ELECTRIFYED – new record & new guitarist for Tygers of Pan Tang

John Foottit was born and bred in York in 1960 and now lives in Darlington with his wife Sandra.

I have been in Darlington for about 30 years.

Is music in the family?

There is no musical history in my family so I am not sure where it has come from. I had a couple of toy guitars as a kid and apparently my mother said I used to play nursery rhymes on one string.

Who were your influences?

Back in the day I loved Hank Marvin and the Shadows and I wanted to play guitar. I broke my ankle at 14 and I asked my mother for a guitar. That was it. The bug was there and I started to learn. I’m self taught and practice for hours. No instructional videos, dvd’s, YouTube etc it’s all by ear and books.

When I started an apprenticeship at 16, I was getting into early Queen, Thin Lizzy, Priest. I was lent an album by UFO featuring Michael Schenker. That was when serious practicing started.

When were your first gigs?

I was in my first gigging band at about 18. Nerve Senta we were called. We just played local gigs in York which had a good music scene back in the day.

I have been in some quite successful bands throughout the years with lots of material on YouTube. Mai Rouge, Change of Heart, Chrome Molly and my own instrumental album called ‘Equilibrium’. It is very influenced by my guitar hero’s Michael Schenker, John Petrucci, Joe Satriani, Randy Rhodes and George Lynch.

How did the job with the Tygers come about?

The Tygers job came through knowing Huw (Holding) the bass player who I’ve known a few years. We play in a covers band together and one evening he asked me if I was interested in a guitar position that had become available with the Tygers. I knew a few of the band already through gigging and festivals. They knew me and knew I could play so there was no audition as such. We met and it was mainly about how we would get on as people working and travelling together.

What’s next for the Tygers?

The new album is recorded and the first single comes out on May 4th. It’s titled Electrifyed. As is the album. The album was recorded remotely, due to the logistics of the band being so far apart. Some was recorded in Italy, the Netherlands and back home in the North East. It was completed at Christmas.

The songs were pretty much written prior to me joining but I played all the rhythm guitar parts along with Robb (Weir) and 80% of the leads were mine.

It’s a bit heavier than a lot of the albums but is full of catchy hook lines and still has the character of a Tyger’s song. I think it will be received well by the Tyger’s fans. The people that have heard it really like the single Electrifyed. Did I say it is due out on 4th May!

Any gigs lined up this year?

We have just completed a four day Spanish tour supporting FM. It went really well and I’m starting to bed in with the rest of the band now.

We have three UK shows coming up this week. Shows in Europe for the festival season are arranged and we have a South American tour at the end of May for 10 days.

For more news/gigs/photos/shop contact the official website >>>  Tygers Of Pan Tang – The Official Site

Alikivi   May 2026

THE BATTLE OF BOLINGBROKE – The Borestiffers 50th anniversary gig

Where were you in the latter half of the 70s? New Rose by the Damned was the first single released by an English punk band, Monty Pythons Flying Circus became as big an influence on TV comedy than The Beatles had on music and before the end of the decade audiences were exposed to their surreal comedy film ‘The Life of Brian’. Sadly, millions mourned across the world as 1977 claimed the life of Elvis Presley.

However, here in South Shields also in 77, boxing’s Heavyweight champion of the world Muhammad Ali visited the town to have his wedding blessed at Laygate Mosque. And legendary punk band Angelic Upstarts formed and within a few year appeared on Top of the Pops and toured the USA. Before making it they gigged at the Bolingbroke Hall in the town. Another crew who played in that hall were The Borestiffers.

Who were The Borestiffers? The Borestiffers featured an early Wavis O’Shave he of later musical fame and appearances on live TV music show The Tube, other members included Heedfuzz, Braddy, Teddy Anteater and John ‘Fig Roll’ Davies who would rarely turn up. February this year was the 50th anniversary of that notorious gig played in front of several rival gangs of the town.

A surreal non-musical skiff-lish group playing empty suitcases, sooty guitars, bullworkers and even a kitchen sink, The Borestiffers in total recorded two cassette albums, played four gigs in South Shields, three at Bolingbroke in 76 and one at The People’s Palace in 77. But it was the initial gig that ended in a riot that remains in folklore memory.

Heedfuzz, Wavis, Braddy & Teddy.

I hear you had some trouble during your Bolingbroke rehearsal?

WAVIS:  Two of hardest men in the town used to work out in the gym there and when they heard us making such a racket they turned up to see what was happening. All of the band went deadly silent and I had to explain. When they asked how much we charged admission I told them, a slice of bread, hard boiled egg or a stick of celery.

HEEDFUZZ: They wanted to sit in on the rehearsal of the first piece of our noise. Once we finished, they silently returned to the gym.

Who and how many turned up – any local ‘celebs’ of the town?

WAVIS: There was a fair turn out from about four different rival town gangs – Whiteleas, Biddick Hall, the Nook and Westoe.

BIG PHIL: There were about twenty members of the Whiteleas Estate Aggro Boys – most of them didn’t have a clue what to expect. I knew it was going to be nuts but the idea of trouble wasn’t in my mind, we were a well-known gang of lads who stood together in times of trouble.

HEEDFUZZ: About 50 or so attendees from various parts of the town. Turf warfare was a common practice during the 70s.

Teddy, Braddy & Heedfuzz

What songs were on the set list?

WAVIS: Most I recall were from the first Borestiffers cassette album ‘Black Shoes and Mongooses’ like Rubber Song where we dropped the stylus onto the rubber turntable and chanted ‘Rubber song’. Three different songs about shoes, one making it to my ‘Anna Ford’s Bum’ album, also Josepheener Tursepheeners with accompanied customised absurd dance.

HEEDFUZZ: We also did The Seven Puppets of Corbett – spoofing the Queen hit, and it was about The Sooty Show. Intro music was the Can Can followed by a loud recording of an outside back yard toilet flushing where we entered the stage, wandered round like lost souls, and then re-entered again.

Can you remember how you were dressed?

WAVIS: I had a Subbuteo floodlight strapped on my head and played a Sooty guitar.

HEEDFUZZ:  I had a top hat with a child’s pink telephone attached around the rim with elastic bands, and a tailcoat.

BIG PHIL: The gig itself was so surreal many of the lads just couldn’t cope with what they had witnessed – the weird outfits, the fact that the group couldn’t play. I was in heaven.

On the night was there a compere?

WAVIS; Nope, we had no one to spare but I doubt anyone would offer if we did, but we did have member of the Sunderland Hells Angels on the door as a bouncer who in later life featured on various TV shows as Martial arts instructor. His jacket was padded out with multiple parts of a lathe.

HEEDFUZZ: Spike Milligan would have been superb but he had earlier wrote to Wavis declining an invite to manage us thinking we were musical.

Heedfuzz, Braddy, Wavis & Teddy. pic taken in the famous South Shields landmark The Westoe Netty.

Why did you choose to play Bolingbroke Hall?

WAVIS: I had to tell the owners that we wanted it for a poetry recital otherwise I doubt they’d have given it us. Eight quid it cost. I thought it was the perfect size venue for an expected sizeable gathering and if there were any trouble which I’d predicted, they’d be plenty of space for people to fight! It inspired the Angelic Upstarts to book the place.

HEEDFUZZ: It was a suitable size and ideally situated in the centre of town ideal for public transport.

BIG PHIL: At the end it all erupted, and the place got trashed in unison by all the gangs there. On the way home everyone was laughing in bewilderment. We knew we had witnessed something out of the ordinary but most couldn’t grasp what! I was a bit upset about the mini riot but over the moon that I had witnessed so much absurdity in such a short space of time.

HEEDFUZZ: On the way to the show I met a kid who was going and he opened his wallet to prove he had a ticket as well as a slice of bread in there asking if it was really needed. I told him it was a charity gig for the Marine Park wildlife.

Alikivi   April 2026

THREE MINUTE POP SONG with Newcastle singer-songwriter Alan Fish

In the 1980s Alan was guitarist and songwriter in Newcastle bands Loud Guitars and White Heat – who signed to Virgin records and recorded one album.

For the past 10 years he has toured as a session musician with American singer-songwriter Jesse Terry. He has also produced a number of recordings as The Attention Seekers.

‘The Attention Seekers were formed around 1999, our first album was released in 2002 since then we have released six albums and a seventh is in the final stages.’

‘I am very fortunate in the fact that over the years I have built up a relationship with a number of radio stations in the UK, and USA. I measure the success of my releases by the number of plays they attract. It’s always a thrill to hear one of my songs on the radio like Seven Bridges, The Prudhoe Song, The Girl With The Jukebox Mind and Sweet Anna Brown.’

Watch the video here >>>

The Attention Seekers – Sweet Anna Brown – YouTube

In the 1970s Subbuteo teams and pop singles was what I spent my pocket money on. The first singles I bought were Elected and Hello Hurray by Alice Cooper plus Sweet and Slade who were always on Top of the Pops.

‘Good choices. I was a big fan of Alice Cooper. I discovered them on Old Grey Whistle Test performing Under My Wheels. The album ‘Killer’ is a classic. Slade finally won me over with How Does it Feel – a brilliant song.’

‘Examples of perfect pop singles would be All The Young Dudes – Mott The Hoople, When You Are a King – White Plains, Virginia Plain – Roxy Music, Fire – The Crazy World Of Arthur Brown and Waterloo Sunset – The Kinks. My first single was Woodstock by Mathew’s Southern Comfort. To this day it still sounds perfectly crafted.’

Tony Davis & Sam Blewitt, Cluny Studios, Newcastle.

‘In my opinion the three minute pop song is the ultimate art form. This feeds directly into the way I write and record. The flexibility of The Attention Seekers is the perfect vehicle for me to explore this concept. In the studio the song will dictate the line up.’

‘My ‘go to’ musicians include Trevor Brewis, Tony Davis, Sam Blewitt, Jesse Terry, Romaana Shakir, and Niles Krieger. I would definitely feel compromised if I had to use a conventional ‘rigid’ band line up.’

Trevor Brewis, Cluny Studios, Newcastle.

What have you got planned for this year?

‘I am presently in the final stages of completing a new Attention Seekers album, I have recording sessions booked for the end of April. Tony Davis’s Cluny Studio is my studio of choice. I am also working with ’The City Of Newcastle Male Voice Choir’ developing a choral version of ’Seven Bridges’.

‘Recently the choir invited me to play a guest spot at one of their concerts. I enjoyed the challenge of performing ’stripped back’ versions of my songs, and the impact of the choir adding their voices to the choruses was an experience I’m keen to repeat.’

For further information, news, photos, songs, video & gigs contact the official website >>>

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Alikivi   April 2026