SOUTH SHIELDS

THE BATTLE OF BOLINGBROKE – The Borestiffers 50th anniversary gig

/ Alikivi / 1 Comment

Where were you in the latter half of the 70s? New Rose by the Damned was the first single released by an English punk band, Monty Pythons Flying Circus became as big an influence on TV comedy than The Beatles had on music and before the end of the decade audiences were exposed to their surreal comedy film ‘The Life of Brian’. Sadly, millions mourned across the world as 1977 claimed the life of Elvis Presley.

However, here in South Shields also in 77, boxing’s Heavyweight champion of the world Muhammad Ali visited the town to have his wedding blessed at Laygate Mosque. And legendary punk band Angelic Upstarts formed and within a few year appeared on Top of the Pops and toured the USA. Before making it they gigged at the Bolingbroke Hall in the town. Another crew who played in that hall were The Borestiffers.

Who were The Borestiffers? The Borestiffers featured an early Wavis O’Shave he of later musical fame and appearances on live TV music show The Tube, other members included Heedfuzz, Braddy, Teddy Anteater and John ‘Fig Roll’ Davies who would rarely turn up. February this year was the 50th anniversary of that notorious gig played in front of several rival gangs of the town.

A surreal non-musical skiff-lish group playing empty suitcases, sooty guitars, bullworkers and even a kitchen sink, The Borestiffers in total recorded two cassette albums, played four gigs in South Shields, three at Bolingbroke in 76 and one at The People’s Palace in 77. But it was the initial gig that ended in a riot that remains in folklore memory.

Heedfuzz, Wavis, Braddy & Teddy.

I hear you had some trouble during your Bolingbroke rehearsal?

WAVIS:  Two of hardest men in the town used to work out in the gym there and when they heard us making such a racket they turned up to see what was happening. All of the band went deadly silent and I had to explain. When they asked how much we charged admission I told them, a slice of bread, hard boiled egg or a stick of celery.

HEEDFUZZ: They wanted to sit in on the rehearsal of the first piece of our noise. Once we finished, they silently returned to the gym.

Who and how many turned up – any local ‘celebs’ of the town?

WAVIS: There was a fair turn out from about four different rival town gangs – Whiteleas, Biddick Hall, the Nook and Westoe.

BIG PHIL: There were about twenty members of the Whiteleas Estate Aggro Boys – most of them didn’t have a clue what to expect. I knew it was going to be nuts but the idea of trouble wasn’t in my mind, we were a well-known gang of lads who stood together in times of trouble.

HEEDFUZZ: About 50 or so attendees from various parts of the town. Turf warfare was a common practice during the 70s.

Teddy, Braddy & Heedfuzz

What songs were on the set list?

WAVIS: Most I recall were from the first Borestiffers cassette album ‘Black Shoes and Mongooses’ like Rubber Song where we dropped the stylus onto the rubber turntable and chanted ‘Rubber song’. Three different songs about shoes, one making it to my ‘Anna Ford’s Bum’ album, also Josepheener Tursepheeners with accompanied customised absurd dance.

HEEDFUZZ: We also did The Seven Puppets of Corbett – spoofing the Queen hit, and it was about The Sooty Show. Intro music was the Can Can followed by a loud recording of an outside back yard toilet flushing where we entered the stage, wandered round like lost souls, and then re-entered again.

Can you remember how you were dressed?

WAVIS: I had a Subbuteo floodlight strapped on my head and played a Sooty guitar.

HEEDFUZZ:  I had a top hat with a child’s pink telephone attached around the rim with elastic bands, and a tailcoat.

BIG PHIL: The gig itself was so surreal many of the lads just couldn’t cope with what they had witnessed – the weird outfits, the fact that the group couldn’t play. I was in heaven.

On the night was there a compere?

WAVIS; Nope, we had no one to spare but I doubt anyone would offer if we did, but we did have member of the Sunderland Hells Angels on the door as a bouncer who in later life featured on various TV shows as Martial arts instructor. His jacket was padded out with multiple parts of a lathe.

HEEDFUZZ: Spike Milligan would have been superb but he had earlier wrote to Wavis declining an invite to manage us thinking we were musical.

Heedfuzz, Braddy, Wavis & Teddy. pic taken in the famous South Shields landmark The Westoe Netty.

Why did you choose to play Bolingbroke Hall?

WAVIS: I had to tell the owners that we wanted it for a poetry recital otherwise I doubt they’d have given it us. Eight quid it cost. I thought it was the perfect size venue for an expected sizeable gathering and if there were any trouble which I’d predicted, they’d be plenty of space for people to fight! It inspired the Angelic Upstarts to book the place.

HEEDFUZZ: It was a suitable size and ideally situated in the centre of town ideal for public transport.

BIG PHIL: At the end it all erupted, and the place got trashed in unison by all the gangs there. On the way home everyone was laughing in bewilderment. We knew we had witnessed something out of the ordinary but most couldn’t grasp what! I was a bit upset about the mini riot but over the moon that I had witnessed so much absurdity in such a short space of time.

HEEDFUZZ: On the way to the show I met a kid who was going and he opened his wallet to prove he had a ticket as well as a slice of bread in there asking if it was really needed. I told him it was a charity gig for the Marine Park wildlife.

Alikivi   April 2026

LET THE MUSIC PLAY – in conversation with Martin Francis Trollope owner of Harbourmaster Studios, South Shields

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The studio in Prospect House, Simonside is handy to get to as Bede metro station is only 5 mins away and it’s just off the main road between South Shields and Jarrow. I was feeling flush so I got a taxi there.

Last time I was in this area it was 1982 and I’d just left school. With proper jobs being scarce at that time there were only Government schemes around like YOP’s – Youth Opportunity Programmes which lasted under a year.

The Careers Office sent me to an office building on Bede Industrial Estate which offered a number of practical courses. I took a 3 month course in Basic Industrial Electronics – how to solder and wire a plug that sort of thing. It’s come in handy.

I’ve been self employed for over 30 years so understand the highs and lows of working in a creative industry. I’ve talked to people on this site about ‘how do you survive in the arts?’ And asked Martin the same question.

Martin Francis Trollope, Harbourmaster Studio pic. Alikivi March 2026

‘With two kids I try to have some structure to my work but am still available via text, email or phone every minute of the day really. The odd email comes in late at night ‘I think we can change the mix on that.’ It’s a 24 hour thing. People with creative brains man, it can happen at all sorts of times.’

Could you see yourself with a ‘proper’ job like an office or factory?

‘I was a very good barman at The Fountain in South Shields. The job wasn’t just about pulling pints. I was quiet at first but learned how to talk to people and have conversations. I’m quite good at making spread sheets, but I’m not sure about an office job.’

For a number of years Martin worked in Customs Space a community recording studio in South Shields, sadly, now demolished.

‘I started recording over 20 years ago at home then went to The Cave youth club with John Clavering (musician/producer) which became Customs Space. Unfortunately, the building was planned to be demolished and no plans were in place for the studio to move. The feeling was that the time was up.’

How long have you been in this studio?

‘Nearly 6 years. It was essentially a Covid thing. When that hit, I knew I wasn’t going to have a job after it. After being on furlough at Customs Space for around 8 months I went freelance. I used that time to get things together, put the wheels in motion and look around for studio space.’

‘Luckily Jen Stevens (vocal coach) and Jordan Embleton (photographer) who worked at Customs Space had found units here in Simonside so asked me to come down.’

Is this your dream job?

‘I’ve never really had ambitions but deep down I really wanted to do it. I suppose you never think it’s viable. The work is great though. It’s so varied from first timers to experienced musicians like Steve Thompson who you’ve interviewed. Not everything is recorded here some people bring stuff over that they’ve recorded in their house and we work on it here.’

As well as recording and mixing Martin offers guitar lessons.

‘I enjoy teaching all ages. I have seven people at the minute but my time is restricted with the amount of recording and mixing that I do. All I want to do is take the music that the musician is hearing in their head and put it down so they hear it back’.

‘I rarely push my ideas on them it’s all their work. They don’t want to take a CD home and wonder why they let the engineer put that sound on! I’m not offended when they say no I don’t want that. Although some have asked me to put a solo on cos they don’t play guitar! A collaboration is fun to do. As long as it comes out the way they want it to, I’m happy.’

Martin Francis Trollope, Harbourmaster Studio. pic. Alikivi March 2026

Do your customers travel far to get to the studio or are most people local?

‘All over the North East is where they mainly come from. There is a death metal band called The Larches from Yorkshire, they should have an EP ready soon. There is also a guy from Leeds called Fun Park Fugitives who comes in and makes really good low fi indie. He’s got a really good ear for a tune.’

It must be worth it for him travelling a 200 mile round trip?

‘Sometimes you make a connection with someone. Making art is a very personal thing. When I make a song, I’m careful who I show it to. You are sharing a private thing. Especially if it’s not fully formed and complete. You have to feel comfortable around someone having bad ideas.’

When you were starting out can saying no to some work be hard to do?

‘When I started doing this, I took on some work teaching music in primary schools – up to 30 kids at a time absolute chaos but they enjoyed it. I said yes to a lot of jobs that’s why I ended up working on a lot of styles of music. That’s the challenge, you learn something. And a new connection can lead you to another job.’

How do you find making contact with other small business and networking at formal events?

‘I’m not great at starting conversations with strangers at these events but I realise the importance of them. But for me going to gigs is my networking event really. My advice to anyone starting a music career for want of a better word, is go to gigs, chat with the band, find out who organised it, see who runs the venue, maybe talk to the sound tech. Straight away you’ve found a load of information.’

‘Social media has its functions my customer base use it so yes for that purpose it’s good, but really talking face to face and experiencing a live gig can’t be beaten.’

For further information check out the official website >>>

http://www.harbourmasterproductions.co.uk

Alikivi   March 2026

TYNESIDE VEGAN & MUSIC FESTIVAL – in conversation with North East Animal Rights founder, Anna Malia

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Anna Malia, Ocean Rd, South Shields. pic. Alikivi Feb 2026

Anna set up North East Animal Rights (N.E.A.R) to campaign and educate about veganism and animal rights. They have around 30 members with branches in Newcastle and Teesside.

On 16th May N.E.A.R are hosting a Tyneside Vegan and Music Festival from 11am-3.30pm at Northumbria University Student Union, Newcastle.

‘We’re expecting the event to be busy. It seems the more we do the bigger and busier we get. We create a family vibe so we get all ages coming along’ explained Anna.

‘This is the seventh Tyneside Vegan festival which first started in Gateshead where the music was so popular that we decided to have live music playing as a regular feature. A lot of the music is original and it will be on through the day, all of the performers are vegan. They will be up on the stage and the main traders will be arranged around the hall.’

‘We try to offer an equal balance between food, ethical traders, music and social justice. It’s all aspects of animal rights as well as the environment – for example we have Climate Action Newcastle coming along as well as lots of charities and animal rights groups.’

‘We hope to attract new vegans who can come and meet others. It’s also a place where long term vegans like myself can safely come to and know there is going to be plant based food stalls with no animal products. Some festivals don’t offer that.’  

‘People can bring their dogs have a browse of the stalls, eat some food and listen to music. A great day out. We also have a few stalls encouraging people to get involved in activism which can be scary for people if they look on-line, but we offer face to face contact which is important so they can meet the people they may end up doing activism with.’

‘I’ve been vegetarian since I was 14 and went vegan about 20 year ago. If people are interested in being vegan, I’d say research it first. Some say veganism is extreme – but there’s nothing extreme about not wanting to use or eat animals. Over the years I’ve seen a big difference in attitudes to veganism and the availability of plant based food.’

‘Veganism is a lifestyle, it’s what you wear and where you shop. A vegan wouldn’t have a leather settee or leather shoes. It’s as far as practical you can go with it – it can be hard living in a (currently) non-vegan world seeing constant adverts everywhere for animal body parts but being vegan itself is actually very easy. It’s not about eating free range this or grass fed that or buying locally. Whether you’ve bought locally or not I’m sure it doesn’t make any difference to the animal when they are on the kill floor.’

‘We actively promote veganism others might call it preaching – and they do. But when you think something is wrong you are morally obliged to do something about it. You act against it or for it. There is a lot of research which shows that if you are going to be violent towards animals you will be violent towards humans.’

‘We are an educational campaigning and pressure group so do not get involved in direct actions although we do support and attend protests and actions by other groups. We are non-violent and non-violence and peace is at the core of veganism – it’s the ultimate peace movement.’

Link to Anna’s interview (2021) with Ronnie Lee co founder of the Animal Liberation Front. Ronnie is a lifelong animal rights campaigner.

NEAR Interview with Ronnie Lee

Anna explained ‘Before social media, groups were forced to take more direct action to raise awareness of cruelty to animals and sometimes this led to them being put in prison. But activists are still being criminalised for animal right actions (and social justice actions) and while we would never condone violence towards an individual, we do support challenging the laws where they need to be. And there are many current cases of where the laws should be and are being challenged.’

‘A classic example of this is the fox hunting laws which are now being reviewed again as they have not worked in the way they were intended and sabs are still being assaulted on a weekly basis. And another is the reclassification of animal testing facilities as life sciences infrastructure in an attempt to stop protests – this is currently being challenged in the courts.’

‘What is our aim? We want to end all animal use. It’s not just about not eating animals it’s about not testing on them, not wearing them, not using them for entertainment, it’s about not seeing them for our benefit.’

To join N.E.A.R contact @northeastanimalrights on social media or contact @tynesideveganandmusicfestival

Links to previous interviews >>>

MEAT IS MURDER – with North East Animal Rights founder Anna Malia | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

BAD EGGS – with Anna Malia founder of North East Animal Rights | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

Alikivi   March 2026

NUTS & BOLTS in conversation with Tyneside songwriter John Heston

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(John Heston in the Littlehaven Hotel, South Shields Feb. 2026. Pic. Alikivi.)

I’ve known John since 1970s living in South Shields and going to Tyne Dock youth club where rock music was blasted out of the disco.

‘Yeah, I was a bit of a rocker then. The first band I got a ticket for was Scorpions at Newcastle City Hall. I went on my own, I was only 11 – I’m 57 now. I had no concept of what a gig would be like’ said John.

‘When the band were on stage, I noticed something different. Was it an extra member? I didn’t recognise some of the songs. When they finished, I walked out when a bouncer on the doors stopped me “Hey son you not hanging around for the main band?” ‘I’d only watched the support band who happened to be Tygers of Pan Tang from Whitley Bay!’

‘Harry Hill the drummer of rock band Fist, his mother lived near me when I was a kid. When he used to come to see her, he’d drive into the street. A few times I would run over to get his autograph cos the band had just released a single. I met him years later he was really nice. We had a laugh when I told him about it. “What! You were that little squirt who used to come over all the time?”

‘Buddys nightclub in the town had an under 18’s disco and what caught me ear was bands like Stiff Little Fingers, The Jam and The Clash. Alternative Ulster from the Fingers blew us away. Unfortunately, as I was just getting into them these bands were starting to split up! I was a curse, too late for the party’.

One day in 1985 I was in Newcastle record shopping when I was surprised coming across a band busking at the Grey’s Monument. I wasn’t sure at first but it was The Clash.

‘Yeah, I’d been up Newcastle that day but missed them. The busking dates and locations were unannounced. I did meet Mick Jones’ band Big Audio Dynamite at the Mayfair – they handed out cans of Red Stripe. But we missed the last bus so had to walk home afterwards. About 10 mile!’

‘I’ve met Joe Strummer when he was on his solo tour. Had a smoke and drink with him backstage at Newcastle Uni. They say never meet your heroes but glad I did cos he talked patiently to us and answered our questions. I like that, open and relaxed not like now paying for a meet and greet.’

Since being a teenager John has been attracted to music.

‘I was never one who wanted to sound like Jimi Hendrix. The guitar was a songwriting tool for me. I remember when I was around 12 walking in the West Park, South Shields and this loud noise was coming from a distance. I followed the sound which led to a hut. I opened the door and there was a band inside rehearsing. It just hit me. I immediately thought I wouldn’t mind doing that.’

‘It was songs I was interested in, not just the guitar, I wondered how did they put them together? I was interested in the nuts and bolts of the song.’

We talked about great 80s music TV programmes like The Tube which I was lucky to get free tickets for to be in the studio audience. Watching rock bands like Thin Lizzy, Judas Priest and Gary Moore was great but this was the time that The Alarm, The Cult, Killing Joke and Big Country were making a different noise.

‘The first Big Country album really helped me learning guitar. It was a big influence.’

Previous interviews have revealed a family member who used to sing in the clubs or a granny who had a piano in the front room – but not in John’s case.

‘Me mam says I don’t know where it has come from cos there is no history in our family of any musical talent. I think it was just the generation I grew up in. I thought being in a band was beyond me. The punk attitude of going out to just do it made it more possible.’

‘Thing was there was no money around. I only had a cheap guitar from a shop in South Shields called Second Hand Rose. The scratch plate was made from the perspex from a bus shelter window. I don’t know what the strings were made of – possibly chicken wire – but they toughened my fingers up.’

‘It was just getting the feel of playing guitar along to records. I got a book out the library which showed me a few chords. I never got a proper guitar until I was 18. As I say writing songs was what I wanted to do and I started looking around to work on this with somebody.’

(Cloud 10, Laygate 1995 with John on the left pic. Alikivi)

‘I had a mate, Paul Stephenson, who wrote lyrics so we worked on them with some music for about two years. His brothers were a guitarist and drummer and we contacted Neil Newton to come in on bass so formed a band called Cloud 10. We found rehearsal rooms in South Shields this was around ’94.’

‘There was a good scene in Shields then. Plenty of bands like The Calm, January Blue, The Fad, Lemongrass and Nosh at venues like The Vic, the Amphitheatre and I remember playing a showcase gig for community radio station Seven FM at Temple Park Leisure Centre.’

‘After a few gigs we were getting noticed and a guy called Danilo Moscardini, who had a music page in the Sunday Sun newspaper, got in touch after hearing our demo tape. He managed Sunderland band Kenickie at the time who had a few hits. The singer/guitarist Lauren Lavern works on the BBC TV One show now. But after initial interest from record companies it faded away and me and Neil went our own way, forming a band called Speedster’

‘Pre-internet it was adverts in local music shops ‘looking for drummer’ that took ages. Then Neil left to join The Chasers with ex Wildheart Danny Mccormack and I joined The Last Men on Earth with Chris Wraith, Martin Payton and Wayne Burgess. We played around the pubs doing a mix of our own songs with a few covers which earned us enough money to buy new equipment and book in studio time.’

(The Last Men on Earth with Chris Wraith, John Heston, Martin Payton, Wayne Burgess).

‘We were playing a few days a week around the North East and we got down to Camden in London. Again, this band fizzled out and me and drummer Martin Payton talked about getting something together.’

‘As Panic Report (Richy Harbison – keyboards, guitar & vocals, Steve Moore – bass & vocals) we went a similar route as Last Men on Earth by playing originals mixed with covers. From this we got ourselves a decent recorder where we got a few tracks down on CD. Obviously not as good a sound as studio but we spent more time on the tracks and didn’t worry about looking at the clock ticking. Studios are expensive.’

‘We did eventually book into a pro studio and have recorded two CD’s with our new one ‘Kingston to Coventry’ (pic below) which we are releasing on vinyl in a few months. The master tracks are sent away and the wheels are in motion. We will be arranging a launch party in the summer.’

‘For gigging the Panic Report have supported Toyah and Bad Manners at Newcastle Academy. We have played at Stone Valley festival (Bad Manners, From the Jam, Cast, The Professionals with Paul Cook, Bob Geldof). When I was 16 and people said you would have been in a band playing gigs alongside these people I wouldn’t have believed them.’

‘Although not long ago we done a gig down Bishop Aukland with only ten people in the audience, but you still play and just get on with it and enjoy it. We love what we are doing.’

‘A gig I enjoyed was when Angelic Upstarts supported us at Mensi’s 60th birthday at his pub the Alexandria in Jarrow. It was unbelievable. We couldn’t believe it when the big man asked us. Mensi wanted to go on before us then relax before the whole gig finished. It was a great night. The place was rammed’.

‘We’re playing on the Mensifest soon. The organisers are looking to get a festival in remembrance of the Upstarts singer who sadly died a couple of year ago. The gig will be at the Unionist Club, South Shields. There will be about seven bands on with Crashed Out headlining. The tickets are going well the organiser is hoping to make it an annual event.’

‘We’re more or less busy through the year with festival dates and there’s promoters still getting in touch to arrange more.’

Since he was a teenager playing music has been in John’s blood and being able to still be doing what he love’s for over 40 years, he says is a privilege.

‘I’ve done around 700 gigs since starting and I’m ready to keep going’.

‘Kingston to Coventry’ available on vinyl this summer. Check The Panic Report social media for details.

Southside Promotions present ‘Mensifest’ on 21st February 2026 at The Unionist Club, South Shields. Line up featuring Crashed Out, Red London, The Fauves, The Panic Report and more. Tickets £15. On the door £20.

Alikivi   February 2026

FUGUE STATE debut single from South Shields band Class Gymnast

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Class Gymnast are Jon Melvin (Vocals), Mark Cliff (Drums), Jordon Ridley (Bass), Andrew Yates (Guitars) and John Dempsey-Curry (Guitar).

“We’re mainly South Shields lads, although I suppose our spiritual home is Sunderland – we’ve rehearsed at The Bunker on and off for the best part of two decades” said guitarist John Dempsey-Curry.

What are your hopes for this single?

“I’ll be honest, it’s just nice to get some music out there. We started this ‘project’ in 2019 as a way of playing some older songs and ended up writing and recording new music. Right when we started trying to do anything of substance, the pandemic happened and we had to slow right down. We’re not fast at the best of times, but we ended up writing and recording around one song a year, and never really doing anything with it. This is us finally committing to something.” 

How long have the band been playing music for?

“We’ve all been playing together in some form for a while. Three of us were in a band called The Volts in 2000 for a couple of years. Four of us were in The Broken Things back in the early 2000s. A few of us started a band called Maps Are Fiction / The Dead Generosities in the 2010s. A couple of us are in the going concern The Union Choir. I believe The Broken Things may be making a brief comeback as part of a charity gig alongside some other bands of that time shortly, which will be exciting.”

What do you think about the state of live music today?

“We’re all in our 40s and most of us have kid(s) so getting out to see gigs is hard. Playing them even harder. I know from other folks I’ve seen posting pictures (on social media) that there’s still a thriving small band scene, so I know there’s a scene out there, but it does feel very much like there’s a lack of venues dedicated to this kind of thing like there was ‘in my day’. I’m very probably wrong on that though!

Have the band planned any gigs soon?

“On the live music front we are playing the Ship Isis in Sunderland on 31st January with two other bands – American Wrestling and Becca Rubin.”

Produced by Martin Trollope – aka Harbourmaster – ‘Fugue State’ the debut single released 26/1/2026 and same day music video premiering on You Tube at 6pm. Pre-orders on Apple music 19/1/2026.

Alikivi   January 2026

BAD EGGS – with Anna Malia founder of North East Animal Rights

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Sadly, some schools are still using egg-hatching programmes as a misguided way to educate children on life cycles of animals or using them as a treat to the children in their care explained Anna.

As more and more schools realise the problems these awful programmes cause, the companies who exploit these live young animals have extended their business model to include care homes where they aim to use them in so-called enrichment activities for residents.

Anna added…Despite the companies saying they will take back and home all unwanted chicks and ducklings produced from these programmes, the reality is very different. Even in the small print of the contracts they say that hirers have to be realistic about the fact that ‘some’ will end up as food and males will be culled.

Male chicks turn into very noisy cockerels and every year rescues are swamped with both male and female chicks and ducklings who are abandoned once they grow out of their useful ‘cute’ stage.

Our local wildlife and domestic animal rescue centre ‘Pawz For Thought’ who are based in Sunderland, are inundated every year with abandoned chicks from egg-hatching programmes.  

A spokesperson for Pawz said “Every year we are inundated with calls from concerned parents of pupils who aredoing hatching projects. School hatching projects are often presented as education, but the reality is far from kind.”

“Chicks are hatched in the name of learning, yet the process has become a form of lazy teaching. For a few weeks, children view these animals as entertainment—then the chicks are handed away, this teaches young people that living beings are disposable and exist for our pleasure.”

“Every year, we are asked to take in chicks to save them from being culled. Around half of all chicks hatched are cockerels, and there are simply no homes for them. They face a terrible fate.”

“Schools often believe they are rehoming them to willing parents, but with no follow-up, many unwanted cockerels eventually end up dumped once they mature. This cycle of suffering must stop.” 

Anna said…As part of their Animal Protection Charter, South Tyneside Council have contacted all of their schools and asked them not to use these programmes. They confirmed recently that none of their primary schools will book these programmes again making them an ‘egg-hatching programme free borough’!

Cllr Judith Taylor Chair of the Animal Protection Charter Working Group at South Tyneside Council said “South Tyneside Council is committed to the highest standards of animal welfare. We have taken decisive action by contacting all our schools to urge them not to use egg-hatching programmes.”

“We believe there are far more compassionate and educational ways to teach children about life cycles, and we encourage all educational settings to consider the welfare of animals in their care.”

Anna added…These programmes bear no resemblance to the actual life cycle of chicks and ducklings – they are not hatched in sterile metal and plastic incubators for a start. They do not have the warmth and love from their mother and of course they don’t show students where the birds end up and how they are slaughtered for food. 

What are we doing now? We are currently campaigning across the North East and also have a group working in the North West and a group in the West Midlands coming on board. We want schools and care homes to know the misery these programmes cause.

We are also encouraging people to contact their MP and the Education Secretary to ask them to update the curriculum to remove the suggestion of egg-hatching programmes as an educational tool.  

Thank you to South Shields artist Sheila Graber for the animation.

For further information about the work of North East Animal Rights contact >>>

Facebook @northeastanimalrights

Instagram @northeastanimalrights

TikTok @northeastanimalrights 

Bluesky @neanimalrights.bsky.social

Threads @northeastanimalrights

North East Animal Rights – YouTube

https://linktr.ee/northeastanimalrights

Alikivi   November 2025

SHIELDS CLOSEST ENCOUNTER

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As requested, readers of this site have contributed stories featuring supernatural phenomena. Researcher & Historian, and regular contributor to the site Dan Green, got in touch to pass on an interesting story he came across.

Report in The Shields Gazette 2013.

A visit to South Shields by three unexplained lights in the sky in October 1967 seemed to be very convincing as it was witnessed and recorded by policemen. But what occurred the previous year might be an even better UFO episode.

It began when a Shields resident agreed to tell her story to local newspaper The Shields Gazette in 2013 on the proviso that her identity was kept anonymous.

It was a cold night in late autumn, a black starless sky between 10-10.30pm when she and half a dozen of her girlfriends, all teens, were walking home from Harton village past Harton cemetery when they noticed a huge circular ‘flying saucer’ hovering approximately 20’ above the ground, coloured lights pulsated underneath with a humming noise.

It suddenly shot up into the air to a height of about 60-70’ staying stationary for a while then swooping down over the cemetery. Three times it repeated this climbing and ascending motion until it finally shot up into the sky disappearing in an instant.

The shaken girls stood there motionless and speechless and never said a word as they continued home. Little did they know that it appears that on the same night the unidentified aerial phenomena was also seen and witnessed by a Mr Alton, then aged 20, and his wife.

The object was first spotted as they were walking to their home near the old Westoe Colliery. It wandered slowly around the sky towards Tyne Dock where the following year the three lights above the flats were witnessed.

Disappearing from their view it was next seen 10 minutes later suddenly flying almost directly over Mr Alton. They could hear a soft humming sound as the black circular shaped craft blocked out the stars. A circular white light was centrally located on the underbelly of the craft, around the circumference was an aurora of soft, colourful light. It then flew off towards South Shields Town Hall nearby.

Mr Alton estimated it to be travelling at about 15mph and was at least 40’ diameter. They watched for about two minutes as it skimmed above the Westoe Road rooftops.

I recently contacted Mr Alton now 79 and living in Whitburn, to see if he was still clear with his story and indeed he is – there is no doubt in my mind that he is telling the absolute truth and in accurate detail.

Was this the same UFO witnessed on the same night as seen by the girls in Harton? Two remarkable close encounters begging the question, why was South Shields being visited by UFO’s during 1966 and 1967?

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

CREEPING DEATH

/ Alikivi

As requested, readers of this site have contributed stories featuring supernatural phenomena. 60 year old Jeff Anderson from Washington, County Durham, talked of his experiences.

The paranormal equates to something or some activity that is unknown now but is likely to be known and possibly understood in the future. So, a good example of paranormal activity would include ghost sightings and other spiritual activity of that nature.

It’s the stuff of sixth sense, which we are all aware of in situations when somebody is staring at us from behind, we look around and sure enough someone is. And vice-versa when we stare at someone suddenly they become aware of our stare.

I have over the last few years been equally fortunate and unfortunate to have been exposed to very real paranormal activity.

It was the very height of the Covid-19 pandemic I had been to Lidl one Saturday morning, nothing unusual there. Bonnie my German Shepherd was eagerly awaiting my return to the car. No sooner had I done so when quite inexplicably the car radio started playing and this despite being most definitely being switched off. I had the presence of mind to video the occurrence for future reference.

It sounded like Metallica playing but I wasn’t sure of the song. It turned out to be Creeping Death. I learned later it’s a song about the Biblical pass over featuring the Angel of Death. Creepy right?

On my weekly visit to my elderly parents house I explained to them the car radio occurrence and showed them the video I made that day. I felt someone somewhere was trying to communicate something.

In an instant a powerful gust of wind blew in through the upstairs front bedroom window, it came down the stairs twisting and turning and blew into the living room with such force that it actually blasted open the living room doors. It then turned back on itself and blew out of a small living room window. I mentioned it to my parents but they didn’t want to discuss it.

Unfortunately, my mother suffered a stroke a few year later. One afternoon I visited her in hospital with my Auntie. My mother occupied a room with three other stroke patients. There were just the six of us in the room on this occasion with no medical staff in attendance.

Of the four stroke patients three were asleep including my mam. The other patient was awake lying on her back, staring at the ceiling and occasionally crying out for her mother every few minutes or so, even though she was in her 70s herself. She was unaware of anything going on around her due to a possible dementia diagnosis.

The next thing it started raining mixed with hail and with such force and intensity I thought the window nearest to her might be blown in. After a short while things settled down.

However, the woman in the bed nearest the window was like someone possessed, she no longer cried out for her mother and was now fully aware. She turned her head and looked directly at me in the eye, diverting her gaze away from the ceiling. She even attempted to get out of bed at one point and come over to me. It was then I decided it was a goodtime to leave.

Sadly, my mother died a few months later. Two nights before her funeral I had left my bedroom window open only to be awoken at 3am by a strong gust of wind, so powerful it took every ounce of my physical strength to slam the window shut. Before I managed to close it the wind blasted me directly in the face, at which point an image of mother’s face unexpectedly appeared in my mind’s eye.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

THE FALLING ANGEL

/ Alikivi

As requested, readers of this site have contributed stories featuring supernatural phenomena. A regular reader from South Shields shares her experience.

My ghostly event, and I can call it an event, happened thirty years ago at my late husband’s private memorial service. This account of the super natural happening is not only true it’s also factual. There are still people alive who witnessed the spectacle to tell the tale. There were other remarkable incidents before and after my late husband’s death but I have chosen to share with your readers ‘The Falling Angel’ episode.

Before the service I had spent some hours at the local church arranging floral displays. Andrew, the Reverend, popped in to admire the colourful stage set. There were several pedestals of white roses amongst autumn foliage, all linked with strings of white simulated pearls. A complete stranger had run her fingers along the strings remarking they were many tears of love.

The Reverend had asked me why the central pedestal was standing empty. I let him know I was intending to place my late husband’s photograph on top of it. It was the last one taken of him only weeks ago when we were touring the eastern seaboard of Canada. However, the Reverend offered me an alternative to the pedestal.

Hours later, a congregation of about thirty people sat in church in total silence with their heads bowed as the coffin was respectfully placed in front of the altar draped with a purple velvet cloth.

The Reverend began the service of love by welcoming the rows of tearful mourners. Then he walked over and took the photograph of my late husband from me and placed it firmly on the brass eagle lectern. Tears filled my eyes as I looked at my late husband’s image smiling back at me, resting on the eagle’s outstretched wings. The romantic scene was complete.

As he started to speak something unexpected happened causing a murmuring from the congregation. The photo fell to the floor. The Reverend returned it to the stand. He continued his soliloquy but not for long as the photo fell from the stand again. Visibly shaken he returned it for a second time.

As he replaced it, he mumbled some inaudible words before turning towards the shocked mourners. Everyone watched as the photograph moved forward and crashed to the floor for a third time. The glass in the frame shattered.

The service of love came to an abrupt end. I felt a deep urge to walk across and rescue the mischievous culprits image announcing with a smile ‘My husband is determined that he doesn’t want to be put on a pedestal’.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

MONGO – new album from Heed Case

/ Alikivi

Follow up to debut album ‘All the Rage’, post punk three piece Heed Case release new album ‘Mongo’ on Friday 31st October 2025.

Heed Case are former Angelic Upstart guitarist on vocals Newts Newton, bass Si Cadelik and drums Mr Dusty. They squeeze between the bubbling volcanic crack where The Fall and Killing Joke lie.

And who doesn’t love a solid thunderous drum intro? Infectious album track ‘ADHD’ crunches and buzzes in yer ear…. ‘Impulsive can’t sit still, Destructive, too many pills, Can’t sit still for meditation, too much pressure and medication’.

The sheer anthemic guitar calls out…. ‘Cast adrift in a sea of challenges with a feeling of being left to drown. Frantically waving to be rescued. But all the lifeboats have run aground’.

Where did the album title come from?

‘The title ‘Mongo’ comes from a phrase the three of us use to describe our autism and adhd. Example, I have to everything in order. You open a cupboard in my kitchen and all the tins face forward and stacked alphabetically. Instead of saying “Oh that’s just a trait of autism, I’m neurodivergent don’t you know”. I’d simply say that’s just my mongo!’

‘However, it’s original source came from Si’s bass audition. I’d asked people to learn two tracks video themselves playing them and send it within 5 days. Si was the only one who followed the instructions to the letter – his mongo made sure of that.’

‘But when I watched the video he was concentrating so hard he was quite stiff and cumbersome. So much so that he reminded me of Mongo from the film ‘Blazing Saddles’. Hence Mongo became a word our traits and mannerisms associated with being neurodivergent.’

You are open about various medical conditions within the band….

’The broad theme of ‘All the Rage’ was about narcissism and entitlement in modern society. For ‘Mongo’ we chose to write about our experiences of living with autism and adhd whilst using different samples and FX to create soundscapes that reflected what the inside of our head often feels like – at times fecking scary!’

‘The song ‘Manic’ for example, is about how dealing with everyday tasks often feels like being hit with a tornado. A visual representation would be the swirl of colours you see when Henry the mild mannered janitors car, turns him into Hong Kong Phooey in the TV cartoon – and that’s what we tried to recreate with the audio.’

‘You may notice that the guitar isn’t as prominent through the tracks, its being used more as a texture rather than a traditional role in a guitar band. ‘All the Rage’ was a transitional album, ‘Mongo’ goes further down that road towards our aim of broadening our horizons beyond the punk genre.’

With the album in the bag are any live dates planned?

‘Yes, we’ve already played about 17 gigs thus far, including Rebellion Festival, Punk on the Peninsula, Punk & Disorderly Festivals and our last gig was at the Dublin Castle in Camden a few weeks ago. We’ve got a few more coming up and adding dates all the time as we want to keep busy’.

New 10 track album ‘Mongo’ release date Friday 31st October on all platforms, vinyl & CD format.

Contact the official website >>> www.heedcase.com

Link to previous interview >>>

HEED CASE release debut album ‘All the Rage’ | ALIKIVI : NORTH EAST UK CULTURE

Alikivi  October 2025