I WILL GO BACK– with songwriter & former Neat records producer Steve Thompson

Steve Thompson first dipped his toes in the North East music scene in the early 70’s as bassist with rock band Bullfrog who played the working men’s clubs and opened for Vinegar Joe and Wishbone Ash.

By 1977 Thompson was house producer at Wallsend’s Impulse recording studio and helped set up the legendary Neat records working with Raven, Venom and Tygers of Pan Tang earning him the title ‘Godfather of the North East New Wave of British Heavy Metal’.

Steve worked with top female vocalist Lorraine Crosby, also with producer and songwriter Gus Dudgeon of Elton John fame. He went on to write songs recorded by mainstream artists Elkie Brooks, Sheena Easton, Celine Dion and Wavelength who appeared on Top of the Pops with top 20 hit Hurry Home.
That was incredible, I had quit producing records to concentrate on my song writing career said Steve. I was 24 year old at the time and just quit a waged job to live on fresh air and follow a dream. I was either very brave, very stupid or both. I quickly began knocking out songs and pitching them all over the place. I knew I needed some action or I was going to starve.

One day I was at the dentist in Wallsend. I’d been called upstairs to the surgery when the receptionist called me back down and said ‘there’s a call coming in for you Steve’. It was my publisher they tracked me down to tell me ‘Hurry Home just entered the charts at 63’. You could’ve knocked me down with a feather, that was the break I was looking for.

From there on in incredible things happened it climbed the charts over a period of three months and peaked at 17. Here I am top 20, I had arrived! Then all sorts of things started to happen, the lyrics were printed in pop magazine Smash Hits, people singing it in the street, all the airplay on Radio One, name checks from DJ Mike Read on the Breakfast show, and of course Top of the Pops.

All this was happening but I was still broke. I went to the bank to draw out a fiver. The bank teller knew me and knew I was a songwriter – obviously the only one they had on their books – he said ‘one of those payments you get has come in’. I’d not received notification so I had no idea of this.

He asked if I wanted him to go check how much had come in and I said yes please. I waited with intrepidation. The largest royalty I’d received to that time was £500. I wondered, could it be more than that or just a 20 quid brush off?

The bank teller came back and gave me the figure. I almost passed out. It was an absolutely huge sum of money and this was just the first of many royalty payments to come. He said do you still want to draw that £5? As I walked home, in a daze I thought to myself “Stevie, you’ve arrived”.

Steve was also on the books as songwriter with MCA records working with Pete Waterman. The Tygers of Pan Tang top 20 single Paris by Air came from those sessions.

But it was while Steve was at Impulse Studio that he came across a young guitarist from the seaside town of Cullercoats who went on to achieve world-wide fame.

Andy Taylor and Steve Thompson.

Duran Duran guitarist Andy Taylor invited me to his homecoming show in Newcastle September 2021. We had a good catch-up backstage at Wylam Brewery and talked about the two tracks that I’d produced with him back in the day that are soon to be released on the Cherry Red label.

I also mentioned I had a new album in production and talked about him guesting on a track I thought would be suitable called ‘I Will Go Back’. The song is about going back to the place where you belong.

Later Andy’s assistant told me he had said to her “Whatever you do, make sure Steve Thompson is at that show.” I thought that was a bit strange, but just let it go.

A week or two later Andy announced his cancer diagnosis and then went completely off radar. So, I ended up singing the song myself. Surprisingly for the first time in many years, I sang in tune. 

Link > ‘I Will Go Back’  https://vimeo.com/643038136 


Other people were pleased with the vocal so it gave me the confidence to do a couple more tunes on the album. There are four in total with me singing on the ‘Distant Destination’ album.

The final song, ‘The Parting of the Clouds’ is basically my life story and people who are anonymously referred to in the lyrics recognise themselves in there. I sing the final verse from beyond the grave.

Then totally out of the blue I heard from my nephew Martin who is also a singer songwriter as well as a rock show promoter “Uncle Stephen, this would be a good show for you”.

He was talking about a solo performance of my songs with acoustic guitar and vocal. I said don’t be daft I can’t possibly do that. But five minutes later I messaged him back “Oh okay, go on then”.

Then I thought, how the hell am I going to do this? I’ve never done anything like it before. Then Barry Race, percussionist on the album track I mentioned that I had sang, messaged me and offered to play percussion on the show, I was glad of the company.

Later my regular keyboard player Richard Naisbett mentioned that he had seen I was doing a show at The Carriage in Jesmond. He said it was his regular haunt and that he would be along to see me. I suggested he bring his keyboards and watch the show from the stage which he did.

Until the very moment I sang the first note of the first song I had no idea whether or not I could do it. It turned out I could do it so I arranged another show at the White Room in Stanley and for this I prepared an extended set.

It turned out to be a well received show and I was pleased with it. I’d gone from being a non-singer to singing a full 90 minutes on my own. It took me two days to recover from that show, so I decided a change was needed.

You will find a link to the Stanley White Room show via You Tube.     

I invited two great singers to join the lineup on backing vocals, Jen Normandale and Kirsty Forster. They have a couple of featured slots as well. Rehearsals with this new line-up have sounded great.

I’m doing all the songs I wrote for people like Celine, Elkie, Sheena as well as stuff from my last two albums, including a hit I wrote for Tygers of Pan Tang and a whole bunch of other artists.

Although we are now a five piece it’s still basically an acoustic show with cut back versions of the songs I wrote for all kinds of people. And this line-up creates a really nice sound with an emphasis on vocals. We’ll be back at the White Room in Stanley on June 9th 2024.

For more information contact the official website >  

https://www.bit.ly/room2024

Link > ‘Distant Destination’ album 

https://bit.ly/2023Destination

Link > Cherry Red albums with Andy Taylor’s tunes:

https://bit.ly/nortoniron

https://bit.ly/nortoniron2

Alikivi   May 2024

BLOODY TYGERS – new live release plus gigs in Miami, Brazil & Europe

2024 is shaping up to be a busy year in the Tygers camp – for an old cat there is plenty wag left in its tail!

“First show of the year was a heavy metal cruise called ‘70,000 tons of metal’ the world’s biggest heavy metal cruise. This year the ship sailed from Miami to Porto Plata in the Caribbean and back to Miami. 60 bands and two performances from each act. Absolutely amazing!”

“Next up was Italy, just last week we played to sold out shows in Rome, Florence and Milan” said founding member & guitarist Robb Weir…

“We also have a new live album due out on April 26th called, ‘Live Blood’. The first single taken from the album is in video form on YouTube called, ‘Gangland”.

Second single Keeping Me Alive has just been released. The track is a mainstay of their live set which first appeared on the 2012 album Ambush.

Live Blood was recorded at the Patriot Club in Crumlin, Wales, by vocalist Jack Meille, drummer Craig Ellis, bassist Huw Holding with guitarists Francesco Marris and Robb Weir.

The album includes material from across the band’s career including tracks from their first four albums from 1980-82 on MCA Records. 

Robb explained Our live show adds a new dimension to the old songs and allows us to stretch out a bit on the newer numbers”. 

Vocalist Jack Meille added Live Blood captures all the energy we deliver while playing our favourite songs live and raw“.

What has the summer got in store for the Tygers? First up they’ll be zooming over the Atlantic Ocean to play in South America then keep the thunder rolling with a return to Europe for gigs in May.

Robb has the details…“Next shows are the Summer Breeze festival in Brazil on April 27th, then four UK shows starting at Preston Continental May 2, London Boston Music Rooms May 3, The Crown Merthr Tydfil, Wales May 4 and Eleven in Stoke on Trent on 5th May.

We have two days off then back out to play Budapest in Hungary, Zagreb in Croatia, Belgrade in Serbia, and that’s just for starters”.

With the first half of the year mapped out, Robb adds a final message…

“We’ll be playing a rather special show up in the North East of England in November, details coming very soon. We can only do all of this because of your amazing support and belief in the band and the Tygers would like to whole heartedly say ‘Thank you, thank you, thank you, oh, and see you down the front at the next show!”

Live Blood will be released on double LP (black vinyl, including three exclusive bonus tracks), CD and digital formats on April 26th 2024 via Mighty Music.

Full track listing, gigs, photos & latest news contact the official website >

Tygers Of Pan Tang – The Official Site  

Alikivi   April 2024



TROYEN LIVE – Free gig at Newcastle Trillians Rock Bar

It’s free entry on Sunday 19th May at Newcastle Trillians Rock Bar for the visit of Troyen who first hit the NWOBHM scene in 1981.

Troyen toured with Girlschool, Spider, Diamond Head plus a European support slot with Nightwing, their demo was produced by Gil Norton who went on to work with the internationally renowned Foo Fighters, Feeder and the Pixies.

With gigs coming thick and fast a recording contract was on the table from legendary record label Neat, but the band never made it up the A1, unfortunately they split and went their separate ways.

Bringing things up to date the band reformed in 2014 and appeared at Newcastle’s Brofest along with a line-up of NWOBHM bands from around the country, appeared on many European metal festivals, produced a whole load of new recorded tracks and a CD anthology, plus this year went back in the studio to record new album Unfinished Business for the Classic Metal Records label.

Latest line-up, there’s been a few changes since the original Troyen over 40 year ago, is Jeff Badley (drums), Steve McGuire & Simon Lind (lead guitars), Mark Nortley (bass) and Paul Ward (vocals).

Jeff explained “For the album we’re still finalising the twelve tracks, all are unique in their own way with contributions from all five band members”.

“On the live front we’re returning to Trillians next month and will have tracks from our forthcoming album in the set. We have an awesome new vocalist Paul Ward fronting the band” (pic. above).

Jeff added “It’s going to be an awesome night of rock and metal. Joining us will be our good friends and local heroes Culloden”.

Free entry on Sunday 19th May 2024 at Newcastle Trillians Rock Bar.

Official release date for the album ‘Unfinished Business’ is 22nd June 2024.

Contact Trillians > Trillians Rock Bar (trilliansnewcastle.co.uk)

Alikivi   April 2024

STATS FANTASTIC – seven years & counting

After 500 posts and over 370,000 views, WordPress (who run this blog) have sent their congratulations to the North East culture site after completing its seventh year, aye seven years, can’t believe how quickly time has gone.

From the first post in February 2017, the free site – without any ads, pop ups or clickbait – has gone from strength to strength picking up views not only here in the UK but worldwide, including USA, Japan, Brazil, Sweden, Ireland, Australia and European countries Spain, Italy, France and Germany.

First up were metal bands Fist, Mythra, Raven, Satan, Venom and Tygers of Pan Tang followed by music memories from bands including Beckett, Angelic Upstarts, White Heat, Lindisfarne, Lorraine Crosby, Wildhearts, Dance Class, Kane Gang and Southbound.

Searching the site, you’ll find interviews with authors and photographers, there’s also stories from recording studios Guardian and Impulse.

As well as theatre producer Leah Bell and TV actress Lesley Saint-John, by far the most popular post at 15,000, there are stories from roadies, radio presenters and TV production teams.

During the 2020 covid lockdowns people looked for something new to read so their views added to the regular readers, resulting in monthly numbers of 7,000 with a high of 9,700.

Now the site gets a steady monthly count of 4-5,000, I must say a big thanks to everyone who reads the posts – much appreciated.

How long will it last? Well, the phone’s still ringing and stories keep dropping in my inbox, so I’ll keep gaan until the juice runs out.

Alikivi   February 2024

LIVE BLOOD – New album from Tygers of Pan Tang

First rumble of thunder out of Whitley Bay was way back when their first single was recorded at the legendary Neat records in Wallsend. Now after nearly half a century the NWOBHM flag bearers Tygers of Pan Tang are not ready to throw the towel in just yet as they prepare to unleash a live album.

Vocalist Jack Meille explained “Recording a live album after all this time? I never thought I would experience it but with the Tygers I have learnt that the impossible is possible. ‘Live Blood’ captures all the energy we deliver while playing our favourite songs live and raw!” 

Recorded in summer 2023 at The Patriot in Wales, with guitarist Robb Weir, vocalist Jack Meille, drummer Craig Ellis, guitarist Francesco Marras and bass player Huw Holding, the set includes Euthanasia, Love Don’t Stay, Paris By Air and Love Potion No.9 from their first albums plus Edge of the World, Fire on the Horizon and A New Heartbeat from the latest album ‘Bloodlines’.

‘Live Blood’ will be released on April 26th 2024 via Mighty Music. The double LP includes three exclusive bonus tracks, it’s also available on CD and digital formats. Pre-orders and full track listing are available here.

Robb Weir added “Every time we play a show we’re asked when are we going to record a new live album. Our live show adds a new dimension to the old songs and allows us to stretch out a bit on the newer numbers”. 

The album will be preceded by two singles – the live favourite Gangland from their legendary album ‘Spellbound’ and Keeping Me Alive from ‘Ambush’.

For more info > 

Tygers Of Pan Tang – TargetShop

or check the official website >  

Tygers Of Pan Tang – The Official Site

Alikivi    February 2024

FRIDAY NIGHTS ALRIGHT for New Wave of British Heavy Metal band, Avenger

In the early 80s Tyneside based Avenger released two albums on the Neat record label – ‘Blood Sports’ and ‘Killer Elite’ both firmly planted the band on the NWOBHM map.

Fast forward to 2023 and their last show was three months ago in Spain at the Galia Metal Fest near Madrid…

“It was a cracking festival just in its first edition” said drummer Gary Young.

Next up is an explosive triple bill of classic NWOBHM on Friday 1st September. Joining Avenger are Spartan Warrior plannng an old school 80s set and an exclusive Venom set from Abaddon.

“I think we’ve played more shows with Spartan Warrior than any other band we know. We have a smooth working relationship with them and that makes touring alongside them very easy”.

“We’ve played with Abaddon too, and been friends with him for nearly 40 years! It’s always an honour to share the stage with him and the lads”.

The three bands will be playing on home turf at Trillians Rock Bar in Newcastle…

“We love Trillians….so much history, so many memorable shows there in the past – both as punters and playing. The place is essential to the music scene’s health”.

How influential has NWOBHM been?

“I think New Wave of British Heavy Metal has been a keystone to how current metal music has developed and that’s recognised by people especially when discovering metal for the first time.”

“When researching a bands history they can identify the whole legacy, for example Metallica were influenced by NWOBHM”.

After 40 plus years the NWOBHM North East Division of Satan, Raven and Tygers of Pan Tang are still breathing fire wherever they turn up.

“How has NWOBHM endured 40 odd years? Simple, the sheer quality of the bands”.

Free night of classic NWOBHM at Trillians Rock Bar, Newcastle, Friday 1st September 2023.

Alikivi   August 2023

Link to 2017 interview with Gary Young, Avenger:

YOUNG BLOOD – interview with Avenger and Repulsive Vision drummer Gary Young | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

FINISH WHAT YOU STARTED with New Wave of British Heavy Metal band, TROYEN

After re-forming in 2014 Warrington based Troyen have played a number of UK and European festivals but their first bite out of the NWOBHM scene was in the early 80s.

A big impact was made on the live circuit opening for Spider, Girlschool, Diamond Head and a European tour supporting Nightwing.

“We have many memories of gigs in the 80’s” said drummer Jeff Baddley.

“We almost left a roadie in an autobahn service station. We saw him frantically running down the road waving his arms to get our attention. Another time we parked our tour bus in an Embassy drive way – didn’t know that at the time – and were woken by armed guards inside the bus demanding ID”.

“When we opened for Spider they liked our track ‘Crazy Lady’ so much they wanted to buy it…we declined the offer”.

A demo, and first production job for Gil Norton (Foo Fighters, Pixies) was released in 1981.

Jeff added “It was a great experience, our good friends Nightwing were in the studio next-door. Gil Norton was great to work with. He was very young and very skilled. We recorded, mixed and produced the four tracks in three days”.

It quickly sold out earning a deal with legendary North East studio Neat records, but the band split before the ink was dry on the contract.

Fast forward to May 2024 – you can never be too early to advertise an event – and after a gig in Edinburgh, Scotland on the 18th, Troyen will be jumping over Hadrians Roman Wall to Newcastle Trillians on the 19th for a night dedicated to the New Wave Of British Heavy Metal.

“Our new album will be out in May 2024 so the set will be filled with new tracks off the as yet untitled album, and classic back catalogue stuff” Jeff explained.

Trillians Rock Bar already has a number of NWOBHM events lined up this year. Dates from powerhouse metallers Tytan and Trespass, while playing on home turf and delivering bone crunching impact are Abaddon, Avenger, Millenium and Spartan Warrior.

Not forgetting a night with the now legendary Tygers of Pan Tang – al’ the way from Whitley Bay! Another band who’ve had numerous line-up changes and are still on the prowl after 40 years plus. 2023 has brought a new album and European gigs.

More live dates for Troyen are 2 September, Flames Still Burns Festival, Nuneaton. 6 October, The Carlisle, Hastings. 7 October, British Steel Festival, France and for 2024 so far 20 January, The Cavern, London. 18 May, Bannermans, Edinburgh. 19 May free entry to Trillians, Newcastle with special guests Culloden.

Troyen 2023 line-up – Jeff Baddley – drums/backing vox, Steve McGuire – guitar/backing vox, Mark Nortley – bass, Simon Lind – guitar/backing vox, Sy Davis -vocals.

Alikivi   August 2023

Link to interview with Troyen drummer Jeff Baddley in 2017.

BACK FOR GOOD ? Return of NWOBHM band Troyen | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

SHOCK TACTICS with Ronnie McLean from Newcastle doom metal outfit The Reign

left to right Mick Storrie, Ronnie McLean, John Cook, Mark Robinson

In the ‘90s a weekend in Newcastle Mayfair was packed with musicians thinking they’d be the next big thing. As it turns out many were short lived said Ronnie.

Bands like XLR8R had a huge local following but didn’t do much outside the area and others like Whatever and For Gods Sake were making serious in roads.

We were largely doing different stuff so it wasn’t competition, most were good friends – and still are.

What we had in The Reign was mutual respect, you need that. It’s not just about writing and recording, you’re on tour together getting up in the morning traveling all day to the next gig and repeat. So if you don’t get on, it won’t work long term.

When I was younger I was drumming in extreme metal band State of Shock. By the time I was 20 I’d played all over the country supporting bands playing great gigs. We were even lucky enough to play a session at BBC Radio One’s Maida Vale studios.

Following the demise of that band our guitarist Mark Robinson joined The Reign who had been formed by John Cook (bass, vocals) and Mick Storrie (guitar) out of the ashes of Vox Populi. They recorded a demo (Act of Penance, 1991) and got established on the underground scene.

Act of Penance demo 1991

Around this time I went to the USA, I’m lucky enough to have an older brother working in New York so I had somewhere to stay. His contacts helped me get involved jamming in the clubs.

It was a great experience, playing everything from jazz to rock n roll, meeting and playing with some famous and established players. The most amusing to me was Gerry Velez who played percussion with Jimi Hendrix at Woodstock. I also met a few famous folks including a few of Bon Jovi and even Nile Rodgers.

When Ronnie returned from the States he was hungry to get involved in a band again.

My intention wasn’t to play any more extreme metal, so when Mark Robinson (guitar) called me up and asked me if I’d join The Reign who were rehearsing for a tour, I was sceptical.

They had drummer problems and I presented a quick fix. I said I’d do the tour but wasn’t interested in it long term. The tour was with other unsigned bands starting in Liverpool and concluding at The Marquee in London.

But we had so much fun and played some blinding gigs that when I was asked to get involved in recording another demo  I was all in.

The songs had mainly been written by John and Mick but Robbo and me brought some experience and a different dynamic to the band which helped add a bit of colour to the music.

This Silent Nation demo 1993

After recording the demo management and record companies started showing an interest in the band.

We signed to a German based management company but not long after fell out with them! I don’t think we were difficult we just had a pretty good idea of what we wanted to do.

After a couple of false starts The Reign eventually signed to European based Mausoleum, a subsidiary of MMS.

The line up for the first two albums was John Cook bass/vocals, Mick Storrie lead guitar, Mark Robinson rhythm guitar & Ronnie McLean drums.

We were largely dealing with the Amsterdam and Frankfurt parts of the company. They were established and had good distribution – it seemed a good move.

We recorded the debut album Embrace in December ’93 and went out on tour in Europe as support to Australian band Mortification, this was to coincide with the album release in June ’94. By then for legal reasons the band was called just ‘Reign’.

First album Embrace released in 1994

At that point we’d played everywhere in Britain numerous times so getting on the road in Europe was exciting and the chance to play bigger crowds.

The album was also released in the USA at a time when the college radio scene was big and it exploded for us. Suddenly we were topping playlists and getting immense feedback across the States.

A series of radio interviews made us think we were really onto something and we’d be on tour imminently. But we heard the record company were having financial problems and couldn’t front the money to get us over there – a real kick in the teeth.

Their immediate idea was to get another album out on the back of the vibe. This wasn’t ideal but you’re powerless when under contract to record companies.

We had a Danish management at the time and surprise, surprise, we fell out with them too. Legal paperwork and hot air led to them being out of the equation.

We decided to look after ourselves and by 1995 went into Rhythm Studios near Stratford to record album number two.

Again we made the best of the situation and Mausoleum rushed the album into the shops in America. It was released so quickly that people had bought it before we had seen the end product.

Second album Exit Clause released in 1995

After a brief UK tour supporting Swedish band At the Gates the band decided to tour Europe again.

We got involved with a European tour manager who enabled us to get back on the road in early ’96. We were having a great time – but in the end it took its toll.

Robbo quit and was replaced and his subsequent replacement replaced!  We even did two shows as a three piece before bringing in Andy Metcalf on guitar.

The Reign on tour somewhere in the Italian Alps.

We saw a lot of places, from the ghettos of eastern Europe to playing in front of scary crowds of neo Nazis, all this while travelling through the beauty of the Italian and Austrian Alps with their snow-capped mountains. You can’t buy these experiences – but the gigs weren’t making us any money.

Inevitably they fell out with MMS and the band walked away free after the company were found to be in breach of contract.

Next up was Bleeding Hearts/Demolition records based in Newcastle, home of Black metal masters Venom.

They were fresh from the reformation of Venom and had money and a new recording studio in Barnard Castle. It was a difficult recording because we were not allowed to stay at the studio.

Although we were pleased with the end product – Control Over Anger (1998), again we got pretty much zero help from the record company and what was our best album, was our last.

Third album Control Over Anger released in 1998.

But it didn’t stop us getting back on the road in Europe again. We saw a lot of places played a lot of great gigs and made not a bean along the way – you can’t take away the memories though.

But I felt the attitude and discipline had changed by then and I left at the beginning of 2000. The last line up we had we tried to change things by bringing in a different singer Chris Morrison, who sadly took his own life in 2006.

I also recorded with North East band Whatever on their second album Lies and Gold Dust. I believe it sold well enough in the UK and Japan, but they too had their dreams killed by record company changes. It seems so many of us did.

Looking back we pretty much ticked all the rock n roll boxes, a deceased member, one busted for a drug charge on tour and trouble in so many hotels. We got stopped by police looking for guns, drugs, everything.

We played gigs where the support band showed up with guns because they were scared of the crowds we pulled, and we drank enough foreign beer to fell a herd of rhinos – but we just ploughed on enjoying it all.

The first time experiences like hearing yourself on the radio, seeing your album in the shops, first time you hear yourself on a pub jukebox or have something on TV –  as I’ve said you can’t take away those memories.

And now in my 50s I’ve never stopped playing, maybe never will. I just love playing. I’ve been on stage with so many great players. I think I’ve played Newcastle Trillians more than any other drummer. It’s almost a running joke now.

Can’t remember how many bands over the past thirty years I’ve played with in Trillians – I did five gigs last year and there’s a couple in the calendar for this year.

I think the ones that got into it for the attention, the girls, the image an’ all that, they never last. Those of us that love playing just keep going. It’s still fun.

Alikivi    May 2023

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THE RISE & FALL OF BOBBY THOMPSON

When it’s finally time to leave the stage all entertainers would love to go out at the top and Sunderland born comedian Bobby Thompson was no exception.

At his peak performing in North East clubs, punters were packed in like sardines and in 1985 Bobby was interviewed on BBC TV’s Wogan Show.

But is there a reminder of his achievements anywhere in the North East, and what happened to Bobby? There is a story that he had a statue given to him by The Little Waster pub in Wallsend after it closed down.

One night Bobby was broken into, cash, jewellery, and gold records were bagged, but after opening a cupboard and seeing his statue the burglars fled empty handed after realising who the house belonged to.

The life of Bobby, aka The Little Waster, features in A Private Audience by Dave Nicolson. The book is packed with interviews from fellow performers, managers and family members, with a foreword by comedian Ken Dodd…

‘To have an audience in uproar, to help them forget their everyday problems and worries, if only for an evening, is an experience to treasure’.

Former manager Brian Shelley remembers…

At the height of popularity his fee in the clubs was between £300-£500 a night. He did theatres for £1,000 for an eighteen minute slot. He was riding the crest of a wave. Bobby had it all going for him in 1978 with his record out’.

Some people interviewed on this site have mentioned seeing Bobby’s act or working with him. Back in October 2019, David Wood, boss of Wallsend’s Impulse studio, told me a story with a surprising ending.

I knew his manager Brian Shelley, he said Bobby is doing really well around the clubs do you fancy recording him ? I thought yeah we’ll give it a go.

We recorded him in Rhyope Club and Newcastle Mayfair around 1978. It was around an hours recording we put out and got Vaux breweries to sponsor it. Ironically Bobby didn’t drink then and there he was on a promo poster with a pint of beer.

Soon as we put the record out it took off, straight to number one in the local charts. Every shop was selling bucket loads, they couldn’t get enough off it. It was phenomenal.

With the profit from Bobby’s album the studio came on in leaps and bounds. We started the Neat heavy metal record label as an alternative to what we were doing.

We released a couple of singles then the Tygers of Pan Tang, Raven and Fist came along and suddenly we’ve got what became a New Wave of British Heavy Metal. Venom added to that and before we knew it we’ve built up a library of heavy metal singles. So yeah we’ve got to thank Bobby for Neat records.

Actor & musician Pete Peverly

In September 2019 I talked to actor and musician Pete Peverly who performs as Bobby in a tribute show. If he had a posh accent would he have appeared a lot more on TV and topped the bill on UK tours ?

His accent wasn‘t just Geordie it was Pitmatic, that’s very strong, and yes it was a barrier but one of the reasons why he didn’t make it outside the region was because I think he didn’t want to, he had everything up here.

He might have had more ambition in the early part of his career when he was doing Wot Cheor Geordie for the BBC. Maybe he thought about pushing it further but certainly not during the ‘70s.

All the other regional comics and entertainers who made it nationally were all-rounders, actors, comedians, song and dance men, Bobby wasn’t. He was a pit comedian from the Durham coalfields talking specifically to that community.

Actor, writer & theatre producer Leah Bell

One performer who worked with Bobby was actor, writer and theatre producer Leah Bell. I talked to Leah back in July 2021 and asked her what was he like to work with?

I worked with Bobby Thompson a lot, he was a nice man. His act was of its time, the poverty, the war – very funny.

We done a panto in Newcastle Theatre Royal with David Jason (Only Fools and Horses). David didn’t know Bobby Thompson at all, Bobby never rehearsed with us, there was no interaction.

So Bobby done his cabaret piece at the start of act two, and afterwards backstage would shuffle around saying hello to people.

David used to say to me ‘What a shame for that old fella, fancy having to work at his age, I’ve just given him some money for a cup of tea’. I said ‘What ! He gets dropped off in a limousine (laughs)’. 

One night David said ‘He’s never in the finale, it’s nice of the theatre to let him go early, he must be tired’. Really, Bobby was doubling up and playing the late spot at Newcastle Mayfair.

Bobby had great delivery, clear, distinctive and not draggy. It can sound like he’s just talking along but it’s not, it’s very precise. He was a one off.

Comedian, Bobby Pattinson

Another North East comedian, Bobby Pattinson, is interviewed in the book.

‘Over the years I gave him bookings at my club. I never saw him as a rival, but regarded him as a friend even though people told me he didn’t have a good word for me’.

‘Most North East comics were content to go on stage in any order, Bobby always wanted to be last, he interpreted that as top of the bill. But he wasn’t as successful as I hoped when I booked him in December 1981 and had to cancel sixteen shows’.

In his detailed introduction, author Dave Nicolson tells us…

‘Bobby had success and money through the golden years, but he also had loneliness. The last few years were embarrassing for him, empty tables and chairs told him the harsh truth. Even the examiner at his bankruptcy hearing in 1986 was kind and considerate’.

‘Having lost the company of an audience his feeling of loneliness and isolation intensified. Spending late nights at Newcastle’s Casino Royale and the roulette wheel provided his nightly stage’.

Sadly, Bobby died on Saturday 16th April 1988 in Preston Hospital, North Shields. Family and friends attended his funeral with a fellow comedian adding a one liner that summed up Bobby Thompson…

’He’s late because he’s found out there’s another funeral after this and he wants to go on last!’

Alikivi   May 2023

Research: Bobby Thompson, A Private Audience by Dave Nicholson.

Printed & published by TUPS books 1994.

Links to full interviews:

‘Take a Bow’ with Leah Bell 21st July 2021.

TAKE A BOW – writer, actress & theatre producer, Leah Bell | ALIKIVI : NORTH EAST UK (garyalikivi.com)

‘Centre Stage’ with Pete Peverly 16th September 2019.

CENTRE STAGE in conversation with North East entertainer Pete Peverly | ALIKIVI : NORTH EAST UK (garyalikivi.com)

‘The Fixer’ with David Wood 13th October 2019.

SPEED KINGS in conversation with Newcastle music tutor & former XLR8R guitarist, Ed Box

XLR8R in 1992 Martin Douglas (top), Al Barnes (bottom), Simon Douglas, Mark Savage, Ed Box (middle).

Following on from Clive Jackson’s interview (Slice of Life, 22 Feb 2023) this post looks at the 90s music scene in Newcastle and focuses on guitarist Ed Box.

Originally born in Kendal, Cumbria, Ed moved to Newcastle in 1988 to study Popular Music – a big year in Ed’s life as he ended up making his home in the Toon.

But his pivotal year was 1979… That’s when I was drawn to music. First album I bought was Replicas by Gary Numan & Tubeway Army, while my older brother was recording songs off the Friday Rock Show on BBC Radio One.

Also that year, heavy bands like Rainbow, Motorhead and Judas Priest were getting on Top of the Pops. These were my gateway bands.

For me that was the start of heavy metal and then NWOBHM formed. The passion and energy in the music was a window to the outside world to a boy from out in the sticks in Cumbria. Then I got a guitar for Christmas 1980 – and away I went.

With some friends from Newcastle college, we formed XLR8R (pronounced Accelerator), and started writing songs. I knew it would take a lot of patience, practice and dedication but I was prepared for that.

We started to gig regularly around the Newcastle area. A buzz was going around and the gigs were getting packed out. We were members of North Tyneside Music Collective at Buddle Arts Centre in Wallsend, they organised gigs at venues like the Old Eldon Square during the summer.

Every band around then were doing demo tapes, Greedsville, who you interviewed a few weeks ago, were busy in the studios. XLR8R recorded three, one of them got demo of the month in Kerrang and a bit of interest from a label but that fell through. So we put our money together, made an independent album and got it pressed on CD.

We heard there was a music collective over in Deckham village in Gateshead that had a studio so we joined up. A guy called Gary Clennell ran that and set us up on a cheap studio rate. £30 per day was a lot less expensive than the others charging over £100 a day.

We spent six days doing four tracks. They were all done on reel to reel half inch tape, I think it was a 16-track desk. We designed our own covers and used the Print on Tyne shop for typesetting. We would make fold out covers with pictures and credits on, just trying to make the tapes look interesting. Pretty naïve, but a start.

Our next tape was recorded in Linx Studio, that was run by Tony Bray (Venom drummer) and Eric Cook (Venom manager) previously owned by Brian Johnson (Geordie, AC/DC). They had a 24-track using two-inch tape. This was a step up in quality, the engineer was Kev Ridley who also sang in Newcastle bands For Gods Sake and Skyclad.

Our third demo was in Trinity Heights, what happened was Tygers of Pan Tang manager Tom Noble got us a deal recording in the studio with the owner Fred Purser, who was ex-Tygers guitarist.

Linx studio was good but Fred’s was another step up, with his experience of being in the band and working in studios in London gave us a lot of confidence and pushed us on. After we had recorded the first track, we played it back and it sounded great, really polished, really pleased with it – if you’re reading this, thanks Fred!

Arch Stanton album cover.

In 1996 I was still in XLR8R when ex-Greedsville guitarist Clive Jackson got in touch. He had made a three-track solo demo and was offered a radio session on BBC Newcastle. There was also label interest but they were looking for a band not just a solo performer.

So, Clive got a band of solid musicians together who we knew had been on the 90s Newcastle scene. We went in and played the session at the BBC, then recorded a few more tracks and done a gig as Arch Stanton.

Things were coming together when Sue Wilkinson from local music agency Generator got involved, Sue was also Greedsville manager. She got us some Lottery funding to go into a studio and make a four-track demo.

Sue also got us some local TV coverage on BBC North East News and a brief clip on the National Lottery Show. Another band around then called Undergroove, got a slot on East Coast Main line.

Over a two year period we done around 15 gigs, we played on the Twang Nights at The Bridge Hotel which was promoted by music agency, Bright Orange Biscuit, I remember they also did work with Uncle Sam’s Studio in Newcastle.

Sadly, Arch Stanton came to an end, but I’d developed my guitar and vocals a lot. I was in my late 20s by then and felt I was playing better than ever.

130R album cover.

The last album I worked on is out now, it’s called 130R. The name came from Formula One racing that I was into, the hardest corner on the track in Japan is the 130R.

The idea came at the time of Covid lockdown when I wasn’t doing much guitar teaching because of restrictions. I put together a few demos then asked mates to get involved, it was totally organic.

It built from there and we added a few more tracks until we had a full album. I sing on a couple of tracks but the main singer is Newcastle based Ian Humphrey. We might do some gigs in the future but we are really happy being studio based.

130R

A lot of the rock and metal bands that I saw many years ago are still recording and gigging especially with the Festival circuit around Europe. The NWOBHM bands can make great recordings with the studio equipment and access to technology that is available now. It’s still alive and kicking.

Guitar playing has been my passion for over 30 years. Across that time I’ve been running a number of guitar lessons in schools and workshops playing Rock, Pop and Jazz, to Country, Blues and Metal, I always learn new things when teaching – you’re never too old!

For more information about Ed Box check his official website:

http://www.edwardbox.com

Alikivi   March 2023.