THE BALLAD OF BIG MOSS

Musicians, writers and actors have contributed stories to the site for over 8 years now resulting in world wide views totalling over 430,000. A big thank you to all the readers – much appreciated.

The site also has local and social history posts. A contributor who goes under the pseudonym Tinwhistler sends in his recollections of characters in South Shields. The likes of Big Hec, Billy Meths and Wavis O’Shave have already featured and the number of views prove there is a thirst for these stories.

In his latest post he talks about how a myth can be cultivated to the point of belief.

‘Our heroes are due to legend created from what is said or written about them, however, they can become exaggerated when tales are passed down. The negative aspects are usually omitted so you might be left with a ‘Robin Hood’ tale bearing little resemblance to reality’.

‘Controversial characters become larger than life courtesy of Chinese whispers elevating the likes of small time hoodlum to status of master criminal.’

‘We have heard of individuals such as this with their names and gang titles posted via graffiti. Never in a position to place a face to any of the names sprayed out there, I often wondered if these characters did exist?’

‘What if they were simply the imaginings of a furtive mind creating a band of disciples who followed a not so large Mr. Big? Back in the 1980s in South Shields there was indeed a case of this.’

‘This originated in the realm of dreams that belonged to Wavis O’Shave and the title bestowed was ‘The Hard’ showcased by Tyne Tees television on their nationally networked UK live music show The Tube.’

‘The Hard was tough, a shaven headed individual with a pumped up upper torso (a little padding), wearing Dr Marten boots on hands as well as feet.’

‘The Hard was filmed completing stunts such as spreading out one of his hands on a brick wall and banging several digits with a claw hammer, his mantra was an unforgettable “Felt Nowt!”

‘So where and how did the Hard originate? The North East of England has had more than its fair share of this type over the years, some individuals, some gangs usually involved in some kind of turf war.’

‘Spotting them wouldn’t be too difficult, in fact take three or four and morph their assorted traits, qualities and characteristics and hey presto!’

‘Going back to the 1970s O’Shave was solely involved and directly responsible for the Hard’s precursor. Back in those days we would read the writings on the walls to see if we might discern who these characters were, what they might be about and wonder if they actually existed at all.’

‘And so it came to pass. Wavis cunningly wove a mental tapestry involving the adventures and exploits of one of these types, creating a legend that would expand over a period of time. A title was bestowed on the non-existent extra hard tyrant and it was ‘Big Moss’.

‘The somewhat susceptible youths who we spotted in our neighbourhoods were fair game to test out the believability of his creation. Several of us in the know would be dispatched to where they would assemble – street football, outside the chip shop or leaving a youth club.’

‘The message was that Big Moss had been seen in the area and he was big trouble, keep out of the way and avoid at all costs. We answered questions as best we could but there were inevitable distortions as a precise script had not been devised.’

‘If asked as to his South Shields origins one reply might be the notorious old Deans Estate, another might be Horsley Hill or possibly one of the town’s outlying estates such as Biddick Hall or Whiteleas.’

‘The general description given was – bigger than you can imagine, a mop of ginger red hair, Dr Marten boots, 60s style evaprest trousers that were worn too short for his long legs which left exposed ginger shin fur. An additional warning was issued, “whatever you do, do not laugh!”

‘The Big Moss wardrobe was somewhat random from charity shops and jumble sales married up with home made turtle neck knitwear topped off with a blazer or suit jacket as the pockets were useful for carrying tapes of preferred music.’

‘If you were stopped by Big Moss and asked what music you liked and your answer wasn’t what he happened to like then it was likely a case of seeing stars. If he motioned to place his cassette recorder (the size of a small suitcase) on the ground, then it was best to run as it meant he was going to fight you.’

‘As previously described, Big Moss wore a jacket with pockets where he kept tapes by Black Sabbath and Budgie who were a Welsh hard rocking trio.‘

‘He also carried cigarettes –  unfiltered Capstan Full strength, a Ronson Varaflame lighter and in his inside pocket held close to his heart more tapes. These were of American band The Carpenters. It was strongly rumoured that Big Moss was secretly in love with Karen Carpenter.’

‘There were some agnostics who would only believe in him if they actually saw him and this was when the sightings were confirmed – up close and threateningly personal.’

‘The role of Big Moss was played by a Wavis acquaintance known as ‘HAT.’ Hat fitted the bill perfectly as Wavis had fashioned his mental prototype largely on his colleague, just a few tweaks were needed here and there.’

‘His hair was a natural ginger combed forward creating a fringe curling up at his forehead. His hairstyle was commented on by a local barber who asked “who the hell cuts his hair cos it looks like he’s wearing a cap or a hat”.

‘Hat’s wardrobe was what Big Moss’s apparel was based on and the crowning glory was an auburn curly wig was taken from the wardrobe of somebody’s mother (possibly mine) and though worn reluctantly it achieved the desired image.’

‘So, Hat played the role of Big Moss, the personification of mixed up violence/ hardness married to dodgy dressing. He was let loose during December 1977 until February 1978 and new believers arrived after a successful campaign.’

‘They were accosted several times, stared at, made to listen to his music via the cassette. One track enforced upon the poor unfortunates was self penned by Big Moss, rap in nature maybe pre dating what came out of the States. In fact, he may have been the first possessor of a ghetto blaster, who knows.’

‘His self penned ditty was played repeatedly to these new believers frightened to look at their companions as it may lead to triggering an unwanted reaction. Expressionless faces secured their safety. They were now believers, converts and fearful of the spectre that had descended upon their once safe neighbourhood.’

‘Wavis fielded their questions as best he could. One question was “is he called Big Moss because of his size?” Wavis replied that this was partially correct, it was also because there was another of that family, Little Moss. The new believers were told that if they thought Big Moss was hard then never ever get in the way of Little Moss.’

‘Twice as bad but only half the size. The new believers were told of the exploits of Little Moss such as how he had toppled opponents twice his size, taking them on frequently in pairs and sometimes their fathers as well.’

‘Little Moss was the absolute rock, the hardest individual in these parts. But this was wrong. Wavis informed them of another even more ferocious member of that clan. This individual was said to fight opponents in threes with their Staffordshire Bull Terriers as well. This was none other than Medium Moss. A new legend was born.’

Words: Tinwhistler

Edit: Alikivi   May 2025

Link to previous post by Tinwhistler >>>

BILLY’S STORY -The artist formerly known as Meths. | ALIKIVI : NORTH EAST UK CULTURE

TOON CURSE? with paranormal investigator, author & broadcaster Dan Green

On the last day of a successful season for the Toon and qualification for more European football next season, paranormal investigator and lifelong Newcastle United fan Dan Green, got in touch with his take on Newcastle finally lifting a trophy and perhaps a curse?

‘Born in 1956 I became 69 years old this year. I noticed this rang a bell somewhere. Oh yes, Newcastle United last won a trophy – the Fairs Cup, defeating a Hungarian team without knowing they’d be left hungry for another trophy for 69 years – 56 years ago’.

‘Was this an omen sent me direct from the footy Gods? Were Newcastle actually going to win a trophy in 2025? And heaven knows they did. One of the top clubs in British soccer with the most loyal fans asking why had it taken so embarrassingly long? Were the whispers that the club had been cursed, actually true?’

‘It’s folklore that 1920’s club legend Hughie Gallagher who had fell out with the club said ‘Newcastle United, you’re doomed’ – allegedly his bad vibe last words before committing suicide. Ruud Gullit, coach of the club during seasons 1998/9 experienced his own difficulties in a short space of time declared ‘There must be some sort of curse on this club’. Even down to earth Kevin Keegan spoke of a ‘jinx’. In our modern day scientific world of technology, can curses be real?’

‘St James Park was built on the former site of Gallows Gate, part of the Town Moor. Hence the title of the famous Gallowgate end. It’s said that in 1650 alleged ‘witches’ – likely just innocent women – were hung there in one of the largest mass executions ever held in the country by lunatic ‘witch hunters’. Nearby St James Park is now clearly visible in the distance from the spot.’

‘Apparently modern day witches along with priests had taken the proposition serious enough to try and lift the curse. Obviously, it hadn’t worked. Local newspaper the Evening Chronicle even tried to end a 29 game losing streak of  matches in London. In a game at Arsenal renowned psychic Uri Geller was called in for the occasion. When the Magpies won Gunners coach Arsene Wenger said ‘There must be a sorcerer at work’.

‘Found in many religious faiths and ritualistic practices do emotional curses work? Many believe they do, so let us assume then that a curse was placed on the ground, the consequent stadium and therefore team.‘

‘In 2023 Newcastle made the Carabou cup final at Wembley and an estimated 50,000 fans invaded London, assembling at Trafalgar Square. The team lost the game. In 2025, making Wembley again, it wasn’t possible to recreate this wild scene as preparations for St Patrick meant that Trafalgar was going to be sealed off. Again, tens of thousands this time invaded the city, meeting up and assembling throughout the Covent Garden area. The following day, this time they won the cup’.

‘I couldn’t help the almost duplicate sounding of ‘Covent Garden’ with ‘Coven garden’, a coven being a group or gathering of witches, from Anglo-Norman ‘Convent’ and ’Cuvent’ from Old French ‘Covent’. By placing the fans at a re-arranged assembly point, was fate playing a part here in overdue fortune of the club?’

‘I looked into the history of Covent Garden, and yes, it does have something of both a religious and occult history especially with the star shaped junction of Seven Dials where seven streets converge at a Doric obelisk topped by six sundials, the column itself serving to cast the shadow of a 7th dial’.

‘Centuries ago, diviners, psychics, mystics, astrologers and the like would congregate there. The ancient fields were owned by Westminster Abbey and Convent – there’s that word again – and the neighbourhood was built on the site of an ancient settlement founded by Pagan Anglo-Saxons in the 7th century.’

‘Was the arrival of up to 50,000 positively charged Geordies somehow transforming a negative energy, a curse, tracing back to 1650? Was this spot the very area – possibly what pseudoscientists call a ley line or an ‘energy highway’ that can connect various historic structures – that needed the timely injection? Could such a ley line connect all the way back up North to Newcastle’s Town Moor?’

‘Initially, to celebrate the win, an open top bus tour was sidestepped and a celebration planned at the city’s Town Moor. However, the open top tour did go ahead leading the team to the Town Moor – to return the scene of the crime, the very place where centuries ago witches were hung and placed their curse’.

‘The Heavens appear to have played their part too. On March 14th the day before the Toon Army headed for London there was a total lunar eclipse and full moon, and on 29th the day of the Town Moor celebration – a partial solar eclipse!’

‘By lifting up a trophy it may well be that Newcastle United were also, after 375 years, finally lifting an ancient curse too’.

Words: Dan Green

Edit: Alikivi  May 2025

Link to previous Dan Green posts >>>

GLASTONBURY TOR – More than just a Hill by author, Dan Green | ALIKIVI : NORTH EAST UK CULTURE

‘CARRYING DAVID’ PLAYS NEWCASTLE THEATRE ROYAL

Micky Cochrane and Glenn McCrory with Tim Healy, who was ringside on the night of the world title bout in 1989 when Glenn became world cruiserweight champion. (Copyright Ed Waugh)

“Carrying David is emotional and heart-breaking. It’s about the love of two brothers. This is pure theatre. You don’t have to like boxing to be emotionally involved in this wonderful story” said actor, Micky Cochrane.

Carrying David premiered in 2019 and played to full houses gaining the actor a standing ovation for his telling of an emotive and inspiring story.

Post-Covid, the play was staged in London and toured the north of Ireland to sell-out crowds, including the prestigious Lyric theatre in Belfast.

The play tells the incredible story of Glenn McCrory’s rise to becoming the first-ever world champion boxer from the North East. It also has the further twist that Glenn’s terminally ill brother David inspired him to become the best in the world.

The play was written by Ed Waugh who brought North East working class stories to the stage Wor BellaHadaway Harry and more recently The Cramlington Train Wreckers which toured the region with sold out performances.

Ed explained “This play is about two lads from Stanley. Glenn McCrory played by Micky Cochrane – aiming to become world boxing champion and his brother David McCrory – fighting every day to stay alive!”

David’s muscle-wasting disease meant Glenn often physically carried his brother on his back, hence the title of this fantastic story.

“David and I were very close,” said Glenn, a former Sky television pundit. “He was my inspiration. David would say, “If I can defy death, you can become a world champion! Saying those words still brings tears to my eyes. I think of David every day.”

David was not expected to live beyond 14 but evaded death until he was 29, living to see his beloved brother win the coveted world cruiserweight title in 1989.

The fight was held at Stanley Leisure Centre and broadcast live throughout the world. It is the remarkable story of an underdog defying all the odds – a North East story that people still talk about today.

Ed added “The performance by Micky is sublime. He won a standing ovation at every venue, the reviews are all five-star. Rocky was a great film…but this County Durham Rocky story is even better…and true!”

Carrying David will be performed at Newcastle Theatre Royal on Saturday and Sunday, June 21 & 22. Tickets (including concessions) are available from the Theatre Royal or via the Theatre Royal website  Carrying David | Newcastle Theatre Royal

Edit: Alikivi  May 2025

A NIGHT WITH JETHRO TULL – with former Pirahna Brothers drummer, Tony Hodge

In previous posts Tony has talked about the influence Ginger Baker had on his drumming, and the many nights with friends going to watch bands like The Nice, Tina Turner, Jimi Hendrix and The Animals at Newcastle’s Club a’Gogo.

Before joining the Pirahna Brothers, Tony drummed for North East band Turm with Micky Balls (lead guitar), George Sturrock (guitar), Alf Passmore (bass) and the late John Lawton (vocals). He remembers the night they got a gig opening for Jethro Tull in a County Durham club.

‘It was an amazing experience to play on the same bill as the legendary Jethro Tull, unfortunately, the venue we were booked in was the Argus Butterfly in Peterlee. I say unfortunately because The Argus Butterfly was and still is a difficult venue for two bands to play as the stage and concert room are really small and there was an even smaller dressing room at the back of the stage’.

‘We arrived first and set our gear up  and heard that Jethro Tull and all their equipment were travelling up from London in a small Thames van’.

Turm at the Cellar Club, South Shields

Before big names including Cream, Pink Floyd, Deep Purple, Jimi Hendrix and Led Zeppelin packed out halls around the UK, they built their reputation playing smaller venues including Bay Hotel in Sunderland, Club a’Gogo in Newcastle, Cellar Club in South Shields,  Kirklevington Country Club in Yarm and Argus Butterfly in Peterlee.

‘When we got the booking I hadn’t heard of them as they were yet to hit the big time but when they entered the club, we were all fascinated by the lead singer. He was very thin, wore unusual hippy type clothes and had very long hair. This was becoming the fashion in London but was yet to be a fashion on Tyneside. Here was Micky and me wearing brightly coloured satin shirts in pale blue and fluorescent pink – so last year darling!’

‘All the guys were very friendly and were taken by our Geordie accents. They piled their equipment out of this small van, we wondered just how all their gear, four band members and a roadie got in the van – never mind drive 200 miles up the A1 dual carriageway. Note – there were no motorways yet’.

‘We were ready to play our set. Our fourth song in was a rousing number called Amen which had three or four sing along choruses with clapping to accompany it. This was a perfect song for John’s voice and the girls loved it’.

‘Each time the chorus started I would jump off the drums and go back stage clapping as I did. It sounds ridiculous, and it probably was, but it seemed to work well for the show’.

‘However, Mick Abrahams, the lead guitarist of Jethro Tull, was in the dressing room catching a well-deserved snooze on top of several amp covers. The first time I rushed in he jumped up in shock but then he saw the funny side when I ran back on stage for the opening riff after the sing along chorus. The next time I did it, Mick was laughing a lot as he had watched me returning just in time to start up after the chorus. The third time however he was ready. He grabbed me by the arms and didn’t let me return at the end of the chorus’.

‘The looks on the rest of my groups faces was a picture when they started with no drums. I can still see the vision in my mind today. Fortunately, he let go of me and it didn’t ruin the whole song, great guy, and a great laugh’.

‘After our opening set it was time for Jethro Tull to go on and they just couldn’t have been more different to us and were truly mesmerising. Their music was unlike anything I had heard before and their style was far away from anything I had seen before on the various stages in the North of England’. 

‘Another first for me was that Ian Anderson, the main vocalist and front man, played a flute that was a huge surprise. He also played harmonicas which he kept in small leather pouches around his waist and there was a funny side to this. He also kept his cigarette tobacco in these pouches and this meant he had to knock the tobacco out of each harmonica each time he was about to play them which was really very funny to watch’.

‘The visuals of the band were like nothing I had seen before and Ian sang many of his songs on one leg. This became his trademark as time went on and still is today. The drummer and bass players were very solid, had a great sound and the band was well received’.

‘Turm and Tull had a great time together as fellow musicians even if we probably looked a bit out of the current fashions in London. After this meeting they released Living in the Past a song that started my romance with my wife Jane many years later’.

‘They became rock superstars filling massive stadiums all around the world to thousands of people. I wonder if they ever thought back to the good old Argus Butterfly in Peterlee, the Turm and the 200 plus audience – somehow, I doubt it’.

Words: Tony Hodge

Edited: Alikivi   May 2025

More stories on the site from Tony Hodge including Jimi Hendrix, Cream, Tina Turner and Club a’Gogo.

Link to previous interview with Tony >>>

LUCKY MAN – part one, with North Shields actor & musician Tony Hodge. | ALIKIVI : NORTH EAST UK CULTURE

THIS CLUB’S A’GO GO with former Pirahna Brothers drummer, Tony Hodge

This second part of Tony’s memories feature his pilgrimage to Newcastle’s Club a’Gogo where he saw many bands who were on their way to a successful career in music. They included Amen Corner, The Nice and a young guitarist from the United States – Jimi Hendrix.

North East venues for the Hendrix tour in 1967 included dates at Kirklevington Country Club in North Yorkshire on January 15th. The Cellar Club, South Shields on February 1st and February 2nd at Imperial Hotel, Darlington with a gig at Club a’Gogo in Newcastle on March 10th.

‘We were right at the front and only a few feet away from the great man himself. He was tall and looked very young. His style of guitar playing was like no other I had ever seen – even playing with his teeth on some numbers. At one point Hendrix dropped a ten shilling note and the guy next to me rushed to pick it up and hand it back to him. He thanked him saying that was for the bands supper’.

‘He went on to finish the night with a long guitar solo and then thrust his guitar into the ceiling leaving it there with the feedback screaming as he left the stage. On many subsequent visits we saw the hole still in the ceiling. A great memory of a great night’.

‘Over the following months we saw many emerging London based bands play at the a’Gogo like ‘Amen Corner’ with Andy Fairweather Low, Jeff Beck with a very young Rod Stewart as his main vocalist wearing an extremely long college scarf and of course our very own local mega band ‘The Animals’

‘This club forged mine and many other local musicians’ tastes for the years to come and we got to see megastars playing only a few feet away from us’.

‘While I’m talking of being right up close to your idol musicians there are two more instances of things that could never happen today. On these occasions my brother Barry and I went to music events at the Sunderland University students Union’.

‘On one night ‘The Nice’ played and my brother was sitting on the edge on a two-foot-high stage only a foot or two from Keith Emerson and his famous Hammond Organ when he did the world renown stabbing of the keyboard. We also saw Tina Turner when she was still performing with Ike. She wore a one-piece lemon coloured jump suit and looked amazing. Once again, only feet away from us, wow!’

‘We didn’t know it at the time that only a few months after these events these bands would play in much bigger venues and stadiums so the days of being within a few feet of your idol were gone for ever’.

Plaque for Handyside Arcade and Club a’Gogo in Newcastle.

‘Sadly, the Club a’Gogo itself was only open for six years, it became a bingo hall as the game was becoming all the rage in the North East. Finally, the club and the surrounding buildings were demolished in the 1980’s making way for the Eldon Square shopping complex. The club was only open for a short time but the mark it left on the Newcastle music scene was amazing’.

‘These venues were where I started to love that different style of music, but it wasn’t until we formed bands that I got the chance to play it not just listen to it’.

Words: Tony Hodge

Edited: Alikivi  May 2025.

Link to previous interview with Tony from February 2021 >>>

LUCKY MAN – part one, with North Shields actor & musician Tony Hodge. | ALIKIVI : NORTH EAST UK CULTURE

AN ANIMAL IS BORN with former Piranha Brothers drummer Tony Hodge

On 1st February 1967 on his way to becoming one of the most influential guitarists of the 1960s, Jimi Hendrix played the Cellar Club in South Shields.

A previous post (19 March 2025) looked at the impact this gig had, also mentioned was the opening of the new Cellar Club in December 1966 by Cream.

Reading the article stirred up some memories for North East musician and actor Tony Hodge, he recalled the time he was introduced to the band and in particular the drummer Ginger Baker and how influential he became in his life.

‘In the sixties my good friend Ray Laidlaw played in Downtown Faction along with Rod Clements and Simon Cowe – all three became famous in the amazing band Lindisfarne. Ray and Rod had an excellent bass and drums connection, driving the band’s music with real power – I loved to hear them play’.

‘On many occasions we went to see each other’s bands play at various venues including the Briar Dene Tavern in Whitley Bay and The Nautilus Pub, a short walk from my house that became a regular haunt from 1964 onwards.’

‘I would often go with Micky Balls and meet Ray and other likeminded musicians like Billy Mitchel, Will Browell and Billy Dunn. We always had great meetups and all types of music were discussed’.

Micky Balls and Tony in Newcastle.

‘One night near Christmas 1966 Ray mentioned he had heard of a drummer that played with two bass drums. This drummer apparently could play a drum roll with his feet!’

‘A drum roll is hard enough to play with your hands using sticks, never mind with your feet using foot pedals. I found it hard to do a fast double beat that was required in some pop songs of the time never mind a full drum roll. I said I couldn’t see that it was possible and we had quite a heated discussion about how impossible it would be’.

Fortunately, the band were due to play at Newcastle Club a’Gogo and Ray saw this as a chance to convince Tony. The Club a’Gogo was a popular venue housed in two upstairs rooms above Handyside Arcade in Newcastle.

It opened in 1962 as a jazz club but broadened its musical style and became better known as a Soul, Rhythm n Blues and Rock venue attracting big stars like The Who, The Rolling Stones, Jeff Beck and local stars The Animals.

Tony explained ‘It was split into two separate rooms each with its own stage three feet up from the floor. One room was called ‘The young set’ for under eighteens and the other was called ‘The jazz lounge’ for everyone young and not so young’.

‘When the big stars played there, they would play a set in each room. This must have been a nightmare for the road crew as during the interval everything needed to be set up in one room then taken down and set up in the other’.

‘If you got in early, you could be right at the front and literally a couple of feet from the stars. That was amazing for a fan. On every visit I always got to the front and had the most amazing view of people who were to become megastars’.

‘We had come to see the band that we had discussed in the pub with this special drummer. It was a newly formed band from London. Unusually they were just a three-piece group, lead guitar, bass guitar and drums and had no separate singer as was the popular set up of the time’.

‘The club had an amazing atmosphere, it was dark and you were all packed in together. Small lights lit the stage which was only big enough for artists to play and not a lot of extra room for big theatrics. The stage was absolutely packed with equipment’.

‘To each corner were two sets of PA speakers and on the right-hand side were four Marshall 4×12 cabinets and the same on the left-hand side. In the middle was a set of Ludwig drums with two tom toms, two floor toms and two bass drums showing the name Ginger on one drum and Baker on the other. Yes, this band was Cream and the amazing drummer Ginger Baker. At this time of course, I had no idea who he was – but that was about to change’.

‘On came a man dressed in a long purple Teddy boy jacket and a ginger quiff with a half pint glass of rum (I think) in his hand. He sat down picked up his sticks and hit all four tom-toms then did an amazing roll on the two bass drums. He stood up and left through the back door of the stage, his sound check completed. This was the one and only Ginger Baker’.

‘Both Ray and I just stood and looked at each other in amazement. The speed and technique were just amazing and so different to us two young drummers, I heard nothing like it before’.

‘I was still recovering when two other guys entered the stage and came to the microphone. Ginger came through and sat down behind this huge kit. They started to play with no count in just heavy tom-tom beats, then guitar, then the man in front of me who was Jack Bruce started to sing ‘Driving in my car, smoking a cigar, the only time I’m happy is when I play my guitar’.

‘The opening to N.S.U. was like nothing I had heard or played – ever! The drums rolled around the kit the volume was deafening and when the guitar solo came in by Eric Clapton the hairs on my neck stood up. It was loud, very loud. It was something you never forget’.

‘The rest of the set was also amazing playing in a style I could never have imagined. Ginger played a drum solo that was again long and loud but it ended with him playing the two bass drums and his tom toms in a chest thumping roll that went on for several minutes.

That was the famous twin bass drum roll Ray had been talking about, it was true, a drummer could play a drum roll with his feet. I had to learn that, I had to be able to play drum rolls with my feet. I was hooked’.

‘The trip back on the bus was all about the miracle we had just seen, a drummer like no other. I was changed overnight, by this one-man, Ginger Baker. Without my friend Ray persuading me to go to the Gogo to see him I would not have become the mad drummer I became. That night ‘Animal’ was born’.

‘I had to have a double bass drum kit and if possible, a Ludwig one. Off again to the music shop and more debt but I got a lovely Ludwig drum kit with a pearl finish just like Ringo Starr. It looked and sounded fantastic’.

‘Once I got this kit my whole style changed. I was more brash and started playing a drum solo at the end of The Pirahna Brothers first half. It was long, loud and not very technical but this new style and the notoriety it brought with it opened many doors. My nickname was ‘Animal’ and people shouted it out at venues’.

More stories from Tony Hodge coming soon including Jimi Hendrix, The Nice, Jethro Tull and Tina Turner.

Edited: Alikivi   May 2025

Link to previous interview with Tony from February 2021 >>>

LUCKY MAN – part one, with North Shields actor & musician Tony Hodge. | ALIKIVI : NORTH EAST UK CULTURE

SOUTH SHIELDS SCHOOL DAZE with former Westoe pupils Ian Taylor & Malcolm Jensen

These recollections are from two former pupils who attended Westoe County Secondary School over 50 years ago. The South Shields school was on Iolanthe Terrace and closed down in the 1980s. It had a fearsome reputation amongst schools in the town.

MJ: You could walk past the outdoor toilets, get nabbed and have your head stuffed down the bog with the chain flushed. Plumes of smoke rose from the roofless toilets – I made a Prefect report on the smokers. I knew if I did, they’d kick my head in.

New boys could be thrown over the 6ft wall into the girls school next door. They were unable to climb back over as the girls would de-bag (pull trousers down) them and threaten them with used sanitary products.

Our most dreaded teacher had a bald head onto which he applied some strange lotion that left him wafting carpet cleaner as he went by. Pupils hidden at a distance would shout his nickname whenever he went by in the playground and he’d produce a little note book and jot in it pretending that he knew the culprit to be dealt with later.  

He was once seen kneeling in front of his desk as if it were a sacred shrine. He told the kids he had his hair pulled out in a Japanese prisoner of war camp during the second world war. Other teachers told us to ignore him.

IT: There was obvious staff room conflict regarding his sadistic attitude to the kids and over use of the cane. I recall our English teacher deriding him to us a few times. I remember teachers rowing with him in the dinner hall on a couple of occasions.

MJ: We had an equally dread teacher, when you went into his classroom you’d stay absolutely silent throughout. Although sober he was like an inebriated Oliver Reed on a live chat show, you were on edge from the start fearing his unpredictable behaviour as he’d make it clear from the start, behave or he’d ‘crease you’ or ‘ruddy do you’.

IT: He was a terrifying man, well built with little patience, and there’d be a sudden burst of anger to any pupil he perceived to be play acting – as if anyone would dare – or gave the wrong answer during the lesson.

He kicked my desk on one occasion and it lifted a couple of feet in the air. I was terrified when he started walking towards me and feared he would lay into me.

MJ: Then there was another teacher who’d top up his earnings as a taxi driver. After handing out maths books he’d write out 10 sums on the board complete with answers and get us to copy them out then tell us to do the next 10 on our own.

We couldn’t do any to save our life so when we handed our books in for marking he’d mark the first 10 as correct and the other 10 with a cross. If you dared go to his desk and ask for help in doing one of the remaining sums he’d look up from his newspaper and say ‘Go away – you’re barmy.’

IT: I don’t remember him ever smiling. He was a humourless man. Seemed to me to be just waiting for retirement.

MJ: We only ever went on one school trip early one Saturday morning, a coach trip to Fountains Abbey. From the moment we left we were rowdy and when someone threw a shoe out the window after 20 minutes the teacher had the coach turn round and that was that.

Whenever rumours went round in an afternoon that nearby school Ocean Road were coming round at home time to scrap with us we’d break legs off wooden chairs in preparation but they never once turned up. The teachers never understood why in the morning they’d find all the chairs broken.

We once got involved in an inter-schools quiz – a posh lot turned up as challengers. We thought we’d have no chance but they weren’t all that hot and somehow we had equal scores right up to the last and potential winning question.

‘What sport is played at St Andrews?’ An arm shot up from one of ours. ‘Football’. ‘Incorrect’ came back the answer, they answered ‘Golf’.

We didn’t know about golf at St Andrews only that Birmingham City’s ground was another St Andrews. We wanted our hands on the winners but they received a hurried escort out the building.

IT: The fact that there are no Westoe School class photos  spoke of the low value attached to schooling and futures of those in the lower education system. I reckon there must have been a Caning League mentality amongst some of the staff and a culture in which status was earned based on flair or disciplinary prowess. Maybe some had a City & Guilds qualification in caning. Perhaps the staff room walls were plastered with framed certificates.

MJ: When the school closed down I wonder if they left all their canes behind in a cupboard?

Ian Taylor & Malcolm Jensen

Edited by Alikivi   May 2025

SHORT BACK & SIDES  – with South Shields veteran barber Vernon Gray.

A post on this site back in December 2019 featured memories of Billy Roberts, known locally as Billy Meths (link below). They were written by a 63 year old South Shields resident operating under the pseudonym Tinwhistler.

Recently he got in touch about another well known character from the town somebody who could be in the Guinness book of records.

79 year old Vernon Gray lives in Washington, Tyne & Wear and for four days a week works as a barber at Westoe Bridges in South Shields.

Vernon Gray in his barber shop, South Shields.

‘According to research on the Internet I’m the joint longest surviving barber in the UK! The other fella is 3 years my junior so I’m at least the longest surviving senior barber in the land!’

‘I left school at 15 year old and started as an apprentice way back in 1961. My mother was a hairdresser so that gave me the motivation. I learnt my trade at Melvins on Dean Road, South Shields. Neighbouring businesses were Quigleys, Robertsons who were both fruit and veg and Tissemans the watchmakers and jewellers.’

‘I was at Melvins for a year and a half and then did about a year with Norman Craig at my current Westoe Bridges address. Then went on to do a further two years or so with Ross Neal who had two shops – one at Gaskell Avenue and the other at Whiteleas Way. When Norman Craig retired, he offered me first refusal on the Westoe Bridges business. That was in November 1968’.

‘My favourite part of being a barber is meeting and chatting to customers and members of the public. The hardest part is often having to stand for up to 4 hours per shift without a break. If yer wondering, it’s my sister who cuts my hair!’

Having a bad start to the day or dealing with some awkward customers has brought challenging moments, Verne remembers a couple of incidents.

‘I recall a situation during a Christmas period, the last customer of the day. ‘What are we having?’ I asked. ‘You tell me’ he replied. ‘It doesn’t work like that’ I stated. His reply was that he didn’t like my attitude. I then removed my gown and told him to fuck off! ‘You’re losing money’ was his response and he left the shop’.

‘On tidying up I noticed he’d left an XXL sweater behind, so, hoping he’d return for it I held onto it. I would have asked for a description of it so as to confirm ownership. He never returned but I had a response prepared to say that it wasn’t an XXL but an FB – Fat Bastard.’

‘One morning I turned up possibly not quite alert. I opened the shop up and when I went over to the chair, I suddenly kicked a brick on the floor. ‘That’s funny’ I thought, ‘I don’t remember putting that there.’ Turns out some likely pissed lout had thrown it though the shop window during the night and I hadn’t noticed the massive hole in the window.’

One customer of Verne’s didn’t want a haircut he requested a singing barber.

‘That would be when local town celeb and friend Wavis O’Shave had a non-musical troupe called The Borestiffers. He talked me into being recorded singing ‘Obladi Oblada’ in the shop after hours. Under his instruction I played the scissors, clippers and hair drier. He put it on a cassette album!’

‘Wavis would call me ‘Sweeney’ for fun and when I once went to Malta I saw a barbers there actually called ‘Sweeneys’ which I found amusing.’

The scorching heat during summer 1976 brought some unwanted guests to the shop.

‘Three whopping great rats had come out of Hornsby’s bike shop garage next door to my shop. They hid under a parked car so I’m told and then trooped into my packed out shop which emptied in a second. Two blokes tried to hit them with rolled up newspapers and I came out armed with scissors and a trimmer. I saw two fellas who I knew sitting on the nearby wall and asked if they’d sent them in!’

Verne talked about today’s barbers and his plans for the future.

‘Modern day barbers have their place and seem to suit people. I’m not interested in offering advice to them as this is a totally different era. For me, I never thought of quitting. The job suits my personality.’

Original interview by Tinwhistler.

Edited by Alikivi  May 2025.

Link to feature on Billy Meths >>>

BILLY’S STORY -The artist formerly known as Meths. | ALIKIVI : NORTH EAST UK CULTURE

GEORDIE HUNT SABS BENEFIT GIG

All needles are gonna be in the red zone at Newcastle Trillians this Sunday for the Geordie Hunt Sabs benefit gig. Sin City Rockers, Extinction of Mankind, Cazimi and Bastard Face are the four face peeling punk bands who’ve promised this’ll be the only show in town.

GHS member Rosie Brock “We are really grateful to all the bands who dedicated their effort and time to the upcoming gig”.

The GHS recently received some great news as they are now officially approved by the Hunt Saboteurs Association.

“After our hard work we have been recognised for our dedication and commitment to protesting wildlife and taking direct action against bloodsports. We’re proud to stand alongside other HAS groups in the UK” explained Rosie.

Throughout the summer the GHS continue their vital animal rights work by fundraising. On the door for the gig is £10 for this important cause.

“All the money that we raise now goes towards keeping us on the road, we need petrol and money for repairs after tyres are slashed and windows broken. Be part of the resistance on Sunday May 4th at Trillians in Princess Square, Newcastle”.

Further insight to the work of the Geordie Hunt Sabs >>>

HOWAY THE SABS – GEORDIE HUNT SABOTEURS WANT YOU | ALIKIVI : NORTH EAST UK CULTURE

GIVE THE FOX ANOTHER GUN – with Geordie Hunt Saboteurs member Rosie Brock | ALIKIVI : NORTH EAST UK CULTURE

GIVE THE FOX A GUN – with Teesside musician Bob Campbell | ALIKIVI : NORTH EAST UK CULTURE

Alikivi   April 2025

GIVE THE FOX A GUN – with Teesside musician Bob Campbell

Heart beating fast, he’s running for his life

Chased by morons, no value to their life

Bring back hunting, give the fox a gun.

(Mensforth/Newton, Angelic Upstarts)

The North East has become a home from home for 57 year old Bob Campbell. In a phone call he talked about his love of music and his contribution to the punk compilation record produced in support of Hunt Saboteurs.

I love punk. You know punk to me is urban folk music – music by the people for the people. You’d have people in rural areas singing about combine harvesters then you’d have punks singing about inner city decay, the music was full of energy. After first hearing it in 1977 – I thought that’s for me.

I was born on the Isle of Lewis and grew up in Perthshire, Scotland and came down to the North East to study at Sunderland Polytechnic in 1985. I worked in Gateshead and Blyth before finally ending up working here on Teesside since 1992. My wife is local to this area and my son was born here – yeh you could say I like the North East.

I’ve been taking my son to Rebellion Festival in Blackpool’s Winter Gardens since he was 9 year old – he’s now 28. He formed The Anti septics who played the festival twice. I took the band to a lot of their gigs where I was always down the front dancing. I’m 6 foot 5 with a mohawk hair cut and wear bright colours when everyone wears dark clothes. I stand out a bit! I don’t care what people think.

I started writing songs in the late 90s then during the covid lockdown I wrote over 300 and just wanted to give them a life. I couldn’t find people to sing them as they wanted to sing their own songs so I thought I’d do it myself. I went to a few folk clubs got some ideas and formed a band in October 2022. Last August the Gutter Folk played on the Rebellion Festival – it was like holy shit!

For years on the punk scene I’ve been friends with Julian Kynaston who is a huge supporter of Hunt Sabs. He set up a gig in September 2022 in Barnsley and got me to do two songs acapella – basically my first time on stage!

At that gig headlined by UK Subs, their frontman Charlie Harper said ‘Those people who kill foxes, just remember they’ll kill you without a fucking thought’. That quote really struck a chord with Julian and inspired him to put out the compilation album ‘Give the Fox a Gun’.

Back cover of the album with Charlie Harper quote.

We recorded a couple of songs about fox hunting. As I was a countryside ranger for 20 years I know a shit load about foxes and the lies told by the fox hunting fraternity so I can articulate that into the songs.

Julian Kynaston and Alan Walton produced the album which features bands including Gutter Folk from Middlesbrough, Darlington’s In Evil Hour, Burning Flag from Halifax and punk royalty Angelic Upstarts from South Shields who contribute with their anti-hunt track ‘Give the Fox a Gun’.

Countryside wildlife was my profession for 20 years, I was a ranger around the Tees Valley so I know a lot about fox habits. Foxes are incredibly clever and smart essentially they are scavengers they would rather find something already dead than hunt for food.

When they are being hunted they will take to ground and some hunts dig them out. They’ll climb trees and follow streams so as not to leave a scent.

When sheep are worried, they huddle into a pack which is their defence mechanism. The fox will go into the middle of a flock of sheep who aren’t bothered about the fox. When the hunting dogs come along the sheep huddle tightly keeping the fox safe from the dogs.

The hunt say what they do is pest control but really they don’t catch enough to make a difference on numbers and they say it’s only the sick or old animals they hunt. It’s absolute lies. They breed and release foxes in areas they don’t know, they are completely lost so it’s an easier hunt for them.

One time they were importing foxes from France – that’s not pest control. No, the only reason they do it is for rich people to see a living animal torn to shreds in front of their eyes.

Why would they want to introduce the killing of defenceless animals to their children? They smear their kid’s faces with the fox’s blood that’s just been murdered in front of them. Hunters try to justify it as a kind way to go….no the animals are just scared, terrified.

Do you know fox hunters will pay men to protect the hunt and beat up the Sabs? Thing is fox hunting is illegal. It’s madness when you think that they are paying people to beat up people who are on the right side of the law. What we’ve had for many years is Hunt Sabs trying to break up and disturb the fox hunt – the fight goes on.

The Hunt Sabs are aiming to raise money to go towards buying equipment like a vehicle or drones to help their work. All takings from the album go toward supporting the Hunt Sabs – 90% Sheffield Hunt Sabs & 10% Gabo Wildlife.

To buy the 13 track compilation album on red vinyl contact the official website >>>  www.givethefoxagun.com

Alikivi   April 2025