Originally from Middlesbrough, for the past 12 years 71 year old Alan has lived in Sweden with his wife Jude.
‘After school I went to train as a school teacher at Durham University then spent my first seven years in the workplace as a teacher then in business for several years in and around the Northeast.’ explained Alan.
‘The first business was an up market private health and fitness Centre in Yarm. It was called Gym and Tonic. My second business was a construction company renovating properties and building new houses’.
When did you first pick up a guitar?
‘When I was 12 year old and sang my first song at the school folk club. It was Bob Dylans Blowing in the Wind. Like everyone else at the time I joined a band at 16 and played a few gigs around the Teesside area particularly Redcar pubs. It didn’t last. We didn’t get a record deal. But I really did enjoy it.’
Was music in your family, did anyone play an instrument?
‘Yes, my mother. She played a mean piano but she had to have her arms twisted too actually do it. She was a musical one. Most family and friend’s parties ended up around the piano with her playing the hits of the day. So, I guess I got my performing bug from her and from her brother. My uncle was a professional singer all his working life.’
‘Fast forward five decades and songwriting has taken over. There was a song in me called Running Man. I wrote it quickly and we recorded it. Since then, I’ve just kept writing.’
‘Jude and I became involved with a professional football club In Sweden and formed a refugee team called The Mighty Cosmos. The original members of this team had all escaped the 2003 and still ongoing genocide with Sudan and Darfur and had an amazing story to tell.’
‘Over two years, they told me their personal stories and every line in Running Man was a part of one of those stories.
One night at the height of the refugee migration across Europe I saw the Hungarian foreign minister say we will build a fence and send them back and that became a line in the middle eight part of the song. The rest of the song came very quickly.’
Alan’s song has received radio airplay in Sweden and he has been interviewed on several radio stations across northern Sweden.
‘Songwriting came to me late, but I’ve really enjoyed it. I think the early protest singer songwriters of the 60s and 70s especially Dylan, Roy Harper, Tom Paxton, Loundon Wainright along with the amazing Leonard Cohen have influenced the way I write.’
‘There’s a rich pallet of subject matter in the world right now so plenty to go at. I have several songs on Spotify now and a whole load lined up ready to be recorded including an EP of four songs of nostalgia about my home town.’
Songs recorded in Studio 306, Ostersund, Sweden. Produced & engineered by Johan Arveli & Anders Lagroix Kronlund. Available to download on all music platforms.
Tracks include Jamtland County, Monster in the Water, War is Cancelled Today, Darfur Wind, Into the light and Lady Liberty.
Glynis was born in Cullercoats, a small fishing village on the North East Coast of England.
‘Where I spent a happy, carefree childhood. Cullercoats Bay was, literally, at the end of my street, and the village had a real community feel – it still does. Now aged 63, I haven’t moved too far from where I grew up.’
Her creative writing journey began at the age of eight.
‘In reality, I was copying the themes and formats of children’s authors. At the age of 11, I was still making notes for my first full-length story book – Five at Mystery Camp!’
‘Leaving school, I wanted to do something other than sit behind a desk – so with the qualifications I had, I was encouraged to spend the next 45 years working behind a desk! I also took on part-time work all within the Cullercoats or North Shields area. I was a barmaid, had a go at working as a housekeeper and one job was cleaning a local morgue. The smell was one of bleach and cleaning products but the atmosphere was spooky and spine tingling. I dreaded every shift – my imagination sometimes does get the better of me.’
Who inspired you to start writing?
‘Growing up, I would spend a lot of time in Cullercoats library, and my first real interest in reading came from Enid Blyton mystery stories. By the time I joined Marden High School in North Shields, it seemed my natural reading progression was to jump from Enid Blyton’s Malory Towers series to James Herbet – The Rats – a huge leap in genre. My imagination was ignited, and my storytelling went up a few notches!’
‘I created my DCI Caron Dell crime fiction novels in 2005, and have written several short stories – none of which are published. I began taking things more seriously when my daughter, Beth, a singer-songwriter, wrote a piece called Stay Young. Something about that song lit a fire in me—and that spark become the basis for my first novel.’
‘To date, I have written and self-published two books from my DCI Caron Dell series: Dying to Stay Young and Where is January Blue?’
Have you surprised yourself?
‘I am surprised at how engrossed I have become in my research, whilst developing personality profiles, locations, and murder! Autopsies were an eye-opener, too!’
‘I’m learning something new each time I delve into the world of DCI Caron Dell – she is a stalwart for justice. And, I’m totally bowled over by the interest and support I’ve received, not just from family and friends, but from people I haven’t even met. So, a huge thank you – genuinely, I value everyone’s support.’
How was your debut book received?
‘My first book Dying to Stay Young, has good reviews on Amazon and five-star reviews in Goodreads. I am delighted by the feedback. Another huge thanks to those who have taken the time to read my books and to those who have left a review.’
‘At the beginning of March 26, Cullercoats Library hosted an event for me to talk about my DCI Dell novels. The venue was very fitting. Providing more detail about DCI Caron Dell and having a face-to-face discussion has encouraged me to continue my storytelling. For my first event, I was grateful for a full room and an engaged audience.’
While researching have you come across any unusual stories?
‘Not unusual, but more surprising. Whilst listening to Professor David Wilson, a Criminology expert, I was shocked by the low number of convictions for crimes against vulnerable groups. With one statistic flooring me – 2% of abuse against women crimes actually lead to a conviction.’
‘Obviously, there is more to the stats, but what is worth noting is that not all crimes are reported, so what is the real percentage? Is it higher or lower? I don’t think we’ll ever know for certain. My interest was piqued, and my hunger to write psychological thrillers grew.’
Would you like to see any of your books adapted for the stage or TV?
‘Absolutely, that would be utopia!’
For furtherinformation and upcoming releases contact the official website >>>
‘Freeze Frame’ is the new four-track album and first official release in 2026 by Mark Aynsley Hay and songwriting partner Chris Morris (ex Paper Lace guitarist). Both have featured on this site – Chris in May 2025 and Mark in March that year.
Chris Morris
‘Chris will be 72 this year and I recently reached the grand old age of 80. In my head I’m still 21, but a few health issues persuaded me I am really 80. I was diagnosed with osteoarthritis in my back and neck which – excuse the pun – can quite literally be a pain in the neck. Still, c’est la vie as they say in France.’
Explained former Teessider Mark who for the past 14 years has lived in the French town Pays De La Loire with his wife Alison.
‘We’ll have been together 50 years this June. We first met in 1976 in Aberdeen, Scotland, when I was performing in a cabaret club called Jay Jays. ‘76 was the height of the oil boom in Aberdeen and the nightclubs were thriving. Jay Jays had been the Gaiety Theatre and like many venues then was converted into a nightclub to suit the changing market particularly with the large number of American oil workers in the city.’
‘For album ideas my songwriting partner Chris suggested that we write a romantic ballad built around a theme called ‘Freeze Frame.’ Bringing those two ideas together gave us a broad and flexible creative direction.’
‘My thoughts immediately turned to early relationships and those first, overwhelming impressions—the wow! The one moment when I responded to attraction and sexuality. That realisation inspired the lyric “Love is not what we first see.”
‘The song centres on a couple navigating midlife crises that affect them in different ways. Although their love for each other remains strong, they decide to separate temporarily to give themselves space to breathe. The man longs to reunite, while the woman feels the timing isn’t right.’
‘In essence, he is writing a love letter in song expressing his devotion and vulnerability, yet at times he feels stuck—trapped in a kind of ‘Freeze Frame’, facing it alone.’
‘Things That Make Up Life was born from a conversation between Chris and myself. Chris mentioned he had an idea for a theme designed to embrace a wide range of life’s moments. That idea quickly sparked a flurry of rhymes and melody.’
‘As the lyrics evolved, so did the chord structure, and the song began to take shape. While the initial version showed promise, a change in tempo and a pop rock feel brought it fully to life — delivering the sound and feel we were aiming for.’
‘I delved into the myth of the three rabbits, a quest that led me to a very interesting discovery of facts on Google. I found fascinating facts about old folklore, superstitions, and myths, each with origins rooted in ancient beliefs, observations of nature, and attempts to explain the unexplainable.’
‘I mentioned to Chris that with such lot of material, we have enough to write another new song titled Weird Old Superstitions.’
‘Attentive observation of our everyday habits and dependencies became the inspiration for Addiction Holds the Reins. I’m referring to our daily reliance on laptops, tablets, and mobile phones.’
‘A few weeks ago, Alison and I were socialising with a group of friends. One of the younger people jokingly commented, “Older people are always criticising the young for constantly being on their phones—but look around. There are five older people here scrolling through their screens, completely unaware of what’s happening in this room.” Unfortunately, he was absolutely right—and I was one of the guilty ones.’
‘I became increasingly observant of how often people browse their phones—in hospitals, doctors’ surgeries, waiting rooms and even while walking down the street.’
‘We don’t converse to each other just text or message mainly irrelevant topics that have no real significance to personal or worldwide situations. This isn’t meant as criticism – I’m equally at fault.’
‘Recently the British government have been discussing whether schools should be mobile-phone-free by default, including the possibility of a complete ban for children under sixteen. This policy has already been implemented in Australia and is currently under consideration in Sweden.’
‘I also came across a report from the United States in which primary school teachers noted that many children are starting school unable to read or write their names, yet are already able to swipe on a phone. I’ve incorporated that observation into the song.’
‘While working on this song, I became more aware of my online habits and tried to scale them back, a difficult task when research plays such a big role in songwriting.’
‘As for our hopes for the album, they’re much the same as they’ve always been with our original music. We’d love for it to be picked up by a producer, a publishing company, or perhaps a well known artist who doesn’t write their own material. It’s not really about the financial side although a bit of extra income never hurts.’
‘More than anything it’s about having your work recognised and valued. I often find myself reading your North East Culture site and thinking that’s interesting or I’d never have considered that before – that kind of acknowledgement means a great deal.’
The four tracks are available to stream and download on most major online music platforms.
(John Heston in the Littlehaven Hotel, South ShieldsFeb. 2026. Pic. Alikivi.)
I’ve known John since 1970s living in South Shields and going to Tyne Dock youth club where rock music was blasted out of the disco.
‘Yeah, I was a bit of a rocker then. The first band I got a ticket for was Scorpions at Newcastle City Hall. I went on my own, I was only 11 – I’m 57 now. I had no concept of what a gig would be like’ said John.
‘When the band were on stage, I noticed something different. Was it an extra member? I didn’t recognise some of the songs. When they finished, I walked out when a bouncer on the doors stopped me “Hey son you not hanging around for the main band?” ‘I’d only watched the support band who happened to be Tygers of Pan Tang from Whitley Bay!’
‘Harry Hill the drummer of rock band Fist, his mother lived near me when I was a kid. When he used to come to see her, he’d drive into the street. A few times I would run over to get his autograph cos the band had just released a single. I met him years later he was really nice. We had a laugh when I told him about it. “What! You were that little squirt who used to come over all the time?”
‘Buddys nightclub in the town had an under 18’s disco and what caught me ear was bands like Stiff Little Fingers, The Jam and The Clash. Alternative Ulster from the Fingers blew us away. Unfortunately, as I was just getting into them these bands were starting to split up! I was a curse, too late for the party’.
One day in 1985 I was in Newcastle record shopping when I was surprised coming across a band busking at the Grey’s Monument. I wasn’t sure at first but it was The Clash.
‘Yeah, I’d been up Newcastle that day but missed them. The busking dates and locations were unannounced. I did meet Mick Jones’ band Big Audio Dynamite at the Mayfair – they handed out cans of Red Stripe. But we missed the last bus so had to walk home afterwards. About 10 mile!’
‘I’ve met Joe Strummer when he was on his solo tour. Had a smoke and drink with him backstage at Newcastle Uni. They say never meet your heroes but glad I did cos he talked patiently to us and answered our questions. I like that, open and relaxed not like now paying for a meet and greet.’
Since being a teenager John has been attracted to music.
‘I was never one who wanted to sound like Jimi Hendrix. The guitar was a songwriting tool for me. I remember when I was around 12 walking in the West Park, South Shields and this loud noise was coming from a distance. I followed the sound which led to a hut. I opened the door and there was a band inside rehearsing. It just hit me. I immediately thought I wouldn’t mind doing that.’
‘It was songs I was interested in, not just the guitar, I wondered how did they put them together? I was interested in the nuts and bolts of the song.’
We talked about great 80s music TV programmes like The Tube which I was lucky to get free tickets for to be in the studio audience. Watching rock bands like Thin Lizzy, Judas Priest and Gary Moore was great but this was the time that The Alarm, The Cult, Killing Joke and Big Country were making a different noise.
‘The first Big Country album really helped me learning guitar. It was a big influence.’
Previous interviews have revealed a family member who used to sing in the clubs or a granny who had a piano in the front room – but not in John’s case.
‘Me mam says I don’t know where it has come from cos there is no history in our family of any musical talent. I think it was just the generation I grew up in. I thought being in a band was beyond me. The punk attitude of going out to just do it made it more possible.’
‘Thing was there was no money around. I only had a cheap guitar from a shop in South Shields called Second Hand Rose. The scratch plate was made from the perspex from a bus shelter window. I don’t know what the strings were made of – possibly chicken wire – but they toughened my fingers up.’
‘It was just getting the feel of playing guitar along to records. I got a book out the library which showed me a few chords. I never got a proper guitar until I was 18. As I say writing songs was what I wanted to do and I started looking around to work on this with somebody.’
(Cloud 10, Laygate 1995 with John on the left pic. Alikivi)
‘I had a mate, Paul Stephenson, who wrote lyrics so we worked on them with some music for about two years. His brothers were a guitarist and drummer and we contacted Neil Newton to come in on bass so formed a band called Cloud 10. We found rehearsal rooms in South Shields this was around ’94.’
‘There was a good scene in Shields then. Plenty of bands like The Calm, January Blue, The Fad, Lemongrass and Nosh at venues like The Vic, the Amphitheatre and I remember playing a showcase gig for community radio station Seven FM at Temple Park Leisure Centre.’
‘After a few gigs we were getting noticed and a guy called Danilo Moscardini, who had a music page in the Sunday Sun newspaper, got in touch after hearing our demo tape. He managed Sunderland band Kenickie at the time who had a few hits. The singer/guitarist Lauren Lavern works on the BBC TV One show now. But after initial interest from record companies it faded away and me and Neil went our own way, forming a band called Speedster’
‘Pre-internet it was adverts in local music shops ‘looking for drummer’ that took ages. Then Neil left to join The Chasers with ex Wildheart Danny Mccormack and I joined The Last Men on Earth with Chris Wraith, Martin Payton and Wayne Burgess. We played around the pubs doing a mix of our own songs with a few covers which earned us enough money to buy new equipment and book in studio time.’
(The Last Men on Earthwith Chris Wraith, John Heston, Martin Payton, Wayne Burgess).
‘We were playing a few days a week around the North East and we got down to Camden in London. Again, this band fizzled out and me and drummer Martin Payton talked about getting something together.’
‘As Panic Report (Richy Harbison – keyboards, guitar & vocals, Steve Moore – bass & vocals) we went a similar route as Last Men on Earth by playing originals mixed with covers. From this we got ourselves a decent recorder where we got a few tracks down on CD. Obviously not as good a sound as studio but we spent more time on the tracks and didn’t worry about looking at the clock ticking. Studios are expensive.’
‘We did eventually book into a pro studio and have recorded two CD’s with our new one ‘Kingston to Coventry’ (pic below) which we are releasing on vinyl in a few months. The master tracks are sent away and the wheels are in motion. We will be arranging a launch party in the summer.’
‘For gigging the Panic Report have supported Toyah and Bad Manners at Newcastle Academy. We have played at Stone Valley festival (Bad Manners, From the Jam, Cast, The Professionals with Paul Cook, Bob Geldof). When I was 16 and people said you would have been in a band playing gigs alongside these people I wouldn’t have believed them.’
‘Although not long ago we done a gig down Bishop Aukland with only ten people in the audience, but you still play and just get on with it and enjoy it. We love what we are doing.’
‘A gig I enjoyed was when Angelic Upstarts supported us at Mensi’s 60th birthday at his pub the Alexandria in Jarrow. It was unbelievable. We couldn’t believe it when the big man asked us. Mensi wanted to go on before us then relax before the whole gig finished. It was a great night. The place was rammed’.
‘We’re playing on the Mensifest soon. The organisers are looking to get a festival in remembrance of the Upstarts singer who sadly died a couple of year ago. The gig will be at the Unionist Club, South Shields. There will be about seven bands on with Crashed Out headlining. The tickets are going well the organiser is hoping to make it an annual event.’
‘We’re more or less busy through the year with festival dates and there’s promoters still getting in touch to arrange more.’
Since he was a teenager playing music has been in John’s blood and being able to still be doing what he love’s for over 40 years, he says is a privilege.
‘I’ve done around 700 gigs since starting and I’m ready to keep going’.
‘Kingston to Coventry’ available on vinyl this summer. Check The Panic Report social media for details.
Southside Promotions present ‘Mensifest’ on 21st February 2026 at The Unionist Club, South Shields. Line up featuring Crashed Out, Red London, The Fauves, The Panic Report and more. Tickets £15. On the door £20.
Class Gymnast are Jon Melvin (Vocals), Mark Cliff (Drums), Jordon Ridley (Bass), Andrew Yates (Guitars) and John Dempsey-Curry (Guitar).
“We’re mainly South Shields lads, although I suppose our spiritual home is Sunderland – we’ve rehearsed at The Bunker on and off for the best part of two decades” said guitarist John Dempsey-Curry.
What are your hopes for this single?
“I’ll be honest, it’s just nice to get some music out there. We started this ‘project’ in 2019 as a way of playing some older songs and ended up writing and recording new music. Right when we started trying to do anything of substance, the pandemic happened and we had to slow right down. We’re not fast at the best of times, but we ended up writing and recording around one song a year, and never really doing anything with it. This is us finally committing to something.”
How long have the band been playing music for?
“We’ve all been playing together in some form for a while. Three of us were in a band called The Volts in 2000 for a couple of years. Four of us were in The Broken Things back in the early 2000s. A few of us started a band called Maps Are Fiction / The Dead Generosities in the 2010s. A couple of us are in the going concern The Union Choir. I believe The Broken Things may be making a brief comeback as part of a charity gig alongside some other bands of that time shortly, which will be exciting.”
What do you think about the state of live music today?
“We’re all in our 40s and most of us have kid(s) so getting out to see gigs is hard. Playing them even harder. I know from other folks I’ve seen posting pictures (on social media) that there’s still a thriving small band scene, so I know there’s a scene out there, but it does feel very much like there’s a lack of venues dedicated to this kind of thing like there was ‘in my day’. I’m very probably wrong on that though!
Have the band planned any gigs soon?
“On the live music front we are playing the Ship Isis in Sunderland on 31st January with two other bands – American Wrestling and Becca Rubin.”
Produced by Martin Trollope – aka Harbourmaster – ‘Fugue State’ the debut single released 26/1/2026 and same day music video premiering on You Tube at 6pm. Pre-orders on Apple music 19/1/2026.
After a sold out stage tour in 2024 Cramlington Train Wreckers is back. The inspiring story of working class solidarity will be staged at Newcastle Theatre Royal on Sunday 12th July 2026to commemorate the 100th anniversary of the national strike in 1926.
The strike was the biggest rupture in society since the English civil war. Miners were asked to take a pay cut to ‘improve productivity’ – really just to maintain the profits of the bosses. North East actor Micky Cochrane played one of the main roles on the tour and is revisiting the play at Theatre Royal.
“The audiences were really good in ‘24. Lots of bums on seats and a great response. A lot of people come with high expectations for Ed’s plays and love what he does.”
Written by Ed Waugh (Wor Bella, Carrying David, Hadaway Harry) the story of the striking miners who accidently derailed the famous Flying Scotsman train in Northumberland is told by former actor and director Russell Floyd (The Bill, Eastenders), and after a very successful Carrying David and Billy Elliott the musical, the afore mentioned Micky Cochrane.
“I had worked with Russell on Carrying David and The Great Joe Wilson. I know how he works and what he brings out of actors. We work really well together.“
“I also won the North-East Culture Awards Performing Artist of the Year. It was a great reward for the fantastic plays and big roles I played last year” said Micky.
Also starring is Alex Tahnee who was in Romeo & Juliet and Alice in Wonderland “I knew Alex. She was great. The play has lots of information so we had to be on it. We had to help each other out”
“I had heard of the Cramlington Train Wreckers but I didn’t know the full story and main players so it was another chance to learn more about the history of the area.” explained Micky.
Tickets for Cramlington Train Wreckers at Newcastle Theatre Royal on Sunday 12th July 2026 available from >>>
A lot is made of being in the right place at the right time to help bring success. But you can’t get past the sheer amount of hard work put in, every time giving 100% and never complaining. There is no substitute for rehearsal and when the opportunity presents itself you’ve got to be ready to take it. A snapshot of a story taken from Sting’s autobiography Broken Music hits the mark. This all happened within a few heady months during 1978.
The Police went out on a UK tour to open for Spirit led by guitarist Randy California. They won over a hippy audience and released their single Roxanne. Their record company A&M fully supported the record but money wasn’t rolling in yet.
To pay rent on his London flat Wallsend born Sting was still filming a few adverts and bit part in films. The Great Rock n Roll Swindle was one, although his scene ended up on the cutting room floor. ‘I was grateful, however, for the 125 quid at the end of the day’ said Sting.
He also went for a part in Quadrophenia filmed in Brighton. ‘I know that they’re seeing half of London for this role, but somehow I know it’s mine’.
After finishing on the film set in Brighton the record company hired a private car to whisk Sting off to Gatwick airport and jump on a flight to Manchester, finally arriving at the BBC TV studios where The Police were due to appear on the Old Grey Whistle Test. Sting remembers ‘It’s still raining when we land in Manchester. Yet another car and driver waiting to take me to the studio, where we have a sound check. The performance tonight is live’.
After a successful TV appearance a tour of the east coast of America was booked. Second night of the tour The Police are in Poughkeepsie theatre with only six people in the audience. Do they cancel? No. Sting brings the audience down to the front and introduces each other. Then ‘give a blistering set we will ever manage, encore after encore’.
The audience are invited back stage where it turns out three of them are DJ’s. The next day Roxanne makes its debut on USA radio. Within a couple years The Police are one of the biggest bands in the world. Now how did fellow Tynesider Mark Knopfler and Dire Straits knock them off their perch?
Emma at BBC Radio 2 with Cerys Mathews December 2023
Magazine front covers, BBC Radio 2, awards, tours, record releases – this past few year Emma has been prolific. In 2023 she released ‘Memphis Calling’ recorded in Sam Phillips studio in Memphis, USA, earlier this year she talked about her third album ‘A Spoonful of Willie Dixon’. Recently she got in touch about her latest single…
I’m stablemates with American band Chris Wyze and the Tellers. We’re both signed for distribution with ‘Select-O-Hits’ in Memphis. Chris found out I was in Tennessee for a few days in September so asked me to co-write and sing a duet with him. We recorded ‘Hearts Blue Christmas’ at Royal Studios in Memphis with the Hi Rhythm Section.
At the end of the recording session producer Boo Mitchell said ‘We have an hour left“. Chris turned to me and said ‘Do you want to do anything?’ I’ve previously recorded with pianist Charles Hodges (who is part of the Hi Rhythm Section) on my record ‘Memphis Calling’ and we have a good friendship and work well together.
I asked Charles if he knew the song “What are you doing New Years Eve”? The track was written by Frank Loesser in 1947. I think I must have first heard the Lena Horne’s 1966 version as my Mum played a lot of her music when I was little.
Charles strolled over and started playing it so beautifully on the grand piano. That piano has been in the same position at Royal studios for decades. Goodness knows how many iconic songs it has featured on!
Charles and I spent about ten minutes getting a key to suit and having a run through, then he called Steve Potts to play some lovely light drums and then we taped it.
L to R – Charles Hodges, Steve Potts, Hubbie Turner, Emma Wilson, BooMitchell, Lina Beach, Chris Wyze and Leroy Hodges at Royal Studio, Willie Mitchell Boulevard, Memphis on 25 September 2025.
Along with promoting the singlenowEmma is already looking forward to 2026…Recently I won the UK Blues Challenge at Marshall Studios which means I go to Memphis in January to represent the UK in the International Blues Challenge and for the European Blues Challenge I go to Poland.
‘What Are You Doing New Years Eve’ is out on 21st November 2025 as digital download and a very limited run of CDs which are available from the official website >>>
As requested, readers of this site have contributed stories featuring supernatural phenomena. 60 year old Jeff Anderson from Washington, County Durham, talked of his experiences.
The paranormal equates to something or some activity that is unknown now but is likely to be known and possibly understood in the future. So, a good example of paranormal activity would include ghost sightings and other spiritual activity of that nature.
It’s the stuff of sixth sense, which we are all aware of in situations when somebody is staring at us from behind, we look around and sure enough someone is. And vice-versa when we stare at someone suddenly they become aware of our stare.
I have over the last few years been equally fortunate and unfortunate to have been exposed to very real paranormal activity.
It was the very height of the Covid-19 pandemic I had been to Lidl one Saturday morning, nothing unusual there. Bonnie my German Shepherd was eagerly awaiting my return to the car. No sooner had I done so when quite inexplicably the car radio started playing and this despite being most definitely being switched off. I had the presence of mind to video the occurrence for future reference.
It sounded like Metallica playing but I wasn’t sure of the song. It turned out to be Creeping Death. I learned later it’s a song about the Biblical pass over featuring the Angel of Death. Creepy right?
On my weekly visit to my elderly parents house I explained to them the car radio occurrence and showed them the video I made that day. I felt someone somewhere was trying to communicate something.
In an instant a powerful gust of wind blew in through the upstairs front bedroom window, it came down the stairs twisting and turning and blew into the living room with such force that it actually blasted open the living room doors. It then turned back on itself and blew out of a small living room window. I mentioned it to my parents but they didn’t want to discuss it.
Unfortunately, my mother suffered a stroke a few year later. One afternoon I visited her in hospital with my Auntie. My mother occupied a room with three other stroke patients. There were just the six of us in the room on this occasion with no medical staff in attendance.
Of the four stroke patients three were asleep including my mam. The other patient was awake lying on her back, staring at the ceiling and occasionally crying out for her mother every few minutes or so, even though she was in her 70s herself. She was unaware of anything going on around her due to a possible dementia diagnosis.
The next thing it started raining mixed with hail and with such force and intensity I thought the window nearest to her might be blown in. After a short while things settled down.
However, the woman in the bed nearest the window was like someone possessed, she no longer cried out for her mother and was now fully aware. She turned her head and looked directly at me in the eye, diverting her gaze away from the ceiling. She even attempted to get out of bed at one point and come over to me. It was then I decided it was a goodtime to leave.
Sadly, my mother died a few months later. Two nights before her funeral I had left my bedroom window open only to be awoken at 3am by a strong gust of wind, so powerful it took every ounce of my physical strength to slam the window shut. Before I managed to close it the wind blasted me directly in the face, at which point an image of mother’s face unexpectedly appeared in my mind’s eye.
More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.
As requested, readers of this site have contributed stories featuring supernatural phenomena. A regular reader from South Shields shares her experience.
My ghostly event, and I can call it an event, happened thirty years ago at my late husband’s private memorial service. This account of the super natural happening is not only true it’s also factual. There are still people alive who witnessed the spectacle to tell the tale. There were other remarkable incidents before and after my late husband’s death but I have chosen to share with your readers ‘The Falling Angel’ episode.
Before the service I had spent some hours at the local church arranging floral displays. Andrew, the Reverend, popped in to admire the colourful stage set. There were several pedestals of white roses amongst autumn foliage, all linked with strings of white simulated pearls. A complete stranger had run her fingers along the strings remarking they were many tears of love.
The Reverend had asked me why the central pedestal was standing empty. I let him know I was intending to place my late husband’s photograph on top of it. It was the last one taken of him only weeks ago when we were touring the eastern seaboard of Canada. However, the Reverend offered me an alternative to the pedestal.
Hours later, a congregation of about thirty people sat in church in total silence with their heads bowed as the coffin was respectfully placed in front of the altar draped with a purple velvet cloth.
The Reverend began the service of love by welcoming the rows of tearful mourners. Then he walked over and took the photograph of my late husband from me and placed it firmly on the brass eagle lectern. Tears filled my eyes as I looked at my late husband’s image smiling back at me, resting on the eagle’s outstretched wings. The romantic scene was complete.
As he started to speak something unexpected happened causing a murmuring from the congregation. The photo fell to the floor. The Reverend returned it to the stand. He continued his soliloquy but not for long as the photo fell from the stand again. Visibly shaken he returned it for a second time.
As he replaced it, he mumbled some inaudible words before turning towards the shocked mourners. Everyone watched as the photograph moved forward and crashed to the floor for a third time. The glass in the frame shattered.
The service of love came to an abrupt end. I felt a deep urge to walk across and rescue the mischievous culprits image announcing with a smile ‘My husband is determined that he doesn’t want to be put on a pedestal’.
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ALIKIVI UK : NORTH EAST MUSIC & CULTURE 