or borrow a guitar. I always took a banjo with me as it was such a different instrument for them to hear. Once the banjo was broken en-route but we found the only banjo repairman in Bogota in Colombia’.

‘We’ve been to Uruguay, China, South Korea, all over – loved it. Sometimes I look back and think how did that happen – you’ve got to seize every opportunity’.

Full interview > BANJO IN BOGOTA – in conversation with Tyneside storyteller & folk musician Tony Wilson | ALIKIVI UK : NORTH EAST CULTURE

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Full list of hundreds of interviews >

About | ALIKIVI UK : NORTH EAST CULTURE

Alikivi November 2024

After a career lecturing in Psychology for over 30 years, Eileen is now retired from Sunderland College. Throughout the years she has researched her ancestry and in turn became absorbed with local history.

My ancestors were Sunderland keel men in the 1600s, there were a few miners among them but mainly trades associated with the River Wear. My grandmother played the organ at her local church and her sisters sang in a local concert party. When she retired my mother went to evening classes and taught herself piano, she also wrote pantomimes and songs for the local community centre. When she was in her ‘80s she organised singing groups at her local ‘natter’ club.

About 15 years ago I started collecting Wearside folk songs from the 1800s. For me words are the most important thing. I don’t like the music overpowering what the song is about because the most important thing is what the song is telling you. I prefer unaccompanied singing and the harmonies.

I used to sing at events with the Tyneside Maritime Chorus which was run by folk singer/songwriter Benny Graham. We mainly sang songs from Tyneside like Keep Yer Feet Still Geordie Hinny and The Blaydon Races which are widely known. This set me off wondering whether there were any equivalent songs from Wearside apart from The Lambton Worm – although that was originally written for a Tyneside pantomime.

Sunderland Antiquarian Society which has been going since 1899, has a lovely archive mostly donations from local people. I research there and the local studies library in Sunderland.

The first song I found was The Old Wife’s Lament to the Keel Men of the Wear and it was all around historical events about the keel men and it was written in dialect. That set me on the road to researching the history that went with the song and there’s a bit where it talks about them fighting the French. But did the French ever invade the North East coast?

I found an article about the Battle of Hendon in 1799 where local volunteers staged a mock invasion because they thought a French invasion was imminent. The song has historical references but some humour also.

There a lot of songs about death and tragedy, mining disasters and shipwrecks but there are songs that tell light hearted stories. The Durham Militia pokes fun at things, it’s like the 1800s version of Dad’s Army, with lyrics like ‘You’ll march away like heroes – just to make the lasses stare’ and suggesting that the only battles they will fight will be in the pub.

During covid I gave a presentation online to the Traditional Song Forum about my research and was asked to write a paper which was published in a book of folk song research in 2022 entitled Thirsty Work and Other Legacies of Folk Song.

***Ed Pickford, Ingrid & Barrie Temple, Tony Wilson performing at the Stumble Inn Folk & Acoustic Afternoon, Sunderland, February 2024.***

The folk world is a small world, you get to see the same faces at the clubs and you get to know people from all over the North East. I first went to folk clubs in the late 60s and early 70s when virtually every pub had a folk club. I also used to go to The Bay in Seaburn to see bands like The Who, Free, Jethro Tull, there were loads coming to Sunderland then.

In about 2000 my husband and I began to go regularly to folk clubs in the area such as South Shields, Birtley, Tynefolk in Ryton and The Welly Folk Club in Wolviston.

When you say you live in the North East to other folk people they are jealous because of the amount of clubs and events up here. If you are prepared to travel half an hour you can go to a folk club most nights of the week.

There are venues like The Central Bar in Gateshead, South Shields Jack Clark Park, Croxdale in Durham, the Collingwood Arms and The Bridge in Newcastle which has been going 60 years. Saltburn, Whitby and Hartlepool also have annual folk festivals.

***Keith Gregson performing at the Stumble Inn Folk & Acoustic Afternoon, March 2024***

I also arrange a monthly folk afternoon at The Stumble Inn on Chester Road, Sunderland. We get around 30 – 50 people coming to our sing around and we are keeping the tradition going because in the 60s the pub was formerly The Royalty and had a very popular folk and blues club called The Glebe.

The pub is near Sunderland University metro so we have people coming in from Newcastle, Cullercoats and South Shields. Some come from further afield like Chester le Street and Teesside. Being on from 1-4pm people are happy to travel on public transport at that time – on the night they are not so keen.

Our folk gatherings at The Stumble Inn are on the 4^th Tuesday of the month. All are welcome to sing a song, play a tune or just listen to the songs its very informal and free. We are based downstairs so the room is easier to access with your pints of beer and musical instruments.

We have singers from all over the region like Barrie and Ingrid Temple, Ed Pickford, Tony Wilson, Anne Lamb, Keith Gregson, Brian Hunt, Ken Hamer and others who all perform in a range of styles.

It’s an old genre but people still write songs now in the folk tradition about current events keeping the music alive. Music and song are so fundamental to our lives.

Alikivi October 2024