RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley

Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.

In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.

It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?

Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.

Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.

An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.

The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.

I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.

I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.

I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.

I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.

And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.

That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.

In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.

Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.

My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.

Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.

I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.

Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.

Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!

Alikivi   August 2025

Links to previous interviews >>>

DREAM CATCHER – in conversation with writer & performer Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

DREAM CATCHER #2 in conversation with Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

COME AGAIN in conversation with writer & actor, Alison Stanley part 1/2 | ALIKIVI : NORTH EAST UK CULTURE

NOTHING LIKE SHOW BUSINESS in conversation with writer & actor Alison Stanley 2/2 | ALIKIVI : NORTH EAST UK CULTURE

YOU NEED TO SAY SORRY – new play by writer & actor, Alison Stanley | ALIKIVI : NORTH EAST UK CULTURE

SURVING IN THE ARTS in conversation with North East actor Jamie Brown

Jamie in ‘Hadaway Harry’. Photo credit Von Fox Promotions

Meeting up with contributors I’ve asked the usual questions of who, where, what, why and when. For a band you might not listen to their music, but we still want to know if they were signed? What venues did they play? Did they release any records? And yes, some did appear on Top of the Pops and the legendary live music show The Tube broadcast from Newcastle.

However, occasionally I throw in a question that is relevant for working class people in a creative business. How many times do you hear working class voices on stage or TV?

Wisecrack Productions, a North East based theatre company, have produced a number of plays documenting working class history – helping in their own little way. Earlier this year I met up with actor Jamie Brown who has starred in some of the plays and asked him – how do you survive in the arts?

I work with two theatre companies. I’m company director for Theatre Space North East based in Sunderland. It’s about cultivating creativity within the community. We do theatre tours and plays in the parks through summer seasons.

Also work with 1623 Theatre Company. 1623 was the year the Shakespeare plays were published. The work centres around taking inspiration from Shakespeare and people’s everyday lives and making new work from it.

When I came back to the North East as a professional actor I was cast in The Machine Gunners at The Customs House, South Shields with an actor called Donald McBride who was a few decades my senior. He said with a twinkle in his eye and a wink ”You’ll be around a long time you will, just keep your head down and be nae botha”.

There is something in just doing your job, doing it well and knowing your role within that room. As a younger actor there is a lot to be said for that.

As I’ve plied my trade in the area for the best part of 20 years one of the things I tell students when I go to do talks at project days is there are two types of people in the world. There are those that plant seeds and there are those that just go around picking flowers.

There are two types of actor, some pick flowers while others like to get their hands dirty and plant seeds. I think you need to be doing both. But you’ve got no insurance that anything is gonna grow if you’re not the person starting it off. So, you’ve got to rely on yourself to put things in place and bring things to life.

There are some actors who want to travel the country or travel the world but for me it was about having a sense of place, a sense of community, bringing stories to life about that place, for the people from that place.

There’s a lot to be said about shared experience and shared history and values you have around you. Also, you can’t just wait for people to knock on your door, you’ve got to be doing stuff in the meantime.

There is or was a perception that when I came out of drama school someone would put out a casting call, you’d apply, go for an audition but it wouldn’t always happen. There’s a lot of in house casting, a lot of casting people who they know because it’s a high risk business and they want to take as few as risks as possible. They would prefer employing people who they can work with and who will do a good job. As a young up and coming artist sometimes that’s not you because you haven’t had the opportunity to work.

Being on the other side of the table I completely understand it but as a young actor seeing the same people get cast in the same sort of things it is frustrating and you think if that was only my chance. But don’t give up, chances do come and you’ve got to be ready to take them and not kicking up a fuss or overstepping your role.

An actor who has a creative brain has aspirations to direct, but are you the right director in that room and in that moment? Overstepping can be a bit fractious as well. You have to know your role within the room and its boundaries.

You might want to be an established theatre director in the future but if you are being employed as an actor by all means contribute your ideas when it is appropriate or when they are asked for, they are welcomed, but if you overstep you are going to realise very quickly you are not somebody who understands that particular hat you need to wear in that room. It can rub people up the wrong way.

What projects have I been working on? Well last year we done As You Like It outside Durham Cathedral on the green then St Peters Church, Sunderland and the Anglo Saxon farm at Bede’s World in Jarrow. This year we are planning more inside and out doors shows at places relevant to the story we are doing. We’re really excited about it.

Alikivi   2025

Link to previous posts >>> HADAWAY HARRY – in conversation with actor Jamie Brown | ALIKIVI : NORTH EAST UK CULTURE

SOUL MAN – in conversation with North East actor Jamie Brown | ALIKIVI : NORTH EAST UK CULTURE

THE BALLAD OF BIG MOSS

Musicians, writers and actors have contributed stories to the site for over 8 years now resulting in world wide views totalling over 430,000. A big thank you to all the readers – much appreciated.

The site also has local and social history posts. A contributor who goes under the pseudonym Tinwhistler sends in his recollections of characters in South Shields. The likes of Big Hec, Billy Meths and Wavis O’Shave have already featured and the number of views prove there is a thirst for these stories.

In his latest post he talks about how a myth can be cultivated to the point of belief.

‘Our heroes are due to legend created from what is said or written about them, however, they can become exaggerated when tales are passed down. The negative aspects are usually omitted so you might be left with a ‘Robin Hood’ tale bearing little resemblance to reality’.

‘Controversial characters become larger than life courtesy of Chinese whispers elevating the likes of small time hoodlum to status of master criminal.’

‘We have heard of individuals such as this with their names and gang titles posted via graffiti. Never in a position to place a face to any of the names sprayed out there, I often wondered if these characters did exist?’

‘What if they were simply the imaginings of a furtive mind creating a band of disciples who followed a not so large Mr. Big? Back in the 1980s in South Shields there was indeed a case of this.’

‘This originated in the realm of dreams that belonged to Wavis O’Shave and the title bestowed was ‘The Hard’ showcased by Tyne Tees television on their nationally networked UK live music show The Tube.’

‘The Hard was tough, a shaven headed individual with a pumped up upper torso (a little padding), wearing Dr Marten boots on hands as well as feet.’

‘The Hard was filmed completing stunts such as spreading out one of his hands on a brick wall and banging several digits with a claw hammer, his mantra was an unforgettable “Felt Nowt!”

‘So where and how did the Hard originate? The North East of England has had more than its fair share of this type over the years, some individuals, some gangs usually involved in some kind of turf war.’

‘Spotting them wouldn’t be too difficult, in fact take three or four and morph their assorted traits, qualities and characteristics and hey presto!’

‘Going back to the 1970s O’Shave was solely involved and directly responsible for the Hard’s precursor. Back in those days we would read the writings on the walls to see if we might discern who these characters were, what they might be about and wonder if they actually existed at all.’

‘And so it came to pass. Wavis cunningly wove a mental tapestry involving the adventures and exploits of one of these types, creating a legend that would expand over a period of time. A title was bestowed on the non-existent extra hard tyrant and it was ‘Big Moss’.

‘The somewhat susceptible youths who we spotted in our neighbourhoods were fair game to test out the believability of his creation. Several of us in the know would be dispatched to where they would assemble – street football, outside the chip shop or leaving a youth club.’

‘The message was that Big Moss had been seen in the area and he was big trouble, keep out of the way and avoid at all costs. We answered questions as best we could but there were inevitable distortions as a precise script had not been devised.’

‘If asked as to his South Shields origins one reply might be the notorious old Deans Estate, another might be Horsley Hill or possibly one of the town’s outlying estates such as Biddick Hall or Whiteleas.’

‘The general description given was – bigger than you can imagine, a mop of ginger red hair, Dr Marten boots, 60s style evaprest trousers that were worn too short for his long legs which left exposed ginger shin fur. An additional warning was issued, “whatever you do, do not laugh!”

‘The Big Moss wardrobe was somewhat random from charity shops and jumble sales married up with home made turtle neck knitwear topped off with a blazer or suit jacket as the pockets were useful for carrying tapes of preferred music.’

‘If you were stopped by Big Moss and asked what music you liked and your answer wasn’t what he happened to like then it was likely a case of seeing stars. If he motioned to place his cassette recorder (the size of a small suitcase) on the ground, then it was best to run as it meant he was going to fight you.’

‘As previously described, Big Moss wore a jacket with pockets where he kept tapes by Black Sabbath and Budgie who were a Welsh hard rocking trio.‘

‘He also carried cigarettes –  unfiltered Capstan Full strength, a Ronson Varaflame lighter and in his inside pocket held close to his heart more tapes. These were of American band The Carpenters. It was strongly rumoured that Big Moss was secretly in love with Karen Carpenter.’

‘There were some agnostics who would only believe in him if they actually saw him and this was when the sightings were confirmed – up close and threateningly personal.’

‘The role of Big Moss was played by a Wavis acquaintance known as ‘HAT.’ Hat fitted the bill perfectly as Wavis had fashioned his mental prototype largely on his colleague, just a few tweaks were needed here and there.’

‘His hair was a natural ginger combed forward creating a fringe curling up at his forehead. His hairstyle was commented on by a local barber who asked “who the hell cuts his hair cos it looks like he’s wearing a cap or a hat”.

‘Hat’s wardrobe was what Big Moss’s apparel was based on and the crowning glory was an auburn curly wig was taken from the wardrobe of somebody’s mother (possibly mine) and though worn reluctantly it achieved the desired image.’

‘So, Hat played the role of Big Moss, the personification of mixed up violence/ hardness married to dodgy dressing. He was let loose during December 1977 until February 1978 and new believers arrived after a successful campaign.’

‘They were accosted several times, stared at, made to listen to his music via the cassette. One track enforced upon the poor unfortunates was self penned by Big Moss, rap in nature maybe pre dating what came out of the States. In fact, he may have been the first possessor of a ghetto blaster, who knows.’

‘His self penned ditty was played repeatedly to these new believers frightened to look at their companions as it may lead to triggering an unwanted reaction. Expressionless faces secured their safety. They were now believers, converts and fearful of the spectre that had descended upon their once safe neighbourhood.’

‘Wavis fielded their questions as best he could. One question was “is he called Big Moss because of his size?” Wavis replied that this was partially correct, it was also because there was another of that family, Little Moss. The new believers were told that if they thought Big Moss was hard then never ever get in the way of Little Moss.’

‘Twice as bad but only half the size. The new believers were told of the exploits of Little Moss such as how he had toppled opponents twice his size, taking them on frequently in pairs and sometimes their fathers as well.’

‘Little Moss was the absolute rock, the hardest individual in these parts. But this was wrong. Wavis informed them of another even more ferocious member of that clan. This individual was said to fight opponents in threes with their Staffordshire Bull Terriers as well. This was none other than Medium Moss. A new legend was born.’

Words: Tinwhistler

Edit: Alikivi   May 2025

Link to previous post by Tinwhistler >>>

BILLY’S STORY -The artist formerly known as Meths. | ALIKIVI : NORTH EAST UK CULTURE

‘CARRYING DAVID’ PLAYS NEWCASTLE THEATRE ROYAL

Micky Cochrane and Glenn McCrory with Tim Healy, who was ringside on the night of the world title bout in 1989 when Glenn became world cruiserweight champion. (Copyright Ed Waugh)

“Carrying David is emotional and heart-breaking. It’s about the love of two brothers. This is pure theatre. You don’t have to like boxing to be emotionally involved in this wonderful story” said actor, Micky Cochrane.

Carrying David premiered in 2019 and played to full houses gaining the actor a standing ovation for his telling of an emotive and inspiring story.

Post-Covid, the play was staged in London and toured the north of Ireland to sell-out crowds, including the prestigious Lyric theatre in Belfast.

The play tells the incredible story of Glenn McCrory’s rise to becoming the first-ever world champion boxer from the North East. It also has the further twist that Glenn’s terminally ill brother David inspired him to become the best in the world.

The play was written by Ed Waugh who brought North East working class stories to the stage Wor BellaHadaway Harry and more recently The Cramlington Train Wreckers which toured the region with sold out performances.

Ed explained “This play is about two lads from Stanley. Glenn McCrory played by Micky Cochrane – aiming to become world boxing champion and his brother David McCrory – fighting every day to stay alive!”

David’s muscle-wasting disease meant Glenn often physically carried his brother on his back, hence the title of this fantastic story.

“David and I were very close,” said Glenn, a former Sky television pundit. “He was my inspiration. David would say, “If I can defy death, you can become a world champion! Saying those words still brings tears to my eyes. I think of David every day.”

David was not expected to live beyond 14 but evaded death until he was 29, living to see his beloved brother win the coveted world cruiserweight title in 1989.

The fight was held at Stanley Leisure Centre and broadcast live throughout the world. It is the remarkable story of an underdog defying all the odds – a North East story that people still talk about today.

Ed added “The performance by Micky is sublime. He won a standing ovation at every venue, the reviews are all five-star. Rocky was a great film…but this County Durham Rocky story is even better…and true!”

Carrying David will be performed at Newcastle Theatre Royal on Saturday and Sunday, June 21 & 22. Tickets (including concessions) are available from the Theatre Royal or via the Theatre Royal website  Carrying David | Newcastle Theatre Royal

Edit: Alikivi  May 2025

SOUTH SHIELDS SCHOOL DAZE with former Westoe pupils Ian Taylor & Malcolm Jensen

These recollections are from two former pupils who attended Westoe County Secondary School over 50 years ago. The South Shields school was on Iolanthe Terrace and closed down in the 1980s. It had a fearsome reputation amongst schools in the town.

MJ: You could walk past the outdoor toilets, get nabbed and have your head stuffed down the bog with the chain flushed. Plumes of smoke rose from the roofless toilets – I made a Prefect report on the smokers. I knew if I did, they’d kick my head in.

New boys could be thrown over the 6ft wall into the girls school next door. They were unable to climb back over as the girls would de-bag (pull trousers down) them and threaten them with used sanitary products.

Our most dreaded teacher had a bald head onto which he applied some strange lotion that left him wafting carpet cleaner as he went by. Pupils hidden at a distance would shout his nickname whenever he went by in the playground and he’d produce a little note book and jot in it pretending that he knew the culprit to be dealt with later.  

He was once seen kneeling in front of his desk as if it were a sacred shrine. He told the kids he had his hair pulled out in a Japanese prisoner of war camp during the second world war. Other teachers told us to ignore him.

IT: There was obvious staff room conflict regarding his sadistic attitude to the kids and over use of the cane. I recall our English teacher deriding him to us a few times. I remember teachers rowing with him in the dinner hall on a couple of occasions.

MJ: We had an equally dread teacher, when you went into his classroom you’d stay absolutely silent throughout. Although sober he was like an inebriated Oliver Reed on a live chat show, you were on edge from the start fearing his unpredictable behaviour as he’d make it clear from the start, behave or he’d ‘crease you’ or ‘ruddy do you’.

IT: He was a terrifying man, well built with little patience, and there’d be a sudden burst of anger to any pupil he perceived to be play acting – as if anyone would dare – or gave the wrong answer during the lesson.

He kicked my desk on one occasion and it lifted a couple of feet in the air. I was terrified when he started walking towards me and feared he would lay into me.

MJ: Then there was another teacher who’d top up his earnings as a taxi driver. After handing out maths books he’d write out 10 sums on the board complete with answers and get us to copy them out then tell us to do the next 10 on our own.

We couldn’t do any to save our life so when we handed our books in for marking he’d mark the first 10 as correct and the other 10 with a cross. If you dared go to his desk and ask for help in doing one of the remaining sums he’d look up from his newspaper and say ‘Go away – you’re barmy.’

IT: I don’t remember him ever smiling. He was a humourless man. Seemed to me to be just waiting for retirement.

MJ: We only ever went on one school trip early one Saturday morning, a coach trip to Fountains Abbey. From the moment we left we were rowdy and when someone threw a shoe out the window after 20 minutes the teacher had the coach turn round and that was that.

Whenever rumours went round in an afternoon that nearby school Ocean Road were coming round at home time to scrap with us we’d break legs off wooden chairs in preparation but they never once turned up. The teachers never understood why in the morning they’d find all the chairs broken.

We once got involved in an inter-schools quiz – a posh lot turned up as challengers. We thought we’d have no chance but they weren’t all that hot and somehow we had equal scores right up to the last and potential winning question.

‘What sport is played at St Andrews?’ An arm shot up from one of ours. ‘Football’. ‘Incorrect’ came back the answer, they answered ‘Golf’.

We didn’t know about golf at St Andrews only that Birmingham City’s ground was another St Andrews. We wanted our hands on the winners but they received a hurried escort out the building.

IT: The fact that there are no Westoe School class photos  spoke of the low value attached to schooling and futures of those in the lower education system. I reckon there must have been a Caning League mentality amongst some of the staff and a culture in which status was earned based on flair or disciplinary prowess. Maybe some had a City & Guilds qualification in caning. Perhaps the staff room walls were plastered with framed certificates.

MJ: When the school closed down I wonder if they left all their canes behind in a cupboard?

Ian Taylor & Malcolm Jensen

Edited by Alikivi   May 2025

AN EVENING WITH THOSE CANNY LADS OFF THE TELLY – JEFF BROWN & IAN PAYNE

Jeff Brown & Ian Payne appearing at North Shields Exchange 29 April 2025.

Two of the region’s most loved television icons will be appearing in North Shields this month on their regional tour. Jeff Brown and Ian Payne who between them presented award-winning local news on the BBC and Tyne Tees Television for more than 30 years will be sharing the stage at the Exchange Theatre.

People will get the chance to learn about the interests and lives of these TV personalities who have been welcome guests in our living rooms for decades.

Jeff, 62, joined the BBC over 20 years ago, co-presented Look North with Carol Malia until he left in May last year. Ian, 56, joined Tyne Tees in 1992 from Nova International where he worked with Brendan Foster on the Great North Run. Ian has presented with Mike Neville and the much-loved Pam Royle. He now shares news anchor duties with Amy Lea.

Despite once being on rival stations they are good mates – having worked together at Tyne Tees for six and a half years in the 1990s.

The compere for the evening will be South Shields playwright Ed Waugh (Wor BellaHadaway Harry, The Cramlington Train Wreckers) whose play Carrying David transfers to Newcastle Theatre Royal in June. Ed explained “I’ve worked with Jeff and Ian at various times, especially at Sunday for Sammy. They’re both really entertaining and interesting lads. Whenever we get together it’s one long laugh.”

He continued “We put them together a year ago at the Lit & Phil in Newcastle and the Customs House in South Shields where it sold out twice at both venues. It went down a storm. They are both cultural icons of the region, that’s why we are touring to The Exchange in North Shields, Gala Theatre Durham, Bishop Auckland Town Hall and Gosforth Civic theatre.”

Ed continued “Ian was a top trampolinist in his youth and appeared on the children’s television show Blockbusters! He’s also a creative writer, a budding artist and loves music. Likewise, Jeff is a creative writer. His excellent play – The Bench – is touring the region in June. He’s also a canny chanter. I’ve seen him sing live with a band and he rocked”

“It’s a cracking show their stories are captivating and hilarious. It’s a fantastic opportunity to get to know Jeff and Ian better.”

An Evening with Jeff Brown and Ian Payne will be at: Durham Gala April 24, North Shields Exchange April 29, Bishop Auckland Town Hall May 12, Gosforth Civic Theatre May 16. Contact the venues for details.

April 2025

HADAWAY HARRY – in conversation with actor Jamie Brown

Jamie Brown.

The incredible true story of Harry Clasper is set to tour the North East in February. The one man play ‘Hadaway Harry’ stars Jamie Brown who won a NE Culture Awards Performing Artist of the year.

Harry Clasper was born in 1812 in Dunston, Gateshead, at two year old he moved to Jarrow where he fell in love with the water watching ships coming up the Tyne. Education was limited for Harry, he couldn’t read or write and signed his marriage certificate with a cross. He started work at Jarrow Pit but unfortunately that didn’t work out so his next stop was an apprenticeship at Browns Boatyard.

‘That’s where he got clued up about boats. Harry revolutionized boat racing and boat design, innovations that became part of boat racing then are still employed in boat building today’ explained Jamie.

‘By shaving the boat they made a gun barrel shape instead of a square bottom and pointed the front of the boat. That increased the speed rather than drag through the water, and they made a scooped shape oar’.

‘It was like the time during the 2012 London Olympics when cycling became really popular, they had lightweight helmets, handlebars were shaped to create more speed – huge innovations just like Harry Clasper done for boating in the 1800s’.

‘Rowing was the main sport then, people would sit on the bank of the river and watch the race. Bets would be placed and there would be sponsors – even in those days. There would be stories of men employed to drill holes in the boats of opponents or tempt the oarsmen with alcohol the night before. There was even a case of someone’s food being poisoned. One of the first cases of boat tampering was with the part of the boat called the scull. The term skulduggery comes from that’.

‘The writer Ed Waugh has a desire to shine a light on people or events that have gone under the radar. We’ve done plays about North East musicians and singers Ned Corvan, Joe Wilson and Wor Bella about a ladies football team plus at the end of last year was The Cramlington Train Wreckers’.

‘These extraordinary stories about the working class, are told so they go unforgotten. There is a thirst for these stories, people responded well to them with standing ovations and sold out shows’.

pic. by Local Historian, Steve Ellwood

The Hadaway Harry shows in 2015 and 2017 eventually got Harry Clasper some recognition as a blue plaque was fixed onto the base of the High Level Bridge in Newcastle. There is also a pub called the Harry Clasper in Whickham, Gateshead.

‘He came from a big family – he was one of 14 and had 12 children himself. His ancestors are still around today, they’ve been to the shows and are very proud of his achievements’.

‘But his story wasn’t straight forward, it’s not looking back with rose tinted spectacles as he suffered personal tragedy and professional disappointments, there was plenty of hardship and personal dilemma’.

Later in life Harry became a publican in Newcastle but sadly died in 1870.

‘Over 120,000 people lined the streets for his funeral the procession was only a few miles but took over 12 hours. His coffin was put on a boat and sailed down the Tyne to Whickham where he was buried’.

The North East has stories of talented people achieving great things – we talked about the footballer Paul Gascoigne, coincidentally also born in Dunston where Harry came from.

‘Before Association football the sport of the people was rowing and Harry Clasper has been likened to the David Beckham of the day. I think, as many people do, he should have a statue next to the river Tyne. His achievements were fantastic. Do you know he won the world championship 8 times in 12 years’.

‘It’s been a privilege telling his story, but sadly this will be my last time on stage doing the Hadaway Harry show. I’ve loved doing the show but in the second half of the play it is hard rowing and narrating the story as a one man show plus I’m 40 in February so it can be a bit exhausting’.

‘So, this is me hanging up my oars but the play will go on and maybe a younger actor will take on the role. This is why on the tour schedule after about three nights we have a day or two off where there is time for rest and recovery and then for the next show I’m ready to be able to give 100%’.

For information about tour dates and venues contact the official website >>>

http://www.hadawayharry.com

Thanks to Von Fox Promotions for the pix.

Alikivi   January 2025

TIME TRAVELLER – in conversation with Local Historian, Luan Hanratty

46 year old Tynemouth resident Luan Hanratty has strong Celtic roots. His father was born in Jarrow with their family connections going back to Galway in Ireland and his mother originally from Rosyth on the east coast of Scotland.

Luan at Arbeia Roman Fort, South Shields.

‘Yes, the Hanratty name is Irish, however, a brief background to my employment story is that I worked the financial sector in Prague, Czech Republic, moved to Shanghai in China where I was employed as an English teacher. I even appeared on TV there and published some books. Education is strong in my background as my father was a Drama Teacher’.

‘After Covid in 2020 I came back to the UK and based myself in South Shields. I was looking for my next adventure when I came across some local history and got obsessed with reading the stories’.

‘With my business partner Gary Holland we put together a website called Penbal – which is a Celtic name for the Tynemouth headland – the site features articles on Tyneside local history, photographs, AI art, links to Maritime Trust, Lifeboats Brigade and Fishermen’s Heritage plus local products for sale – prints, postcards, mugs, t-shirts and more’.

The latest story has recently featured on BBC News >>>

Roman Stones Missing from Mill Dam Roundabout, South Shields – Penbal

Luan’s latest post on the site is about a long lost river which flowed from the Mill Dam in South Shields.

‘Beneath the busy modern landscape of South Shields lies a forgotten natural feature – a river called the Mill Dam Creek but also known as the Branin River. This flowed from Mill Dam, next to Customs House today, out to the sea near North Marine Park and the Pier. This effectively made the Lawe an island’.

‘The channel played a vital role in the development of the town, both as a waterway and a habour, and once it was dammed with ballast, the Mill Dam formed a bridge between the north and south reaches of the early town’.

‘So important then, was the creek as a resource that it forms the base of the first industrial activity in South Shields, with coal mining also evident on the south bank where the pit wheel now stands above Asda carpark in Coronation Street’.

‘If you stand on the long sloping escalator when exiting Asda and look out across the huge carpark, you really get a feel for the valley nature of the Mill Dam Pond. Imagine what it must have looked like all those centuries ago’.

‘Another twist to the story is that in the 19th century much of the eastern end of the creek was covered by Denmark Street, where the Denmark Centre is today. In the 1830s, while building the street, a Viking longboat was discovered beside what was originally the river bed’.

‘Maybe there is someone out there who has more information about this amazing find. We know it featured in The Shields Gazette in the 1980s’.

Viking ship article in The Shields Gazette 1980s.

Full story >>> The Lost Waterway of South Shields:  Mill Dam Creek – Penbal

Luan stresses that he has no plans to research any murders or the race riots that have happened on Tyneside.

‘So far, we have over 200 local history posts and we don’t look at any taboo subjects, I just like to paint a picture of our very rich heritage here on Tyneside’.

For further information contact Luan >>>>

Penbal – Messis ab Altis

Alikivi   January 2025

ALIKIVI BY NUMBERS

WordPress, who run this publishing site have a statistics page where all the viewing numbers, countries, dates and comments are gathered and crunched. A new addition to the stats is the percentages from what device the site is being read from – currently it’s mobile 63%, desktop 32% and tablet 5%. We are entering nerdsville territory so some people’s eyes will glaze over but stick with it, the stats can bring up some interesting surprises.

I remember back in 2017 posting an interview with former Angelic Upstarts guitarist Mond Cowie and noticing views from the Bahamas – who’da thought punk would invade the tropical paradise!

The site kicked off in February 2017 with first year views of 15,478 quickly rising to 79,850 in 2020 with most people staying at home during the Covid pandemic. It was March of that year that hit the highest monthly views with 9,700.

2021 reached 77,259 with a high of 8,400 in February that year with a small dip back to a total of 51,482 in 2022. This year has experienced a sharp upturn in numbers, so after eight years you can say ‘it’s daein’ canny’. For non Geordies and Mackems that means ‘it’s doing fine thank you very much’.

2024 has hit over 53,000 views with nearly 3,000 this month. December readers from the UK and USA are high with an unexpected spike in numbers from Belgium. So, yep its daein’ canny. All the best for 2025!

Alikivi   December 2024.

THE NAME OF THE GAME with Writer & Theatre producer Alison Stanley

‘2024 has been an absolute rollercoaster. I’ve met and worked with some truly amazing people and for that I’m very grateful’ said Alison as she reflects on a productive year.

Alison (3rd from left) nominated at the North East Culture Awards 2024.

‘I started working with Laurels Theatre in Whitley Bay as their Director of Participation and that has brought new opportunities and challenges. Based on the Glasgow version, I started a new initiative called ‘Play & Pasty’ – it’s really took off’.

‘It was to encourage people to walk through theatre doors and see new writing. Every week actors have a script in hand reading and everyone gets a drink and a pasty from our favourite bakers Greggs’.

New writing is important to keep theatre fresh and encourage new audiences. Also, in these times when people are looking to come together the Play and Pasty initiative is providing an important and vital service.

‘These events have become firm favourites with people meeting friends and seeing theatre. This project is really helping not only increase theatre footfall but also combat social isolation and provide a safe, warm space’.

Dealing with challenging subjects is something Alison doesn’t shy away from to a point where her work has been recognised by the North East Culture Awards and organisations in the public sector.

‘I’ve been proud that my play ‘You Need to Say Sorry’ is being used by Social Services and the Police in their domestic abuse training. It’s amazing that something I wrote is in a small way helping in the fight against domestic abuse. I’ve also made the Culture Award’s 2024 finals as writer of the year with this’.

‘With fellow directors Maggie Martin and Polly Brennan I’ve also set up a community interest theatre company called Stanley Creatives. This has enabled us to produce theatre and music events bringing productions into the heart of the community’.

‘Stanley Creatives are also launching the Women We Are project. It’s a great project where we go into community centres and use drama as therapy with women who have experienced trauma through domestic abuse or cancer’. 

Alison is fully determined to bring people together and use creativity as a positive driving force, with that she feel’s next year is shaping up to be a big year on the Stanley calendar.

‘I’ve some amazing stuff lined up. ‘Living the Life of Riley’ written by myself and Leah Bell is doing a UK national tour. I’m really looking forward to touring with this as we have former Coronation Street actress Vicky Entwistle starring plus my son is in the play. I also have my new play ‘Tits Up’ debuting February 18th to March 1st at Laurels Theatre, Whitley Bay’. 

‘Film production is another avenue I’m interested in getting into so we’ve been working on a short film for a festival entry, it’s based on my stage play ‘Hard’ – I’m really looking forward to doing this’. 

‘Our film ‘Bonny Chip’ with Lesley Saint John (Auf Wiedersehen, Pet) Deboa Meki and Rosie Fox – is still sweeping the boards at film festivals, we’ve had great nights at the film awards, plus of course the ABBA Girls with Kelly Lofthouse is going well – that train is still rolling’. 

Alison with Kelly Lofthouse in ‘ABBA Girls’.

Alikivi  2024