Playwright, lyricist and poet Tom Kelly who now lives further up the Tyne river at Blaydon, has released a new collection of poems published by Northumberland based Red Squirrel Press.
‘My collection, prior to ‘These Are My Bounds’ was ‘Walking My Streets’ (interview on site July 2024) published in 2024 and from that point I was building up work for my next collection’ said Tom.
‘I prefer to have new work published in magazines and the majority of poems in a new collection have been published. It allows me to see them more objectively.’
‘Once I’ve had a number of poems published, I begin to select which ones may work in the together. Next is the business of the running order. I found with, ‘These Are My Bounds’ they worked best by moving from past to present. I open the collection with a poem using my grandmother, Maggie Henderson, who died in Jarrow in 1969.’
Tom has had fourteen books published by Red Squirrel Press, the first was ‘The Wrong Jarrow’ from Smokestack Books.
‘That was in 2007 and is now out-of-print. Before these collections I had a number of pamphlets published by a variety of small publishers.’
Tom adds ‘My first pamphlet was the ‘Gibbeting of Wm. Jobling,’ published by the Bede Gallery, Jarrow in 1972.The publication was made up of poetry, prose, contemporary documents and illustrated by Vincent Rea.’
What are your hopes for this new collection?
‘I would, like most poets, to find readers who warm to my work with positive reviews and good sales to have my publisher Sheila Wakefield of Red Squirrel Press publish my next collection.’
Quotes and reviews from previous collections.
‘Another consummate, heart-warming collection from the talented Tom Kelly’.
Alan Morrison, in Morning Star.
‘He writes in a simple style, sometimes in the dialect of his native north-east. What he writes about should never be forgotten, though the rich and the powerful do their best to expunge it from collective memory.’Review of ‘No Love Rations’, short story collection.MQB
‘Tom Kelly writes poems that are straightforward and about the people and the places he’s known all his life. The North-East is his “small patch” and its history and traditions loom large in just about everything he writes. If the term “regional writer” means anything it certainly applies to a writer like Kelly. You can see and smell and hear both the past and the present as you read the short, jabbing lines with their penny-plain words.’The Penniless Press
‘These Are My Bounds’ available from Red Squirrel Press.
(John Heston in the Littlehaven Hotel, South ShieldsFeb. 2026. Pic. Alikivi.)
I’ve known John since 1970s living in South Shields and going to Tyne Dock youth club where rock music was blasted out of the disco.
‘Yeah, I was a bit of a rocker then. The first band I got a ticket for was Scorpions at Newcastle City Hall. I went on my own, I was only 11 – I’m 57 now. I had no concept of what a gig would be like’ said John.
‘When the band were on stage, I noticed something different. Was it an extra member? I didn’t recognise some of the songs. When they finished, I walked out when a bouncer on the doors stopped me “Hey son you not hanging around for the main band?” ‘I’d only watched the support band who happened to be Tygers of Pan Tang from Whitley Bay!’
‘Harry Hill the drummer of rock band Fist, his mother lived near me when I was a kid. When he used to come to see her, he’d drive into the street. A few times I would run over to get his autograph cos the band had just released a single. I met him years later he was really nice. We had a laugh when I told him about it. “What! You were that little squirt who used to come over all the time?”
‘Buddys nightclub in the town had an under 18’s disco and what caught me ear was bands like Stiff Little Fingers, The Jam and The Clash. Alternative Ulster from the Fingers blew us away. Unfortunately, as I was just getting into them these bands were starting to split up! I was a curse, too late for the party’.
One day in 1985 I was in Newcastle record shopping when I was surprised coming across a band busking at the Grey’s Monument. I wasn’t sure at first but it was The Clash.
‘Yeah, I’d been up Newcastle that day but missed them. The busking dates and locations were unannounced. I did meet Mick Jones’ band Big Audio Dynamite at the Mayfair – they handed out cans of Red Stripe. But we missed the last bus so had to walk home afterwards. About 10 mile!’
‘I’ve met Joe Strummer when he was on his solo tour. Had a smoke and drink with him backstage at Newcastle Uni. They say never meet your heroes but glad I did cos he talked patiently to us and answered our questions. I like that, open and relaxed not like now paying for a meet and greet.’
Since being a teenager John has been attracted to music.
‘I was never one who wanted to sound like Jimi Hendrix. The guitar was a songwriting tool for me. I remember when I was around 12 walking in the West Park, South Shields and this loud noise was coming from a distance. I followed the sound which led to a hut. I opened the door and there was a band inside rehearsing. It just hit me. I immediately thought I wouldn’t mind doing that.’
‘It was songs I was interested in, not just the guitar, I wondered how did they put them together? I was interested in the nuts and bolts of the song.’
We talked about great 80s music TV programmes like The Tube which I was lucky to get free tickets for to be in the studio audience. Watching rock bands like Thin Lizzy, Judas Priest and Gary Moore was great but this was the time that The Alarm, The Cult, Killing Joke and Big Country were making a different noise.
‘The first Big Country album really helped me learning guitar. It was a big influence.’
Previous interviews have revealed a family member who used to sing in the clubs or a granny who had a piano in the front room – but not in John’s case.
‘Me mam says I don’t know where it has come from cos there is no history in our family of any musical talent. I think it was just the generation I grew up in. I thought being in a band was beyond me. The punk attitude of going out to just do it made it more possible.’
‘Thing was there was no money around. I only had a cheap guitar from a shop in South Shields called Second Hand Rose. The scratch plate was made from the perspex from a bus shelter window. I don’t know what the strings were made of – possibly chicken wire – but they toughened my fingers up.’
‘It was just getting the feel of playing guitar along to records. I got a book out the library which showed me a few chords. I never got a proper guitar until I was 18. As I say writing songs was what I wanted to do and I started looking around to work on this with somebody.’
(Cloud 10, Laygate 1995 with John on the left pic. Alikivi)
‘I had a mate, Paul Stephenson, who wrote lyrics so we worked on them with some music for about two years. His brothers were a guitarist and drummer and we contacted Neil Newton to come in on bass so formed a band called Cloud 10. We found rehearsal rooms in South Shields this was around ’94.’
‘There was a good scene in Shields then. Plenty of bands like The Calm, January Blue, The Fad, Lemongrass and Nosh at venues like The Vic, the Amphitheatre and I remember playing a showcase gig for community radio station Seven FM at Temple Park Leisure Centre.’
‘After a few gigs we were getting noticed and a guy called Danilo Moscardini, who had a music page in the Sunday Sun newspaper, got in touch after hearing our demo tape. He managed Sunderland band Kenickie at the time who had a few hits. The singer/guitarist Lauren Lavern works on the BBC TV One show now. But after initial interest from record companies it faded away and me and Neil went our own way, forming a band called Speedster’
‘Pre-internet it was adverts in local music shops ‘looking for drummer’ that took ages. Then Neil left to join The Chasers with ex Wildheart Danny Mccormack and I joined The Last Men on Earth with Chris Wraith, Martin Payton and Wayne Burgess. We played around the pubs doing a mix of our own songs with a few covers which earned us enough money to buy new equipment and book in studio time.’
(The Last Men on Earthwith Chris Wraith, John Heston, Martin Payton, Wayne Burgess).
‘We were playing a few days a week around the North East and we got down to Camden in London. Again, this band fizzled out and me and drummer Martin Payton talked about getting something together.’
‘As Panic Report (Richy Harbison – keyboards, guitar & vocals, Steve Moore – bass & vocals) we went a similar route as Last Men on Earth by playing originals mixed with covers. From this we got ourselves a decent recorder where we got a few tracks down on CD. Obviously not as good a sound as studio but we spent more time on the tracks and didn’t worry about looking at the clock ticking. Studios are expensive.’
‘We did eventually book into a pro studio and have recorded two CD’s with our new one ‘Kingston to Coventry’ (pic below) which we are releasing on vinyl in a few months. The master tracks are sent away and the wheels are in motion. We will be arranging a launch party in the summer.’
‘For gigging the Panic Report have supported Toyah and Bad Manners at Newcastle Academy. We have played at Stone Valley festival (Bad Manners, From the Jam, Cast, The Professionals with Paul Cook, Bob Geldof). When I was 16 and people said you would have been in a band playing gigs alongside these people I wouldn’t have believed them.’
‘Although not long ago we done a gig down Bishop Aukland with only ten people in the audience, but you still play and just get on with it and enjoy it. We love what we are doing.’
‘A gig I enjoyed was when Angelic Upstarts supported us at Mensi’s 60th birthday at his pub the Alexandria in Jarrow. It was unbelievable. We couldn’t believe it when the big man asked us. Mensi wanted to go on before us then relax before the whole gig finished. It was a great night. The place was rammed’.
‘We’re playing on the Mensifest soon. The organisers are looking to get a festival in remembrance of the Upstarts singer who sadly died a couple of year ago. The gig will be at the Unionist Club, South Shields. There will be about seven bands on with Crashed Out headlining. The tickets are going well the organiser is hoping to make it an annual event.’
‘We’re more or less busy through the year with festival dates and there’s promoters still getting in touch to arrange more.’
Since he was a teenager playing music has been in John’s blood and being able to still be doing what he love’s for over 40 years, he says is a privilege.
‘I’ve done around 700 gigs since starting and I’m ready to keep going’.
‘Kingston to Coventry’ available on vinyl this summer. Check The Panic Report social media for details.
Southside Promotions present ‘Mensifest’ on 21st February 2026 at The Unionist Club, South Shields. Line up featuring Crashed Out, Red London, The Fauves, The Panic Report and more. Tickets £15. On the door £20.
Sadly, some schools are still using egg-hatching programmes as a misguided way to educate children on life cycles of animals or using them as a treat to the children in their care explained Anna.
As more and more schools realise the problems these awful programmes cause, the companies who exploit these live young animals have extended their business model to include care homes where they aim to use them in so-called enrichment activities for residents.
Anna added…Despite the companies saying they will take back and home all unwanted chicks and ducklings produced from these programmes, the reality is very different. Even in the small print of the contracts they say that hirers have to be realistic about the fact that ‘some’ will end up as food and males will be culled.
Male chicks turn into very noisy cockerels and every year rescues are swamped with both male and female chicks and ducklings who are abandoned once they grow out of their useful ‘cute’ stage.
Our local wildlife and domestic animal rescue centre ‘Pawz For Thought’ who are based in Sunderland, are inundated every year with abandoned chicks from egg-hatching programmes.
A spokesperson for Pawz said“Every year we are inundated with calls from concerned parents of pupils who aredoing hatching projects. School hatching projects are often presented as education, but the reality is far from kind.”
“Chicks are hatched in the name of learning, yet the process has become a form of lazy teaching. For a few weeks, children view these animals as entertainment—then the chicks are handed away, this teaches young people that living beings are disposable and exist for our pleasure.”
“Every year, we are asked to take in chicks to save them from being culled. Around half of all chicks hatched are cockerels, and there are simply no homes for them. They face a terrible fate.”
“Schools often believe they are rehoming them to willing parents, but with no follow-up, many unwanted cockerels eventually end up dumped once they mature. This cycle of suffering must stop.”
Anna said…As part of their Animal Protection Charter, South Tyneside Council have contacted all of their schools and asked them not to use these programmes. They confirmed recently that none of their primary schools will book these programmes again making them an ‘egg-hatching programme free borough’!
Cllr Judith Taylor Chair of the Animal Protection Charter Working Group at South Tyneside Council said“South Tyneside Council is committed to the highest standards of animal welfare. We have taken decisive action by contacting all our schools to urge them not to use egg-hatching programmes.”
“We believe there are far more compassionate and educational ways to teach children about life cycles, and we encourage all educational settings to consider the welfare of animals in their care.”
Anna added…These programmes bear no resemblance to the actual life cycle of chicks and ducklings – they are not hatched in sterile metal and plastic incubators for a start. They do not have the warmth and love from their mother and of course they don’t show students where the birds end up and how they are slaughtered for food.
What are we doing now? We are currently campaigning across the North East and also have a group working in the North West and a group in the West Midlands coming on board. We want schools and care homes to know the misery these programmes cause.
We are also encouraging people to contact their MP and the Education Secretary to ask them to update the curriculum to remove the suggestion of egg-hatching programmes as an educational tool.
Thank you to South Shields artist Sheila Graber for the animation.
For further information about the work of North East Animal Rights contact >>>
Jeff Brown & Ian Payne appearing at North Shields Exchange 29 April 2025.
Two of the region’s most loved television icons will be appearing in North Shields this month on their regional tour. Jeff Brown and Ian Payne who between them presented award-winning local news on the BBC and Tyne Tees Television for more than 30 years will be sharing the stage at the Exchange Theatre.
People will get the chance to learn about the interests and lives of these TV personalities who have been welcome guests in our living rooms for decades.
Jeff, 62, joined the BBC over 20 years ago, co-presented Look North with Carol Malia until he left in May last year. Ian, 56, joined Tyne Tees in 1992 from Nova International where he worked with Brendan Foster on the Great North Run. Ian has presented with Mike Neville and the much-loved Pam Royle. He now shares news anchor duties with Amy Lea.
Despite once being on rival stations they are good mates – having worked together at Tyne Tees for six and a half years in the 1990s.
The compere for the evening will be South Shields playwright Ed Waugh (Wor Bella, Hadaway Harry, The Cramlington Train Wreckers) whose play Carrying David transfers to Newcastle Theatre Royal in June. Ed explained “I’ve worked with Jeff and Ian at various times, especially at Sunday for Sammy. They’re both really entertaining and interesting lads. Whenever we get together it’s one long laugh.”
He continued “We put them together a year ago at the Lit & Phil in Newcastle and the Customs House in South Shields where it sold out twice at both venues. It went down a storm.They are both cultural icons of the region, that’s why we are touring to The Exchange in North Shields, Gala Theatre Durham, Bishop Auckland Town Hall and Gosforth Civic theatre.”
Ed continued “Ian was a top trampolinist in his youth and appeared on the children’s television show Blockbusters! He’s also a creative writer, a budding artist and loves music. Likewise, Jeff is a creative writer. His excellent play – The Bench – is touring the region in June. He’s also a canny chanter. I’ve seen him sing live with a band and he rocked”
“It’s a cracking show their stories are captivating and hilarious. It’s a fantastic opportunity to get to know Jeff and Ian better.”
An Evening with Jeff Brown and Ian Payne will be at: Durham Gala April 24, North Shields Exchange April 29, Bishop Auckland Town Hall May 12, Gosforth Civic Theatre May 16. Contact the venues for details.
She died a forgotten hero in 1979, but WW1 women’s football superstar Mary Lyons is about to get the recognition she deserves when a headstone on her previously unmarked Jarrow grave is unveiled in April.
Mary was born in 1902 in Jarrow. In 1918 aged just 15 she became the youngest-ever England footballer and goal scorer when on her debut she scored in front of 20,000 people against Scotland at St James’ Park, Newcastle. It is a record that still stands today, and yet her achievements have been written out of history – until now!
Mary died in Primrose Hill hospital, Jarrow, in 1979, aged 76, and was laid to rest in an unmarked grave with three others. The Friends of Jarrow Cemetery have been at the forefront of getting recognition for the town’s forgotten football hero and, last year after discovering her final resting place, erected a 3ft wooden cross to mark the grave.
However, Mary features prominently in Wor Bella by South Tyneside-based playwright Ed Waugh (Dirty Dusting, Carrying David, Hadaway Harry). Bella Reay was played by North East actress Catherine Dryden.
Catherine Dryden (‘Wor Bella’)in Blyth football strip.
Due to the success of that play in the North East in 2022 and its hugely successful re-run in London and Newcastle Theatre Royal last year, the Friends of Jarrow Cemetery moved to get Mary a permanent headstone.
Jarrow amateur historian Stewart Hill, 73, and Tricia Vickers, 67, are members of the Friends and have led the way in getting recognition for Mary. Stewart explained “Mary was the youngest of eight siblings and she worked in Jarrow shipyard during WW1. She was a tremendous footballer by all accounts. She debuted for Jarrow Palmers when she was only 15 and quickly caught the eye. In May 1918, she was seconded to the mighty Blyth Spartans for the Munitionettes’ Cup final against Bolckow Vaughan of Middlesbrough”.
“Mary scored a goal in the 5-0 victory at Ayresome Park, in front of 22,000 spectators and was crowned ‘Player of the Match’. The following year Mary captained Jarrow Palmers to win the Munitionettes’ cup at St James’ Park, in front of 9,000 supporters.”
Stewart added “So by the age of 16, Mary had won two cup finals, scored in one, captained her team in the other and became the youngest-ever England player and goal scorer! What a brilliant achievement! Imagine what she would be like today, given the modern game and opportunities.”
Tricia, said “Our great friend George Le-Blond of Abbey Memorials in Jarrow has generously donated the beautiful marble headstone and genealogist Sam Nicol has been a great help trawling through hundreds of newspaper articles for information.”
She continued “Friends of Jarrow Cemetery work to keep the cemetery welcoming and clean, and make it safe for people and their loved ones. This is a tremendous development. Mary and the WW1 women footballers should be an inspiration to young women everywhere.”
Christine Knox (on the left) being presented in 2024 with her red England Legacy Cap by Lioness Lauren Hemp. The cap is numbered 36 to mark Christine’s legacy number – the 36th women to play for England. The presentation took place at St. George’s Park, the national football centre, in Staffordshire.
The unveiling will take place at Jarrow Cemetery on Sunday, April 27, at 11.30am, everyone is welcome to attend. A brass band will lead the procession to the grave and ex-England Lionesses Christine Knox and Aran Embleton will perform the unveiling ceremony.
Christine, who won ten England caps in the 1970s and 1980s, played for Wallsend Ladies, Whitley Bay Ladies and North Shields Ladies.
Aran, the first millennial Geordie Lioness, gained four England caps and played for Blyth Spartans, Sunderland Ladies and Doncaster Belles in her illustrious career.
Aran Embletonholding an England cap.
Aran said “I am proud to have been invited to recognise Mary who, like the incredible Bella Reay of Blyth Spartans and other women of their generation, played women’s football until it was criminally banned by the FA in 1921.Players like Christine and I, and the current Lionesses, stand on the shoulders of these brilliant working class women from more than 100 years ago.”
Following the unveiling at Jarrow Cemetery, there will be refreshments and a celebration of Mary’s footballing achievements at the Iona Club, Hebburn. Due to start at noon, speakers at the event will be Wor Bella co-producer Jane Harker, Aran and Christine and Wor Bella actress Catherine Dryden. The event is public and entry is free.
If ya like ya lists these make for interesting reading. There’s been a new welcome addition to the back office stats from owners WordPress. Previously they’ve counted views from each country with the total to date 422,000.
Now they have drilled down further and added the number of views from what regions and cities where the posts are being read. These are from start date February 2017 – March 2025.
Top 10 countries >>>
UK
USA
Australia
Canada
Spain
Germany
Ireland
France
Netherlands
Italy
This list includes countries with ex pats who I think will add views from countries like Australia and Canada. European countries Germany, Spain, Italy, France etc might include followers of the New Wave Of British Heavy Metal – I’ve added many posts including North East bands Fist, Raven, Tygers of Pan Tang etc.
Top 10 regions >>>
England, UK
Scotland, UK
Virginia, USA
Wales, UK
California, USA
Northern Ireland
Dublin, Ireland
Limburg, Belgium
Texas, USA
Ontario, Canada
This list is harder to summarise – USA regions Virginia, California and Texas in the top ten are a surprise. I have added a few posts with musicians based in America so maybe that’s it really. I can speculate as much as I like about why people are attracted to the site but honestly, I’m just very grateful that people enjoy reading it.
Top 10 cities >>>
North Shields, England
London, England
Newcastle upon Tyne, England
Manchester, England
Edinburgh, Scotland
Washington, USA
New Silksworth, England
Sheffield, England
York, England
Birmingham, England
Few things popped out of that list – New Silksworth is only a small suburb of the city of Sunderland so a big shout out to the Silks whoever you are! Washington, the capital of America, is not to be confused with Washington near Sunderland because when I checked on the list the stars and stripes are next to the name.
Outside the top 10 the next most international cities viewed are Menlo Park in California, USA, Maasmechelen in Belgium, then Lincoln in Nebraska, USA, next is the Australian city of Perth and then Dallas in Texas, USA.
Big thanks to all the readers it’s much appreciated that you check in to the site from wherever in the world you are. New posts have slowed up lately so why not do a quick search on the archive to see who or what is there – you might be surprised – and why not pass the link on to a friend.
If you’ve got a story to add why not get in touch.
The incredible true story of Harry Clasper is set to tour the North East in February. The one man play ‘Hadaway Harry’ stars Jamie Brown who won a NE Culture Awards Performing Artist of the year.
Harry Clasper was born in 1812 in Dunston, Gateshead, at two year old he moved to Jarrow where he fell in love with the water watching ships coming up the Tyne. Education was limited for Harry, he couldn’t read or write and signed his marriage certificate with a cross. He started work at Jarrow Pit but unfortunately that didn’t work out so his next stop was an apprenticeship at Browns Boatyard.
‘That’s where he got clued up about boats. Harry revolutionized boat racing and boat design, innovations that became part of boat racing then are still employed in boat building today’ explained Jamie.
‘By shaving the boat they made a gun barrel shape instead of a square bottom and pointed the front of the boat. That increased the speed rather than drag through the water, and they made a scooped shape oar’.
‘It was like the time during the 2012 London Olympics when cycling became really popular, they had lightweight helmets, handlebars were shaped to create more speed – huge innovations just like Harry Clasper done for boating in the 1800s’.
‘Rowing was the main sport then, people would sit on the bank of the river and watch the race. Bets would be placed and there would be sponsors – even in those days. There would be stories of men employed to drill holes in the boats of opponents or tempt the oarsmen with alcohol the night before. There was even a case of someone’s food being poisoned. One of the first cases of boat tampering was with the part of the boat called the scull. The term skulduggery comes from that’.
‘The writer Ed Waugh has a desire to shine a light on people or events that have gone under the radar. We’ve done plays about North East musicians and singers Ned Corvan, Joe Wilson and Wor Bella about a ladies football team plus at the end of last year was The Cramlington Train Wreckers’.
‘These extraordinary stories about the working class, are told so they go unforgotten. There is a thirst for these stories, people responded well to them with standing ovations and sold out shows’.
pic. by Local Historian, Steve Ellwood
The Hadaway Harry shows in 2015 and 2017 eventually got Harry Clasper some recognition as a blue plaque was fixed onto the base of the High Level Bridge in Newcastle. There is also a pub called the Harry Clasper in Whickham, Gateshead.
‘He came from a big family – he was one of 14 and had 12 children himself. His ancestors are still around today, they’ve been to the shows and are very proud of his achievements’.
‘But his story wasn’t straight forward, it’s not looking back with rose tinted spectacles as he suffered personal tragedy and professional disappointments, there was plenty of hardship and personal dilemma’.
Later in life Harry became a publican in Newcastle but sadly died in 1870.
‘Over 120,000 people lined the streets for his funeral the procession was only a few miles but took over 12 hours. His coffin was put on a boat and sailed down the Tyne to Whickham where he was buried’.
The North East has stories of talented people achieving great things – we talked about the footballer Paul Gascoigne, coincidentally also born in Dunston where Harry came from.
‘Before Association football the sport of the people was rowing and Harry Clasper has been likened to the David Beckham of the day. I think, as many people do, he should have a statue next to the river Tyne. His achievements were fantastic. Do you know he won the world championship 8 times in 12 years’.
‘It’s been a privilege telling his story, but sadly this will be my last time on stage doing the Hadaway Harry show. I’ve loved doing the show but in the second half of the play it is hard rowing and narrating the story as a one man show plus I’m 40 in February so it can be a bit exhausting’.
‘So, this is me hanging up my oars but the play will go on and maybe a younger actor will take on the role. This is why on the tour schedule after about three nights we have a day or two off where there is time for rest and recovery and then for the next show I’m ready to be able to give 100%’.
For information about tour dates and venues contact the official website >>>
46 year old Tynemouth resident Luan Hanratty has strong Celtic roots. His father was born in Jarrow with their family connections going back to Galway in Ireland and his mother originally from Rosyth on the east coast of Scotland.
Luan at Arbeia Roman Fort, South Shields.
‘Yes, the Hanratty name is Irish, however, a brief background to my employment story is that I worked the financial sector in Prague, Czech Republic, moved to Shanghai in China where I was employed as an English teacher. I even appeared on TV there and published some books. Education is strong in my background as my father was a Drama Teacher’.
‘After Covid in 2020 I came back to the UK and based myself in South Shields. I was looking for my next adventure when I came across some local history and got obsessed with reading the stories’.
‘With my business partner Gary Holland we put together a website called Penbal – which is a Celtic name for the Tynemouth headland – the site features articles on Tyneside local history, photographs, AI art, links to Maritime Trust, Lifeboats Brigade and Fishermen’s Heritage plus local products for sale – prints, postcards, mugs, t-shirts and more’.
The latest story has recently featured on BBC News >>>
Luan’s latest post on the site is about a long lost river which flowed from the Mill Dam in South Shields.
‘Beneath the busy modern landscape of South Shields lies a forgotten natural feature – a river called the Mill Dam Creek but also known as the Branin River. This flowed from Mill Dam, next to Customs House today, out to the sea near North Marine Park and the Pier. This effectively made the Lawe an island’.
‘The channel played a vital role in the development of the town, both as a waterway and a habour, and once it was dammed with ballast, the Mill Dam formed a bridge between the north and south reaches of the early town’.
‘So important then, was the creek as a resource that it forms the base of the first industrial activity in South Shields, with coal mining also evident on the south bank where the pit wheel now stands above Asda carpark in Coronation Street’.
‘If you stand on the long sloping escalator when exiting Asda and look out across the huge carpark, you really get a feel for the valley nature of the Mill Dam Pond. Imagine what it must have looked like all those centuries ago’.
‘Another twist to the story is that in the 19th century much of the eastern end of the creek was covered by Denmark Street, where the Denmark Centre is today. In the 1830s, while building the street, a Viking longboat was discovered beside what was originally the river bed’.
‘Maybe there is someone out there who has more information about this amazing find. We know it featured in The Shields Gazette in the 1980s’.
Luan stresses that he has no plans to research any murders or the race riots that have happened on Tyneside.
‘So far, we have over 200 local history posts and we don’t look at any taboo subjects, I just like to paint a picture of our very rich heritage here on Tyneside’.
Now living in South Shields, retired teacher Rosie Anderson still feels there is work to do and more stories to tell.
‘Sometimes I feel as though I’m just getting started. I sing whenever I can. This year my musical partner Adam Holden and I have played at The Watch House in Cullercoats, The White Room in Stanley and Cockermouth Festival which were all great. I’m determined not to just bow out because I’m getting older’.
‘I grew up in Wylam in the Tyne Valley, in a house full of music. Both my Grandparents played piano. My dad listened to The Beatles, both parents loved the theatre and musicals and they took me and my brother there – I still love all that’.
‘When I was a kid I told my parents I wanted to be a performer but they were worried I wouldn’t be able to afford a home like them, they wanted me to have a ‘proper’ job. They wouldn’t let me study performing arts so I trained as a teacher’.
‘My first job was in Benwell, Newcastle. Then I went to the Middle East where I spent 10 years teaching in Kuwait and Qatar, before returning to Newcastle. I taught at Walkergate Primary School where I would do all the music shows and drama productions. Loved doing the shows there, I never gave lyric sheets out to the kids, they learned by listening and singing the songs back’.
‘When I left teaching I saw an advert for facilitators for Singing for the Brain with the Alzheimers Society. I really loved doing that. I did that for six years until covid hit. Singing on-line with people on the screen in front of you didn’t work really’.
‘People love stories in whatever form, be it a book, a film or a song. Some people write songs about being in love, and about their feelings. My songs are mostly about people and places. I find stories present themselves to me and I take them and turn them into a song’.
‘There are two songs that I have written that stand out for me. Sally Smiths Lament was written after my husband Chris and I worked on a film about soldiers from County Durham during World War One’.
‘Sally was the wife of miner Fred Smith, who featured in our film. They lived in a tiny terraced house and every day Fred and his sons needed a bath, a clean shirt, a clean bed and a dinner. The kids needed to get to school – how did she cope with all that, especially when Fred was away at war. I wanted to give Sally, and all the women like her, a voice.’
‘When I wrote it the song just seemed to be presented to me, her whole life. I got to sing it at a celebration in West Auckland and her family came to hear it – it was very moving. It travelled well and won three competitions – the Newcastle Folk Club, Rothbury Traditional Music Festival and first prize at Morpeth Gathering’.
‘I can’t just decide to sit down and write a song – some people do and I applaud them for the discipline but I have to wait until they come. Three things happened to me in my life that I put together in a song called Breakdown’.
‘When I was a kid I lived at Chapel House Estate in the west end of Newcastle. One night me, my mother and a friend went for a walk. This woman came out of her house in her dressing gown, she wasn’t in control of herself, didn’t know what time or day it was. I had never seen that behaviour in an adult before. Now I believe she was having a nervous breakdown’.
‘That always stayed in my head and another one was when I was living in Fenham. I went to the shops with my children who were only small then, and a woman came out of her house with a letter and asked if I would read it to her as she was confused and couldn’t understand it’.
‘Then about 30 years ago I went on a blind date in Newcastle with this very nice bloke. He said I need to tell you something before we go any further ‘When I was working in Canada I had a nervous breakdown in the car park of a Burger King’. It was hard to concentrate on anything else after that’.
‘But I remembered those incidents and those three individual people are lodged in my heart for their own traumas. They gave me that song’.
‘This year we went to Kjerringoy a former trading post in the Norwegian Arctic Circle, out in the middle of nowhere, it was beautiful. A family ran it in the 19th century and had 3000 fishermen working for them, catching and processing thousands of tons of cod’.
‘The father and husband died and the wife continued to run it single-handed for many years until she eventually remarried. I asked the locals if there was a song about her and there isn’t. So that’s my next song – Annalisa from Kjerringoy. Her story needs to be told’.
‘I’m also aware we need to start telling more stories about people and their lives and jobs today otherwise in 100 years time there will be no one singing about us!‘
‘What does music mean to me? It’s hard to describe it, it’s so deeply embedded, there’s no life without it. Music is at the core of my being, there is no day without singing and because I have grandchildren now I have a new audience! We sing folk songs and songs from musicals, they’re word perfect when they sing them back’.
‘Music gives such joy, when I was singing with the Alzheimers Society the collective joy and reminiscences of songs from the past and enjoying it together was just so valuable for the families’.
‘We had people who wouldn’t sing at all but liked being there and that was fine. Once, two women brought their mother to a session and she sat between them. She didn’t communicate at all, had her head down, closed off you know. But when we started singing a song, I can’t remember which one, she lifted her head up and actually got up and started moving around in the middle of the circle’.
‘One daughter got up and started dancing with her. When we got to the end of the song the daughter turned round and said to me ‘She’s just said my name for the first time in years’.
‘Music gets right in there (pointing at heart) we’ve got to keep it going and expose our youngest children and oldest adults to music because it really does reach parts that others can’t reach. It’s like hearing the heartbeat in your mother’s womb’.
‘As a child I wanted to do music, as an adult I taught it with kids then people with dementia, despite my age I’m still committed to what I always wanted to do. Women who’ve had careers and families can still chase their dreams’.
Tyne Dock in South Shields was an interesting part of the town to live, with its churches, terraced houses and huge industrial Victorian arches next to the river. It was in the early 80s when a lot of the old housing stock was being demolished and in Porchester Street I watched Ascendency being filmed. Julie Covington of hit TV show RockFollies was the star, not long after that The Machine Gunners was set in Porchester and filmed for BBC TV.
‘Up to when I was 7 year old I lived in Porchester Street. It’s not there now but St Mary’s Church around the corner is where I used to sing in the choir and the scouts’ said Tony.
‘Now I live on the Lawe Top beside the roman fort. It’s almost aspirational for someone who comes from Tyne Dock to wind up being a skuetender’ (native to the Lawe Top).
‘I’m proud of coming from South Shields and when you were young trips to the fort were absolutely mind blowing. The area it’s in is incredible, with the whole vista of the river and parks and beach nearby – we’re lucky here’.
Being a former Tyne Docker now Skuetender he’snot wrong there. Tony featured on the site back in May 2018 talking about storytelling and songwriting and what music means to him.
‘I turned back to folk singing in 2017 after the government education cuts made it too expensive for schools to have extra-curricular practitioners, like me, to come in. Before that I was storytelling in schools for 20 years covering hundreds of issues such as the steelworks when I was in Ebbw Vale, the Romans here in South Shields, the coal industry and iron stone mining in Teesside and Northumberland. It was an extremely successful time’.
‘Storytelling is very important, its communication, social history, emotional control, drama, its use of vocabulary. For me it was learning how to be a performer and developing stamina to be able to do four hour sets a day, then drive 100 miles to go to a hotel, get up next day and do it again’.
‘Cities like Manchester, Oxford, Cambridge, all over the UK. I’d stay in these areas year after year for a fortnight at a time and, unlike a music tour where you could be in Aberdeen one day and Bournemouth the next, I’d plan easy distances to plan a route back home – loved the life.’
‘Then around 2009 I got an email. The message was ‘would you like to tell stories in Argentina?’ I wasn’t sure it was kosher at first but I received a phone call a few weeks later confirming it was. I was given contacts of previous storytellers who recommended it’.
‘Me and my wife went out and ended up over the years going to about 15 countries for six weeks at a time. They were international schools where the kids had already learnt English but mostly from American cartoon shows and they wanted them to hear colloquial language, more English. With my accent, I knew I would have to speak a bit slower – and there’s nothing worse than a posh Geordie!’
‘When we were in a Spanish speaking country, for the youngest ones, you’d have someone to explain the context of the story and then I’d still tell the story in English. Half of their lessons were in English, to make it an immersive experience’.
‘To accompany the lessons it was helpful to use British sign language, or borrow a guitar. I always took a banjo with me as it was such a different instrument for them to hear. Once the banjo was broken en-route and we found the only banjo repairman in Bogota in Colombia’.
‘It was hard work getting up at 5am, into a taxi for a two hour drive to tell stories to 3-400 children in ampitheatres – but what an experience! The last time we went over was Peru in 2016. We’d been to Uruguay, China, South Korea, all over – loved it. Sometimes I look back and think how did that happen – you’ve got to seize every opportunity’.
‘I’ve been songwriting for years and always have a songwriting project on the go. I write about 15 songs per year. Ideas can come from a book, a documentary or what someone says in a street… then I do a lot of research and add some ‘meat’ to the story. Songwriting can possess and obsess you’.
‘Recently I wrote a number of songs about Iron Stone Mining, the workers and how dangerous it was working there, although I do try to stay away from disaster. It’s not all ‘Grim up North’.
‘A friend of mine gave me a diary about his distant relation who had been captured by the Portugese and transported to Portchester Castle in Hampshire! Having lived in Porchester Street I didn’t know about this place. The songs can take you anywhere!’
‘I wrote a song with local playwright Tom Kelly about ‘the seven lads of Jarrow’ who, in the 1830s worked in the mines under diabolical conditions so tried to form a union with union organiser Tomas Hepburn. They ended up being brought up on jumped up charges – 10 were captured 3 escaped. 7 ended up in a kangaroo court and were transported to Australia never to return. It’s such an emotional subject’.
‘In 2019 I was planning to write autobiographical songs, one was about the day they tarmacked the cobbles in Porchester Street and as kids we could roller skate across the street. Another was the times walking through Tyne Dock arches with my dad and me being on his shoulders. Or another about my sister playing with her friends in the backyard in Porchester Street – then covid came along’.
‘I didn’t want to write about the pandemic or what happened around it, like being scared or having a feeling of waiting for death to come. I wrote nothing about that. I just wanted to write about the one’s I love and keep sane’.
‘All the performances I did in South America and all of the daily storytelling work I did in schools I now channel into what I present now as a musician. I still do regular open mics, folk club spots and am a paid guest in clubs and festivals throughout the UK’.
‘I love performing, it’s like an out of body experience. I’m not hippy dippy, mystical or spiritual but enjoy giving people enjoyment, sharing moments with people…and it beats the hell out of singing in the bathroom!’
Tony has placed all of the stories, CPD and instructional DVDs for parents and children on You Tube at ‘Tony Wilson Storyteller.
ALIKIVI UK : NORTH EAST MUSIC & CULTURE 