BAD EGGS – with Anna Malia founder of North East Animal Rights

Sadly, some schools are still using egg-hatching programmes as a misguided way to educate children on life cycles of animals or using them as a treat to the children in their care explained Anna.

As more and more schools realise the problems these awful programmes cause, the companies who exploit these live young animals have extended their business model to include care homes where they aim to use them in so-called enrichment activities for residents.

Anna added…Despite the companies saying they will take back and home all unwanted chicks and ducklings produced from these programmes, the reality is very different. Even in the small print of the contracts they say that hirers have to be realistic about the fact that ‘some’ will end up as food and males will be culled.

Male chicks turn into very noisy cockerels and every year rescues are swamped with both male and female chicks and ducklings who are abandoned once they grow out of their useful ‘cute’ stage.

Our local wildlife and domestic animal rescue centre ‘Pawz For Thought’ who are based in Sunderland, are inundated every year with abandoned chicks from egg-hatching programmes.  

A spokesperson for Pawz said “Every year we are inundated with calls from concerned parents of pupils who aredoing hatching projects. School hatching projects are often presented as education, but the reality is far from kind.”

“Chicks are hatched in the name of learning, yet the process has become a form of lazy teaching. For a few weeks, children view these animals as entertainment—then the chicks are handed away, this teaches young people that living beings are disposable and exist for our pleasure.”

“Every year, we are asked to take in chicks to save them from being culled. Around half of all chicks hatched are cockerels, and there are simply no homes for them. They face a terrible fate.”

“Schools often believe they are rehoming them to willing parents, but with no follow-up, many unwanted cockerels eventually end up dumped once they mature. This cycle of suffering must stop.” 

Anna said…As part of their Animal Protection Charter, South Tyneside Council have contacted all of their schools and asked them not to use these programmes. They confirmed recently that none of their primary schools will book these programmes again making them an ‘egg-hatching programme free borough’!

Cllr Judith Taylor Chair of the Animal Protection Charter Working Group at South Tyneside Council said “South Tyneside Council is committed to the highest standards of animal welfare. We have taken decisive action by contacting all our schools to urge them not to use egg-hatching programmes.”

“We believe there are far more compassionate and educational ways to teach children about life cycles, and we encourage all educational settings to consider the welfare of animals in their care.”

Anna added…These programmes bear no resemblance to the actual life cycle of chicks and ducklings – they are not hatched in sterile metal and plastic incubators for a start. They do not have the warmth and love from their mother and of course they don’t show students where the birds end up and how they are slaughtered for food. 

What are we doing now? We are currently campaigning across the North East and also have a group working in the North West and a group in the West Midlands coming on board. We want schools and care homes to know the misery these programmes cause.

We are also encouraging people to contact their MP and the Education Secretary to ask them to update the curriculum to remove the suggestion of egg-hatching programmes as an educational tool.  

Thank you to South Shields artist Sheila Graber for the animation.

For further information about the work of North East Animal Rights contact >>>

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Alikivi   November 2025

ART FOR ART’S SAKE in conversation with animator Sheila Graber

Meeting up with contributors to this site I’ve asked how they survive in the arts. Some talk of persistence and others simply being obsessed by it. I think to give yourself a good chance you’ve got to be prepared to work on it day in day out basically 24/7/365 days a year.

85 year old Sheila featured on this site in June 2018 where she talked about spending her life in art – so she was the perfect person to ask.

Surviving in the arts is for me going with the flow. I believe in my Mam’s saying ‘Every day in every way in everyday I’m getting better and better’ particularly when you are feeling crap or when things have gone wrong. In the arts you need this saying because there are times when things just don’t happen for you. Tempered with that my Dad used to say ‘worse things happen at sea’! So never, never, give up. Keep positive and keep going.

After attending Art College Sheila then went to Birmingham School for Training Art Teachers in 1961.

That was the best thing to happen to me. I was shown that everyone is an artist in their own way and it’s your job as an art teacher to bring it out. It’s about giving something positive to people in their lives.

I first taught art in comprehensive schools in South Shields and by 1970 I was divorced and had time to play so bought a super 8 cine camera. Play is very important plus having a messy room or studio where no one tidies up after you!

My first messy place was at home in South Shields working at a desk looking out onto our little garden. Later it was a studio in the Pilot Office overlooking the river Tyne. Then by the mid 70s I got a break in animation.

I was contacted by an agent for World TV who sold the short films I made globally. She later commissioned me to animate 10×10 minute ‘Just So Stories’. The actual process of animation can take a long time to produce minutes on video so the only way I could produce this was to give up teaching – which I did in 1980.

Sheila animating Frame by Frame for World TV and her Mam crocheting for a local shop – a true cottage industry.

Sheila also works with various charities, the last post features Anna Malia and North East Animal Rights, how did you get involved with them?

When I lived in Ireland I saw an incident, not to go into it here too much as it’s really upsetting, but there was a field of cows and a calf that broke free from the herd. It was about how it was dealt with by the farmer that really affected me. I thought if I get the chance I would do something for you – for that calf.

I heard a song by North East musician Jen Stevens, loved it, and thought that would really work with images. I asked Jen if I could use it and she said yes. We put it out and Anna Malia from North East Animal Rights got in touch and we took it from there.

Link to Jen Stevens song & video >>> https://www.youtube.com/watch?v=HMDkdZ3TaEk

Sheila is currently working on a book about George McVay, a little known artist who lived from 1902-1967. Former Shields Gazette journalist Janis Blower is in the process of editing it.

George was a very good photographer which accounts for the very large detail in his pictures. His style of painting was very photographic. When I was 8 my mam bought a set of his prints that the Gazette had commissioned and I loved looking at them like kids look at ipads now. For a long time I done plasticene models of them.

All his life he drew some amazing illustrations of Shields and surrounding areas. Some people may recognise his black and white drawings, very clear, very precise everything from the old Town Hall to the piers, the river and the Groyne. In the book Janis Blower will be adding underneath a description and history of George’s picture.

In his early days I gather he worked at Readhead Shipyard, he was studying planning, design and engineering. His Dad was mayors secretary at South Shields Town Hall and was a good photographer. It’s thought he said to his son that he should work in the Town Hall and he eventually did, he was employed in the ratings department.

Out of the goodness of his heart he’s done drawings for presentations at the town hall. There are some amazing manuscripts, whatever was required he could do it even when people leave. He also done commissions for the Shields Gazette.

The Shields museum have some in their store. He has stuff in the Hancock and Discovery museum, Newcastle. He did a showing at the Laing Art Gallery and down in London but all track of that is lost. Unfortunately, nobody has given him the recognition that he deserves.

What I’ve found over the years is that he and I have followed parallel tracks. We have both done a lot of work for charity and both drawn the most popular buildings and views in Shields because we love the place.

To contact Sheila check out her official site at >>>

Products — SHEILA GRABER ART

Alikivi  July 2025