BANJO IN BOGOTA – in conversation with Tyneside storyteller & folk musician Tony Wilson

Tyne Dock in South Shields was an interesting part of the town to live, with its churches, terraced houses and huge industrial Victorian arches next to the river. It was in the early 80s when a lot of the old housing stock was being demolished and in Porchester Street I watched Ascendency being filmed. Julie Covington of hit TV show Rock Follies was the star, not long after that The Machine Gunners was set in Porchester and filmed for BBC TV.

‘Up to when I was 7 year old I lived in Porchester Street. It’s not there now but St Mary’s Church around the corner is where I used to sing in the choir and the scouts’ said Tony.

‘Now I live on the Lawe Top beside the roman fort. It’s almost aspirational for someone who comes from Tyne Dock to wind up being a skuetender’ (native to the Lawe Top).

‘I’m proud of coming from South Shields and when you were young trips to the fort were absolutely mind blowing. The area it’s in is incredible, with the whole vista of the river and parks and beach nearby – we’re lucky here’.

Being a former Tyne Docker now Skuetender he’s not wrong there. Tony featured on the site back in May 2018 talking about storytelling and songwriting and what music means to him.

‘I turned back to folk singing in 2017 after the government education cuts made it too expensive for schools to have extra-curricular practitioners, like me, to come in. Before that I was storytelling in schools for 20 years covering hundreds of issues such as the steelworks when I was in Ebbw Vale, the Romans here in South Shields, the coal industry and iron stone mining in Teesside and Northumberland. It was an extremely successful time’.

‘Storytelling is very important, its communication, social history, emotional control, drama, its use of vocabulary. For me it was learning how to be a performer and developing stamina to be able to do four hour sets a day, then drive 100 miles to go to a hotel, get up next day and do it again’.

‘Cities like Manchester, Oxford, Cambridge, all over the UK. I’d stay in these areas year after year for a fortnight at a time and, unlike a music tour where you could be in Aberdeen one day and Bournemouth the next, I’d plan easy distances to plan a route back home – loved the life.’

‘Then around 2009 I got an email. The message was ‘would you like to tell stories in Argentina?’ I wasn’t sure it was kosher at first but I received a phone call a few weeks later confirming it was. I was given contacts of previous storytellers who recommended it’.

‘Me and my wife went out and ended up over the years going to about 15 countries for six weeks at a time. They were international schools where the kids had already learnt English but mostly from American cartoon shows and they wanted them to hear colloquial language, more English. With my accent, I knew I would have to speak a bit slower – and there’s nothing worse than a posh Geordie!’

‘When we were in a Spanish speaking country, for the youngest ones, you’d have someone to explain the context of the story and then I’d still tell the story in English. Half of their lessons were in English, to make it an immersive experience’.

‘To accompany the lessons it was helpful to use British sign language, or borrow a guitar. I always took a banjo with me as it was such a different instrument for them to hear. Once the banjo was broken en-route and we found the only banjo repairman in Bogota in Colombia’.

‘It was hard work getting up at 5am, into a taxi for a two hour drive to tell stories to 3-400 children in ampitheatres – but what an experience! The last time we went over was Peru in 2016. We’d been to Uruguay, China, South Korea, all over – loved it. Sometimes I look back and think how did that happen – you’ve got to seize every opportunity’.

‘I’ve been songwriting for years and always have a songwriting project on the go. I write about 15 songs per year. Ideas can come from a book, a documentary or what someone says in a street… then I do a lot of research and add some ‘meat’ to the story. Songwriting can possess and obsess you’.

‘Recently I wrote a number of songs about Iron Stone Mining, the workers and how dangerous it was working there, although I do try to stay away from disaster. It’s not all ‘Grim up North’.

‘A friend of mine gave me a diary about his distant relation who had been captured by the Portugese and transported to Portchester Castle in Hampshire! Having lived in Porchester Street I didn’t know about this place. The songs can take you anywhere!’

‘I wrote a song with local playwright Tom Kelly about ‘the seven lads of Jarrow’ who, in the 1830s worked in the mines under diabolical conditions so tried to form a union with union organiser Tomas Hepburn. They ended up being brought up on jumped up charges – 10 were captured 3 escaped. 7 ended up in a kangaroo court and were transported to Australia never to return. It’s such an emotional subject’.

‘In 2019 I was planning to write autobiographical songs, one was about the day they tarmacked the cobbles in Porchester Street and as kids we could roller skate across the street. Another was the times walking through Tyne Dock arches with my dad and me being on his shoulders. Or another about my sister playing with her friends in the backyard in Porchester Street – then covid came along’.

‘I didn’t want to write about the pandemic or what happened around it, like being scared or having a feeling of waiting for death to come. I wrote nothing about that. I just wanted to write about the one’s I love and keep sane’.

‘All the performances I did in South America and all of the daily storytelling work I did in schools I now channel into what I present now as a musician. I still do regular open mics, folk club spots and am a paid guest in clubs and festivals throughout the UK’.

‘I love performing, it’s like an out of body experience. I’m not hippy dippy, mystical or spiritual but enjoy giving people enjoyment, sharing moments with people…and it beats the hell out of singing in the bathroom!’

Tony has placed all of the stories, CPD and instructional DVDs for parents and children on You Tube at ‘Tony Wilson Storyteller.

For further information contact the official website > http://www.tonywilsonfolksinger.co.uk

Alikivi   September 2024

KNOCKOUT with former boxer Terry Patterson

Terry Patterson had one foot considerably smaller than the other so wore a calliper.

“It’s known as a clawfoot. I was bullied by school gangs so decided to fight back”.

From gutting fish, to boxing to heartfelt poetry – this is Terry Patterson’s story.

Born in North Shields in 1956 Terry attended Ralph Gardiner Secondary modern school, he left with no qualifications but was taken on as an apprentice fish filleter at North Shields fish quay.

“Working on the fish quay was hard but good fun. Weighing, icing and boxing salmon to begin with, then learning how to fillet various types of fish and how to drive a popper lorry. I tell ya’ the smell took some getting used to”.

With school bullying still fresh in his mind, Terry joined North Shields Boys Boxing Club where he was taught by ex-professional Joe Myers.

His boxing career lasted a total of 22 years, in that time he worked in the shipyards and had been a school caretaker.

A couple of years ago I interviewed ex-boxer now coach Preston Brown from Sunderland.…”Yeah I know Pasty Brown very well” said Terry. “Over the years I fought a few Sunderland lads. Derek Nelson was a classy boxer who turned pro. I fought two ABA finalists in Gordon Pedro Philips and Willie Neil. I fought Pedro in the North Eastern Counties final but lost. Both lads were well schooled”.

“Willie’s coach asked if I’d fight him one evening because his opponent hadn’t turned up. I weighed in at 10st 6lbs (welterweight), he was heavier than me by 6lbs. I knew his reputation for knocking people out. Norman Fawcett negotiated with his team and £50 was slipped into my hand for taking the fight”.

“Willie could bang a bit – so could I – but he had me down three times during our bout. We set about each other unleashing hell for three fierce rounds. I had him going at one point after landing a good left hook but the bell sounded and my chance to finish him had gone”.

“Gordon and Willie are still good to this day – it’s been 36 years since we shared a ring. I see them at boxing dinners and  Boxing Club Reunions. Both of them bought my novel ‘Like Mother Like Son’.

In over 200 bouts Terry won national honours and passed the advanced ABA coaching exam plus he was involved with coaching youngsters until 1986.

After an industrial accident left him unfit to continue his love of boxing, Terry was determined to focus on another sport and won the Disabled Sport England Snooker Championship five years in a row.

“I qualified as a UK professional snooker referee and got a call up to referee the Maltese open in 1997” said Terry.

In 2002 he became North Tyneside’s first World Professional Snooker Coach. He coached at Wallsend Supa Snooker for disabled and able-bodied youngsters, but after a fall on icy roads, not only had he injured his back, he suffered from a dark depression.  

Terry added “I was diagnosed as clinically depressed. It’s something I just try to get on with. A surgeon advised me to take up knitting – no I didn’t – but I was determined to excel at something.”

Throwing himself into a number of academic courses at North Tyneside College Terry volunteered at Newcastle’s Percy Hedley training centre working for clients who had cerebral palsy.

He spent over five years working in various care homes until the injuries he sustained over the years got the better of him.

“Depression is something I’ve dealt with my whole life but I feel life still holds challenges for me”.

With an interest in poetry and short stories he began to spend his time writing. To date Terry has produced 46 novellas and three novels ‘Like Mother like Son’, ‘He Who Rides a Tiger’ and ‘Living with Grandpa’. His writing is free to read on Movellas.com.

“I’ve also written plays – two of which have been staged in various theatres. ‘Reaping the Benefits’ and ‘The Redundant Blade’ which was written as a tribute to Tom Hadaway”.

“We were only four days from staging ‘The House Across the Road’ when covid broke and we lost cast members. Eighteen months later we tried again and two days before the production two young cast members took ill. My producer and I lost a lot of money and we decided to walk away and the group disbanded.”

Prolific North East Writer and theatre producer Alison Stanley and cast will be reading one of Terry’s plays at Laurels in Whitley Bay, at 2pm on Thursday 22nd August. ‘A Home for Willie’ raises awareness of dementia.

Terry explains “At 68 years of age I’ve never done any for personal gain, never made anything from it but would love to have one of my books or plays made into a television programme or series”.

“I would like to follow where Catherine Cookson and Tom Hadaway left off. I hope that one day when I’m no longer around I’ll be remembered like the people who inspired me”.

Alikivi   August 2024



WALKING MY STREETS – New Poetry and Prose collection from Jarrow born Tom Kelly.

Tom Kelly is a short story writer, playwright and lyricist now living further up the Tyne in Blaydon. He’s written a number of musicals with the late John Miles that have been produced by The Customs House, South Shields, including the work of Tyne Dock born author Catherine Cookson.

‘Tom & Catherine had its premier at South Shields Customs House, it was really exciting. All the team were really nervous on the opening night but when the overture began, we all felt it was going to be a success. And it was. It had a ‘sold out’ run. A measure of its success was that me mam wanted to go every night! And she was not a theatre-goer. She loved ‘Tom & Catherine.’

“The play was first produced in 1999, and again 2001. In 2006 there was an outdoor performance at Bents Park, South Shields in which Jade Thirlwall (Little Mix) appeared, and most recently in 2019” said Tom.

His two football plays I Left My Heart in Roker Park (1997 & 98, 2004 & 2014) and Bobby Robson Saved My Life (2019) toured the North East and were well received by audiences and critics alike.  

“I Left My Heart in Roker Park’ is a one-man play that looks at the life and football times of an avid Sunderland supporter. As more than one have said of the play, ‘it makes you laugh and cry” said Sunderland fan Tom.

His new book ‘Walking My Streets’ is his fourteenth and thirteenth published by Red Squirrel Press. Tom read at the Lit & Phil, Westgate Road, Newcastle, Cullercoats Library and The Word in South Shields to promote the book.

“I’ve already read at a number of venues and thankfully it’s gone down very well. As it says on the books cover, ‘Walking My Streets’ explores in prose and poems Kelly’s life and the changing face of his native north-east of England’.

Walking My Streets is available from Red Squirrel Press.

Contact the official website >

https://www.redsquirrelpress.com/poetry?Author=Tom%2520Kelly

Alikivi   June 2024

TON UP for North East actress and entertainer Helen Russell 

A North East icon will celebrate her 100th birthday with the launch of her new book of poetry at The Word, South Shields.

Helen is one of the few surviving ENSA (Entertainments National Service Association) members from WW2 – the elite troupe who entertained military personnel. She joined ENSA at 15-year-old and toured the UK singing and dancing.

Helen was born in London on May 30th 1924 near the London Palladium. “I was bitten by the showbiz bug as a young girl and fortunately I could sing and dance well, so I was able to follow my dreams”.

Helen started her career aged eight and at 14 performed in her first professional pantomime, Dick Whittington, at the Winter Gardens in Morecambe.

During the war Helen married Colin Hillcote, who ran a dance hall in Belfast. “It was an exciting time there, too”. At the end of the war the couple returned to South Shields, Colin’s home town, and she has been an adopted Sand-dancer since 1946.  

In the 1950s Helen was singing at church events and played many roles as member of the South Shields Amateur Operatic Society. A friend who performed in working men’s clubs heard Helen sing and invited her to step up on stage.

“From there I became an artist in my own right, singing and dancing throughout the region” she said.

“We didn’t have a phone in the house so I’d take calls on the local public telephone box to tell me where I was playing that night! Sometimes it meant getting a bus to Newcastle and then catching another to Stanley in County Durham, or Ashington in Northumberland, then heading back after 10pm – all the time humping my guitar and other equipment. I had no helpers!”

“When guitar groups became popular in the 60s I had to stop dancing on stage because of all the leads and wires. That’s when I took up the guitar and later started writing my own songs.”

In 1965 a Vaux beers television advert came calling and a number of variety shows were filmed at Tyne Tees Television, including a double act with Bill Pertwee of Dad’s Army fame and working with Dick Emery. She was a contemporary of North East legends Bobby Thompson, Bobby Pattinson and Dick Irwin, all of whom she knew well and regularly worked with.

Her TV and film appearances include When the Boat Comes in, Supergran, Catherine Cookson adaptations, Highway (during which she sang with Harry Secombe), Emmerdale, The Fast Show and Billy Elliot.

On stage, Helen’s credits include performing in her self-penned plays Off the Shelf and Keep Calm and Carry On. She was also an original Dirty Duster, a play which transferred to Newcastle Theatre Royal and sold out twice. Helen was still performing in the Dirty Dusting tour until the age of 90!

She was also part of the hugely popular Angels of the North variety group with the two other original Dirty Dusters – Jean Southern and the late Gwen Doran. Their shows, mostly of original material, were self-written and performed to sell-out audiences all over the region.

Regular successful contributions to BBC Radio 4’s Poetry Corner sparked Helen’s creativity, she started writing in the 1970s and returned to poetry during the Covid lockdown.

Her new book of poems “Oh! Life is a Joy” will be launched at a free event in The Word, South Shields Market Place at 1pm Thursday, May 30th.

There will also be an ’in conversation’ with Helen to mark her remarkable life and career. All profits from the book will be donated to cancer charities. Helen successfully fought off breast cancer a decade ago.

 Alikivi   May 2024

HOME GROWN with Newcastle songwriter Bill Dodds

Bill Dodds (pic. Sean O’Driscoll)

Hard working Bill spent 34 years as a railway driver and 20 years on Newcastle City Council. Being a keen cyclist, he is one of the few people to have completed an around the world bike ride.

“The highlight had to be the scenery in the Rocky Mountains, USA, the geysers, hot pools and volcanic activity in Yellowstone Park. I followed the Rockies for over 1,000 miles through Colorado, Wyoming, Montana, Idaho and Oregon with much of this being wilderness area”.

When the pandemic hit in 2020 Bill took solace in the music he loved. He attended songwriting workshops with artists he had been a fan of such as Beth Nielsen Chapman, Mary Gauthier, Gretchen Peters and Dan Whitehouse. When folk clubs opened back up after lockdown Bill stepped out to perform.

“I really enjoy playing local folk clubs where audiences are always attentive and often sing along. My favourite folk club is The Bridge Hotel in Newcastle which is the longest running folk club in England on the same premises. They’re a great crowd”.

Encouraged by this warm welcome, he spent 2023 honing his work with producer Dan Whitehouse and then recorded his debut album. ‘Closer’ is a delicate collection of heartwarming folk songs that tell political and historical stories as well as tales of love and loss.

“We recorded all the foundation tracks of vocals and guitars live in my living room in Gosforth”.

As well as producing Bill’s debut album, Dan also played lead guitar and added backing vocals plus several of Bill’s friends and family contributed to this intimate collection of songs.

French speaking Christine Durand reads poetry, Kathy Wesolowsk lends operatic vocals, Bill’s grand-daughter Chloe Weston is the lead voice on a song written by Bill on a songwriting retreat lead by Gretchen Peters and Mary Gauthier.

The recordings were shared with Gustaf Lljunggren (John Grant/Eddi Reader) who added Pedal Steel, Accordion and Rhodes Electric Piano from his Copenhagen studio.

“Dan Whitehouse had worked with Gustaf before. He introduced me to Gustaf’s music and once I heard him, I knew that he was the musician I wanted to have playing on a number of my songs”.

“Gustaf is experienced in working remotely – adding delicate overdubs, without overcrowding the musical landscape of my record”.

Cover art by Ruth Bond.

Next stop on the album’s journey was London…

“I’d a longing to add strings to ‘Fools and Princes’ – with it being based on Romeo and Juliet, I had a vision of a romantic string arrangement being effective, Dan suggested Alison D’Souza (The Little Unsaid) in London as he’d worked with her previously and what she played really brought my dream into reality”.

“Harriet Harkcom’s voice I knew from Dan’s own releases as she has sung on most of his albums, I was pleased when she accepted my invitation to sing on ‘Goodnight Vin’. I’d like to think if Vin was around he would love her voice on this song too”.

With recording completed, final mixing and mastering of the album was by John Elliott.

“My hopes for the album are that it will allow me to reach a wider audience, commercial success has never been my main aim. Like any other singer-songwriter I just love sharing my songs with people”.

For the near future Bill has no plans to tour the album…

“I sing in local folk clubs twice a week and I’m happy being involved in this local musical community. I prefer small intimate venues packed with friends and other singers”.


The album is available to order now on CD and digital via bandcamp >

https://billdodds.bandcamp.com/album/closer

March 15th is the release date for Spotify /Apple / Amazon.

Contact Bill on his facebook artist page >

https://www.facebook.com/people/Bill-Dodds-Music/61555902894513

Alikivi   February 2024

THE SOUND OF A LANDSCAPE with author MiE Fielding

‘The Sound of a Landscape’ is a new book by artist, author and sound recordist Mie Fielding, who co-authored ‘Closest Thing to Heaven’ about the Newcastle music scene, which featured on this site in December 2020.

CLOSEST THING TO HEAVEN – New Book on ’70s-’80s Newcastle Music Scene | ALIKIVI UK : NORTH EAST CULTURE (garyalikivi.com)

In ‘Sound of a Landscape’ Fielding pictures the Northumberland coast in all its wild splendour. His unique artwork is complimented by Cullercoats poet Harry Gallagher.

“I got to know Harry as he played the late Tom Hadaway (My wife’s uncle) in a theatre production. As I’ve recorded bird sounds and produced avant-garde music for over 30 years, it was a natural idea to put these artistic elements together” explained Mie Fielding.

MiE Fielding

The book is further enhanced with sound recordings by scanning the accompanying QR code, bringing ‘The Sound of a landscape’.

“The book also gave me a chance to produce two specially written pieces of sound art. One portraying Storm Arwen and the other lamenting the demise of a way of life, once a common sight along the Northumberland coast – the Cullercoats Ghosts” added Fielding.

“As for the sounds in the book, they took nearly a year to capture using an ‘Ambisonic, microphone and other technical equipment”. 

An exhibition about the book featuring its poetry, art and sound is held at Newcastle Central Library from 14 -20 December 2023.

Alikivi   November 2023