NORTH EAST WRITERS

SHIELDS CLOSEST ENCOUNTER

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As requested, readers of this site have contributed stories featuring supernatural phenomena. Researcher & Historian, and regular contributor to the site Dan Green, got in touch to pass on an interesting story he came across.

Report in The Shields Gazette 2013.

A visit to South Shields by three unexplained lights in the sky in October 1967 seemed to be very convincing as it was witnessed and recorded by policemen. But what occurred the previous year might be an even better UFO episode.

It began when a Shields resident agreed to tell her story to local newspaper The Shields Gazette in 2013 on the proviso that her identity was kept anonymous.

It was a cold night in late autumn, a black starless sky between 10-10.30pm when she and half a dozen of her girlfriends, all teens, were walking home from Harton village past Harton cemetery when they noticed a huge circular ‘flying saucer’ hovering approximately 20’ above the ground, coloured lights pulsated underneath with a humming noise.

It suddenly shot up into the air to a height of about 60-70’ staying stationary for a while then swooping down over the cemetery. Three times it repeated this climbing and ascending motion until it finally shot up into the sky disappearing in an instant.

The shaken girls stood there motionless and speechless and never said a word as they continued home. Little did they know that it appears that on the same night the unidentified aerial phenomena was also seen and witnessed by a Mr Alton, then aged 20, and his wife.

The object was first spotted as they were walking to their home near the old Westoe Colliery. It wandered slowly around the sky towards Tyne Dock where the following year the three lights above the flats were witnessed.

Disappearing from their view it was next seen 10 minutes later suddenly flying almost directly over Mr Alton. They could hear a soft humming sound as the black circular shaped craft blocked out the stars. A circular white light was centrally located on the underbelly of the craft, around the circumference was an aurora of soft, colourful light. It then flew off towards South Shields Town Hall nearby.

Mr Alton estimated it to be travelling at about 15mph and was at least 40’ diameter. They watched for about two minutes as it skimmed above the Westoe Road rooftops.

I recently contacted Mr Alton now 79 and living in Whitburn, to see if he was still clear with his story and indeed he is – there is no doubt in my mind that he is telling the absolute truth and in accurate detail.

Was this the same UFO witnessed on the same night as seen by the girls in Harton? Two remarkable close encounters begging the question, why was South Shields being visited by UFO’s during 1966 and 1967?

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

CREEPING DEATH

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As requested, readers of this site have contributed stories featuring supernatural phenomena. 60 year old Jeff Anderson from Washington, County Durham, talked of his experiences.

The paranormal equates to something or some activity that is unknown now but is likely to be known and possibly understood in the future. So, a good example of paranormal activity would include ghost sightings and other spiritual activity of that nature.

It’s the stuff of sixth sense, which we are all aware of in situations when somebody is staring at us from behind, we look around and sure enough someone is. And vice-versa when we stare at someone suddenly they become aware of our stare.

I have over the last few years been equally fortunate and unfortunate to have been exposed to very real paranormal activity.

It was the very height of the Covid-19 pandemic I had been to Lidl one Saturday morning, nothing unusual there. Bonnie my German Shepherd was eagerly awaiting my return to the car. No sooner had I done so when quite inexplicably the car radio started playing and this despite being most definitely being switched off. I had the presence of mind to video the occurrence for future reference.

It sounded like Metallica playing but I wasn’t sure of the song. It turned out to be Creeping Death. I learned later it’s a song about the Biblical pass over featuring the Angel of Death. Creepy right?

On my weekly visit to my elderly parents house I explained to them the car radio occurrence and showed them the video I made that day. I felt someone somewhere was trying to communicate something.

In an instant a powerful gust of wind blew in through the upstairs front bedroom window, it came down the stairs twisting and turning and blew into the living room with such force that it actually blasted open the living room doors. It then turned back on itself and blew out of a small living room window. I mentioned it to my parents but they didn’t want to discuss it.

Unfortunately, my mother suffered a stroke a few year later. One afternoon I visited her in hospital with my Auntie. My mother occupied a room with three other stroke patients. There were just the six of us in the room on this occasion with no medical staff in attendance.

Of the four stroke patients three were asleep including my mam. The other patient was awake lying on her back, staring at the ceiling and occasionally crying out for her mother every few minutes or so, even though she was in her 70s herself. She was unaware of anything going on around her due to a possible dementia diagnosis.

The next thing it started raining mixed with hail and with such force and intensity I thought the window nearest to her might be blown in. After a short while things settled down.

However, the woman in the bed nearest the window was like someone possessed, she no longer cried out for her mother and was now fully aware. She turned her head and looked directly at me in the eye, diverting her gaze away from the ceiling. She even attempted to get out of bed at one point and come over to me. It was then I decided it was a goodtime to leave.

Sadly, my mother died a few months later. Two nights before her funeral I had left my bedroom window open only to be awoken at 3am by a strong gust of wind, so powerful it took every ounce of my physical strength to slam the window shut. Before I managed to close it the wind blasted me directly in the face, at which point an image of mother’s face unexpectedly appeared in my mind’s eye.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

THE FALLING ANGEL

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As requested, readers of this site have contributed stories featuring supernatural phenomena. A regular reader from South Shields shares her experience.

My ghostly event, and I can call it an event, happened thirty years ago at my late husband’s private memorial service. This account of the super natural happening is not only true it’s also factual. There are still people alive who witnessed the spectacle to tell the tale. There were other remarkable incidents before and after my late husband’s death but I have chosen to share with your readers ‘The Falling Angel’ episode.

Before the service I had spent some hours at the local church arranging floral displays. Andrew, the Reverend, popped in to admire the colourful stage set. There were several pedestals of white roses amongst autumn foliage, all linked with strings of white simulated pearls. A complete stranger had run her fingers along the strings remarking they were many tears of love.

The Reverend had asked me why the central pedestal was standing empty. I let him know I was intending to place my late husband’s photograph on top of it. It was the last one taken of him only weeks ago when we were touring the eastern seaboard of Canada. However, the Reverend offered me an alternative to the pedestal.

Hours later, a congregation of about thirty people sat in church in total silence with their heads bowed as the coffin was respectfully placed in front of the altar draped with a purple velvet cloth.

The Reverend began the service of love by welcoming the rows of tearful mourners. Then he walked over and took the photograph of my late husband from me and placed it firmly on the brass eagle lectern. Tears filled my eyes as I looked at my late husband’s image smiling back at me, resting on the eagle’s outstretched wings. The romantic scene was complete.

As he started to speak something unexpected happened causing a murmuring from the congregation. The photo fell to the floor. The Reverend returned it to the stand. He continued his soliloquy but not for long as the photo fell from the stand again. Visibly shaken he returned it for a second time.

As he replaced it, he mumbled some inaudible words before turning towards the shocked mourners. Everyone watched as the photograph moved forward and crashed to the floor for a third time. The glass in the frame shattered.

The service of love came to an abrupt end. I felt a deep urge to walk across and rescue the mischievous culprits image announcing with a smile ‘My husband is determined that he doesn’t want to be put on a pedestal’.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

SPIRITS IN THE MATERIAL WORLD

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As requested, readers of this site have contributed stories featuring supernatural phenomena. Actor and theatre producer Alison Stanley talked of her experiences. Featured in this story is a medieval castle in Chillingham, Northumberland which is reported to be one of the UK’s most haunted castles.

In the past I’ve been a celebrant at funerals and enjoy doing it. I’ve always been interested in spiritualism. I believe in a next life. We’ve talked about what happens when you die and we’ve mentioned ghosts, spirituality and the like people believe different things explained Alison.

Some say when you die you just die and there is no afterlife. But how do they know for sure? And by the laws of science we are a ball of energy and by those laws it doesn’t die so where does that energy go? The physical body dies and is buried or cremated but what happens to the energy? It’s an interesting subject.

A few years ago we went to Chillingham Castle on a day trip. There was me, my mother, my youngest son and my step dad. It was a grey dark day lashing down with rain. We were driving along the country roads getting near the castle. We turned a corner and saw an old woman in a red coat standing at the side of the road. She wasn’t old as somebody from the 1800s but there was something about her that didn’t look right. We all remarked about this woman who was in the middle of nowhere really.

I looked in my rear view mirror and she was standing looking at the car. Where did she come from as there were no houses around maybe she has dementia? I just wasn’t sure I couldn’t put my finger on it. What really was wrong was she didn’t look wet she was bone dry. But it was lashing down?

We get in to Chillingham Castle and looked at all the artefacts and stuff it’s quite cluttered. On one of the clothes dummies was a lady with a red coat and she had a hat on. It was from one of the women who had worked there as a housekeeper. I swear it was the same coat we had seen.

Another time was 10 years ago. We were sitting in a bar called the Pig & Whistle in Hollywood which is a very theatrical, grand sort of place. I went through a red velvet curtain to the toilet downstairs and after four steps I couldn’t go any further, I stopped because I froze and the hairs on the back of my neck stood up. There was no way I could go any further down the stairs.

I came straight back up and told my husband we’re going to another bar for a drink because there is no way on God’s earth I’m going to the toilet here. Later we found out there had been a fire there and there was strong spiritual activity in the pub.

I think if someone is in the next life and they visit you I think it’s a bit of an honour really. They might have plenty to do and they have taken time out of their day to see you – so yes, it’s an honour.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley

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Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.

In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.

It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?

Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.

Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.

An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.

The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.

I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.

I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.

I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.

I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.

And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.

That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.

In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.

Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.

My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.

Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.

I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.

Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.

Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!

Alikivi   August 2025

Links to previous interviews >>>

DREAM CATCHER – in conversation with writer & performer Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

DREAM CATCHER #2 in conversation with Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

COME AGAIN in conversation with writer & actor, Alison Stanley part 1/2 | ALIKIVI : NORTH EAST UK CULTURE

NOTHING LIKE SHOW BUSINESS in conversation with writer & actor Alison Stanley 2/2 | ALIKIVI : NORTH EAST UK CULTURE

YOU NEED TO SAY SORRY – new play by writer & actor, Alison Stanley | ALIKIVI : NORTH EAST UK CULTURE

‘CARRYING DAVID’ PLAYS NEWCASTLE THEATRE ROYAL

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Micky Cochrane and Glenn McCrory with Tim Healy, who was ringside on the night of the world title bout in 1989 when Glenn became world cruiserweight champion. (Copyright Ed Waugh)

“Carrying David is emotional and heart-breaking. It’s about the love of two brothers. This is pure theatre. You don’t have to like boxing to be emotionally involved in this wonderful story” said actor, Micky Cochrane.

Carrying David premiered in 2019 and played to full houses gaining the actor a standing ovation for his telling of an emotive and inspiring story.

Post-Covid, the play was staged in London and toured the north of Ireland to sell-out crowds, including the prestigious Lyric theatre in Belfast.

The play tells the incredible story of Glenn McCrory’s rise to becoming the first-ever world champion boxer from the North East. It also has the further twist that Glenn’s terminally ill brother David inspired him to become the best in the world.

The play was written by Ed Waugh who brought North East working class stories to the stage Wor Bella, Hadaway Harry and more recently The Cramlington Train Wreckers which toured the region with sold out performances.

Ed explained “This play is about two lads from Stanley. Glenn McCrory played by Micky Cochrane – aiming to become world boxing champion and his brother David McCrory – fighting every day to stay alive!”

David’s muscle-wasting disease meant Glenn often physically carried his brother on his back, hence the title of this fantastic story.

“David and I were very close,” said Glenn, a former Sky television pundit. “He was my inspiration. David would say, “If I can defy death, you can become a world champion! Saying those words still brings tears to my eyes. I think of David every day.”

David was not expected to live beyond 14 but evaded death until he was 29, living to see his beloved brother win the coveted world cruiserweight title in 1989.

The fight was held at Stanley Leisure Centre and broadcast live throughout the world. It is the remarkable story of an underdog defying all the odds – a North East story that people still talk about today.

Ed added “The performance by Micky is sublime. He won a standing ovation at every venue, the reviews are all five-star. Rocky was a great film…but this County Durham Rocky story is even better…and true!”

Carrying David will be performed at Newcastle Theatre Royal on Saturday and Sunday, June 21 & 22. Tickets (including concessions) are available from the Theatre Royal or via the Theatre Royal website  Carrying David | Newcastle Theatre Royal

Edit: Alikivi  May 2025

ALIKIVI IN NUMBERS

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Big thanks to all the readers of the site with just over 4,000 for January and a total of 418,000 since the first post in February 2017. There was an extra push on social media for ‘The Butchers of Bolingbroke’ (Angelic Upstarts) and the punk band proved as popular now after first posting the interview in 2017.

January readers in UK & USA have contributed most views to the site, however there’s been a spike in numbers from Australia and Sweden after another social media push on ‘Ticket to Ride’ from promoter Julie Clay in 2021 and ‘Light ‘Em Up’ from stagehand & lighting technician Par Can in 2023.

Finishing with a big number crunch from the backroom statistics uncover the largest number of referrers to the site are from Google search then Facebook, with smaller numbers from Twitter, Bing and Yahoo.

Drilling down into the count for daily views reveal a rise from the first year (2017) of 46 to 219 in 2020 and 212 the next year, with a slight drop to 147 in 2024. Average views per day in the first month of this year are at 130.

Well, it’s just about the end of the eighth year of the site, loved every minute of working on it and meeting everyone I’ve interviewed over the years. I look forward to seeing who or what will turn up in 2025. If you’ve got a story to add, just get in touch.

Alikivi   January 2025

WISECRACK with playwright & theatre producer Ed Waugh

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Working in media and entertainment can be a risky business and after Covid it only increased. Picking up a couple of jobs but then nothing for a while has been a regular pattern for me these past few years. It’s a struggle but I wouldn’t change it for the world, I’ve loved every minute of it since my first video commission in January 1997.

I remember the day well. I was in a community centre in Hetton le Hole, Durham talking to a group of former miners who were interested in making a video when someone burst into the room with tears in her eyes “You never guess what’s happened?” We all turned around thinking the pipes have burst, there’s been an accident, someone’s died, what’s happened? “Kevin Keegans left Newcastle United”!

South Shields theatre producer Ed Waugh

I was interested how others working in the creative industry have managed so I got in touch with South Shields playwright and theatre producer Ed Waugh. Ed is part of the North East based Wisecrack team who use theatre to document working class history. I asked him about his past year.

‘Where did 2024 go? The whole year passed like a whirlwind. We’d come off a busy 2023 but from January 1 we were focused on Wor Bella, which was transferring to the wonderful Newcastle Theatre Royal in April. If that wasn’t enough to organise, we did a pre-show run in London to get the production on its feet’. 

‘Wor Bella is about North East women footballers in WW1 and the interest was massive. We had full pages in The Guardian and Daily Telegraph as well as tremendous coverage in other national publications. The upshot was London sold out’.

‘Coming home to the Theatre Royal was magnificent – three sold-out houses and just as in London standing ovations after every performance. It was my fifth show at the most prestigious venue in the region, a record for a local writer, so you can imagine how it swelled this Geordie’s heart with pride’.

(Link to interview with actress Catherine Dryden who starred in ‘Wor Bella’).

WOR BELLA HITS LONDON – the incredible story of heroic North East women footballers during WW1. | ALIKIVI UK : NORTH EAST CULTURE

‘I’m just so honoured to be working with a top-class, professional and dedicated Wisecrack Productions team. We have director and actor Russell Floyd and other brilliant actors, technicians and hugely important people behind the scenes who allow us to put excellent stories on stage. It’s a true team effort’.

‘We’ve now sold around 800 Wor Bella scripts, so that’s canny. Many more thousands of people now know the story of these selfless working class women who saved the WW1 war effort’.

‘My book Geordie Plays Volume 1 has also almost sold out – the last few remaining first editions at Newcastle City Library are now officially collectors’ items’.

‘2024 ended with a triumphant tour of our play The Cramlington Train Wreckers. It’s about the General Strike of 1926 and how miners in Northumberland inadvertently derailed the Flying Scotsman during the nine-day strike before it was sold out by the TUC and Labour Party leaders. Word of mouth – the only marketing that really matters – was phenomenal and every venue sold out’.  

‘We’re looking to get The Cramlington Train Wreckers out again in May 2026 to mark the centenary of the 1926 General Strike – the biggest rupture in British society since the civil war in the 1640s’.

‘In February 2025, Hadaway Harry – produced by and starring Jamie Brown – is touring the region. Hadaway Harry is about champion Tyneside rower Harry Clasper who was a forgotten Geordie legend’.

‘When he died in 1870, 130,00 lined his funeral procession in Newcastle. It will be the play’s 10th anniversary. I can’t believe a decade has gone by!’ 

‘Then in June, Carrying David will play Newcastle Theatre Royal. My sixth show there. Carrying David is about Glenn McCrory’s rise to becoming the first North East world boxing champion. It is being produced by and stars Micky Cochrane. Don’t miss these plays, you’ll be spellbound!

(It’s worth checking out both ‘Hadaway Harry’ and ‘Carrying David’ reviews on Google).

Actress & Theatre producer Leah Bell

Dirty Dusting, of course, continues to tour nationally – and internationally – and that play is touring venues in the UK in October under the guidance of the inimitable Leah Bell’.

(Link to interview with actress & theatre producer Leah Bell from July 2021)

TAKE A BOW – writer, actress & theatre producer, Leah Bell | ALIKIVI UK : NORTH EAST CULTURE

‘The old warhorse Waiting For Gateaux – written, like Dirty Dusting with Trevor Wood – will be performed in New Zealand this year. Having these four plays produced in 2025 by other people means I can take the year out to write. I’m working on a few new ideas that will hopefully see the light of day in 2026 and beyond’.

ITV news reader Ian Payne & former BBC journalist & presenter Jeff Brown

‘I’ll also be doing my talks throughout the region, which amounted to around 40 last year, and I’m producing a series of talks with Ian Payne and Jeff Brown … “the two lads off the telly”. They are happening in April and May’.

‘We’ve done four of these ‘Evenings with’ before, and they sell out quickly. The lads are always good crack and the event is great fun. Loads of other stuff but I was only allowed 500 words for this post and I’ve used up over 600 already! Have a great 2025’.

For some it may be challenging times but Wisecrack continue rolling on. For further information, tour dates & video contact the official website >>>

Home | Wisecrack Productions

Alikivi   January 2025

THE NAME OF THE GAME with Writer & Theatre producer Alison Stanley

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‘2024 has been an absolute rollercoaster. I’ve met and worked with some truly amazing people and for that I’m very grateful’ said Alison as she reflects on a productive year.

Alison (3rd from left) nominated at the North East Culture Awards 2024.

‘I started working with Laurels Theatre in Whitley Bay as their Director of Participation and that has brought new opportunities and challenges. Based on the Glasgow version, I started a new initiative called ‘Play & Pasty’ – it’s really took off’.

‘It was to encourage people to walk through theatre doors and see new writing. Every week actors have a script in hand reading and everyone gets a drink and a pasty from our favourite bakers Greggs’.

New writing is important to keep theatre fresh and encourage new audiences. Also, in these times when people are looking to come together the Play and Pasty initiative is providing an important and vital service.

‘These events have become firm favourites with people meeting friends and seeing theatre. This project is really helping not only increase theatre footfall but also combat social isolation and provide a safe, warm space’.

Dealing with challenging subjects is something Alison doesn’t shy away from to a point where her work has been recognised by the North East Culture Awards and organisations in the public sector.

‘I’ve been proud that my play ‘You Need to Say Sorry’ is being used by Social Services and the Police in their domestic abuse training. It’s amazing that something I wrote is in a small way helping in the fight against domestic abuse. I’ve also made the Culture Award’s 2024 finals as writer of the year with this’.

‘With fellow directors Maggie Martin and Polly Brennan I’ve also set up a community interest theatre company called Stanley Creatives. This has enabled us to produce theatre and music events bringing productions into the heart of the community’.

‘Stanley Creatives are also launching the Women We Are project. It’s a great project where we go into community centres and use drama as therapy with women who have experienced trauma through domestic abuse or cancer’. 

Alison is fully determined to bring people together and use creativity as a positive driving force, with that she feel’s next year is shaping up to be a big year on the Stanley calendar.

‘I’ve some amazing stuff lined up. ‘Living the Life of Riley’ written by myself and Leah Bell is doing a UK national tour. I’m really looking forward to touring with this as we have former Coronation Street actress Vicky Entwistle starring plus my son is in the play. I also have my new play ‘Tits Up’ debuting February 18th to March 1st at Laurels Theatre, Whitley Bay’. 

‘Film production is another avenue I’m interested in getting into so we’ve been working on a short film for a festival entry, it’s based on my stage play ‘Hard’ – I’m really looking forward to doing this’. 

‘Our film ‘Bonny Chip’ with Lesley Saint John (Auf Wiedersehen, Pet) Deboa Meki and Rosie Fox – is still sweeping the boards at film festivals, we’ve had great nights at the film awards, plus of course the ABBA Girls with Kelly Lofthouse is going well – that train is still rolling’. 

Alison with Kelly Lofthouse in ‘ABBA Girls’.

Alikivi  2024

HAVE YOU HEARD THIS ONE? #6

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Following on from the last post here’s another batch of North East stories this time featuring music, books, TV, boxing and the police. First up is former White Heat & Loud Guitars frontman Bob Smeaton.

‘If you asked me to list what gave me the biggest buzz I would say playing live top of the list, writing songs in second and recording in third. One thing I did learn is that playing songs live and recording them in a studio are two different animals’.

‘I love performing in front of an audience and felt that I was a much better frontman than I was a singer, so studio work for me back in the early days was not always an enjoyable experience. Also, the vocals were always done last, so the rest of the band were able to relax and the pressure was on me to deliver’.

‘What did I do after White Heat and Loud Guitars split? I pretty much stopped performing gigs as my career went down a different path’.

Full interview > ANOTHER JOURNEY UP THE RIVER – New album from ex White Heat frontman Bob Smeaton | ALIKIVI UK : NORTH EAST CULTURE

In August award-winning author & freelance journalist Terry Wilkinson talked about his new book…

‘At midnight on 3 May 1941, the factory and Head Office of Wilkinson’s Mineral Water Manufacturers in North Shields was hit by a single German bomb. It went through the roof, descending through all three floors, taking all the heavy bottling machinery and chemicals down to the basement – which was in use as a public air raid shelter. 107 died, 43 of which were children. Whole families were wiped out.’

‘Nothing is known of the identity of the plane which dropped the bomb – type, squadron, mission etc – as German records were mostly destroyed in the closing stages of the war’.

‘I wanted to write a story that answered all these questions and create a fictional alternative. Having said that, nobody could say with any conviction this is not what happened’.

Full interview > STORIES OF WAR – with award-winning author & freelance journalist Terry Wilkinson | ALIKIVI UK : NORTH EAST CULTURE

Also in August former boxer Terry Patterson remembers his time boxing in the North East…

‘Over the years I fought a few Sunderland lads. Derek Nelson was a classy boxer who turned pro. I fought two ABA finalists in Gordon Pedro Philips and Willie Neil. I fought Pedro in the North Eastern Counties final but lost. Both lads were well schooled’.

‘Willie Neil’s coach asked if I’d fight him because his opponent hadn’t turned up. I weighed in at 10st 6lbs (welterweight), he was heavier than me by 6lbs. I knew his reputation for knocking people out. £50 was slipped into my hand for taking the fight’.

‘Willie could bang a bit – so could I – but he had me down three times during our bout. We set about each other unleashing all hell for three fierce rounds. I had him going at one point after landing a good left hook but the bell sounded and my chance to finish him had gone’.

‘Gordon and Willie are still good to this day – it’s been 36 years since we shared a ring but I see them at boxing dinners and club reunions’.

Full interview > KNOCKOUT with former boxer Terry Patterson | ALIKIVI UK : NORTH EAST CULTURE

Former police detective & writer Arthur McKenzie talked about his work…

‘There was a police section house near Newcastle’s Exhibition Park, in it was a bait room, just a pokey little room with a table to play cards on. If you’re on night shift you’d take sandwiches and a flask of tea in. That’s where you gathered around 1am where the events of the night would unfold’.

‘You would get advice on how to deal with someone, it was a good place to sort things out like the older cops would tell you how to deal with a death, how to deliver a death message to the unfortunate family. It was a sort of meeting of minds over a game of cards. Aye the bait room was a good place to vent your spleen so to speak’.

‘So, I went away and wrote about the bait room. Tom Hadaway (writer for episodes When the Boat Comes In) read the play and was laughing at it ‘Yeah, you know how to write dialogue son’. He gave me pointers, when I finished it landed on two desks. One was the BBC in Manchester where it ended up on the Saturday Night Theatre radio show, which was a big thing’.

‘The other was the script reader for David Puttnam (producer Chariots of Fire, Local Hero, Midnight Express) who hated it at first but won her round in the end. She said she couldn’t do anything with it but put me in touch with an agent who was looking for writers for a tv show called The Bill. That’s where the writing started’.

Full interview > COP ON THE TYNE – in conversation with ex police detective & writer Arthur McKenzie | ALIKIVI UK : NORTH EAST CULTURE

TV actor & musician Michael McNally got in touch and talked about his time in ground breaking BBC TV drama The Cops…

‘I’d watched the first two series and it was my favourite programme on TV. When I started watching it, I thought it was a fly on the wall documentary it took me 10 minutes before I realised it was a drama. I was totally hooked’.

‘One of my first scenes was I was sat in a police van at 11pm on a Friday night on Bolton High Street. The general public were walking up and down the street they knew nothing of this, it wasn’t a closed set like on some programmes and we had to go and arrest someone’.

‘Two actors were having a fight then we got the message to go, so on with the blue flashing lights, we pulled up and jumped out of the van. Some people were trying to defend the actors and some were encouraging us to get in there and sort it out’.

‘We didn’t know where the cameras were we just heard someone say stop. We got back in the van, re-set and done the scene about four or five times’.

‘Same happened when responding to a fight in a bar, we had to pull people out and the general public in the bar didn’t know what was going on. There was an element of choreography for the fight, we didn’t want anyone to get hurt’.

‘After that first night the cast got together afterwards for some pub grub and a karaoke. Most of us were unknown actors so mixed in with the general public without any hassle. Every member of the cast got up and sang, mine was Should I Stay or Should I Go by The Clash – it was a really good night’.

Full interview > THE COPS with TV actor & musician Michael McNally | ALIKIVI UK : NORTH EAST CULTURE

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Alikivi   November 2024