In December 1966 a brand new £50,000 club in South Shields was opened by Cream featuring Eric Clapton on guitar. Back in 2007 I interviewed businessman and owner Stan Henry.
“I used to run a school of dancing with my mother in Beach Road and we wanted to expand our facilities because it was limited in size. So, we went to the local authorities and they gave us a site in Thomas Street which we built the Cellar Club on. We had the Cream on and Jimi Hendrix was there”.
In the coming months Geno Washington, The Family and the John Mayall Blues Breakers were booked to appear, however on Wednesday 1st February 1967 the Jimi Hendrix Experience played The Cellar Club.
On the same night, entertainment in the town included local stage acts at various clubs including the Latino, La Strada, Ranch House and at the ABC cinema the main feature film was ‘One Million Years B.C.’ starring Raquel Welch – wey she was in technicolour!
But the big draw at the 200 capacity Cellar Club was Hendrix. Being just a bairn I wasn’t there but I did find two punters who were regulars at the club. Local musician and regular Rod Hallremembers…
“The Cellar Club was my second home you know. I remember walking down the street near the club and this van pulled up and a bloke popped his head out and asked in a deep voice “Where’s the Cellar Club?” I looked at him and it was Eric Clapton on Fowler Street in a van!”
Another regular was music fan David Robertson “My road to Damascus moment was seeing Jimi Hendrix at the Cellar Club. At first, we thought he better be good cos we’ve paid about ten bob to get in. After watching Eric Clapton everyone wanted to be a guitarist. After Hendrix everybody wanted to be in a band”.
On the off chance the local newspaper had written a review of the gig I recently popped into the local history section of The Word (library) and searched the archives. Luckily, I found this in the Shields Gazette by reporter David Jenkins, it was printed Thursday 9th February 1967.This picture needs to be credited but I think the photograph was taken in the Cellar Club by South Shields photographer Freddie Mudditt.
(Review start) Jimi will soon be ‘leading the fleet’ (headline)
Jimi Hendrix IS an experience. Like a drop of gin in a bucket of retired tonic, heady serum for post teen starvation (which, finger shakily on my own pulse, I diagnose these days).
The actual teen scene of the Cellar Club though like Madame Tussaud’s. The 23 year old next to me gasped “Go” and people turned to stare.
Playing his guitar with his teeth, his Indian head-dress tubes of hair flailing, he fixes a glorious enraptured grin on his face. Little spouts of sweat gloop from temples.
More important, the fiery body of sound, the completely original effect he squeezes out of his guitar. “Follow that” said Les Gofton, lead singer of The Bond, who were to take over later – make Hendrix the most exciting animal in the cage at the moment.
But the Cellar is inhabited by so many? (unreadable). A Wild Thing like you never heard it raises a small cheer, small beer. What on earth do you want?
Well, wait a couple of years, when you have heard another 10,000 discs, as I have, and you too will fall about a Hendrix. (He came up specially to South Shields for this one night appearance). Some day soon he will be the admiral-in-chief. Pipe him aboard somebody, for heavens sake. (Review end)
Little did they know the impact that Jimi Hendrix and his music would have. He has been described as one of the most influential guitarists of the 1960s, but sadly he died in London on 18 September 1970 aged just 27.
After being in business as a nightclub during the 80s and 90s the Cellar was revived as a live music venue until the club was sold and renovated into a dental practice in the 2000s.
If you have a story about the Cellar Club to add to the site just get in touch.
The music world has always had its fair share of myths, legends and hell raising antics. The time Ozzy bit the head off a dove or was it a bat? Well both actually. According to reports one was in a record company office the other was live on stage. He also snorted a line of ants. The list is endless for the Oz.
I came across a gaffer tape incident involving a music journalist and Killing Joke, as I was trying to find out who the journalist was, where and when it happened – if it did! I read a few other short stories with North East connections
This one taken from the 1993 book ‘Our Story’ by Bruce Foxton and Rick Buckler from The Jam.
‘The Vapours profited greatly from Bruce and The Jam. They became regular touring companions which lay them open to the usual barrage of pranks and abuses. While on stage, Paul, Rick and Bruce took great pleasure in taping their personal effects to the roof of their dressing room. But the main butt of jokes was Vapours tour manager, Tony Newman’.
‘He was once dispatched with instructions to purchase copies of each weeks Melody Maker, Sounds and New Musical Express. The unfortunate soul came in for some gleeful ribbing when he returned with 16 copies, one for each member of the party. ‘Plonker!’ cite Rick and Bruce in unison.
The headline band decided Mr Newman, who is remembered as looking like a natural victim in the Woody Allen mode, had ‘spent far too long trying to ingratiate himself with us’. He was promptly gaffer taped to a chair outside the Swan Hotel in Newcastle’.
Also taken from the same book…’It was still Paul who suffered from the worst excesses of fandom. On one occasion his sartorial elegance nearly cost him his life. Having taken to wearing the long, college scarf featured in many latter day photo sessions, he had probably never considered the garment a possible lethal weapon’.
‘Stepping out of a doorway in Newcastle, two enthusiastic fans made a grab for the scarf from either side of him. Consequently, Paul found the breath being sucked out of him as he tried to ward off his admirers. It was a neat analogy for his state of mind’.
The band appeared on the first episode of live music show The Tube filmed in Newcastle and broadcast on Channel 4.‘Of all The Jam’s television appearances this one, which took place on 5th November 1982, was arguably the most important. The announcement of the split had become public knowledge just a few days previously’.
In ‘Ska’d For Life’ by Specials bassist Horace Panter he talks about recording and playing live…’There’s a kind of etiquette at rock gigs. The audience at say, Newcastle Mayfair, will behave in a certain way towards different bands. The security staff will know their limits and the crowd will be aware of this. You behave yourself, you have fun. You misbehave, and something else happens – generally something you don’t like. These are unwritten rules. This is why venues like Newcastle Mayfair keep putting on shows. There is a system. It works’.
He recalls the mayhem surrounding a gig on the American tour in Palo Alto.
’Frank has a stand up row with the PA crew, and Neville has had enough and wades in with his fists. He then grabs a mike stand and hurls it at half a dozen guys that are still having a go at Frank by the monitor desk. Fists fly, but it’s soon over, and we retire to the dressing room, where Jerry and Terry destroy furniture, fixtures and fittings’.
‘Nev has lost a tooth and has a nasty gash over his right eye. Rico leaves, never to return. We get back to the hotel in subdued mood only to find reception closed and the crew without their room keys’.
‘This is ‘bar room blues band’ country and I don’t want to sound egotistical, but I can’t help feeling that we are achieving nothing playing here in the suburbs. It reminds me of my days in ‘Breaker’ playing workingmen’s clubs in Sunderland and dreaming of a record contract. It doesn’t work. Two more gigs and we’re out of here. The novelty has worn off. It’s now a slog’.
‘When recording ‘More Specials’ in 1980 at Horizon Studios I got a call from the office in London. They had received a letter from the mother of a teenage boy who had been in some kind of accident. He was in intensive care in Gateshead’.
‘The letter said that the lad was a mad keen Specials fan, and a message of encouragement would help enormously. I said I’d see what I could do, but the vibe at the studio was not conducive to brotherly love, and the plight of a distraught mother seemed to be a different universe compared to the ‘I don’t see why Dammers says his songs are better than mine’ and ‘we should make decisions as a band and not have one person calling the shots’ that sort of rubbish that people were starting to come out with’.
‘After a couple of weeks, I eventually got a cassette of rough mixes together and wrote a few lines of encouragement. A while late I got a letter back from the mother in Gateshead, thanking me for sending the tape, but she had buried her son a fortnight previously. The tape had arrived too late’.
‘This had a deep impact upon me and made me question an awful lot about who I was and what I was doing with my life. I was part of the most influential pop group of the day, I was doing what I had only been able to dream about a few years ago’.
If you’ve got a story to add just get in touch.
Alikivi March 2025
Research >>>
‘Ska’d for Life’ – a personal journey with the Specials by Horace Panter (2007)
The music world has always had its fair share of myths, legends and hell raising antics. The time Ozzy bit the head off a dove or was it a bat? Well both actually. According to reports one was in record company offices the other was live on stage. He also snorted a line of ants. The list is endless for the Oz.
I came across a gaffer tape incident involving a music journalist and Killing Joke, as I was trying to find out who where and when it happened – if it did! I read a few other short stories with North East connections.
Chas Chandler, (bass) The Animals
Following on from the last post which featured Lemmy and Jimi Hendrix is a short story about Phil Lynott and Chas Chandler. Sadly, both deceased now, Phil and Chas were two of music’s huge characters. A snapshot of their achievements featured in earlier posts on this site. (links at the bottom)
I never saw Thin Lizzy in concert the only time I caught them live was in the studio of live music show The Tube broadcast on Channel Four in 1983. Other bands booked that night were JoBoxers, Thompson Twins and Pat Benatar reflecting the shows policy of booking a diverse range of music.
Guitarist John Sykes led the charge for Lizzy’s blistering performance of Cold Sweat, they played a few more songs including The Boys are Back in Town and if my memory is not too fuzzy a track not broadcast which I think was Whiskey in the Jar?
‘The Rocker – Phil Lynott’ by writer Mark Putterford is packed with stories of Thin Lizzy’s leader and talisman. One that stood out was about the time Lynott came up against a very angry Chas Chandler.
At the time Newcastle born former Animals bassist Chandler was managing a very successful Slade. In 1972 Lizzy supported Slade on their UK tour. A contributor to the book was booking agent Chris O’Donnell who recalls that tour.
‘That Slade tour was a really important one in the development of Lizzy as a live band, and particularly in the overall development of Phil as a performer. It made Phil realise what was expected of him. Slade were huge at the time and they would go on stage and absolutely slaughter the audience night after night with incredibly powerful performances. It was far removed from what Lizzy were doing at the time’ recalls Chris.
On the 22nd Novemberthe tour landed at the Top Rank in Sunderland, tickets were £1.00, however the opening night was at Newcastle City Hall on 3rd.
Chris added ‘On the opening night at Newcastle Phil was standing there mumbling as usual, looking at the floor and being all introverted, and someone threw a bottle at him. This shocked Phil because he thought he’d done a perfectly adequate set. But then Chas Chandler came in the dressing room afterwards and really ripped into the band’.
“Either you wake your ideas up or you’re off the tour. You’re here to warm the kids up not send them to sleep! What the hell doyou think you’re doing standing there looking at the floor? You haven’t even got your act together. Sort yourselves out”.
‘Phil was devastated. He’d never been criticised so directly before, and to hear it from someone as well respected as Chas – the man who discovered his hero Hendrix! – was the worst aspect of all’ added Chris. ‘At the next show the band made a big effort to improve their presentation, and performance wise I don’t think they ever looked back’.
More short stories with a NE connection will be added soon including Jimi Hendrix, The Jam and The Specials.
The music world has always had its fair share of myths, legends and hell raising antics. The time Ozzy bit the head off a dove or was it a bat? Well both actually. According to reports one was in record company offices the other was live on stage. He also snorted a line of ants. The list is endless for the Oz.
I came across a gaffer tape incident involving a music journalist and Killing Joke, as I was trying to find out who, where and when it happened – if it did! There were other short stories I read some with North East connections.
Sadly, both deceased now, Lemmy and Jimi Hendrix were two of music’s biggest characters – their spirit and influence live on. But what is their connection to my home town of South Shields?
In his autobiography ‘White Line Fever’ Lemmy recalls that in early 1967 “I went up north. I woke up one morning sitting on a beach in South Shields eating cold baked beans out of a can with my comb. I thought there’s got to be more to life than this.”
Was this just a random visit to the seaside town? Why not go to the main cities of Newcastle or Sunderland close by, or was there someone or something else in the town that attracted him?
Around the same time Lemmy was a roadie for Jimi Hendrix. He explained in his biography that in early 1967 he got in touch with a friend, Neville Chesters, who was a roadie for Hendrix. Lemmy ended up dossing down at Neville’s London flat that he was sharing with Hendrix’s bass player.
Lemmy recalls “They needed a spare set of hands, so about three weeks after I landed at Neville’s, I got a job working with them. I worked for Hendrix’s band for about a year on all the TV shows and tours through England. I was only a fetcher and a lifter but still it was an amazing experience”.
Even though he didn’t expand on the beach story the timeline of the visit to South Shields and a gig sort of fits, but what we do know for certain is that Jimi Hendrix played the Cellar Club, South Shields on 1st February 1967.
When Lemmy was a roadie was that when he ended up on South Shields beach and not on a random visit? Or has he been twice? We’ve got to take in account that after a full on rock n roll lifestyle with Hawkwind and Motorhead, Lemmy’s memory might have been a bit fuzzy remembering events for his biography.
Just a couple of thoughts here – the beach is only a 5 minute drive away from the club, plus to hoy a spanner in the works was Lemmy even a roadie at the Shields gig or did he join the road crew at a later date?
He explained in his biography – ‘I worked for Hendrix’s band for about a year on all the TV shows and the tours through England’. I suppose we’ll never know for certain unless a Hendrix or Lemmy aficionado can help nail down specific dates. Anyone got access to their diaries!
A post looking further into Hendrix’s South Shields gig will be added to the site soon. Where you there in the audience? Where you a member of local band The Bond who also played that night? If you have any information, much appreciated if you get in touch.
The last time I met David was in October 2019 he talked about starting up Impulse Studio in Wallsend and the legendary record label Neat.
David exclusively revealed how the success of North East comedian Bobby Thompson kick started the label which went on to spawn chief headbangers Raven, Venom, Blitzkreig and Tygers of Pan Tang who in turn were a huge influence on American bands Metallica, Anthrax and Megadeath. Read the interview here >>>
We’re in The Customs House, South Shields chatting over a pot of tea and David is in a talkative mood. We talk about North East music and how influential live music show The Tube was, and how it outclassed other music TV. I was lucky to be in the audience of the ground breaking show and being exposed to different genres of music that opened my eyes and ears.
I remember The Tube. I took Venom to the studio they weren’t playing they were there to highlight the type of music they were doing and getting their name out. On that occasion Madonna and Cliff Richards were also on recalls David.
I knew Geoff Wonfor and his wife Andrea who both worked there. I was surprised when it was shut down it was a beautiful studio. Andrea worked on the Lindisfarne film in our recording studio in Wallsend, that was for local news. Unfortunately, a lot of that footage and much more has been lost. Andrea done really well she ended up an executive at Channel Four.
However, my interest in music goes back to when I was 16 year old, a long time ago I’m nearly 80 now. I remember asking a bank manager for a loan to open a recording studio ‘A what?’ he replied. There was a drummer from Howdon came to see me, he looked around ‘Is this yer studio is it. A recording studio in Wallsend? Ya must be f***in’ mad’. That just gave me a push to get on with it.
Councils weren’t interested. Music wasn’t taught much in schools then. We had only one school from Blyth who had enough sense to come down and get the kids to know what it was all about. If you encourage people to find out about things it works on all parts of their life rather than trudging about.
At Impulse I ended up recording every Tom, Dick and Harry in the North East. There was John McCoy and his band. John ran the Kirklevington Country Club near Stockton on the A19. His brother was chef in the restaurant downstairs while bands played upstairs, the club booked in a lot of big acts including Jimi Hendrix.
I have the recording here that I did for them at Impulse in Wallsend, I was 21 we had just started the studio. This must be from 1967 or 68 the time they opened for Jimi Hendrix. They were some band, I tell ya the Real McCoy could really play.
John was a nice bloke, he must be in his 80’s now, he was a really good musician (I’m in touch with John his stories will be added to the site soon). I saw the band at Middlesbrough Town Hall that was always a good gig. I used to go to the Country Club because the food was amazing – charcoal grilled fillet steak in red wine sauce with all the trimmings …beautiful.
We had bands coming to Impulse like The Sect, Half Breed, John Miles – he was brilliant, a class act, a great songwriter, it’s very sad he’s not around now he was such a nice bloke. As a studio it was how basic can you get really but we were all trying to learn new things – that’s how you start.
All the stuff we were working on in the studio was original songs – folk, alternative, punk. We had The Carpettes and Penetration from down Durham way, and from your doorstep in South Shields who else but the Angelic Upstarts! Yes, they were a wild bunch! I didn’t do an LP with them at Neat records it was only the first single ‘Liddle Towers’ and ‘Police Oppression’.
Cover for Angelic Upstarts 7″ single ‘The Murder of Liddle Towers’.
I remember years later they were on Warner Brothers and I got a phone call ‘I need the tracks you did with them to put on an LP, can you mix them and send them to us’. In the archive I had the 16 or 24 track tape they had done so it was possible. ‘When do you need it for‘?‘Tomorrow morning’. I was up all night I couldn’t get the engineer so had to set it all up but got there in the end and they paid the bill for re-mixing.
But thinking back the Upstarts were fine lads I got on with them. I went to see them at the Guildhall in Newcastle and out comes the pigs head with a helmet on which they start kicking around the stage! I could see what they were doing. People like a bit of edge to things I see it now when you watch TV. A band wouldn’t be able to do that now – probably get them locked up.
There was a lot of musicians who really worked at it and built themselves up, there was even my milkman. Well, it was his son Gordon who used to work weekends to collect the money with his brother Phil. Thing was I used to frequent the Peoples’ Theatre in Newcastle’s Haymarket, this was around 1970, ‘71. My friend Andy Hudson talked about a Newcastle Big Band, around 20 of them – there was sax, drummer, trombone all sorts and of course the bass player was Gordon Sumner or Sting as he became.
They played all this American big band stuff there were some professional players in there like Ronnie Pearson the drummer. But sometimes they weren’t taken seriously as there were members who had day jobs or on the dole – it was a real mixed bag. Andy used to lead it and it was really good, the place would get packed out, a good atmosphere.
I used to go on a Sunday and had the idea to record them at Newcastle Playhouse. I took up a portable kit, a Revox quarter inch tape recorder and made a record which we put out, just a few hundred copies pressed. We sold them at the gigs, ironically the bands do things like that now to make money which is the only way for most bands.
Andy had good contacts and one of them was the airline to Holland. He fixed up a gig for the band to play for the Mayor of Amsterdam, it was some kind of twinning town or similar. We all got on the plane with the instruments for a 7.30am flight to Amsterdam it was only a short flight. When we got to the town hall we set up and had a bit practice. The Mayor turned up and we met him and he gave us a few drinks….within an hour we had a good skinful and were bladdered.
The flight back after the show was much later in the day so Andy suggested a walk around town. Not everyone went just the hardcore were left walking around. We eventually ended up in the red light district with its little bars and clubs. There was a few of us so we negotiated a cheaper admission into a live show.
Some lads still had their instruments with them as we sat down to watch the show. A couple got on stage and started doing their act and got well ‘at it’. One of our lads got his trombone out and waited for a certain movement by the act then played a short burst – it didn’t go down well. The lass on stage gave them ‘what fettle’. ‘We are professionals, this is our job’! The lads were thrown out by the manager. You’d have to ask Sting if he was there.
Andy then arranged a visit down to Pau in France near northern Spain. I went with my recording equipment and we took the gear in a transit van down through France. Part of the road was Le Mons race track it was so smooth you couldn’t hear the tyres. In all it took about two days.
We had a member of the band with us in the van and he had an accident in his underwear, so he chucked them into the back of the van. When you went abroad you used to have a carnet which was a document listing everything in the van to make sure you brought everything back. Everything was listed down to the name of the instrument, serial number, colour, value – you had to sit down and type out pages of it. Then apply for it, then get it stamped before you go anywhere.
We get to the border and the customs officer checked the carnet. ‘So, you are a band, open the doors and just step out the van’. We open the back doors the smell hits them. Holding their noses they quickly say ‘Hurry up, close them and be on your way’! Touring at its best.
We then went to Pau municipal casino. It was like a big echo chamber in there, I remember they played ‘Hey Jude’ with everyone singing along to the chorus. That was a good recording, we spliced it with a version from a Newcastle recording, it came out great.
We sorted out digs at the university because hotels would have been expensive for all the band and crew. As we tucked in to our first meal it was ‘What’s this? – it’s a bit tough’. It was cheval – we all had horse steak for the first time.
We crossed the border and travelled to San Sebastian, there was a jazz festival with big names on, Last Exit played in the town square, I don’t think the Big Band played there. I remember Sting played bass in Last Exit and other members of the Big Band were also in Last Exit.
When it was all over, we headed to Bilboa and jumped on the ferry. The crew found out about the band travelling over to England so invited them down to the Pig and Whistle bar in the bowels of the ship.
It was a great atmosphere with jam sessions going on, laughter, food and a few drinks – well more than a few drinks. At the end of the session as we were coming into Portsmouth, I went to the bar to pay but the steward said ‘no, nothing’. I insisted ‘Come on the boss told me to sort it out you’ve been really good, we’ve enjoyed ourselves, how much do we owe?’‘Ok’ he replied ‘One pound’. Wasn’t that a great gesture.
You know it was 2011 when the Borough Theatre in Wallsend where Impulse studio and Neat records were based was eventually demolished, it had been lying empty for years. Looking back, it was a great time but to be honest I just wanted to hoy the keys away. I worked there from 1966 to 2001. The years since then have passed very quickly.
After I sold Neat records I ran a Theatre group which went well until Covid destroyed the numbers involved so we are building it back up again. I kept a lot of the group together through ZOOM. I was also on the local club committee at Cullercoats on the North East coast here.
Now I’m writing short comedy scripts for a podcast. I’m trying to get them on local radio. Problem I have is some of its adult humour you might laugh your socks off but not sure you’ll hear it on the radio.
What else do I do? I’m also on a committee for wine tasting because I like my wine. That’s been going for 40 years. We also like our holidays, we have a few planned this year. We look after our Grandchildren and dogs and take them out to the country each weekend, yes you just get on with things don’t ya. I’ve also been involved with a few compilation CDs with the Cherry Red label, I’ll let you know all about that when we catch up next time.
Rock is still big in the North and you can’t get bigger than at Newcastle Trillians. In the coming months bands booked have the power to rip yer skin off yer skull. Here’s a few gigs to stir yer up and let yer know yer still alive in ’25.
Friday 14 Feb > Tytan/Baphomet – ex Angelwitch NWOBHM flag bearer Kev Riddles – “Great to be returning to Trillians, our North East home from home. Brilliant atmosphere and banter at the expense of yours truly! Amazing how a London accent brings out the best in people, see ya there!”
Friday 28 Feb > Godzz of Wor – ex Venom/ Ballbreakers guitarist Jim Clare – “We’ll be rocking the place with 205 years of experience – not bad for a three piece. Hardest working trio in the North East”.
Saturday 8 March > Spartan Warrior – NWOBHM/Guardian/Roadrunner Records frontman David Wilkinson– “Trillians shows are always pretty special it’s one of the best rock venues in the UK. Having hosted many fantastic and legendary bands across the decades it’s the North East equivalent of the Cart and Horses down south. We always have a great crowd in Trills, that’s appreciated and never taken for granted. We’re really looking forward to playing a headline show on home turf alongside special guests Risen Prophecy and Overdrive. It’s going to be a hell of a night…guaranteed!”
Also squeezed in are dates for White Tyger who opened for ex Motley Crue frontman Vince Neil and WASP guitarist Chris Holmes. The Midland Metallers hit the stage on Thursday 27 Feb. Stopping off in the Toon on Sunday 9 March is former vocalist with Ritchie Blackmore’s Rainbow/Michael Schenker Group/Vandenburg/Elegant Weapons frontman Ronnie Romero on his UK tour.
How’s it gaan? After sharing stories first posted here in 2018 about the New Wave of British Heavy Metal there’s been a welcome spike in views from Poland, Slovakia and the Netherlands.
NWOBHM has always been popular since the first posts in 2017 which featured Fist, Raven, Mythra, Satan, Hollow Ground and Tygers of Pan Tang, plus stories from Impulse Studio big wig David Woods and producer Steve Thompson who brought the hammer down on seminal recordings on the Neat label. Also posted are stories from Durham’s Guardian Studio, although producer Terry Gavaghan has remained elusive. So far.
While new interviews are being lined up to take the site to the end of 2024, November has featured a compilation of stories from this year – and here’s another batch.
First up is a regular to the site, songwriter & vocalist Emma ‘Velvet Tones of Teesside’ Wilson. Emma first appeared back in 2019 talking about her influences in music…
‘Aretha Now’ and ‘Aretha Sings the Blues’ were both records that shaped my development as a singer. I used to sit for hours listening to the songs on vinyl’.
Emma kick started 2024 being pictured on the cover of Blues Matters magazine featuring her new album ‘Memphis Calling’ recorded in Sam Phillips studio, USA.
‘The studio breathes, it has an immense presence. The live room is awesome, beautifully designed. I let my emotions out on the recording’.
100 year old actress and entertainer Helen Russell sadly passed away this year. She will be missed. In May, Helen featured on the site looking back at the start of her career.
‘We didn’t have a phone in the house so I’d take calls on the local public telephone box outside to tell me where I was playing that night. Sometimes it meant getting a bus to Newcastle and then catching another to Stanley in County Durham, or Ashington in Northumberland, then heading back after 10pm – all the time humping my guitar and other equipment. I had no helpers.’
‘When guitar groups became popular in the ‘60s I had to stop dancing on stage because of all the leads and wires. That’s when I took up the guitar and later started writing my own songs.’
Another regular to the site is songwriter and former Neat records producer Steve Thompson, he got in touch in May.
‘I was 24 year old at the time and just quit a waged job to live on fresh air and follow a dream. I was either very brave, very stupid, or both. I quickly began knocking out songs and pitching them all over the place. I knew I needed some action or I was going to starve’.
‘One day I was at the dentist in Wallsend. I’d been called upstairs to the surgery when the receptionist called me back down. It was my publisher on the phone they tracked me down to tell me ‘Hurry Home just entered the charts at 63’. You could’ve knocked me down with a feather, that was the break I was looking for’.
‘From there on in incredible things happened it climbed the charts over a period of three months and peaked at 17. Here I am top 20, I had arrived! Then all sorts of things started to happen, the lyrics were printed in pop magazine Smash Hits, all the airplay on Radio One, name checks from DJ Mike Read on the Breakfast show, and of course Top of the Pops. All this was happening but I was still broke’.
In February former entertainer Peter Embleton recalled his time in clubland.
‘I had a marvellous time working the North East, the greatest training ground for anyone, my job was to put on a show not just be a singer of songs’.
‘As well as all over the North East I worked in Australia and the cruise lines, I was voted male vocalist of the year twice in the ‘80s in the National Club Mirror awards’.
‘I look at some of the talent now and feel sorry that they never experienced the Saturday night atmosphere of say the King Street club in North Shields. The club full at 7pm, great musicians to play for you led by the inimitable Micky Watson, what a buzz.’
‘Yes of course there were poor nights when it didn’t all go according to plan, but hey the good times by far outweighed the bad times. I feel lucky to have experienced the golden age of clubland, there were some brilliant acts and musicians’.
How’s the stats so far this year? Numbers from the UK and USA with regular hits from the European block of Spain, Italy and Germany plus a sudden spike from Ireland.
So, it’s big thanks to readers taking the total views over 410,000 since knocking out the first post in February 2017 which was an interview with one of the original New Wave of British Heavy Metal bands Mythra.
This post features another batch of North East stories from this year with links to the full interviews at the end. First up are Hartlepool based VaingloriousUK who got in touch in July.
‘We began seeking out, tidying up and uploading historic – and sometimes hysterical – video footage of music associated with the North East. The VainGloriousUK channel currently has up to 170 videos uploaded’.
‘One of these was the appearance of Brian Johnson’s first group Geordie. Recently we learned that our copy appears to be the only one still in existence when we were contacted about it being used in a forthcoming documentary about Brian’.
‘Most musicians are flattered that we care so much about their music, some are a bit wary about how their historical musical legacy may now be viewed – what you thought was important at 16 is not the same when you are 66!’
North Tyneside Actor & Theatre Producer Alison Stanley got in touch and talked about her latest project ‘Tits Up’.
‘A couple of years ago a young friend of mine was diagnosed with breast cancer, people think it’s older people who develop this disease, so I wanted to raise awareness of this’.
‘Last year I found a lump and experienced the process of going to the breast clinic. Fortunately, my lump wasn’t anything of concern but it did make me think’.
‘Even though I was fine I began questioning my own mortality and spent nights wondering what would happen if I had cancer? What would’ve happened to my son who is autistic?’
‘I went along to Live Well with Cancer in North Shields where the ladies were kind enough to share their stories with me.’
In June we had a severe Heed Case – musicians Newts Newton (ex Angelic Upstarts guitarist) and Si Cadelik (Northumbrian Psych rock bassist) filled yer in about their new album.
‘The new album explores gaslighting, narcissism and entitlement. All three elements feature heavily in populism and identity politics. Social media allows this to flourish, elbowing aside balance, objectivity and critical thinking. This emboldens extremists and those who seek to radicalise people with their brand of hateful rhetoric’.
‘Rather than tackle the causes of problems, the trend is to scapegoat. This should be a worry and concern for everyone, not just two people in a band. One day, that scapegoat might be you!’
‘We’ve been involved in music since our late teens, so that’s approximately 40 years and counting. In some ways it feels like forever, in others, like only yesterday’.
In July playwright Tom Kelly talked about writing a number of musicals including the work of Tyne Dock born author Catherine Cookson.
‘Tom & Catherine had its premier at South Shields Customs House, it was really exciting. All the team were really nervous on the opening night but when the overture began, we all felt it was going to be a success. And it was. It had a ‘sold out’ run. A measure of its success was that me mam wanted to go every night! And she was not a theatre-goer. She loved ‘Tom & Catherine.’
‘The play was first produced in 1999, and again 2001. In 2006 there was an outdoor performance at Bents Park, South Shields in which Jade Thirlwall (Little Mix) appeared, and most recently in 2019’.
I listen to all styles of music it’s been a constant through my life. Even when you’re sad there are tunes that can pick you up. I’ve seen bands like Crass the more abrasive side of punk but I love the power pop as well. I may be a big punk rock fan but also love ABBA… explained Radio Northumberland presenter Keith Newman. We talked about his passion for music and the special moments when you are a teenager blown away watching your first concerts and meeting a band.
Thanks to local historian Steve Elwood for the advert taken from the Evening Chronicle.
It was May 79 and The Dickies were doing a signing session in HMV, Newcastle. Banana Splits was their latest single and they were signing copies. I nicked off school to get there it seemed like everybody else had the same idea cos it was rammed with queues of kids to see the band.
HMV had a big window at the front and with all the pressure of the kids pressed up against it, it smashed into the shop – and me with it.
Police were called, the kids scattered – I never got me autographs. But it was on the telly and my mother saw it and I got knacked. Years later when interviewing Stan Lee from The Dickies I mentioned the HMV incident and he couldn’t believe I was there. We got on great after that.
Actually, the first band I saw was The Dickies at Newcastle Mayfair, most anticipated gig was first time for the Ramones at Newcastle City Hall.
Keith on stage with the Village Idiots.
In 1980 we formed a punk band called The Village Idiots, we rehearsed in a portacabin in Leazes Park, Newcastle. We played three gigs in all, shouting and screaming, we couldn’t play – it was just noize.
Our first gig was on a bill with four other bands playing for the patients in Prudhoe Mental Hospital. Before going on we were interviewed live for Hospital radio. When I told the interviewer the name of the band his face dropped and quickly cut us off. Subsequently we were banned off the radio – a very punk thing to do.
We opened for Total Chaos at The Garage in Newcastle it was a real punk venue. Total Chaos were a proper band and we were on with them – couldn’t believe it! Thing is I remember we were bad but now I get some people saying yeah I was at that gig and The Village Idiots were great. I say no we weren’t. We were crap. Really we were.
It’s a strange thing…three gigs and immortality…we’re down in folklore! There’s even a photograph of us in the book about North East bands Closest Thing to Heaven. After the Idiots I joined a band called Damian – and they could play. Very goth, Iggy Pop – Lou Reed sounding – we also had two female backing singers.
I also run a PR company called Highlights PR and how I got started in radio was through a business contact. Ultra Radio were based in Ashington and I asked to be punk DJ. That went well until the licence ran out so myself and another DJ, Stewart Allen, formed Radio Northumberland 15 years ago.
It’s only on the internet at the minute although plans are to go DAB next year plus we’ve just moved into a new studio in Alnwick. We’re always looking for some sponsorship to help with the costs – anybody out there just get in touch.
The show New Wave with Newman has built up a decent following. It’s live every Monday night where I play Ramones, Undertones, Skids those types of bands. 1979 was my favourite year for music.
The show also showcases a lot of local bands, its great to see their development, Slalom D from Sunderland have done really well after releasing two albums and playing Rebellion Festival in Blackpool.
The show not only gives me the chance to play the music I love but to meet my heroes. The first interview I did was Jake Burns from Stiff Little Fingers, then The Dickies – I even took Stan Lee shopping in Newcastle for a new ipad.
Keith and Marky Ramone.
But the one that got me really nervous was with Marky Ramone. I found he was doing a DJ set in Newcastle. He was so cool and recorded a few spoken intro’s that I used on my show ‘Hi this is Marky Ramone from the Ramones and this is ‘Sheena is a Punk Rocker’. Fantastic.
I first saw them in 1980 at Newcastle City Hall and bought the t-shirt from the gig which I never took off. I remember next day I was going to a corner shop in Forest Hall to get me ma’s tabs – yep we could in those days – and I could see a coach outside. As I got near it pulled away.
I went in the shop and the assistant said ‘eeh see those lads on your t-shirt – they’ve just been in here. They were Americans asking for milk and cookies’. I couldn’t believe it I ran outside but the coach was away up the street.
For years I wondered if it really was them so when I talked to Marky I asked him about it and he told me Johnny Ramone had OCD and after every gig he had to have milk and cookies.
I also interviewed CJ Ramone on zoom and that was interesting how he talked about the legal wranglings about getting a percentage of the merchandise. Another Ramone drummer I talked to was Ritchie, I arranged to meet him before soundcheck and we caught up in an Italian restaurant. He was really nice we chatted for an hour. The kitchen staff and waitress were Ramones fans so they came over – yeah it was great he was really easy going and signed my albums.
Thing is I’ve interviewed Skids, Undertones and Baz Warne from The Stranglers – just loads of these supposed to be nasty punks – when they were all really nice to talk to. Martin Metcalfe from Goodbye Mr McKenzie was the latest. I rate them as a good band.
What does music mean to me? I just love music. I do the radio, I do the Tyne Idols Bus Tour, I do a lot of PR work with bands like Eddie and the Hot Rods and music festivals – that’s me bread and butter. Yes, music has been important in my life not just for relaxation but for work.
It’s also good to see when friendships are formed through the radio show. We have listeners in Scotland, Teesside and Cumbria, and strangely the most popular area is Sunderland. There are listeners now in USA and Canada – probably folk who used to live in the North East.
There are a lot of shows on Radio Northumberland where you hear the authentic Geordie voice which a lot of listeners like. Yes we’re really grateful to the people who tune in.
‘There’s been nationally recognised music scenes in Liverpool, Manchester, Sheffield, Glasgow and Bristol but there hasn’t been one in the North East. So, I thought there’s a story to be told’.
Retired former Nissan worker Ian Fawdon decided to write a book about his passion. ‘Too Far North’ features over 30 interviews with musicians talking about what it means to be a musician from the North East.
‘I started talking to musicians like The Kane Gang and Lindisfarne drummer Ray Laidlaw, they were all fantastic to interview. White Heat frontman Bob Smeaton was a great storyteller and I found the Heavy Metal section really inspiring’.
‘John Gallagher from Raven and John Roach from Mythra were so enthusiastic – after all these years. When I met Robb Weir from Tygers of Pan Tang I took their first single to the interview I bought in 1980 to get autographed. Robb was more shocked than me!’
‘I start off looking at the 60s and The Animals. I talked to people from then, it was a really vibrant scene. Then I look at the folk scene and Lindisfarne, then punk and New Wave of British Heavy Metal. Then the Kitchenware record label and Sunderland bands Field Music and the Futureheads and finish off by bringing it up to date with Nadine Shah’.
‘Did I come across any unexpected stories? When putting this book together good management really stood out it really made a difference. Tom Noble at Tygers of Pan Tang went to MCA and got them a four album deal. Fist got an album deal but didn’t do as well’.
‘I talked to Keith Armstrong, owner of Kitchenware Records a really interesting guy. Until they came along there was only one choice for bands and that was to go to London. Kitchenware thought no, you don’t have to move we can do it up here. That for me was a refreshing attitude’.
‘They had four bands – Prefab Sprout, Kane Gang, Hurrah and Martin Stephenson and the Daintees. Keith got them all really good deals. Kitchenware still managed the bands but were licensed to the major companies’.
‘Prefab Sprout had already recorded a single and were selling them in HMV when Keith heard them. He went to CBS for Prefab and they asked him how much he wanted. ‘£100,000’ he replied. They made a quick phone call to their boss and agreed the price. He said he had ‘no idea where that number came from!’
‘He later went on to Editors and Jake Bugg. Keith could spot talent and he always hoped that each band recognised that he was doing his best for them’.
Lindisfarne at Newcastle City Hall.
‘Further interviews with Keith revealed that around 1982 there wasn’t much happening in Newcastle. ‘There was me and a couple of mates looking to start something. There was Viz, Trent House bar and a club called World Head Quarters. We wanted to put bands on in the town, there was plenty Heavy Metal gigs but nothing else’.
‘We got a few bands from Scotland like Aztec Camera and a few other nights started up. Our favourite band was New Order so we thought of getting them’. They phoned the manager up and he demanded cash on arrival, which they agreed to. Tickets sold quickly so they transferred the gig to Newcastle Mayfair, that sold out and set them up’.
‘The New Order gig money was enough to record singles in a London studio for Hurrah, and Martin Stephenson and the Daintees. One day Keith Armstrong, who was manager at Newcastle HMV, had Martin Stephenson’s Daintees busking outside the shop. But they were getting some grief so Keith asked them to play inside. He liked some of the tunes – that’s where he asked them about going down to London to record’.
‘Just every now and again you get people from the North East who have that drive, that ambition, and Keith was like that. He was just a young lad at the time, in his early 20s and a manager of a record shop’ said Ian.
‘Keith told me that he got hold of Malcom Gerrie who was the top boss at The Tube and said to him ‘you’re not doing much on the North East why not do something on Kitchenware?’ It wasn’t long till a segment on Kitchenware records was broadcast on The Tube. Keith was pushy with enough belief in the North East. He’s still active now and has Soul Kitchen Recordings and gets young talent from the North East to put records out’.
‘If you are looking for a sad story in the book I did an interview where I did feel sorry for those concerned. There is a lot of tales of woe. One of the bands in the punk section were from Durham, called Neon. I really liked them, they were so arty and interesting and played a lot in the North East. One of the famous gigs at the Guildhall in Newcastle was with Angelic Upstarts and Punishment of Luxury where a massive fight broke out’.
‘Punishment got signed by United Artists who were also sniffing around Neon. In an interview Tim Jones (vocals, Neon) told me there was a guy called Martin Rushent (Buzzcocks, Stranglers, Human League). He was a big name producer starting up a new label. He asked Neon to ‘come down to our independent label and we’ll put your single out give you plenty of attention’.
‘They went with them and started touring but the van was breaking down, the PA was knackered, there was just no money. They went to the studio where Martin was recording XTC and told him about the situation, he replied ‘What do you expect me to do about it?’
The band were devastated and not long after split up. Tim was shocked at the treatment and said ‘at first someone gave us the dream, then just dropped us. How could he treat a bunch of 18 year old kids like that? It seems we got picked up then they got bored of us’.
‘You want a funny story? Maybe not comical but the book has a number of incidents that occur around musicians and gigs. This one included top Hollywood film director Spike Lee’.
‘Believe it or not Spike has a brother who is a massive Prefab Sprout fan. A few year ago Spike wanted to develop a fairy tale animation based on the music of Paddy McAloon. Everything was going alright until they met in London and Spike had changed his mind because he had fallen out with his brother’.
‘Hurrah got the gig supporting U2 and found themselves in a big venue in Birmingham where they didn’t understand the scale. Their little curly guitar leads wouldn’t stretch across the huge stage’.
‘They also told me they didn’t play the game. After gigs they didn’t go in the green room to rub shoulders with other bands and music biz people. They’d stay in their dressing room turn the light off and shout at each other while throwing their rider about, which was usually fruit. At one gig The Edge and Larry from U2 opened the door to someone shouting ‘bananas’!’
‘I spoke to Brian Bond and he told me Punishment of Luxury were on a European tour and the last gig was in Holland. The stage manager said why not do something special? So, on their last song Jellyfish he got a bucket of raw fish and threw it at the audience – who threw it straight back all over the guitars and amps. Brian said it was the worst thing he had done on stage he couldn’t believe he had done it and had to apologise to the band’.
Ian adds ‘I wrote the 400 odd page book in a positive fashion, I didn’t include stories about drugs and not everyone’s favourite is in but I favoured the North East bands, always loved them and saw plenty when I was younger’.
‘Too Far North’ on Tyne Bridge Publishing is out now for further information contact >
ALIKIVI : NORTH EAST UK CULTURE 