PIT BOY – new book by former Sand Dancer John Orton

How many books have you published and when was the first?

Four so far Gary. My first book, ‘The Five Stone Steps’, a tale of a Policeman’s life in 1920s South Shields, came out in 2014 and was followed by ‘Blitz PAMS’ (2016) a tale of the Blitz on Shields, then ‘A Chill Wind off the Tyne’ (2018).

My last book, ‘He Wears a Blue Bonnet’ (about Scottish survivors of the Dunbar death march who were sold as indentured servants to work in the salt pans of Shields) – was published in 2022.

What is the new book about?

‘The Pit Boy’ is true story of the early life of my Granda’, Teddy, who was brought up in Wilson Street High Shields in the 1900s. His early days were marked by poverty. His Da’, a rivetter/boiler maker who had moved to Tyneside from Loughborough, died of rheumatics in 1902. Teddy’s Mam, Lizzi, took to the drink, and the family ended up in the Workhouse.

Back on the cobbled streets of Shields, Lizzie took up fish hawking, but when the drink took over, she abandoned Teddy and his brother Alf on a doorstep in Brunswick Street. She was sent down for two months for child cruelty and neglect.

Teddy started as a trapper lad at St Hilda colliery. He worked hard down the pit, went to night school, and when War broke out in 1914, he had become the youngest deputy in the Durham coalfield.

Why do you focus on South Shields?

After my Granda’ died in 1955 when I was six, my Nan, Gertie started coming for tea four times a week. ‘Tea’ went from half past two until six o’clock. She sat in an old wicker chair in the corner, drank tea and never stopped talking in her broad Geordie accent.

Her tales of old Sheelz still ring in my ears – of Dick Borke (Burke) the one-legged bookie, of when they ‘bornt Kredga in the streets’, (effigies of Kruger were hung from lampposts and burnt during the celebrations of the relief of Mafeking.) Although I left Shields in my early twenties, I love the town and the old memories kindled by my Nan.

When writing, is that when you are happiest?

I have always suffered with my nerves and had a breakdown in my second year at Oxford. I was advised to take a year off and went home. After a couple of weeks, me Mam told me that she didn’t want me moping round the house and if I was going to stay then I’d have to get a job and pay keep.

I tripped off down to the old Labour Exchange in Wawn Street and joined the long queues of men drawing their dole. There was only one job going in the whole of Shields – at Wrights Biscuits. I took it and learned more about life there than I ever had at Oxford.

I went back to my studies, and qualified as a Solicitor. I had a second nervous breakdown in my mid forties and have never fully recovered. I started writing as a form of occupational therapy and have kept it up. I am happy sitting at the keyboard researching my stories and then writing them.

It is fascinating to learn how folk lived a hundred years or so ago and then write about it. It’s not all I do but it’s now a settled part of my life.

As well as novels do you write short stories?

My first thought was to answer no – but then I reflected on how I started ‘The Five Stone Steps’. I had been intending to write a whodunit set in 1920s South Shields.

A very good friend of mine, Tommy Gordon, had taught me ragtime piano and I knew that his Da’, also Tom, but only ever called Jock, had been a Station Sergeant in the Shields police. I asked him about policing in the twenties and he went to his bookshelves and produced a dusty, dog-eared manuscript of his Da’s memoirs.

As I read these tales of Old South Shields, very much like those my Nan had remembered, I could almost hear Jock Gordon’s whisky voice as he sat down at a table by the fire to set his memories to paper.

I thought that one particular tale about publicans in old Shields putting out a little jug of whisky for the Bobbies on night shift might make a good story. My first book is in fact a collection of short stories but much like a ‘soap’ on telly all the tales connect-up.

What are your hopes for this book?

All my books are self-published with help from Uk Book Publishing in Whitley Bay, a great team. With the stranglehold Amazon has on the book trade it is nigh impossible for a self-publisher to make any money and the few independent bookshops that are left are reluctant to stock self-published books.

The only place in South Shields where my books can be bought is the Shop at The Word, so I rely on social media and word of mouth for my books to get known.

My hope for ‘The Pit Boy’is that a Tale of Old Shields will capture the imagination of folk and remind everyone of what a vibrant industrial town Shields was in the 1900s – that despite the poverty and hardship, folk stuck together, got on with life, and made the most of things.

I’m often accused of living in the past but we should all remember our forebears and their struggles – without them we wouldn’t be here!

Alikivi    June 2026

Search for more John Orton posts on the North East Music & Culture site.

ROKER ROAR with Sunderland poet Ronnie James

Ronnie is in his mid 40s and was educated at Monkwearmouth school. He worked as a mental health therapist for 20 years.

“After leaving my professional life behind I decided to focus on myself and had some counselling and in the sessions found myself writing about the past.”

When he was young Ronnie had a traumatic experience where two of his friends were murdered.

“Talking about the horrendous murders that took place and the lads I knew hasn’t been easy to revisit. But the truth never is. It naturally pushed me towards writing.”  

“Also, in my youth I made a million bad decisions which resulted in a little holiday in the old mental health unit Cherry Knowles in Ryhope. This was also inspiration behind my writing.”

Earlier this year Ronnie met up with a couple of friends who have been supportive of his work. Two examples are added below. He is now looking to get some of his poems and a short story published.

My friend has helped a lot with telling my story and I’ve really taken to poetry and bending words, its great fun.”

“This has all started to come together the last few months, I’ve got a couple of great editors working on the short story. The poems haven’t been edited yet.”

“We’ve had some really good feedback but if I’m honest, I think the story was born in Sunderland and I would like it continue to have a North East connection.”

What are your hopes for the work when it is published?

“I’m hoping the overall work of the two books is a positive message. Even when you think you are at rock bottom, believe it or not you can bounce back.” 

Alikivi    June 2024

This evening by Ronnie James

I wonder the meaning.

As I’m cleaning.

Am I right in believing.

This evening.

Isn’t for thieving.

Its for believing. 

My mate knows the meaning of this evening.

Talking goods times and current achievements

Its not for screaming or disbelieving.

Its time for escaping the machining.

And giving the evening a meaning

Mad Matty by Ronnie James

He resided in the bed next to me.

Long jet black crazy curly hair. As if he’d been electrocuted. God knows why he was there we never spoke. Apparently, I heard some horrible violence some staff I heard saying.

He was drugged to the point he couldn’t talk just laugh and giggle. He needed constant attention from staff. 

He would sleep under my bed at night.

I’d waken to hear a giggle. I’d look to my left and his bed would be empty. Bastards under my bed. I looked under upside down there he is. Giggling laughing, insanity, crazy eyes, evil. This happened a few times.

I went from trying to be his mate to him hissing like a wild cat at me under my bed to me completely exploding with anger to which either situation me being restrained by 3 or 4 men and Matty getting carted off to where ever.

After a few times of that and other situations 1 day he never came back. Apparently, he hung himself. He never got out the asylum.

TOUCHED BY CANCER – Tits Up on tour with actress, writer & theatre producer Alison Stanley

Alison Stanley, Katie Potts, Crissy Rock & Leah Bell.

A UK tour is planned for ‘Tits Up.’ The play is based on the real life story of women with breast cancer. It’s written by Alison Stanley and Leah Bell who also star in the show along with Crissy Rock and Katie Potts. 

The show played at a sold out North East venue this year. You must be pleased with this Alison?

I’m really pleased with how everything is going. The audiences have been great and the reviews have been amazing. I think the subject matter (breast cancer) is relatable to so many people, in fact I really don’t know many people whose lives haven’t been touched by cancer in some way.

I think this play is really important in raising awareness, it looks at the lives of very different women. It looks at women who have caring responsibilities as well as dealing with their diagnosis. This puts an entirely different slant on dealing with cancer when you have to care for others as well.

We also wanted to look at breast cancer in very young women. Most people think breast cancer is an older person’s disease but the fact is young women can get this too. We hope that this play encourages young women to check themselves.

Are you looking forward to the tour and taking the show to new venues?

I’m really looking forward to touring. This tour goes all over the UK in October to coincide with breast cancer awareness month. I’m looking forward to new theatres and new audiences also playing some old favourites. There are some really beautiful theatres in the UK.

We’re also playing in the North East at Alnwick Playhouse, South Shields Customs House and Live Theatre in Newcastle, so it’s great to be showing out on home turf. 

What type of audiences do you think the show will attract?

Cancer affects everyone so we have people who have their own cancer journeys, their families, health professionals and theatre goers who want to be entertained by a great story. All very different audiences of all types of people. The play is raw, honest, heartfelt and at times hilarious. 

‘Tits Up’ starring Crissy Rock, Katie Potts, Leah Bell & Alison Stanley is playing across the UK in October 2026.

Alikivi   May 2026

Links to previous interviews >>>

CLASS ACT in conversation with Newcastle actor, writer & theatre producer Leah Bell | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

THE NAME OF THE GAME with Writer & Theatre producer Alison Stanley | ALIKIVI UK : NORTH EAST MUSIC & CULTURE

THESE ARE MY BOUNDS – new collection from Jarrow born poet, Tom Kelly

Playwright, lyricist and poet Tom Kelly who now lives further up the Tyne river at Blaydon, has released a new collection of poems published by Northumberland based Red Squirrel Press.

‘My collection, prior to ‘These Are My Bounds’ was ‘Walking My Streets’ (interview on site July 2024) published in 2024 and from that point I was building up work for my next collection’ said Tom.

‘I prefer to have new work published in magazines and the majority of poems in a new collection have been published. It allows me to see them more objectively.’

‘Once I’ve had a number of poems published, I begin to select which ones may work in the together. Next is the business of the running order. I found with, ‘These Are My Bounds’ they worked best by moving from past to present. I open the collection with a poem using my grandmother, Maggie Henderson, who died in Jarrow in 1969.’

Tom has had fourteen books published by Red Squirrel Press, the first was ‘The Wrong Jarrow’ from Smokestack Books.

‘That was in 2007 and is now out-of-print. Before these collections I had a number of pamphlets published by a variety of small publishers.’

Tom adds ‘My first pamphlet was the ‘Gibbeting of Wm. Jobling,’ published by the Bede Gallery, Jarrow in 1972.The publication was made up of poetry, prose, contemporary documents and illustrated by Vincent Rea.’

What are your hopes for this new collection?

‘I would, like most poets, to find readers who warm to my work with positive reviews and good sales to have my publisher Sheila Wakefield of Red Squirrel Press publish my next collection.’

Quotes and reviews from previous collections.

‘Another consummate, heart-warming collection from the talented Tom Kelly’.

Alan Morrison, in Morning Star.

‘He writes in a simple style, sometimes in the dialect of his native north-east. What he writes about should never be forgotten, though the rich and the powerful do their best to expunge it from collective memory.’ Review of ‘No Love Rations’, short story collection. MQB  

‘Tom Kelly writes poems that are straightforward and about the people and the places he’s known all his life. The North-East is his “small patch” and its history and traditions loom large in just about everything he writes. If the term “regional writer” means anything it certainly applies to a writer like Kelly. You can see and smell and hear both the past and the present as you read the short, jabbing lines with their penny-plain words.’ The Penniless Press 

‘These Are My Bounds’ available from Red Squirrel Press.

Alikivi   March 2026

CRIMINAL MIND with Cullercoats author Glynis Drew

Glynis was born in Cullercoats, a small fishing village on the North East Coast of England.

‘Where I spent a happy, carefree childhood. Cullercoats Bay was, literally, at the end of my street, and the village had a real community feel – it still does. Now aged 63, I haven’t moved too far from where I grew up.’

Her creative writing journey began at the age of eight.

‘In reality, I was copying the themes and formats of children’s authors. At the age of 11, I was still making notes for my first full-length story book – Five at Mystery Camp!’

‘Leaving school, I wanted to do something other than sit behind a desk – so with the qualifications I had, I was encouraged to spend the next 45 years working behind a desk! I also took on part-time work all within the Cullercoats or North Shields area. I was a barmaid, had a go at working as a housekeeper and one job was cleaning a local morgue. The smell was one of bleach and cleaning products but the atmosphere was spooky and spine tingling. I dreaded every shift – my imagination sometimes does get the better of me.’

Who inspired you to start writing?

‘Growing up, I would spend a lot of time in Cullercoats library, and my first real interest in reading came from Enid Blyton mystery stories. By the time I joined Marden High School in North Shields, it seemed my natural reading progression was to jump from Enid Blyton’s Malory Towers series to James Herbet – The Rats – a huge leap in genre. My imagination was ignited, and my storytelling went up a few notches!’

‘I created my DCI Caron Dell crime fiction novels in 2005, and have written several short stories – none of which are published. I began taking things more seriously when my daughter, Beth, a singer-songwriter, wrote a piece called Stay Young. Something about that song lit a fire in me—and that spark become the basis for my first novel.’

‘To date, I have written and self-published two books from my DCI Caron Dell series: Dying to Stay Young and Where is January Blue?’ 

Have you surprised yourself?

‘I am surprised at how engrossed I have become in my research, whilst developing personality profiles, locations, and murder! Autopsies were an eye-opener, too!’

‘I’m learning something new each time I delve into the world of DCI Caron Dell – she is a stalwart for justice. And, I’m totally bowled over by the interest and support I’ve received, not just from family and friends, but from people I haven’t even met. So, a huge thank you – genuinely, I value everyone’s support.’

 How was your debut book received?

‘My first book Dying to Stay Young, has good reviews on Amazon and five-star reviews in Goodreads. I am delighted by the feedback. Another huge thanks to those who have taken the time to read my books and to those who have left a review.’

‘At the beginning of March 26, Cullercoats Library hosted an event for me to talk about my DCI Dell novels. The venue was very fitting. Providing more detail about DCI Caron Dell and having a face-to-face discussion has encouraged me to continue my storytelling. For my first event, I was grateful for a full room and an engaged audience.’

While researching have you come across any unusual stories?

‘Not unusual, but more surprising. Whilst listening to Professor David Wilson, a Criminology expert, I was shocked by the low number of convictions for crimes against vulnerable groups. With one statistic flooring me – 2% of abuse against women crimes actually lead to a conviction.’

‘Obviously, there is more to the stats, but what is worth noting is that not all crimes are reported, so what is the real percentage? Is it higher or lower? I don’t think we’ll ever know for certain. My interest was piqued, and my hunger to write psychological thrillers grew.’

Would you like to see any of your books adapted for the stage or TV?

‘Absolutely, that would be utopia!’

For further information and upcoming releases contact the official website >>>

 Drews Fiction

Alikivi   March 2026

CREEPING DEATH

As requested, readers of this site have contributed stories featuring supernatural phenomena. 60 year old Jeff Anderson from Washington, County Durham, talked of his experiences.

The paranormal equates to something or some activity that is unknown now but is likely to be known and possibly understood in the future. So, a good example of paranormal activity would include ghost sightings and other spiritual activity of that nature.

It’s the stuff of sixth sense, which we are all aware of in situations when somebody is staring at us from behind, we look around and sure enough someone is. And vice-versa when we stare at someone suddenly they become aware of our stare.

I have over the last few years been equally fortunate and unfortunate to have been exposed to very real paranormal activity.

It was the very height of the Covid-19 pandemic I had been to Lidl one Saturday morning, nothing unusual there. Bonnie my German Shepherd was eagerly awaiting my return to the car. No sooner had I done so when quite inexplicably the car radio started playing and this despite being most definitely being switched off. I had the presence of mind to video the occurrence for future reference.

It sounded like Metallica playing but I wasn’t sure of the song. It turned out to be Creeping Death. I learned later it’s a song about the Biblical pass over featuring the Angel of Death. Creepy right?

On my weekly visit to my elderly parents house I explained to them the car radio occurrence and showed them the video I made that day. I felt someone somewhere was trying to communicate something.

In an instant a powerful gust of wind blew in through the upstairs front bedroom window, it came down the stairs twisting and turning and blew into the living room with such force that it actually blasted open the living room doors. It then turned back on itself and blew out of a small living room window. I mentioned it to my parents but they didn’t want to discuss it.

Unfortunately, my mother suffered a stroke a few year later. One afternoon I visited her in hospital with my Auntie. My mother occupied a room with three other stroke patients. There were just the six of us in the room on this occasion with no medical staff in attendance.

Of the four stroke patients three were asleep including my mam. The other patient was awake lying on her back, staring at the ceiling and occasionally crying out for her mother every few minutes or so, even though she was in her 70s herself. She was unaware of anything going on around her due to a possible dementia diagnosis.

The next thing it started raining mixed with hail and with such force and intensity I thought the window nearest to her might be blown in. After a short while things settled down.

However, the woman in the bed nearest the window was like someone possessed, she no longer cried out for her mother and was now fully aware. She turned her head and looked directly at me in the eye, diverting her gaze away from the ceiling. She even attempted to get out of bed at one point and come over to me. It was then I decided it was a goodtime to leave.

Sadly, my mother died a few months later. Two nights before her funeral I had left my bedroom window open only to be awoken at 3am by a strong gust of wind, so powerful it took every ounce of my physical strength to slam the window shut. Before I managed to close it the wind blasted me directly in the face, at which point an image of mother’s face unexpectedly appeared in my mind’s eye.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

SPIRITS IN THE MATERIAL WORLD

As requested, readers of this site have contributed stories featuring supernatural phenomena. Actor and theatre producer Alison Stanley talked of her experiences. Featured in this story is a medieval castle in Chillingham, Northumberland which is reported to be one of the UK’s most haunted castles.

In the past I’ve been a celebrant at funerals and enjoy doing it. I’ve always been interested in spiritualism. I believe in a next life. We’ve talked about what happens when you die and we’ve mentioned ghosts, spirituality and the like people believe different things explained Alison.

Some say when you die you just die and there is no afterlife. But how do they know for sure? And by the laws of science we are a ball of energy and by those laws it doesn’t die so where does that energy go? The physical body dies and is buried or cremated but what happens to the energy? It’s an interesting subject.

A few years ago we went to Chillingham Castle on a day trip. There was me, my mother, my youngest son and my step dad. It was a grey dark day lashing down with rain. We were driving along the country roads getting near the castle. We turned a corner and saw an old woman in a red coat standing at the side of the road. She wasn’t old as somebody from the 1800s but there was something about her that didn’t look right. We all remarked about this woman who was in the middle of nowhere really.

I looked in my rear view mirror and she was standing looking at the car. Where did she come from as there were no houses around maybe she has dementia? I just wasn’t sure I couldn’t put my finger on it. What really was wrong was she didn’t look wet she was bone dry. But it was lashing down?

We get in to Chillingham Castle and looked at all the artefacts and stuff it’s quite cluttered. On one of the clothes dummies was a lady with a red coat and she had a hat on. It was from one of the women who had worked there as a housekeeper. I swear it was the same coat we had seen.

Another time was 10 years ago. We were sitting in a bar called the Pig & Whistle in Hollywood which is a very theatrical, grand sort of place. I went through a red velvet curtain to the toilet downstairs and after four steps I couldn’t go any further, I stopped because I froze and the hairs on the back of my neck stood up. There was no way I could go any further down the stairs.

I came straight back up and told my husband we’re going to another bar for a drink because there is no way on God’s earth I’m going to the toilet here. Later we found out there had been a fire there and there was strong spiritual activity in the pub.

I think if someone is in the next life and they visit you I think it’s a bit of an honour really. They might have plenty to do and they have taken time out of their day to see you – so yes, it’s an honour.

More revelations of supernatural phenomena will feature on this site. If you want to share your experience don’t hesitate to get in touch.

October 2025

CLASS ACT in conversation with Newcastle actor, writer & theatre producer Leah Bell

We’re sitting in the Centurion bar at Newcastle’s Central Station where I first met Leah back in 2021 where she talked about learning her craft in North East workingmen’s clubs from the age of 15, working with Bobby Thompson, touring with Ken Dodd in the ‘70s and appearing in panto with David Jason.

Now, after nearly 60 years in the business I was interested to find out just how did you survive in the arts?

This industry has always been tough for working class. I do promotion and acting, I’ve been writing with Alison (Stanley who featured in previous post) I’m busy all the time. When you’ve asked me is there weeks when I have nothing on, well no, I’m always busy.

Like when I started a production company in Jersey about 30 year ago. We would do plays or musicals but if we went on tour I would always play a role in it keeping an eye on things making sure there were no issues. You take on a couple of roles. That’s how I survive.

You can never say I’ll be working 52 weeks a year. But there was a time you’d wonder where you’ll be for summer season. I remember going to Jersey in March and not coming back till October. Whereas now it’s I wonder if I’ll get a summer season.

Some people take shows out to Europe. My niece Hariet has her own production company and she does a lot of work abroad. Although you’ve got to be careful who you work for.

In the 1970s I took a contract for South Africa when apartheid was in full flight. When I look back, I didn’t understand what apartheid was all about then. You couldn’t pick your phone up and read about it.

It was a total culture shock at 19 year old – like wow here we are in Durban. Then I ended up working in Rhodesia – it’s not called that now. The agent asked me to drive from Rhodesia to Cape Town – a very long way and I did it by myself. My mother didn’t know. I look back and think how did I do that and why!

Comedy and singing musical theatre was what I was doing on the Crazy Horse saloon circuit. It was quite unique for a female to be performing on stage, plus there were plenty other English acts going out. I think some British guys had bought into the Crazy Horse clubs and subsequently tapped into the UK club market.

Back then there were hundreds of entertainers plus it was a real show it wasn’t just a few singers getting up we had all the costumes and gear for a proper show.But as I’ve said back then you couldn’t pick your phone up and read about apartheid. I mean, I lived in Benwell all me life.

I remember flying back home and me ma’ and da’ met me at Newcastle airport. ‘I’m home at last’ I said as I flung myself at them ‘You must be the only lass who’s happy to be in Benwell’ said me Da.

I travelled a fair bit. I went to Australia twice a year for six years in the 80s. I just loved their lifestyle. I also performed at the American military bases in Germany. I remember the agent John Rae from Spennymoor here in the North East organised one tour. There were a few of us and he drove us around in a mini bus. He had all the responsibility and the things we done he must have wanted to kill us sometimes.

All this experience of understanding an audience has helped when I’m putting a show together. You see the show differently from actors who only see it from their point of view.

I remember doing Catherine Cookson’s ‘The Cinder Path’. I had Nicky Cochrane in it who played Steve McDonalds brother in Coronation Street. He was playing Ginger Slater, essentially the baddie. I gave myself a character called the fishwife who kept the story going and throwing a few laughs in as it was heavy going.

One show we were doing a matinee at Billingham Forum. I was waiting with Nicky to go on stage for our scene when he turned to me ‘Leah, this is a tough crowd’. I replied ‘Farringdon Social Club was a tough crowd this is a walk over’.  A bunch of pensioners on the front row who might nod off would not present a problem.

Club audiences had a reputation for being tough but that was only because they weren’t there prepared to put up with anything. You had to be good. You had to know your stuff. That’s been a great backbone for work that I do now. How to read an audience. They’ve paid their money and tickets can be pricey for a whole family so you have a responsibility. That crowd need to be entertained.

I was brought up in variety but now I only do one variety show a year that’s the Silver Bells Christmas variety show for three nights at the Phoenix Theatre in Blyth. Looking around there were a lot of young people coming up but their take on variety was different from mine. I was old school. I’m not saying it was better in my day just different. So, I thought to keep working I’d just change what I’m doing. I’m going to step up. I went and done panto as well that led me to acting which I really enjoyed.

For the Blyth variety show we do sketches and a few gags a typical show I really enjoy it. I use the pantomime cast so there’s a lot of us on stage and this year it’s with Tommy Cannon who is a good friend. The poster said Cannon & Bell but when it was done large the Bell looked like Ball!

Tommy and his wife were up recently and we got watching some of the old TV shows like Wheeltappers and Shunters Club and yes it was a laugh but we were saying we wouldn’t dare say that type of joke now. Time has moved on. And so it should.

What am I doing now? ‘Dirty Dusting’ written by Ed Waugh is on tour in October. We’ve got my good friend Chrissy Rock (Benidorm) in it with Vanessa Karon and Paul Dunn. Can you believe the show still sells out. It was originally performed over 20 years ago. First time I did it was 12 years ago and it’s been on tour at least twice a year every year.

From late November through December, we have ‘Sleeping Beauty’ panto at Consett Empire with Marcus Collins from X Factor then next year Alison Stanley and I have ‘Tit’s Up’ going out on tour. That play is about the relationship between three ladies as they wait in the Oncology department in hospital.

It’s sharp, it’s funny, we wrote it together. Some of the shows funnier bits are added on the spur of the moment and Alison tells me to write them down for the next show cos ‘you might forget it’. My character is nosey she wants to know everybody’s business, she thinks she’s gone for a day out.

We’ve just done a short tour and it’s done well at the box office. On the first performance me and Alison were nervous because some ladies from the Cancer Society were in the audience.

Mentally and physicaly I feel better now than when I was 40. I’m 72 now but I’ve always been energetic and kept busy and turn up early for work. I’m happy to have made the move from variety to acting. The world has moved on and so it should. Would I ever retire? No chance.

Alikivi   October 2025

Link to July 2021 interview >>>

TAKE A BOW – writer, actress & theatre producer, Leah Bell | ALIKIVI : NORTH EAST UK CULTURE

THE WORD IS HALDANE

Former Shields Gazette graphic artist David Haldane established himself as one of the top cartoonists in the world. Blyth born David, now 70, worked for the Gazette from 1977 to 1983, he currently creates cartoons for The Observer and Private Eye and had his work regularly produced in Punch, The Express, Mirror, Guardian, Telegraph, Daily Mail and the Sunday Times. He also contributed sketches to the original TV series Spitting Image.

However, it is for producing cartoons for The Times from 2005 until 2017 that David made his mark, transforming him into one of the best cartoonists in the world.

South Shields playwright Ed Waugh has been asked to host an evening in conversation with David at The Word in South Shields on Wednesday September 24th at 1pm. He said:  “I’ve known David for 20 years or so and he’s both very sharp and very funny. You have to be to create top-class satirical cartoons every day, often at very short notice, for national newspaper front pages.”

He added: “David’s career stories are both deep and hilarious. It will be a fantastic event for people who want a laugh and those who want to find out about some of the stories behind the many thousands of tremendous cartoons David has created and had published.”  

The event follows his sold-out illustrated talks at the prestigious Lit & Phil in Newcastle and Blyth Library. The talk on Wednesday, September 24 at 1pm is part of The Word’s WRITE Festival. 

Tickets for In Conversation With David Haldane at The Word cost only £3 and can be bought on line >>> https://theworduk.org/whats-on/top-cartoonist-david-haldane-in-conversation-with-ed-waugh/ or via (0191) 4271818.

Link to previous interview with David in June 2025 >>>

COMIC STRIP PRESENTS Northumberland cartoonist David Haldane | ALIKIVI : NORTH EAST UK CULTURE 

RISKY BUSINESS – in conversation with writer, actor & theatre producer Alison Stanley

Have you ever wondered how working class people survive in the arts and creative industry? From my own experience I can tell you it’s hard. Very hard.

In the early days of the 1990s I had a weekly diet of baked tatties. I’d go to me ma’s for me Sunda’ dinna. I got by.

It’s surprisingly full for a Tuesday morning in Newcastle’s Central Station bar The Centurion when I spot Alison. Looking resplendent in her beret while finishing off a bacon sarnie we find a quieter place to talk. She throws back her head and laugh’s out loud when I ask her have you ever had a proper job?

Yes, I was at the Inland Revenue for years. When I was there, I thought of myself as a resting writer, a resting actor but really found it soul destroying.

Sometimes you have to take jobs that you wouldn’t choose to do to survive in the creative industry. You have to get by. I’ve been lucky that my husband who doesn’t work in the arts, has a full time job and supports me fully as do all my family.

An opportunity to work as a library assistant in North Tyneside Council came up. I love the smell of books so the idea of being surrounded by them was great. I loved being involved when schools came in, I would read stories for the kids and put on various events.

The job was part time so it gave me more time to focus on what I should be doing – writing. I became busier in my creative work and was being offered jobs that I couldn’t turn down so had to decide if I was working in a library or an actor. You have to take the leap, you have to believe in what you are.

I’ve been acting now for about ten years. A freelance creative has always been my career choice that’s in all of my disciplines that I’ve worked in from actor to writer to theatre producer now film making.

I decided years ago to go out and make my own work rather than wait for someone to knock on the door and offer something – that doesn’t happen. You’ve got to get your name out there to increase your network. That would be my advice to anyone starting in this business. You’ve got to take chances. This is what I do. It’s a mind set.

I consider myself as a socio-economic playwrite. I write about subjects that are relatable to people, quite pertinent and pushing boundaries seeing how far you can go. If it makes people laugh, cry or squirm I’ve done my job. It’s important to me to be challenging and turn a spotlight on real issues.

I’ve got a few projects that I’m working on now. Lately we’ve been touring ‘Living the Life of Riley’ around the North East which was great and that is going out again in February 2026. ‘Life of Riley’ has been in the works since 2016.

And another short North East tour for ‘Tits Up’ co-written with Leah Bell. That’s planned for another tour next year. Really pleased with that as it’s sold out now.

That’s a play about three women who meet when they are diagnosed with cancer and how it impacts on them and how they deal with it. Unfortunately, we live through a time where if it’s not breast cancer it’s some form of cancer that lives are touched by. The play is both heartwarming and heartbreaking.

In ‘Tits Up’ there is someone who is diagnosed with cancer and there is the carer who she couldn’t manage without. That is real stress. You’re worried about the situation and the endgame that might be coming.

Of course, we all fall off our seats laughing with the actor Leah Bell but there is a serious side which comes through. There is a balance we have to get right.

My ambition is to produce more plays outside the North East and tour nationally, which ‘Living the Life of Riley’ is already doing and we are working towards that with ‘Tits Up’. We have taken ‘Hard’ to London and it’s definitely something we want to pursue more.

Screenwriting is something else that I’m starting to do. I filmed a scene from ‘Hard’ over two days on a shoestring budget and I loved it plus it has been awarded three times in UK film festivals so that spurs you on.

I’m interested in using latest phone technology for film making and being creative with it, keeping it fresh. I roped in Leah Bell and Tony Hodge (Byker Grove) to be involved. Really looking forward to more. I’m excited about it.

Have I got time for anything else? Me mother Rose was a talented writer but didn’t have anything published. When she passed away last year, I started a writing competition for Working Class Women Over 35. The first winner is announced in October this year and next year the play is produced at Laurels in Whitley Bay.

Also, it’s early stages at the minute but I’m writing a few fictional stories about events that happen in a town. That’s maybe for a book. I’m really enjoying it there is no deadline so it’s sort of like a hobby but we’ll see where it goes. Owt really that stops me getting a proper job!

Alikivi   August 2025

Links to previous interviews >>>

DREAM CATCHER – in conversation with writer & performer Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

DREAM CATCHER #2 in conversation with Alison Stanley from Newcastle based theatre company, Life of Riley. | ALIKIVI : NORTH EAST UK CULTURE

COME AGAIN in conversation with writer & actor, Alison Stanley part 1/2 | ALIKIVI : NORTH EAST UK CULTURE

NOTHING LIKE SHOW BUSINESS in conversation with writer & actor Alison Stanley 2/2 | ALIKIVI : NORTH EAST UK CULTURE

YOU NEED TO SAY SORRY – new play by writer & actor, Alison Stanley | ALIKIVI : NORTH EAST UK CULTURE