Emma at BBC Radio 2 with Cerys Mathews December 2023
Magazine front covers, BBC Radio 2, awards, tours, record releases – this past few year Emma has been prolific. In 2023 she released ‘Memphis Calling’ recorded in Sam Phillips studio in Memphis, USA, earlier this year she talked about her third album ‘A Spoonful of Willie Dixon’. Recently she got in touch about her latest single…
I’m stablemates with American band Chris Wyze and the Tellers. We’re both signed for distribution with ‘Select-O-Hits’ in Memphis. Chris found out I was in Tennessee for a few days in September so asked me to co-write and sing a duet with him. We recorded ‘Hearts Blue Christmas’ at Royal Studios in Memphis with the Hi Rhythm Section.
At the end of the recording session producer Boo Mitchell said ‘We have an hour left“. Chris turned to me and said ‘Do you want to do anything?’ I’ve previously recorded with pianist Charles Hodges (who is part of the Hi Rhythm Section) on my record ‘Memphis Calling’ and we have a good friendship and work well together.
I asked Charles if he knew the song “What are you doing New Years Eve”? The track was written by Frank Loesser in 1947. I think I must have first heard the Lena Horne’s 1966 version as my Mum played a lot of her music when I was little.
Charles strolled over and started playing it so beautifully on the grand piano. That piano has been in the same position at Royal studios for decades. Goodness knows how many iconic songs it has featured on!
Charles and I spent about ten minutes getting a key to suit and having a run through, then he called Steve Potts to play some lovely light drums and then we taped it.
L to R – Charles Hodges, Steve Potts, Hubbie Turner, Emma Wilson, BooMitchell, Lina Beach, Chris Wyze and Leroy Hodges at Royal Studio, Willie Mitchell Boulevard, Memphis on 25 September 2025.
Along with promoting the singlenowEmma is already looking forward to 2026…Recently I won the UK Blues Challenge at Marshall Studios which means I go to Memphis in January to represent the UK in the International Blues Challenge and for the European Blues Challenge I go to Poland.
‘What Are You Doing New Years Eve’ is out on 21st November 2025 as digital download and a very limited run of CDs which are available from the official website >>>
As requested, readers of this site have contributed stories featuring supernatural phenomena. 60 year old Jeff Anderson from Washington, County Durham, talked of his experiences.
The paranormal equates to something or some activity that is unknown now but is likely to be known and possibly understood in the future. So, a good example of paranormal activity would include ghost sightings and other spiritual activity of that nature.
It’s the stuff of sixth sense, which we are all aware of in situations when somebody is staring at us from behind, we look around and sure enough someone is. And vice-versa when we stare at someone suddenly they become aware of our stare.
I have over the last few years been equally fortunate and unfortunate to have been exposed to very real paranormal activity.
It was the very height of the Covid-19 pandemic I had been to Lidl one Saturday morning, nothing unusual there. Bonnie my German Shepherd was eagerly awaiting my return to the car. No sooner had I done so when quite inexplicably the car radio started playing and this despite being most definitely being switched off. I had the presence of mind to video the occurrence for future reference.
It sounded like Metallica playing but I wasn’t sure of the song. It turned out to be Creeping Death. I learned later it’s a song about the Biblical pass over featuring the Angel of Death. Creepy right?
On my weekly visit to my elderly parents house I explained to them the car radio occurrence and showed them the video I made that day. I felt someone somewhere was trying to communicate something.
In an instant a powerful gust of wind blew in through the upstairs front bedroom window, it came down the stairs twisting and turning and blew into the living room with such force that it actually blasted open the living room doors. It then turned back on itself and blew out of a small living room window. I mentioned it to my parents but they didn’t want to discuss it.
Unfortunately, my mother suffered a stroke a few year later. One afternoon I visited her in hospital with my Auntie. My mother occupied a room with three other stroke patients. There were just the six of us in the room on this occasion with no medical staff in attendance.
Of the four stroke patients three were asleep including my mam. The other patient was awake lying on her back, staring at the ceiling and occasionally crying out for her mother every few minutes or so, even though she was in her 70s herself. She was unaware of anything going on around her due to a possible dementia diagnosis.
The next thing it started raining mixed with hail and with such force and intensity I thought the window nearest to her might be blown in. After a short while things settled down.
However, the woman in the bed nearest the window was like someone possessed, she no longer cried out for her mother and was now fully aware. She turned her head and looked directly at me in the eye, diverting her gaze away from the ceiling. She even attempted to get out of bed at one point and come over to me. It was then I decided it was a goodtime to leave.
Sadly, my mother died a few months later. Two nights before her funeral I had left my bedroom window open only to be awoken at 3am by a strong gust of wind, so powerful it took every ounce of my physical strength to slam the window shut. Before I managed to close it the wind blasted me directly in the face, at which point an image of mother’s face unexpectedly appeared in my mind’s eye.
More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.
As requested, readers of this site have contributed stories featuring supernatural phenomena. A regular reader from South Shields shares her experience.
My ghostly event, and I can call it an event, happened thirty years ago at my late husband’s private memorial service. This account of the super natural happening is not only true it’s also factual. There are still people alive who witnessed the spectacle to tell the tale. There were other remarkable incidents before and after my late husband’s death but I have chosen to share with your readers ‘The Falling Angel’ episode.
Before the service I had spent some hours at the local church arranging floral displays. Andrew, the Reverend, popped in to admire the colourful stage set. There were several pedestals of white roses amongst autumn foliage, all linked with strings of white simulated pearls. A complete stranger had run her fingers along the strings remarking they were many tears of love.
The Reverend had asked me why the central pedestal was standing empty. I let him know I was intending to place my late husband’s photograph on top of it. It was the last one taken of him only weeks ago when we were touring the eastern seaboard of Canada. However, the Reverend offered me an alternative to the pedestal.
Hours later, a congregation of about thirty people sat in church in total silence with their heads bowed as the coffin was respectfully placed in front of the altar draped with a purple velvet cloth.
The Reverend began the service of love by welcoming the rows of tearful mourners. Then he walked over and took the photograph of my late husband from me and placed it firmly on the brass eagle lectern. Tears filled my eyes as I looked at my late husband’s image smiling back at me, resting on the eagle’s outstretched wings. The romantic scene was complete.
As he started to speak something unexpected happened causing a murmuring from the congregation. The photo fell to the floor. The Reverend returned it to the stand. He continued his soliloquy but not for long as the photo fell from the stand again. Visibly shaken he returned it for a second time.
As he replaced it, he mumbled some inaudible words before turning towards the shocked mourners. Everyone watched as the photograph moved forward and crashed to the floor for a third time. The glass in the frame shattered.
The service of love came to an abrupt end. I felt a deep urge to walk across and rescue the mischievous culprits image announcing with a smile ‘My husband is determined that he doesn’t want to be put on a pedestal’.
More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.
As requested, readers of this site have contributed stories featuring supernatural phenomena. Actor and theatre producer Alison Stanley talked of her experiences. Featured in this story is a medieval castle in Chillingham, Northumberland which is reported to be one of the UK’s most haunted castles.
In the past I’ve been a celebrant at funerals and enjoy doing it. I’ve always been interested in spiritualism. I believe in a next life. We’ve talked about what happens when you die and we’ve mentioned ghosts, spirituality and the like people believe different things explained Alison.
Some say when you die you just die and there is no afterlife. But how do they know for sure? And by the laws of science we are a ball of energy and by those laws it doesn’t die so where does that energy go? The physical body dies and is buried or cremated but what happens to the energy? It’s an interesting subject.
A few years ago we went to Chillingham Castle on a day trip. There was me, my mother, my youngest son and my step dad. It was a grey dark day lashing down with rain. We were driving along the country roads getting near the castle. We turned a corner and saw an old woman in a red coat standing at the side of the road. She wasn’t old as somebody from the 1800s but there was something about her that didn’t look right. We all remarked about this woman who was in the middle of nowhere really.
I looked in my rear view mirror and she was standing looking at the car. Where did she come from as there were no houses around maybe she has dementia? I just wasn’t sure I couldn’t put my finger on it. What really was wrong was she didn’t look wet she was bone dry. But it was lashing down?
We get in to Chillingham Castle and looked at all the artefacts and stuff it’s quite cluttered. On one of the clothes dummies was a lady with a red coat and she had a hat on. It was from one of the women who had worked there as a housekeeper. I swear it was the same coat we had seen.
Another time was 10 years ago. We were sitting in a bar called the Pig & Whistle in Hollywood which is a very theatrical, grand sort of place. I went through a red velvet curtain to the toilet downstairs and after four steps I couldn’t go any further, I stopped because I froze and the hairs on the back of my neck stood up. There was no way I could go any further down the stairs.
I came straight back up and told my husband we’re going to another bar for a drink because there is no way on God’s earth I’m going to the toilet here. Later we found out there had been a fire there and there was strong spiritual activity in the pub.
I think if someone is in the next life and they visit you I think it’s a bit of an honour really. They might have plenty to do and they have taken time out of their day to see you – so yes, it’s an honour.
More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.
Sitting in the Littlehaven Hotel on a sunny autumn day in South Shields I’m listening to a familiar story which I’ve heard a lot since starting this site in 2017.
59 year old Durham musician Stuart Willis told me ‘I was in a band for a short space of time and got a taste of the music business. Although we weren’t a success commercially, we played gigs and got attention from record labels but didn’t quite get it over the line’. This is Stuart’s story.
(Stuart Willis outside Littlehaven Hotel, South Shields September 2025. pic. Alikivi).
Older generations of the family originally came down from Scotland to the North East to work in chemical factories and the mines. My father was first in the family to go to grammar school and became an accountant. He was the one who bucked the trend.
I remember my mam brought a classical guitar record into the house. I absolutely loved it. I was around 11 year old when I got a cheap guitar and music book for Christmas. I picked it up very quickly. There wasn’t anyone else in the family who played and the school I went to didn’t even do music lessons.
My first influences were The Jam and Specials the whole Two-Tone and post punk scene with bands like Television, Magazine and Gang of Four who I saw at the Gateshead Festival in 1982(The Police headlined with U2, The Beat and Lords of the New Church on the bill).
On the North East music scene was a band I liked called Neon. Tim Jones was in them and he went on to play fascinating music. I first played in a punk band in the local community centre when I was 16. Then I met Michael Salmon in 1985.
(Michael Salmon in rehearsal 1980s)
He was a drummer in Prefab Sprout with Paddy McAloon the main songwriter. When Michael left Prefab it was purely amicable. He wanted to realise his ambition of being a songwriter.
I was 18 playing in a duo in a pub in Witton Gilbert, County Durham. Michael was there that night. He liked what we were playing. I was playing classical guitar with Mark Wiles on bass.
Michael was a charismatic guy, excellent guitarist, singer and songwriter almost a teacher to me. Michael had a phenomenal record collection and I was introduced to all these amazing sounds.
We got in a drummer who was playing on the Durham scene and we called ourselves Swimmer Leon. Rehearsals were in Fowler’s Yard in Durham a lot of bands rehearsed there. We practised in there every week. The room itself almost became another member of the band. The sound was born in that room. We had about three albums worth of great songs that Michael had written.
The first place we recorded in was Consett Music project. We were all nervous. We recorded three tracks live and added a few overdubs. We took the songs out to play a few gigs.
(Swimmer Leon 1985)
We were mainly playing live around 1985 we got on well and had a cracking time. We supported a few big bands mainly playing University gigs. One night we supported the Ronnie Scott Quartet, he had a jazz group who had the club in London. Then there was ex Waterboy Karl Wallinger and World Party.
There were loads of times we met different musicians at these gigs who knew Michael from his Prefab days. There was the drummer from The Ruts who gave us some insightful advice about the record industry. He told us not be in a band because you can get lumbered with huge debts. Best to play for other people and get paid. Wise words.
For me the quality of any live work or recording we done was so important. Sometimes playing smaller gigs is a cacophony of sound but when we played the Students Union in Durham that gig was recorded straight off the mixing desk and we loved that sound.
After gigs other guitar players want to speak to you. That’s really great we appreciated all the attention but we thought where’s the women! We didn’t play ordinary chords so a few times they’d ask ‘At the beginning of that song what’s that chord’? and ‘Can I look at yer Gretch’. We were a quirky band and got a lot of press.
(Swimmer Leon 1986)
We also recorded in the Cluny Warehouse in Newcastle with John Silvester. Michael’s songs had jazzy elements too them, complicated chord progressions with complicated lyrics – it was like post punk jazz. With all the obscure influences we weren’t your run of the mill band. We were an arty band. We thought yeah, we’re great we’ll get a record deal!
Did you know we ended up with a development deal with CBS? Thing was we never sent a tape to them, strangely Michael thought it should come to us! The only thing we did was send tapes with the band name and telephone number to the local press to get reviewed.
All the major labels had regional scouts who would pick up on the music section in the local papers then come to gigs and take it from there. This is what happened to us and led us to recording in Guardian studio in a little village called Pity Me in County Durham. It was a really good studio.
Guardian was two houses knocked together with a large console and a piano at the side. The owner Terry Gavaghan was very professional about the work and we got on well with him. He wanted to know the structure of the songs, so we played them through sitting near the console.
Michael played drums on that recording his first time since leaving the Sprouts. I played guitars, bass and all the keyboards. Terry recorded it separately with a guide vocal, guitar, drums, bass and put stuff on top. He produced both tracks which still sound good today.
I was working in Windows musical instruments and record shop in Newcastle so I put their telephone number on our demo tape. A local reporter wrote a review of the tape. At work I got a call telling me it was Simon Potts at Capital Records and he was phoning from L.A. Yes Los Angeles! He asked if we had many songs so I told him about three albums worth. ‘OK I’m sending someone up to see you.’
Research has found an interesting story about Simon. He was originally from Newcastle and lives in Hawaii now. With a great pedigree within the music industry he signed The Beat, Simply Red, Thompson Twins, Stray Cats, all selling in huge numbers having massive hits. Last band he reportedly signed were Radiohead.
This guy came up to Witton Gilbert from London and liked what he heard. We quickly arranged a showcase gig in Newcastle pub Slones. Actually, Brian Mawson, my manager at Windows music shop arranged the gig for us.
I loved working in Windows. It was a great place surrounded by people with aspirations to become musicians. There were new instruments on sale, latest records, local releases also a wall full of wanted musicians and bands advertising gigs – a great atmosphere. Darren Stewart who played bass for a few years in Swimmer Leon worked there. Dave Brewis also worked there he was in The Kane Gang.
The night of our gig London record label were having a promotion so a lot of artists were there and ended up at our gig. It was mad. Simon Potts from Capital flew in from L.A. We had Bananarama dancing down at the front, I think the Kane Gang were there. The head of A&R at Capital records told us ‘We’re giving you some money to record, just as long as you don’t go to Montserrat with George Martin!’ So, we went back to Pity Me and Terry Gavaghan!
We were in Guardian for three days and recorded three songs. By then GO Discs were interested in us, Warners were interested in us, Phonogram were interested in us. We were going up and down to London for meetings but we couldn’t get it over the line. It was just two kids really, me and Michael Salmon. The thing was we didn’t have a manager.
(Swimmer Leon promo shot 1987)
I remember going to CBS for a meeting. We were in a lift and there was Mick Jones from The Clash. I thought what’s going on here? From being a 16 year old punk playing gigs in Grindon Community Centre to meetings, gigs, studios and all this record label stuff without us really trying.
But life caught up with us. There was a time we thought is this gonna work? We didn’t want to move from Durham. I was from Sunderland so was Terence the drummer, Michael was from Witton Gilbert, Mark was living in Durham. The irony is when the band split up in 1989 we all moved.
I lived in London in the early 90s and worked in marketing for Virgin records. It wasn’t a glamorous lifestyle. I was living in a dingy flat in Blackheath. I saw the inner workings of the record business and couldn’t wait to leave. Richard Branson had sold the label by then to EMI and everybody was losing their jobs. I handed my car keys in went to Kings Cross train station and couldn’t wait to get back to Sunderland.
What am I doing now? My ambition was to study music properly so I done a music degree at Newcastle University from 1993-95 and ever since then I’ve been a teacher at Durham University in the music department, performer in classical guitar and specialise in historical music performance where I play the lute. I’ve also got a publishing deal for Schott, publishing guitar books.
Don’t want to come across like a moaning old bloke but young people today don’t understand what a band is. To get four or five like minded people trying to evolve a sound and make it into something special for you – that happened for us. We were lucky to be able to do what we done in the 80s. Today I still listen to all the bands I listened to back then. I’m still passionate about music.
(pic. Gavin Webster, Centurion bar, Newcastle. Alikivi Sept. 2025)
I first met Gavin back in 2021 where we are today in the Centurion bar in Newcastle Central Station. He talked about being brought up in Blaydon during the 1960s and breaking into alternative comedy in the early 90s.
I missed out on the workingmen’s club circuit. But there was still a buzz for the whole comedy scene. I’ve been doing this for 33 years, I’m 56 now.
We talked about TV shows we watched as kids – Wheeltappers and Shunters Club, The Comedians and Minder.
It was great. It seemed there was chaos and a caper everyday down London. I wanted to move down there and get to know these types of people, hustling and bustling during the days, loved it.
Scene from Sunday for Sammy in 2018.
In 2004 I was at Newcastle City Hall watching an afternoon of Geordie entertainment. Sunday for Sammy concert was organised by Auf Wiedersehen Pet stars Jimmy Nail, Tim Healy and Lindisfarne drummer Ray Laidlaw.
Among the TV, theatre and music talent on stage was AC/DC vocalist Brian Johnson ripping into Nutbush City Limits. A great afternoon. Played to packed houses the show returns to Newcastle every two years.
Yeah about 20 years ago I done a Sunday for Sammy show at Newcastle City Hall. Originally, I think Ray Laidlaw phoned me up about it. I really enjoyed it. In fact, I done it twice, the first time was with the lads from Viz. There was myself, Simon Donald, Simon Collier plus a couple of actors and I think the boxer Glenn McCrory done a part. We done a Sid the Sexist sketch. The next time I done my stand-up routine.
There were two shows. A matinee and a show in the evening. The matinee went well and at the later show I went on early because I had another show to do at The Stand in Newcastle. I had played the City Hall with 2,500 people there, a full house, but only about a dozen people turned up at The Stand. That has happened twice in my career.
At the Edinburgh Fringe in 2003. It was a benefit gig for an HIV/AIDS charity at the 3,000 seater Festival Theatre on Nicholson Street. It was a star studded line up and I did a 10 minute slot. My parents came up for the day. After the show I took them down to my other gig where only 11 people turned up. You get brought down to earth with a bump.
My agent at the time told me to go to the Oranji Boom Boom Club in London as it’s a good place to go, people get down there. I played the club on a Wednesday night and did a good decent job, worked hard, took it seriously. But in front of only a dozen people. However, a few year later I done some TV work on Channel Four and the producer came up to me and told me that he saw me at the Oranji Boom Boom Club.
During the past few interviews I’ve asked how do you survive in the arts?
Sometimes it’s been tough. I met a shock jock type of comedian from Australia his father was very rich. He was well supported. He would tell wild stories about how people walked out of his gigs. Now if I done that, I wouldn’t be able to pay my rent. It’s alright if you have unlimited funds coming in.
There has been times without work but I get by. I’ve done some voice over work, small comedy/drama parts. I’ve been in two Ken Loach films. I had speaking parts in I, Daniel Blake and Sorry I Missed You.
I done some of the animal voices on a children’s TV show called Walk on the Wild Side with Jason Mamford. We recorded that in a studio in Wardour Street, London. The set up is you watch the video on the big screen and read through the script. I got to write some of season three. Sarah Millican done it, Jon Richardson, Rob Gilbert, Mark Benton – loads of comics done voices on it.
I totally understand when some actors can end up working in shops and restaurants cos you need a regular income or you can end up skint. Actors need TV shows like Eastenders and Emmerdale. The films and voice overs don’t happen all the time – stand up has kept me going.
What am I doing now? I do a pod cast called Bazookaaah, small stand-up tours, regular gigs at Edinburgh Fringe and the Tyne Theatre in Newcastle. This new show on 21 November is called Glory Be its Gavin Webster. It’s stuff from Edinburgh with some new stuff that I’ve added. I always write a new show every 18 months or so.
Last time at Tyne Theatre was January 2024. For this show I arranged it and done a deal with them just for the one night so it’s not a massive commitment for them. Really looking forward to it.
We’re sitting in the Centurion bar at Newcastle’s Central Station where I first met Leah back in 2021 where she talked about learning her craft in North East workingmen’s clubs from the age of 15, working with Bobby Thompson, touring with Ken Dodd in the ‘70s and appearing in panto with David Jason.
Now, after nearly 60 years in the business I was interested to find out just how did you survive in the arts?
This industry has always been tough for working class. I do promotion and acting, I’ve been writing with Alison (Stanley who featured in previous post) I’m busy all the time. When you’ve asked me is there weeks when I have nothing on, well no, I’m always busy.
Like when I started a production company in Jersey about 30 year ago. We would do plays or musicals but if we went on tour I would always play a role in it keeping an eye on things making sure there were no issues. You take on a couple of roles. That’s how I survive.
You can never say I’ll be working 52 weeks a year. But there was a time you’d wonder where you’ll be for summer season. I remember going to Jersey in March and not coming back till October. Whereas now it’s I wonder if I’ll get a summer season.
Some people take shows out to Europe. My niece Hariet has her own production company and she does a lot of work abroad. Although you’ve got to be careful who you work for.
In the 1970s I took a contract for South Africa when apartheid was in full flight. When I look back, I didn’t understand what apartheid was all about then. You couldn’t pick your phone up and read about it.
It was a total culture shock at 19 year old – like wow here we are in Durban. Then I ended up working in Rhodesia – it’s not called that now. The agent asked me to drive from Rhodesia to Cape Town – a very long way and I did it by myself. My mother didn’t know. I look back and think how did I do that and why!
Comedy and singing musical theatre was what I was doing on the Crazy Horse saloon circuit. It was quite unique for a female to be performing on stage, plus there were plenty other English acts going out. I think some British guys had bought into the Crazy Horse clubs and subsequently tapped into the UK club market.
Back then there were hundreds of entertainers plus it was a real show it wasn’t just a few singers getting up we had all the costumes and gear for a proper show.But as I’ve said back then you couldn’t pick your phone up and read about apartheid. I mean, I lived in Benwell all me life.
I remember flying back home and me ma’ and da’ met me at Newcastle airport. ‘I’m home at last’ I said as I flung myself at them ‘You must be the only lass who’s happy to be in Benwell’ said me Da.
I travelled a fair bit. I went to Australia twice a year for six years in the 80s. I just loved their lifestyle. I also performed at the American military bases in Germany. I remember the agent John Rae from Spennymoor here in the North East organised one tour. There were a few of us and he drove us around in a mini bus. He had all the responsibility and the things we done he must have wanted to kill us sometimes.
All this experience of understanding an audience has helped when I’m putting a show together. You see the show differently from actors who only see it from their point of view.
I remember doing Catherine Cookson’s ‘The Cinder Path’. I had Nicky Cochrane in it who played Steve McDonalds brother in Coronation Street. He was playing Ginger Slater, essentially the baddie. I gave myself a character called the fishwife who kept the story going and throwing a few laughs in as it was heavy going.
One show we were doing a matinee at Billingham Forum. I was waiting with Nicky to go on stage for our scene when he turned to me ‘Leah, this is a tough crowd’. I replied ‘Farringdon Social Club was a tough crowd this is a walk over’. A bunch of pensioners on the front row who might nod off would not present a problem.
Club audiences had a reputation for being tough but that was only because they weren’t there prepared to put up with anything. You had to be good. You had to know your stuff. That’s been a great backbone for work that I do now. How to read an audience. They’ve paid their money and tickets can be pricey for a whole family so you have a responsibility. That crowd need to be entertained.
I was brought up in variety but now I only do one variety show a year that’s the Silver Bells Christmas variety show for three nights at the Phoenix Theatre in Blyth. Looking around there were a lot of young people coming up but their take on variety was different from mine. I was old school. I’m not saying it was better in my day just different. So, I thought to keep working I’d just change what I’m doing. I’m going to step up. I went and done panto as well that led me to acting which I really enjoyed.
For the Blyth variety show we do sketches and a few gags a typical show I really enjoy it. I use the pantomime cast so there’s a lot of us on stage and this year it’s with Tommy Cannon who is a good friend. The poster said Cannon & Bell but when it was done large the Bell looked like Ball!
Tommy and his wife were up recently and we got watching some of the old TV shows like Wheeltappers and Shunters Club and yes it was a laugh but we were saying we wouldn’t dare say that type of joke now. Time has moved on. And so it should.
What am I doing now? ‘Dirty Dusting’ written by Ed Waugh is on tour in October. We’ve got my good friend Chrissy Rock (Benidorm) in it with Vanessa Karon and Paul Dunn. Can you believe the show still sells out. It was originally performed over 20 years ago. First time I did it was 12 years ago and it’s been on tour at least twice a year every year.
From late November through December, we have ‘Sleeping Beauty’ panto at Consett Empire with Marcus Collins from X Factor then next year Alison Stanley and I have ‘Tit’s Up’ going out on tour. That play is about the relationship between three ladies as they wait in the Oncology department in hospital.
It’s sharp, it’s funny, we wrote it together. Some of the shows funnier bits are added on the spur of the moment and Alison tells me to write them down for the next show cos ‘you might forget it’. My character is nosey she wants to know everybody’s business, she thinks she’s gone for a day out.
We’ve just done a short tour and it’s done well at the box office. On the first performance me and Alison were nervous because some ladies from the Cancer Society were in the audience.
Mentally and physicaly I feel better now than when I was 40. I’m 72 now but I’ve always been energetic and kept busy and turn up early for work. I’m happy to have made the move from variety to acting. The world has moved on and so it should. Would I ever retire? No chance.
Former Shields Gazette graphic artist David Haldane established himself as one of the top cartoonists in the world. Blyth born David, now 70, worked for the Gazette from 1977 to 1983, he currently creates cartoons for The Observer and Private Eye and had his work regularly produced in Punch, The Express, Mirror, Guardian, Telegraph, Daily Mail and the Sunday Times. He also contributed sketches to the original TV series Spitting Image.
However, it is for producing cartoons for The Times from 2005 until 2017 that David made his mark, transforming him into one of the best cartoonists in the world.
South Shields playwright Ed Waugh has been asked to host an evening in conversation with David at The Word in South Shields on Wednesday September 24th at 1pm. He said: “I’ve known David for 20 years or so and he’s both very sharp and very funny. You have to be to create top-class satirical cartoons every day, often at very short notice, for national newspaper front pages.”
He added: “David’s career stories are both deep and hilarious. It will be a fantastic event for people who want a laugh and those who want to find out about some of the stories behind the many thousands of tremendous cartoons David has created and had published.”
The event follows his sold-out illustrated talks at the prestigious Lit & Phil in Newcastle and Blyth Library.The talk on Wednesday, September 24 at 1pm is part of The Word’s WRITE Festival.
Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.
In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.
It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?
Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.
Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.
An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.
The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.
I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.
I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.
I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.
I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.
And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.
That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.
In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.
Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.
My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.
Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.
I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.
Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.
Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!
Meeting up with contributors to this site I’ve asked how they survive in the arts. Some talk of persistence and others simply being obsessed by it. I think to give yourself a good chance you’ve got to be prepared to work on it day in day out basically 24/7/365 days a year.
85 year old Sheila featured on this site in June 2018 where she talked about spending her life in art – so she was the perfect person to ask.
Surviving in the arts is for me going with the flow. I believe in my Mam’s saying ‘Every day in every way in everyday I’m getting better and better’ particularly when you are feeling crap or when things have gone wrong. In the arts you need this saying because there are times when things just don’t happen for you. Tempered with that my Dad used to say ‘worse things happen at sea’! So never, never, give up. Keep positive and keep going.
After attending Art College Sheila then went to Birmingham School for Training Art Teachers in 1961.
That was the best thing to happen to me. I was shown that everyone is an artist in their own way and it’s your job as an art teacher to bring it out. It’s about giving something positive to people in their lives.
I first taught art in comprehensive schools in South Shields and by 1970 I was divorced and had time to play so bought a super 8 cine camera. Play is very important plus having a messy room or studio where no one tidies up after you!
My first messy place was at home in South Shields working at a desk looking out onto our little garden. Later it was a studio in the Pilot Office overlooking the river Tyne. Then by the mid 70s I got a break in animation.
I was contacted by an agent for World TV who sold the short films I made globally. She later commissioned me to animate 10×10 minute ‘Just So Stories’. The actual process of animation can take a long time to produce minutes on video so the only way I could produce this was to give up teaching – which I did in 1980.
Sheila animating Frame by Frame for World TV and her Mam crocheting for a local shop – a true cottage industry.
Sheila also works with various charities, the last post features Anna Malia and North East Animal Rights, how did you get involved with them?
When I lived in Ireland I saw an incident, not to go into it here too much as it’s really upsetting, but there was a field of cows and a calf that broke free from the herd. It was about how it was dealt with by the farmer that really affected me. I thought if I get the chance I would do something for you – for that calf.
I heard a song by North East musician Jen Stevens, loved it, and thought that would really work with images. I asked Jen if I could use it and she said yes. We put it out and Anna Malia from North East Animal Rights got in touch and we took it from there.
Sheila is currently working on a book about George McVay, a little known artist who lived from 1902-1967. Former Shields Gazette journalist Janis Blower is in the process of editing it.
George was a very good photographer which accounts for the very large detail in his pictures. His style of painting was very photographic. When I was 8 my mam bought a set of his prints that the Gazette had commissioned and I loved looking at them like kids look at ipads now. For a long time I done plasticene models of them.
All his life he drew some amazing illustrations of Shields and surrounding areas. Some people may recognise his black and white drawings, very clear, very precise everything from the old Town Hall to the piers, the river and the Groyne. In the book Janis Blower will be adding underneath a description and history of George’s picture.
In his early days I gather he worked at Readhead Shipyard, he was studying planning, design and engineering. His Dad was mayors secretary at South Shields Town Hall and was a good photographer. It’s thought he said to his son that he should work in the Town Hall and he eventually did, he was employed in the ratings department.
Out of the goodness of his heart he’s done drawings for presentations at the town hall. There are some amazing manuscripts, whatever was required he could do it even when people leave. He also done commissions for the Shields Gazette.
The Shields museum have some in their store. He has stuff in the Hancock and Discovery museum, Newcastle. He did a showing at the Laing Art Gallery and down in London but all track of that is lost. Unfortunately, nobody has given him the recognition that he deserves.
What I’ve found over the years is that he and I have followed parallel tracks. We have both done a lot of work for charity and both drawn the most popular buildings and views in Shields because we love the place.
To contact Sheila check out her official site at >>>
ALIKIVI : NORTH EAST UK CULTURE 